Aaron Copland collection, 1841-1991

Index for Articles with AC numbers

Copland numbered consecutively some of his published articles; when known, the numbers are given after the alphabetical arrangement by title in the series of the container list. Below is a listing of the works in AC numerical order.

AC No.	Title	Box/Folder
2	What Europe means to the aspiring composer, 1925	230/4
4	Defends the music of Mahler [Letter to the editor], 1925	198/28
7	Jazz structure and influence, 1927	199/16
8	Baden-Baden, 1927	197/21
9	Stravinsky's "Oedipus Rex", 1928	202/8
10	Music since 1920, 1928	200/7
12	The lyricism of Milhaud, 1929	199/27
13	From a composer's notebook, 1929	199/7
14	A note on Nadia Boulanger, 1928	229/18
15	Modern orchestration surveyed, 1930	199/32
16	Contemporaries at Oxford, 1931	198/19
17	Stravinsky and Hindemith premieres, 1932	202/7
18	The composer and his critic, 1932	198/1
19	The composer in America, 1923-1933, 1933	198/6
20	One hundred and fourteen songs, 1934	200/25
21A	A note on young composers, 1935	200/18
21	Scherchen on conducting and Ewen on composers [Book review], 1935	201/21
22	The American composer gets a break, 1935	197/11
23	Active market in new music records, 1936	197/7
24	Discoveries of a music critic , by Paul Rosenfeld [Book review], 1936	198/30
25	Our younger generation - ten years later, 1936	201/4
25A	The world of the phonograph, 1937	202/20
26	Scores and records, 1936	201/23
27	Mexican composer, n.d.	229/12
28	Thomson's musical state [Book review], 1939	202/12
29	Is there a revolution in the arts?, 1940	199/15
30	Second thoughts on Hollywood, 1940	201/27
32	The composers get wise, 1940	198/12
36	Five post-romantics, 1941	198/35
36A	La música en el extranjero, 1941	200/9
37	The composers of South America, 1942	198/16
39	From the '20's to the '40's and beyond, 1943	199/8
40	Faure [sic] festival at Harvard, 1945	198/33
40	Music for the theatre , n.d.	200/2
40	Serge Koussevitzky and the American composer, 1944	202/1
41	On the notation of music, 1944	200/23
42	The American composer today, n.d.	197/12
42	Notes on a cowboy ballet, n.d.	200/19
44	Neglected works: A symposium, 1946	200/15
45	Benjamin Britten: The Rape of Lucretia , an opera in two acts [Music review], 1947	197/23
46A	Aaron Copland writes from South America, 1947	197/5
48	Composer's report on music in South America, 1947	198/10
Tr49	Eine neue amerikanische Komponistengeneration, 1948	200/16
49	The new 'school' of American composers, 1948	229/17
Tr49	Nueva generatión de compositores norteaméricanos, 1947	200/21
50	The art of Darius Milhaud, 1948	197/17
Tr50	Sobre la música en el cine, n.d.	202/2
51	Stefan Wolpe: Two songs for alto and piano [Music review], 1948	202/6
52	What is Jewish music?: The music of Israel [Book review], 1949	230/5
Tr53	La música per film: nuovo mezzo di espressione musicale, n.d.	200/11
53	Tip to moviegoers: Take off those ear-muffs?, 1949	230/2
54	The world of a-tonality: Schoenberg and his school [Book review], 1949	230/7
56A	[Letters to the editor], New York Times Magazine , 14 Jan. 1950	229/10
56	A modernist defends modern music, 1949	229/14
58	Leon Kirchner: Duo for violin and piano [Music review], 1950	199/19
59	The American musical scene, 1950	229/1
61	Current chronicle: United States, New York, 1951	198/26
62A	Tanglewood: 1952, [1952]	202/10
63	An indictment of the fourth B, 1952	229/8
64A	Always in my thoughts, 1953	197/8
64	Are my ears on wrong? A reply to Mr. Henry Pleasants, 1955	197/16
64	The gifted listener, 1952	199/9
65	Creativity in America, 1952	198/25
66	Music out of everywhere: Notes without music. An autobiography , by Darius Milhaud [Book review], 1953	229/16
67	The essence remained. The life and music of Béla Bartók . Halsey Stevens [Book review], 1953	229/4
69	Festival in Caracas: Recent Venezuelan event was devoted to composers of Latin America, 1954	198/34
70, 070A	Music and the human spirit, 1954	199/33
Tr70	La música como aspecto del espiritu humano, n.d.	200/8
71(72)	Modern music: 'Fresh and different', 1955	229/13
73	At the thought of Mozart, 1956	197/20
74	Rubin Goldmark: A tribute, 1956	201/18
75	El compositor en los Estados Unidos, 1959	229/3
75	Report on American music, 1956	201/17
76	The dilemma of our symphony orchestra, 1956	198/29
81A	The pleasures of music, 1959	201/12
81B	The pleasures of music, 1959	230/1
82	'A vital and varied music', n.d.	230/3
83	Composers in Russia, 1960	198/13
84	Nadia Boulanger: An affectionate portrait, 1960	200/13
86	Composers and composing, 1960	198/11
87	Oper für Amerika, 1960	201/2
89	Making music in the star-spangled manner, 1960	199/28
91	The composer as critic, 1961	198/4
92	A composer's praise, 1962	198/9
93	A visit to Snape, 1963	202/15
94	A quarter-century reflection, 1963	201/14
98	ASCAP and the symphonic composer, 1964	229/2
99A	America's cultural explosion - its scope and challenge	226/10
100	In memory of Marc Blitzstein (1905-1964), 1964	199/11
102	Music: My way of life, 1964	229/15
103	An open letter about the BBC, 1965	201/1
104	The contemporary scene, 1966	198/21
106	Irving Fine (1914-1962), 1962	199/13
110	A tribute to Nadia Boulanger, 1967	202/13
112	When private and public worlds meet, 1968	202/17
113	Aaron Copland: A visit to Israel, 1969	197/3
113	A visit to Israel, 1969	202/14
114	Piano music of Noël Lee, n.d.	201/10
116	Composers in the university, 1970	198/14
116	Is the university too much with us?, 1970	199/14
117	Copland salutes Boulanger, 1977	198/23
118	Claire Reis (1889-1978), 1978	197/26
123	A salute to the Schwann, n.d.	201/20