Access and Use | Administrative Information | Appendix A: Sound Recordings Transferred to MBRS | Headings | Appendix C: Bayerische Staatsbibliothek | Appendix D: Harvard University | Appendix E: Moldenhauer Archives, Spokane, Washington | Appendix F: Northwestern University | Appendix G: Paul Sacher Stiftung | Appendix H: Washington State University | Appendix I: Whitworth College | Appendix J: Wiener Stadt- u. Landesbibliothek | Appendix K: Zentralbibliothek Zürich
Appendix C: Bayerische Staatsbibliothek
Moldenhauer Archives at Bayerische Staatsbibliothek |
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Beer-Walbrunn, Anton |
Mus. ms.: String Quartet in C Major, 1891. Score, parts |
2 L.: to Widmann. Munich, 9 Feb., 17 Dec. 1925 |
Beethoven, Ludwig van |
Related Collection Materials seeBülow, Hans von |
Berg, Alban |
A. Mus. ms.: Kontrapunktstudien, ca. 1905. 7p., 34.5x26cm. |
A. Mus. ms. S.: Lulu, Act I, scene 3, to Schloss, Oct. 1931. 3p., 35x27cm., pencil. Particell fragment. See libretto below |
A. Mus. ms.: [same]. 1 leaf, 25x10cm., black ink, pencil. Draft of the ragtime music, measures 1007-1021; plus rhythmic sketch of opening, measures 991-93 |
Digital image available |
Mus. ms.: Ein Orchesterlied, op. 4, no. 5, arranged for piano, harmonium, violin, and violoncello, Mar. 1917, to Alma Mahler |
Mus. ms.: 7 frühe Lieder. The complete cycle which served for the preparation of the printed edition. no. 5, Im Zimmer, is entirely in Berg's autograph. The other songs are partly in his handwriting, and all bear his markings |
Mus. ms.: 7 frühe Lieder, Im Zimmer. Transposed by Berg |
Mus. ms.: Viel Träume, op. 7, no. 2, ca. 1902 |
Mus. ms.: Der Wein. Particell. 18p. |
3 L.: to Hildegard Jone. 1923, 1932, 1935 |
50 L.: to Otto Jokl. 1926-1935. Includes letter addressed to Jokl, Apostel, and Schloss, 1934. With many corrections, musical illustrations |
10 L.: to Norbert Schwarzmann. 1925 |
L.: to Webern. 1925 |
L.: to Knudsen. 3 Mar. 1926 |
L.: to Mrs. Stiedry |
14 L.: to Ruzena Herlinger. 1927-1935 |
L.: to Ludwig Karpath. Vienna, 11 Dec. 1928 |
10 L.: to Josef Humplik. 1928-1930 |
L.: to Fritz Mahler. Vienna, 27 May 1930 |
2 L.: to Paul Sanders. Vienna, 14 Oct. 1930, Mar. 1933 |
5 L.: to Adolph Weiss. 1931, 1934 |
L.: to Fritz Stiedry. 28 May 1932 |
L.: to Werner Reinhart. June 1932 |
L.: to Paul A. Pisk. 13 July 1932 |
L.: to Hans Heinsheimer. 22 June 1934. On a copy of a letter to Berg, from Fitelberg |
2 L.: to Arnold Schoenberg. Drafts, 1933, [1934]. Also draft to Gertrud Schoenberg, 1934 |
2 L.: to Pollak. 8 Aug. 1934, 15 Aug. 1935 |
L.: to Johan Franco. Vienna, 24 Apr. 1935 |
L.: to Peter Jirak. 18 Oct. 1935 |
L.: to Josef Polnauer. Vienna, n.d. |
9 L.: to Willi Reich. With two additional notes to Reich, news clippings, and the proposal for the Wozzeck cigarette |
138 L.: to Julius Schloss. With additional invitations, copies of letters |
8 L.: including letters to the BBC |
Doc.: Correspondence. Regarding the first production of Wozzeck, including letters and cards from Fritz Busch, Johanna Klemperer, Ernst Lert, Richard Lert, Otto Lohse, Franz Schalk, Bernhard Schuster, Waldheim-Eberle AG, and others |
Doc.: Critique. By Julius Korngold, and reply by Berg |
Doc.: Outline. Berg's ideal for a Wozzeck cast |
Doc.: Typescript. Lecture on Wozzeck, with annotations by Berg, Reich |
Doc.: Additional autograph documents include notes, drafts, annotations on clippings, radio programs, printed scores, programs |
Lib. A. Annot.: Lulu. Typescript with autograph annotations, pp.1-19, 51 only. On bottom of the page and on verso, Berg writes an outline of symphonic excerpts from Lulu, including designation of musical forms, and text of "Lied der Lulu" |
Pri. Sco. A. Rev.: Der Wein. Piano-vocal score. Proofs, with autograph corrections. With additional copy of first printed edition, including coaching directions by Webern, and annotations by Berg |
Pri. Sco. A. Annot.: Wozzeck. Piano-vocal score. First edition, with numerous autograph annotations |
Engr.: Berg's birthplace |
Port. Phot. S.: several, including one to Julius Schloss (May 1928) with musical quotation |
Port. Paint.: by Hildegard Jone |
2 Port. Draw.: by Hildegard Jone |
Berg, Helene |
L.: to Mrs. Zemlinsky. Vienna, 25 June 1923 |
2 L.: to Ruzena Herlinger. 1932, 1936 |
L.: to Julius Schloss. Hof-Gastein, 11 Feb. 1936 |
9 L.: to Otto Jokl. 1938, 1946-1949 |
L.: to Fritz Mahler. Vienna, 14 Oct. 1955 |
9 L.: to Alma Mahler. 1957-1959 |
12 L.: to Hanna Schwarz. Vienna, Veldon, 1967-1973 |
L.: to Hans Moldenhauer |
Doc.: Typescript. Vienna, 15 July 1970. Describing Berg's last illness, personally given to Hans Moldenhauer. Unpublished |
Blacher, Boris |
Related Collection Materials seeHartmann, Karl Amadeus |
Büchtger, Fritz |
Mus. ms.: Weihnachtsoratorium, Drei Könige, 1959 |
11 L.: Munich, 1959-1962 |
Port. |
Bülow, Hans von |
Mus. ms.: Militärmarsch by Beethoven, arranged by von Bülow for piano solo |
L.: Berlin, 31 Oct. 1858 |
Dessau, Paul |
Related Collection Materials seeHartmann, Karl Amadeus |
Destouches, Franz Seraph von |
L.: Weimar, 27 Jan. 1808 |
Egk, Werner |
Mus. ms.: Irische Legende |
L.: to Hans Moldenhauer. 22 Feb. 1960 |
Port. |
Fraenkel, Wolfgang |
NB: The following music manuscripts may consist of and include additional items such as condensed sketches, scores, parts, transparencies, drafts, printed scores, sound recordings, or other materials. |
Mus. ms.: Die 82. Sure des Koran, 1936 |
Mus. ms.: Aphoristische Symphonie, 1970 |
Mus. ms.: Ballade in C-Moll, 1923 |
Mus. ms.: Blaue Stunde, 1919 |
Mus. ms.: Der Brennende Dornbusch, 1928 |
Mus. ms.: Burleske, 1922 |
Mus. ms.: Cantata brevis, 1933 |
Mus. ms.: Chanson, 1935 |
Mus. ms.: Chinese Song, [ca. 1960] |
Mus. ms.: Divertimentum Canonicum, 1935. Excerpt |
Mus. ms.: [Drafts and sketches for 14 early songs] |
Mus. ms.: Drei Gesänge, 1924 |
Mus. ms.: 3 Klavierstücke, 1913 |
Mus. ms.: 3 Lieder nach chinesischen Dichtern für Altstimme und Orchester, 1941 |
Mus. ms.: 13 Lieder, 1919 |
Mus. ms.: Dritte Symphonie, 1940 |
Mus. ms.: Duo für Geige und Bratsche, 1917 |
Mus. ms.: Filippo and his Flute, 1948 |
Mus. ms.: An eine Fremde, Dunkele Frau, 1921 |
Mus. ms.: Frühe Klavierwerke, 1919-1923 |
Mus. ms.: 5 Lieder, 1914 |
Mus. ms.: 5 Lieder, 1915 |
Mus. ms.: 5 Lieder, 1921 |
Mus. ms.: Fünf Lieder nach Gedichten von Christian Morgenstern, 1928 |
Mus. ms.: Fünf Stücke von Frescobaldi, bearbeitet für Orchester, 1958 |
Mus. ms.: Im Garten des Serails, 1921 |
Mus. ms.: Gavotte und Musette aus der Englischen Suite in G-Moll by Bach, 1939 |
Mus. ms.: Gesellschaft im Herbst, 1962 |
Mus. ms.: Die Heimkehr, 1915 |
Mus. ms.: In himmelblauer Ferne, 1919 |
Mus. ms.: Hölle, Weg, Erde, 1944 |
Mus. ms.: Impromptu in As-Dur, 1919 |
Mus. ms.: Impromptu in Es-Dur, 1918 |
Mus. ms.: Impromptu in D-Dur, 1921 |
Mus. ms.: Impromptu in D-Moll, 1919 |
Mus. ms.: Impromptu in F-Dur, 1919 |
Mus. ms.: Invention, 1951 |
Mus. ms.: Jazz, 1927 |
Mus. ms.: Des Jungen Joseph-Osarsiph wundersamer Abendsegen und Sterbespruch, 1968 |
Mus. ms.: [Kadenzen, to Mozart's Serenades, K. 204, K. 250; Konzert in G-Dur für Flöte und Orchester, 1933] |
Mus. ms.: Klavierstück, 1964 |
Mus. ms.: Klavierwerke, 1925-1964 |
Mus. ms.: Konzert für Flöte und Orchester, 1930 |
Mus. ms.: Konzert für Violoncello und Orchester, 1935 |
Mus. ms.: Kyrie, 1921 |
Mus. ms.: Langsamer Satz by Webern |
Mus. ms.: Liebesgedichte, 1919 |
Mus. ms.: Meeressrand, 1913 |
Mus. ms.: Mein Sterbelied, 1921 |
Mus. ms.: Missa aphoristica, 1973. With additional blueprint score |
Mus. ms.: Mitternacht, 1919 |
Mus. ms.: Motette |
Mus. ms.: Musik zum Faust, [ca. 1908-1910] |
Mus. ms.: Musik für Orchester (Symphonie), 1948, 1949 |
Mus. ms.: Musik für Violine allein, 1954 |
Mus. ms.: Musik (Sonate) für Cello allein, 1933 |
2 Mus. mss.: One Step, 1919, 1927 |
Mus. ms.: Passacaglia in Fis-Moll, 1923 |
Mus. ms.: Passacaglia in G-Moll by Handel, 1939 |
Mus. ms.: Pontius Pilatus. With additional typescript of libretto |
Mus. ms.: Portrait of an American Town, 1957 |
Mus. ms.: Preludium und Fuge in C-Moll, 1933 |
Mus. ms.: Priester-Chor, 1912 |
Mus. ms.: Pythia, 1921 |
Mus. ms.: Quartette, 1919 |
Mus. ms.: Requiem, 1915 |
Mus. ms.: Resurrexit, 1913 |
Mus. ms.: Ritter Olaf, 1915 |
Mus. ms.: Romanze, 1915 |
Mus. ms.: Scherz, List, und Rache, 1918 |
Mus. ms.: 6 frühe Lieder, 1914-1921 |
Mus. ms.: 6 Lieder, 1922 |
Mus. ms.: Sérénade amoureuse, 1918 |
Mus. ms.: Serenade in F-Dur, 1920 |
Mus. ms.: 7 Lieder, 1920 |
Mus. ms.: 7 Preludes, 1921 |
Mus. ms.: Sinfonia, 1956 |
Mus. ms.: Sommerduft, 1919 |
Mus. ms.: Sonate, 1911 |
Mus. ms.: Sonate für Bratsche allein, 1929 |
Mus. ms.: Sonate für Bratsche und Pianoforte, 1963 |
Mus. ms.: Sonate für Cello und Klavier, 1934 |
Mus. ms.: Sonate für Pianoforte Solo, (Musik für Pianoforte, no. 2), 1930 |
Mus. ms.: Sonate für Violine und Klavier, 1935 |
Mus. ms.: Sonate in C-Dur, 1921 |
Mus. ms.: Sonate in D-Moll, 1916 |
Mus. ms.: Sonate in D-Moll, 1919 |
Mus. ms.: Sonate in Es-Dur, 1920 |
Mus. ms.: Sonate in G-Moll, 1915 |
Mus. ms.: Sonatine für Klavier, 1925 |
Mus. ms.: Sonne und Fleisch, 1949. Excerpt |
Mus. ms.: Streichquartett, 1949 |
Mus. ms.: Streichquartett, 1960 |
Mus. ms.: Streichquartett in F-Dur, 1923 |
Mus. ms.: Streichquartett in Fis-Moll, 1924 |
Mus. ms.: Streichquintett, 1976 |
Mus. ms.: Suite, 1924 |
Mus. ms.: Suite in G-Moll, 1918 |
Mus. ms.: Symphonie, 1962 |
Mus. ms.: Symphonie in D-Moll, 1920 |
Mus. ms.: Symphonische Aphorismen, 1959 |
Mus. ms.: Toccata für Orgel, 1934 |
Mus. ms.: Tor und Tod, 1916 |
Mus. ms.: Trio-Sonate für Orgel in G-Dur by Bach, 1936 |
Mus. ms.: Valse, 1918 |
Mus. ms.: Variationen in C-Dur, 1918 |
Mus. ms.: Variationen und Fantasien über ein Thema von Arnold Schoenberg, 1954 |
Mus. ms.: 4 Lieder, 1913 |
Mus. ms.: 4 Lieder, 1919 |
Mus. ms.: IV. Symphonie, 1943 |
Mus. ms.: 4 Totenlieder, 1915 |
Mus. ms.: Der Wegweiser, 1931 |
Mus. ms.: Auf Wiedersehen, 1921 |
Mus. ms.: Der Wingwurz, 1924 |
Mus. ms.: 2 Lieder, 1913 |
Mus. ms.: 2 Lieder, 1919 |
Mus. ms.: Zwei Lieder, 1934 |
Mus. ms.: 2 Sonaten, 1918 |
Mus. ms.: Zweite Symphonie, 1937 |
Mus. ms. Repro.: 3 Orchesterlieder, 1941 |
Mus. ms. Repro.: 4 Klavierstücke, 1937 |
Fraenzl, Ferdinand |
L.: to Johann André. Moscow, 30 May/11 June 1804 |
2 L.: Munich, 18 June 1815, 11 May 1822 |
Frank, Ernst |
5 L.: to Franz von Holstein. Mannhein, 1875. With musical illustrations |
Genzmer, Harald |
Mus. ms.: Concerto for Violin and Small Orchestra, 1959. Sketches |
Mus. ms.: Prolog, 1959. Sketches |
4 L.: to Hans Moldenhauer. Munich, 1959, 1960 |
Haas, Joseph |
Mus. ms.: Nachtwandler, op. 102, 1950. Includes draft in condensed score, piano part, and typescript |
L.: to Paul A. Pisk. Munich, 25 Nov. 1925 |
L.: to Tischer. Munich, 20 Dec. 1926 |
L.: to Hans Moldenhauer. Munich, 7 Mar. 1958 |
L.: Munich, 18 Apr. 1959. On verso, portrait reproduction, to Hans Moldenhauer |
Hartmann, Karl Amadeus |
Mus. ms.: Anno 48-Friede, 1936. Includes libretto, corrections, and other documents |
Mus. ms.: Gesangsszene, to Hans Moldenhauer. Sketches and complete draft |
Mus. ms.: [Sketches]: Concerto funebre, Konzert für Bratsche und Klavier, Simplicius Simplicissimus, [Symphonies, including Nos. 1, 5, 6, 7], Symphonische Ouverture, and many more unidentified sketches |
Mus. ms.: Streichquartett, "Carillon," 1934. Full score, with accompanying newspaper clippings |
Mus. ms.: Suite for Violin Solo. Unpublished |
Related Collection Materials seeStravinsky, Igor |
Hausegger, Siegmund von |
L.: to Karl Weigl. Munich, 13 June 1928 |
Henze, Hans Werner |
Related Collection Materials seeHartmann, Karl Amadeus |
Höller, Karl |
Mus. ms.: Sweelinck-Variationen für Orchester, op. 56 |
2 L.: to Hans Moldenhauer. Munich, New York, 27 Apr. 1959, 29 Feb. 1961 |
Jokl, Otto |
Mus. ms.: Abend |
Mus. ms.: Abseits, op. 17 |
Mus. ms.: Beauty |
Mus. ms.: Die Braut spricht |
Mus. ms.: The Brothers |
2 Mus. mss.: Chartless; Autumn Sky |
Mus. ms.: Dance of the Puppets |
Mus. ms.: The Day of an American Baby |
Mus. ms.: Drei Chöre, op. 18 |
Mus. ms.: 8 Minute Symphony |
Mus. ms.: Einblick |
Mus. ms.: Einsamkeit |
Mus. ms.: In the Evening |
Mus. ms.: Five Dance Pieces |
Mus. ms.: [Five Fugues] |
Mus. ms.: [Five Piano Pieces] |
Mus. ms.: Four Tame Satires |
Mus. ms.: [Fourth String Quartet] |
Mus. ms.: Die frühe Stunde |
Mus. ms.: Grosses Klaviertrio, op. 10 |
Mus. ms.: Heimliche Liebschaft |
Mus. ms.: Heitere Suite, op. 24. Full score, parts, sketches, blueprint score |
Mus. ms.: Immerfort |
Mus. ms.: Jazzvariationen |
Mus. ms.: An ein Kind |
Mus. ms.: Lebenstraum, 1908 |
Mus. ms.: Zur Lebensweisheit |
Mus. ms.: Liebesdrang |
Mus. ms.: Lied der Stimmen in uns |
Mus. ms.: Light a Candle in the Chapel, arranged by J. Mason |
Mus. ms.: Love, Life, and After |
Mus. ms.: Lulu Suite by Berg. Piano reduction |
Mus. ms.: Eine Nacht |
Mus. ms.: Nachtbild |
Mus. ms.: Nachtstille |
Mus. ms.: Neurotic Songs |
Mus. ms.: Orchester-Suite, op. 26 |
Mus. ms.: Phantastische Improvisation, 1911 |
Mus. ms.: Präludium und Fuge, op. 7 |
Mus. ms.: Praeludium und Fuge by Bach, arranged by Max Reger |
Mus. ms.: Reigen |
Mus. ms.: The Reply |
Mus. ms.: S'ist no net lang |
Mus. ms.: Scherzo bizzarro |
Mus. ms.: Schicksal |
Mus. ms.: Second Suite for Orchestra |
Mus. ms.: Selbstgefällig |
Mus. ms.: Seven Songs and Ballads |
Mus. ms.: Sinfonietta for String Orchestra |
Mus. ms.: Sinfonietta seria, op. 27 |
Mus. ms.: So nimm denn meine Hände |
Mus. ms.: Sonate, op. 13, 1926 |
Mus. ms.: Sonate, op. 29 |
Mus. ms.: Sonate für Klavier, op. 14 |
Mus. ms.: Sonatine, op. 11 |
Mus. ms.: Das Sterben Jesu |
Mus. ms.: Streichduo, 1925 |
Mus. ms.: String Quartet, op. 25 |
Mus. ms.: Stück für Streichduo, 1927 |
Mus. ms.: Stück für Streichquartett |
Mus. ms.: Suite on Yugoslavian Folk Melodies |
Mus. ms.: Suite aus C. M. von Webers Euryanthe |
Mus. ms.: Summer Is |
Mus. ms.: Ein Talisman |
Mus. ms.: Third String Quartet |
Mus. ms.: Trauermarsch, 1922 |
Mus. ms.: Einer Verlassenen |
Mus. ms.: Weine nur nicht |
Mus. ms.: When You Return |
Mus. ms.: Wir wähnten lange recht zu leben, op. 20, no. 2 |
Mus. ms.: [Woodwind Quartet] |
Mus. ms.: [Woodwind Trio] |
Mus. ms.: A Wreath of Meyerbeerian Melodies |
Mus. ms.: Zwei Stücke für Streichorchester, op. 12 |
Mus. ms.: Zweites Streichquartett, op. 28 |
Mus. ms. Repro.: Slavic Folk Tune Suite |
S. rec.: String Quartet no. 2 |
Related Collection Materials seeBerg, Alban |
Klemperer, Otto |
Related Collection Materials seeBerg, Alban |
Korngold, Julius |
Related Collection Materials seeBerg, Alban |
Lachner, Franz Paul |
Mus. ms.: Fugue in Three Voices on "Lachner," Munich, Apr. 1841 |
2 L.: to Carl Reinecke. Munich, 5 Nov. 1871, 30 Nov. 1884 |
Lachner, Ignaz |
L.: to the court conductor Lampert. Hamburg, 28 Mar. 1858 |
Doc.: Biographical information |
Lert, Ernst Josef Maria |
Related Collection Materials seeBerg, Alban |
Lert, Richard Johannes |
Related Collection Materials seeBerg, Alban |
Levi, Hermann |
Mus. ms. cop.: Falstafferel, ca. 1870 |
L.: Munich, [31 Dec. 1873] |
Lindpaintner, Peter J. von |
Mus. ms.: Des Todtengräbers Liebeslied, 1838 |
2 L.: Stuttgart, 14 May 1842; 31 May 1850 |
Lohse, Otto |
Related Collection Materials seeBerg, Alban |
Mahler, Alma |
4 A. L. S.: to Norbert Schwarzmann. ca. 1924 |
A. L. S.: to Julius Schloss. 29 Mar. 1936 |
A. Card S.: to Zemlinsky. [1936]. |
A. L. S.: to Friederike Zweig. Beverly Hills, 14 Aug. 1950 |
A. L. S.: to Hans Moldenhauer. New York, 3 Mar. 1958. 2p. |
A. L. S.: n.d. 1p. |
A. Doc.: Autobiographical sketch. 2p. With additional typescript |
Call. c. Annot. |
A. Doc. S.: Facsimile. Mahler's Tenth Symphony. With Alma Mahler's autograph dedication to Zemlinsky |
Doc.: File. Correspondence, writings, documents, 1956-1959. Includes letter by friends and business associates, typescripts of original writings, interviews, legal papers, photos, newspaper criticisms, and assorted notes |
A. Doc. S.: Note. Description to accompany the sketches for Mahler's Tenth Symphony |
Doc. A. Annot.: Poem. Carbon copy of "An Alma," by Franz Werfel, with Alma Mahler's annotation. 1p., with two portrait photographs of Franz Werfel |
Mahler, Gustav |
A. Mus. ms.: Des Knaben Wunderhorn, no. 3, "Trost im Unglück," for voice and piano. 2p., 32x25cm. First draft; no. 10, "Lob der Kritik," for voice and piano. 3p., 32x25cm. |
[A?]. Mus. ms. S.: Symphony no. 2. 60p., 27x35cm. Piano reduction, complete manuscript |
A. Mus. ms.: Symphony no. 4. 2p., 27x34cm. First movement, condensed score, early sketches. Recto of leaf contains measures 184-197, followed by 20 measures crossed out. Verso of leaf begins with measures 226-242 (crossed out), with 8 unidentified measures following; First movement, condensed score, early sketches (1p., 27x34cm.); Preliminary version of the final full score, including first movement (28p.), second movement (25p.), and third movement (26p.), all 27x34cm.; Fourth movement, "'Das himmlische Leben,' aus Des Knaben Wunderhorn, Eine Humoreske für eine Singstimme mit Orchester, Partitur" (37p., 35x27cm.); also, piano-vocal score (13p., 35x27cm.), both manuscripts by a copyist, with numerous additions and corrections in Mahler's autograph, with cover marked "4.Satz," (33x26cm.) |
Digital image available |
A. Mus. ms.: Symphony no. 7 and Symphony no. 6; additional unused sketches, ca. 1903-5. 5 single leaves (9 pages), 27x35cm., with accompanying statement by Alban Berg (9 July 1924) |
Digital image available |
A. Mus. ms.: Symphony no. 9 : Third movement, sketches in condensed score. 2p., 35x27cm.; Fourth movement, measures 3 to 39 in condensed score; on verso, early draft for the second movement (2p., 27x34cm.) |
A. Mus. ms.: Symphony no. 10: First movement, Adagio. Complete first draft (12p., 27x35cm.); sketch in condensed score (1p., 19 measures, 34x27cm.), with a note in the hand of Alma Mahler; sketches in condensed score (1p., 41 measures, 27x35cm.); Third movement, "Purgatorio." Sketch in condensed score. (1p., 27x34cm.); Fourth movement. Sketches in condensed score. (1p., 27x34cm.) A note accompanies the leaf, partly written by Alban Berg, partly by Alma Mahler |
A. Mus ms.: "Der Tamboursgesell," for voice and orchestra. 11p., 27x35cm. Full score, containing some corrections. Also, piano-vocal score, dated at end, Maiernigg, 12 July 1901. 2p., 27x35cm. The first page contains 2 versions |
A. L. S.: to Josephine Poisl. [Vienna, 18 Mar. 1880]. 4p. |
A. L. S.: to Josephine Poisl. [Vienna], n.d. 7p. |
A. L. S.: to Fanni Poisl. Vienna, 29 Mar. 1880. 4p. |
A. L. S.: to Alma Mahler. Communications, 1901-1910. Approximately 326 items, including 225 autograph letters (totaling 580 pages), 59 postcards, 2 Bons, 34 telegrams, 6 poems (all dating from 1910, listed above). Included are the following communications to Alma Mahler: Prague, 10 Sept. 1908. 4p., opening with the motto "O selig, o selig" and expressing his exasperation over rehearsals and instrumentalists. Also asking for Pfitzner's address; Hotel Blauer Stern, Prague, 22 Sept. 1908. 2p.; Amsterdam, n.d. 3p., telling her that his symphony was a great success in Amsterdam. He had decided to present the Fourth and not the Seventh Symphony in New York |
19 A. L. S.: to Carl and Anna Moll. 43p. The correspondence begins in Vienna during Mahler's tenure at the Court Opera and continues through his American period up to the summer of 1910 when he stayed in Toblach |
A. L. S.: to Heinrich Conried. [1907]. 3p. |
24 A. L. S.: to Emil Hertzka. [1909-1910]. 58p. |
A. L. S.: to Gatti-Casazza. n.d. 7p. |
4 L.: to Musik Edition Wien [Universal Edition]. n.d. |
A. L. S.: to Prince Montenuovo. n.d. 3p. |
A. L. S.: to a publisher. n.d. 4p. |
A. L. S.: to Fritz Steinbach. Maiernigg, n.d. 4p. Discusses in detail the rehearsals for his Third Symphony |
Tlgm. A. Annot.: from H. Fernow. Berlin. With Mahler's notes on recto |
Tlgm. A. Annot.: from Sachnowsky. With draft of Mahler's response penned on verso |
Tlgm.: from Ambassador Tucher. Berlin |
A. T. p.: "2. Satz./(Scherzo)/(August 1901. Maiernigg beendet)." 1p., 27x35cm. |
A. Doc.: Note. [ca. 1880]. 1p. |
3 A. Doc.: Poems. "In der Nacht!", Sept. 1884; "Ebenso," n.d.; "für den 18. August .84." 4p. |
A. Doc. S.: Poems. Letter draft, with poem stanzas, 18 Oct. 1884. 4p. |
A. Doc.: Poems. Draft of 2 poems for Lieder eines fahrenden Gesellen : "Die zwei blauen Augen," 15 Dec. 1884; "Ich hab' ein glühend' Messer," 19 Dec. 1884. 2p. |
A. Doc.: Poems. Miscellaneous drafts of poems. 5p. |
A. Doc.: Poetic stanzas. 2p. |
6 A. Doc.: Poems. "Meiner Holden! Immer Gegenwärtigen!," 17 Aug. 1910. 1p.; "Holdeste! Liebste! Mein Saitenspiel! Und mein Sturmlied!," n.d. 1p.; "Im faden Coupè--nach alter Gewohnheit!," n.d. 2p.; "In lichten Fernen," n.d. 2p., 12 lines of poetry. Autograph of the poem sent by telegram on Mahler's departure for the consultation with Dr. Sigmund Freud in Leiden, on verso, note to Alma Mahler; "Im Coupè auf der Rückkehr," 27 Aug. 1910. 1p.; "Du süsse Hand, die mich gebunden!," n.d. 1p. |
Port. Phot.: 1884 |
Port. S.: Original etching by Rudolf Herrmann. Signed by the artist and by Mahler |
Port. Phot. S.: Signed and dated by Mahler, 1911 |
Doc.: Card of admission to Mahler's funeral |
3 Docs.: Posters. One promoting Mahler's First and Second Symphonies, and two others announcing the publication of the Third Symphony |
Doc. S.: Second Symphony. First edition. With autograph dedication to Busoni |
2 Docs.: Tenth Symphony. Full score of the Adagio and "Purgatorio" movements, edited by Otto Jokl, printed by Associated Music Publishers, New York, 1951 |
Mus. ms. Repro.: [same], 1924. Facsimile edition |
Related Collection Materials seeMahler, Alma |
Mahler, Leopoldine |
A. L. S.: n.d. 4p. |
Mann, Alfred |
Related Collection Materials seeStrauss, Richard |
Mauke, Wilhelm |
L.: to Löwe. 20 Aug. 1910 |
Melichar, Alois |
Mus. ms.: In tyrannos, Berlin, 1940-1942. With typed synopsis |
2 L.: to Hans Moldenhauer. Munich, 8 Dec. 1959, 23 Mar. 1960 |
Mottl, Felix |
L.: to a publisher. n.p., 16 Sept. 1888 |
L.: to Eugen Lindner. Munich, 28 June 1906 |
L.: Munich, 9 Mar. 1910 |
Doc.: Statement regarding Mozart. Munich, 4 Jan. 1906 |
Port. |
Müller, Iwan |
Mus. ms. : Duo de l'Opera d'Armide by Rossini. Parts |
Orff, Carl |
Mus. ms.: Oedipus |
5 L.: to Hans Moldenhauer. 1955-1959 |
Port. |
Pfitzner, Hans |
L.: 9 June 1916 |
4 L.: to Hans Rosbaud. 1941, 1946, n.d. |
L.: to Alfred Mann. [1945] |
L.: to Leonhard, Office of Military Government for Bavaria. Munich, 31 July 1946 |
L.: to Gutmann. n.d. |
Raff, Joseph Joachim |
L.: [to Carl Reinecke?]. Wiesbaden, 25 Oct. 1867 |
L.: Wiesbaden, 20 June 1877 |
Rcpt.: 29 Sept. 1880 |
Rauch, Joseph |
Mus. ms.: Quintet, op. 12, 1941 |
Reger, Max |
Mus. ms.: Zwei Gesänge für gemischten Chor mit Orchester |
Digital image available |
L.: to E. Decsey. Munich, postmarked May 1905 |
L.: Leipzig, 28 April 1907 |
L.: to E. Kramer. Leipzig, 14 April 1910 |
L.: to Wendel. Meiningen, 10 June 1912 |
L.: to Franz Nachbaur. Meiningen, 21 June 1914 |
L.: to Hans Rosbaud. Weimar, 13 Dec. |
Port. Phot. |
Reich, Willi |
Related Collection Materials seeBerg, Alban |
Rheinberger, Josef Gabriel |
3 L.: Munich, 17 Oct. 1872, 24 Nov. 1887, 2 Mar. 1895 |
Port. |
Richter, Hans |
L.: London, 25 Apr. 1877 |
L.: to L. Engel. Vienna, 4 Sept. 1882 |
L.: to Louis Diener. Vienna, 1 Oct. 1892 |
Rüdinger, Gottfried |
Mus. ms.: 6 Deutsche Tänze, op. 122 |
Sandberger, Adolf |
5L.: to Widmann. Munich, 1921-1937 |
Schalk, Franz |
Related Collection Materials seeBerg, Alban |
Schillings, Max von |
2 L.: Gürzenich, 19 July 1912; Stuttgart, 20 May 1913 |
L.: to Zemlinsky. Berlin, 10 July 1923 |
Mus. Quot.: Hexenlied |
Sig. |
Schloss, Julius |
Related Collection Materials seeBerg, Alban |
Schmid, Heinrich Kaspar |
Mus. ms.: Ringelreihen, op. 15, Munich, 26 Jan.1913 |
Schmidt-Garre, Helmut |
Mus. ms.: Fünf Klavierstücke, no. 1, 1929 |
Mus. ms.: Sonate für Klavier, 1929. Complete score |
Schuster, Bernhard |
Related Collection Materials seeBerg, Alban |
Strauss, Richard |
Mus. ms.: Einleitung und Walzer Rosenkavalier I und II, Erste Walzerfolge, 18 Dec. 1945. 37p. |
Mus. ms.: Albumblatt für Pianoforte, to Bertha Schüssel, 31 Mar. 1882 |
L.: to Otto Lessmann, Meiningen, 26 Feb. 1886 |
L.: to Vincent d'Indy. Munich, 25 Sept. 1897 |
L.: to Eugen Lindner. Charlottenburg, 28 Sept. 1901 |
L.: Marquartstein, 7 June 1904 |
L.: to Frau Raminger. Garmisch, 24 Nov. [1924] |
L.: to Wymetal. Garmisch, 13 Sept. 1928 |
4 L.: to Paul Bekker. 1929 |
L.: to Karl Böhm. Garmisch, 27 Apr. 1945 (See document below, 28 May 1945) |
L.: to Hans Rosbaud. Palace Hotel, 11 Feb. 1948 |
L.: to Gustave Samazeuilh. Garmisch, 3 June 1949 |
Doc.: Artistic Testament. "Memorandum über Wesen und Bedeutung der Oper und ihre Zukunft", Garmisch, 28 May 1945 |
Digital image available |
Doc.: List of names. May 1945. Strauss suggests Hartmann, Höllreiser, Krauss, and Wetzelsberger as qualified in the reconstruction of musical life in Germany after the collapse. Includes letter from Alfred Mann, [1945] |
Mus. Quot.: with portrait photograph |
Mus. ms. Repro.: Oboe Concerto, 1945. Photostat |
Port. Phot.: with musical quotation above |
Stravinsky, Igor |
L. S.: Letter of testimony. Hollywood, Mar. 1958. English, German. Citing the importance of Musica viva; includes a note to K. A. Hartmann |
Mus. Quot. Phot. S.: to K. A. Hartmann, Hollywood, Jan. 1952. Mounted with note in Hartmann's hand stating that the musical quotation (3 measures in score of 3 and 4 staves) is from Hartmann's Third Symphony (p. 76 of the printed score) |
Wagner-Régeny, Rudolf |
Related Collection Materials seeHartmann, Karl Amadeus |
Webern, Anton |
Related Collection Materials seeBerg, Alban |
Wolf-Ferrari, Ermanno |
L.: to Ernst Oppler. Munich, 27 Dec. 1912 |
Wüllner, Franz |
2 L.: Munich, 15 May 1876; Dresden, 24 Oct. 1883 |
Zilcher, Hermann |
Mus. ms.: Der Kuckuck ist ein braver Mann, op. 10, no. 5 |
3 L.: to Fritz Steinbach. Munich, 19 Dec. 1909, 31 May, 2 Aug. 1910 |
Zillig, Winfried |
Mus. ms.: Troilus und Cressida, Chorus II |
L.: Munich, 8 Aug. 1959 |
Zumpe, Herman |
L.: n.p., n.d. |