Title Page | Collection Summary | Biographical/Organizational Note | Scope and Content | Arrangement
Biographical Note
Unless otherwise noted, the shows listed are Broadway productions with the date they opened on Broadway, not out-of-town tryouts or previews. Opening dates of non-Broadway productions are not definitive.
| Date | Event |
|---|---|
| 1928 January 30 | Born Harold Smith Prince, in New York City, to Blanche Stern; adopted by Milton A. Prince, Stern’s husband, a stockbroker |
| 1944-1947 | Liberal arts degree, University of Pennsylvania, Philadelphia |
| 1948 | General assistant to director/producer George Abbott Production stage manager for director/producer George Abbott |
| 1950 April 27 | Assistant stage manager for musical revue Tickets Please (Directed by Merwyn Nelson, choreographed by Joan Mann, produced by Arthur Klein, with Larry Kert, Jack Albertson. 245 performances) |
| 1950 October 12 | Assistant stage manager for Call Me Madam (Score by Irving Berlin, book by Howard Lindsay and Russel Crouse, directed by Abbott, choreographed by Jerome Robbins, produced by Leland Hayward, with Ethel Merman, Paul Lukas, Russell Nype. 644 performances) |
| 1950-1952 | Served in United States Army; stationed in Germany |
| 1953 February 25 | Stage manager for Wonderful Town (Score by Leonard Bernstein, Betty Comden and Adolph Green, book by Joseph Fields and Jerome Chodorov, directed by Abbott, choreographed by Donald Saddler, produced by Robert Fryer, with Rosalind Russell, Edith Adams. 559 performances) |
| 1954 May 13 | Co-produced, with partner Robert Griffith and Frederick Brisson, The Pajama Game (Score by Richard Adler and Jerry Ross, book by Abbott and Richard Bissell, directed by Abbott and Jerome Robbins, choreographed by Bob Fosse, with John Raitt, Janis Paige, Eddie Foy, Jr., Carol Haney. 1,063 performances) |
| 1955 May 5 | Co-produced, with Robert Griffith and Frederick Brisson, Damn Yankees (Score by Adler and Ross, book by Abbott and Douglas Wallop, directed by Abbott, choreographed by Fosse, with Gwen Verdon, Stephen Douglass, Ray Walston, Shannon Bolin, Jean Stapleton. 1,019 performances) |
| 1955 | The Pajama Game won Tony Award for best musical |
| 1956 | Damn Yankees won Tony Award for best musical |
| 1957 May 14 | Co-produced, with Robert Griffith and Frederick Brisson, New Girl in Town (Score by Bob Merrill, directed and book by Abbott, choreographed by Fosse, with Gwen Verdon, Thelma Ritter, George Wallace, Cameron Prud'homme. 431 performances) |
| 1957 September 26 | Co-produced, with Frederick Brisson and Roger Stevens, West Side Story (Score by Leonard Bernstein and Stephen Sondheim, book by Arthur Laurents, directed and choreographed by Jerome Robbins and Peter Gennaro, with Larry Kert, Carol Lawrence, Chita Rivera, Mickey Callan. 734 performances) |
| 1959 November 23 | Co-produced, with Robert Griffith, Fiorello! (Score by Jerry Bock and Sheldon Harnick, book by Jerome Weidman and Abbott, directed by Abbott, choreographed by Gennaro, with Tom Bosley, Patricia Wilson, Ellen Hanley, Howard Da Silva, Pat Stanley, Mark Dawson, Nathaniel Frey. 795 performances) |
| 1960 October 17 | Co-produced Tenderloin (Score by Bock and Harnick, book by Abbott and Weidman, directed by Abbott, choreographed by Joe Layton, with Maurice Evans, Ron Hussman, Wynne Miller, Eileen Rodgers. 216 performances) |
| 1960 | Fiorello! won Tony Award for best musical Fiorello! won Pulitzer Prize for Drama |
| 1961 May 25 | Co-produced, with Robert Griffith, A Call on Krupin (Script by Jerome Lawrence and Robert E. Lee, directed by Abbott, with Jeffrey Lynn. 14 performances) |
| 1961 June 7 | Robert Griffith died |
| 1961 December 21 | Produced Take Her, She’s Mine (Script by Phoebe and Henry Ephron, directed by George Abbott, with Art Carney, Elizabeth Ashley. 404 performances) |
| 1962 January 27 | Directed A Family Affair (first time as director, replacing Word Baker in Philadelphia) (Score and book by John Kander, and James and William Goldman, choreographed by John Butler and Bob Herget, produced by Andrew Siff, with Shelley Berman, Eileen Heckart, Morris Carnovsky, Kert, Rita Gardner. 65 performances) |
| 1962 May 8 | Produced A Funny Thing Happened on the Way to the Forum (Score by Stephen Sondheim, book by Burt Shevelove and Larry Gelbart, directed by Abbott, choreographed by Jack Cole (additional staging and choreography by Robbins), set and costumes by Tony Walton, with Zero Mostel, Jack Gilford, David Burns, Ruth Kobart, Raymond Walburn, John Carradine. 964 performances) |
| 1962 October 26 | Married Judith Chaplin (daughter of Saul Chaplin) |
| 1963 April 23 | Directed and co-produced She Loves Me (Score by Bock and Harnick, book by Joe Masteroff (from a play by Miklos Laszlo), choreographed by Carol Haney, with Barbara Cook, Daniel Massey, Barbara Baxley, Jack Cassidy, Nathaniel Frey. 320 performances) |
| 1963 June 22 | Directed She Didn’t Say Yes (Script by Lonnie Coleman, presented by the Falmouth Playhouse, Massachussetts, with Joan Caulfield, Peggy Cass) |
| 1963 August 30 | Son Charles Prince born |
| 1963 | A Funny Thing Happened on the Way to the Forum won Tony Award for best musical Received Tony Award for best producer for A Funny Thing Happened on the Way to the Forum |
| 1964 September 22 | Produced Fiddler on the Roof (Score by Bock and Harnick, book by Joseph Stein, directed and choreographed by Jerome Robbins, with Zero Mostel, Maria Karnilova, Beatrice Arthur. 3,242 performances) |
| 1964 November 14 | Produced Poor Bitos (Script by Jean Anouilh, translated by Lucienne Hill, directed by Shirley Butler, with Donald Pleasance, Jane Lowry, C.K. Alexander, Michael Lombard, Diana Muldaur, Nancy Reardon, Roy Poole. 17 performances) |
| 1965 February 16 | Directed Baker Street (Score by Marian Grudeff and Raymond Jessel (additional music and lyrics by Bock and Harnick), book by Jerome Coopersmith, choreographed by Lee Becker Theodore, produced by Alexander H. Cohen, with Fritz Weaver, Inga Swensen, Martin Gabel. 313 performances) |
| 1965 May 2 | Daughter Daisy Prince born |
| 1965 May 11 | Produced Flora, the Red Menace (Score by Kander and Fred Ebb, book by Abbott and Robert Russell, directed by Abbott, choreographed by Theodore, with Liza Minnelli, Bob Dishy, Louise Wilson, Cathryn Damon. 87 performances) |
| 1965 | Fiddler on the Roof won Tony Award for best musical Received Tony Award for best producer for Fiddler on the Roof |
| 1966 March 29 | Directed and produced It's A Bird... It's A Plane... It's Superman (Score by Lee Adams and Charles Strouse, book by David Newman and Robert Benton, choreographed by Ernest Flatt, with Jack Cassidy, Bob Holiday, Michael O’Sullivan, Linda Lavin. 129 performances) |
| 1966 November 20 | Produced and directed Cabaret (Score by Kander and Ebb, book by Masteroff, choreographed by Ronald Field, with Jill Haworth, Bert Convy, Joel Grey, Lotte Lenya, Gilford. 1,168 performances) |
| 1967 | Cabaret won Tony Award for best musical Received Tony Award for best director for Cabaret |
| 1968 November 17 | Directed and produced Zorbà (Score by Kander and Ebb, book by Stein, choreographed by Field, with Herschel Bernardi, Karnilova, John Cunningham, Carmen Alvarez. 305 performances) |
| 1970 April 26 | Directed and produced Company (Score by Sondheim, book by George Furth, choreographed by Michael Bennett, set design by Boris Aronson, with Dean Jones, Elaine Stritch, George Coe, John Cunningham, Charles Kimbrough, Donna McKechnie, Beth Howland, Pamela Myers. 706 performances) |
| 1970 July 22 | Directed Something for Everyone (film) (Script by Hugh Wheeler, music by Kander, produced by John Flaxman, with Angela Lansbury, Michael York, Anthony Higgins, Jane Carr) |
| 1971 April 4 | Produced and co-directed, with Michael Bennett, Follies (Score by Sondheim, book by James Goldman, with John McMartin, Alexis Smith, Dorothy Collins, Gene Nelson, Yvonne De Carlo. 522 performances) |
| 1971 | Company won Tony Award for best musical Received Tony Award for best director for Company |
| 1972 April 23 | Received Special Tony Award for Fiddler on the Roof as the longest-running musical in Broadway history at that time |
| 1972 December 2 | Directed The Great God Brown (Script by Eugene O’Neill, produced by New Phoenix Repertory Co., artistic directors Prince and Stephen Porter, with Bonnie Gallup, John Glover, Paul Hecht, Katherine Helmond, John McMartin, Marilyn Sokol. 19 performances) |
| 1972 December 11 | Artistic director, Don Juan, New Phoenix Repertory Co. (Script by Moliére, adapted and directed by Porter, with David Dukes, Glover, Hecht, Helmond, McMartin, Charlotte Moore, Sokol. 22 performences) |
| 1972 | Received Tony Award for best director for Follies |
| 1973 February 25 | Directed and produced A Little Night Music (Score by Sondheim, book by Hugh Wheeler, based on a screenplay by Ingmar Bergman, choreographed by Patricia Birch, with Glynis Johns, Len Cariou, Hermione Gingold. 601 performances) |
| 1973 November 25 | Directed and adapted script for The Visit, New Phoenix Repertory Co. (Script by Friedrich Dürrenmatt, credit for adaptation by Maurice Valency, but actually by Prince, artistic directors Prince and Porter, with McMartin, Rachel Roberts, Dukes, Gallup, Glover. 32 performances) Artistic director, Chemin de Fer, New Phoenix Repertory Co. (Script by Georges Feydeau, adapted by Suzanne Grossman and Paxton Whitehead, directed by Porter, with McMartin, Roberts, Dukes, George Ede, Glover, Moore. 42 performances) |
| 1973 | A Little Night Music won Tony Award for best musical |
| 1974 February 16 | Artistic director, Holiday, New Phoenix Repertory Co. (Script by Philip Barry, directed by Michael Montel, with Dukes, George Ede, Gallup, Glover, Nicholas Horrman, Moore. 28 performances) |
| 1974 March 10 | Directed and co-produced Candide (Score by Bernstein, lyrics by Richard Wilbur, additional lyrics by Sondheim and John Latouche, book adapted by Hugh Wheeler (from Lillian Hellman and Voltaire), choreographed by Birch, produced by The Chelsea Theatre Center of Brooklyn, in conjunction with Prince and Mitchell, with Mark Baker, Maureen Brennan, Sam Freed, June Gable, Lewis J. Stadlen. 740 performances) |
| 1974 November 11 | Directed Love for Love (Script by William Congreve adapted by Peter Schaffer, produced by New Phoenix Repertory Co., artistic directors Prince and Porter, incidental music and songs by Paul Gemignani, Harold Wheeler, Hugh Wheeler, with Glenn Close (replacing Mary Ure), Patricia Conwell, Dukes, Ede, Joel Fabiani, Peter Friedman, Glover, Munson Hicks, Mary Beth Hurt, Kimbrough, McMartin, Moore. 24 performances) |
| 1974 December 12 | Artistic director, The Rules of the Game, New Phoenix Repertory Co. (Script by Luigi Pirandello, translated by William Murray, directed by Porter, with Close, Dukes, Ede, Kimbrough, McMartin, Joan van Ark. 12 performances) |
| 1974 | Received Tony Award for best director, and Special Award for outstanding contribution to the artistic development of the musical theatre for Candide Published memoir Contradictions: Notes on Twenty-Six Years in the Theatre. New York: Dodd, Mead |
| 1975 January 2 | Artistic director, The Member of the Wedding, New Phoenix Repertory Co. (Script by Carson McCullers, incidental music by Strouse, directed by Montel, with Close, Ede, Mary Beth Hurt, Moore. 12 performances) |
| 1976 January 11 | Directed and produced Pacific Overtures (Score by Sondheim, book by John Weidman, choreographed by Birch, with Mako, Soon-Teck Oh, Sab Shimono, Isao Sato. 193 performances) |
| 1977 April 8 | Produced Side by Side by Sondheim (Score by Sondheim with others, directed by Ned Sherrin, musical staging by Bob Howe, with David Kernan, Millicent Martin, Julie McKenzie, Sherrin. 384 performances) |
| 1977 October 25 | Directed Some of My Best Friends (Script by Stanley Hart, produced by Arthur Whitelaw, Jack Schissel, and Leonard Soloway, with Ted Knight, Bob Balaban, Alice Drumond, Trish Hawkins, Gavin Reed. 7 performances) |
| 1977 | Directed A Little Night Music (film) (Score by Sondheim, screenplay Wheeler, choreographed by Birch, produced by Elliott Kastner, with Elizabeth Taylor, Diana Rigg, Cariou, Lesley-Anne Down, Gingold, Laurence Guittard, Christopher Guard, Lesley Dunlop, Chloe Franks) |
| 1978 February 19 | Directed On the Twentieth Century (Score by Cy Coleman, Comden and Green, book by Comden and Green, musical staging by Larry Fuller, produced by The Producers Circle 2, Inc., Robert Fryer, Mary Lea Johnson, James Cresson, and Martin Richards, with John Cullum, Madeline Kahn, Imogene Coca, Kevin Kline. 449 performances) |
| 1978 June 21 | Directed Evita (London) (Score by Andrew Lloyd Webber and Tim Rice, book by Rice, choreographed by Fuller, produced by Robert Stigwood, with Elaine Paige, David Essex, Joss Ackland, Diane Terry. 3,176 performances) |
| 1978 September 23 | Directed The Girl of the Golden West (Score by Giacomo Puccini, produced by Lyric Opera of Chicago, with Carol Neblett, Carlo Cassutta, Gian-Pietro Mastromel, Julien Robbins, Arnold Volatatis) |
| 1979 March 1 | Directed Sweeney Todd: The Demon Barber of Fleet Street (Score by Sondheim, book by Wheeler, dance and movement by Fuller, produced by Richard Barr, Charles Woodward, Robert Fryer, Mary Lea Johnson, and Martin Richards. With Len Cariou, Lansbury, Victor Garber, Ken Jennings, Edmund Lyndeck, Sarah Rice, Jack Eric Williams. 557 performances) |
| 1979 September 25 | Directed Evita (Score by Lloyd Webber and Rice, book by Rice, choreographed by Fuller, produced by Stigwood in association with David Land, with Patti LuPone, Bob Gunton, Mandy Patinkin, Terri Klausner. 1,567 performances) |
| 1979 | Received Tony Award for best director, Sweeney Todd: The Demon Barber of Fleet Street |
| 1980 March 20 | Directed Silverlake (Score by Kurt Weill and Georg Kaiser, libretto adapted by Wheeler and lyrics by Lys Symonette, dance and movement by Fuller, presented by New York City Opera, with Joel Grey, William Neil, Elizabeth Hynes, Elaine Bonazzi, Jack Harrold) |
| 1980 | Received Tony Award for best director for Evita |
| 1981 May 9 | Directed Willie Stark (Score by Carlisle Floyd, co-commissioned by the Houston Grand Opera and the Kennedy Center, with Timothy Nolen, Jan Curtis, Alan Kays) |
| 1981 November 16 | Directed and produced Merrily We Roll Along (Score by Sondheim, book by Furth, choreographed by Fuller, with Jim Walton, Lonny Price, Ann Morrison, Jason Alexander, Sally Klein, Terry Finn, Daisy Prince. 16 performances) |
| 1982 September 23 | Directed A Doll's Life (Score by Larry Grossman and Comden and Green, book by Comden and Green, choreographed by Fuller, produced by James Nederlander, Sidney Shlenker Warner Theatre Productions, Inc., Joseph Garris, Mary Lea Johnson, Martin Richard, Robert Fryer, in association with Prince, with Betsy Joslyn, George Heard, Peter Gallagher, Edmund Lyndeck. 5 performances) |
| 1982 November 18 | Directed Madame Butterfly (Score by Giacomo Puccini, English translation by Charles Osborne, produced by Lyric Opera of Chicago, with Elena Maul-Nunziate, Seato Bruscantini, Giuliano Cianella, Elena Zilio) |
| 1983 September 16 | Directed Turandot (Score by Puccini, produced by the Vienna State Opera, musical director and conductor Lorin Maazel, with Eva Marton, Jose Carreras, Katia Riccarelli) |
| 1984 April 26 | Directed Play Memory (Script by Joanna M. Glass, incidental music by Larry Grossman, produced by Alexander Cohen, Hildy Parks, in association with Samuel Klutznick, with Donald Moffat, Jo Henderson, Valerie Mahaffey. 5 performances) |
| 1984 May 6 | Directed End of the World (Script by Arthur Kopit, incidental music by Larry Grossman, produced by the John F. Kennedy Center for the Performing Arts and Michael Frazier, with Barnard Hughes, Linda Hunt, John Shea. 33 performances) |
| 1984 December 16 | Directed Diamonds (Script by Bud Abbott, Ralph G. Allen, Roy Blount, Jr., Richard Camp, Jerry L. Crawford, Loe Costello, Lee Eisenberg, Sean Kelly, Jim Wann, John Lahr, Arthur Masella, Harry Stein, Weidman, Alan Zweibel, score by Gerard Alessandrini, Craig Carnelia, Coleman, Grossman, Kander, Doug Katsaros, Alan Menken, Jonathan Sheffer, Lynn Udall, Albert Con Tilzer, Jim Wann, Howard Ashman, Comden, Ebb, Fitzhugh, Green, Karl Kennett, Jack Norworth, David Zippel, choreographed by Theodore Pappas, produced at Circle in the Square by Stephen G. Martin, Harold DeFelice, Louis W. Scheeder, with Loni Ackerman, Dick Latessa, Chip Zien. 122 performances) |
| 1985 April 16 | Directed Grind (Score by Grossman and Ellen Fitzhugh, book by Fay Kanin, choreographed by Lester Wilson, produced by Kenneth Greenblatt, John Pomerantz, Johnson, Richards, James Nederlander, Prince, Frazier, in association with Susan Madden Samson, and Jonathan Farkas, with Leilani Jones, Stubby Kaye, Timothy Nolen, Ben Vereen. 71 performances) |
| 1985 September 27 | Directed Madame Butterfly (Score by Puccini, English translation by Charles Osborne, produced by Lyric Opera of Chicago, with Anna Tomova-Sintow, Peter Dvorsky, Richard Sitwell, Elena Zilio) |
| 1986 October 9 | Directed Phantom of the Opera (London) (Score by Lloyd Webber, Charles Hart, and Richard Stilgoe, book by Stilgoe and Lloyd Webber, staging and choreography by Gillian Lynne, produced by Cameron Mackintosh and The Really Useful Theatre Company Ltd., with Sarah Brightman, Michael Crawford, Chris Carter, Rosemary Ashe) |
| 1987 October 11 | Directed Roza (Score by Gilbert Becaud and Julian More, book by More, musical staging Patricia Birch, produced by The Producers Circle Company and the Shubert Organization, with Georgia Brown, Bob Gunton. 12 performances) |
| 1987 October 22 | Directed Cabaret (Choreographed by Field, produced by Barry and Fran Weissler in association with Phil Witt, with Gregg Edelman, Alyson Reed, Joel Grey, Regina Resnik, William Klemperer. 261 performances) |
| 1988 January 9 | Directed The Phantom of the Opera (Broadway) (Score by Lloyd Webber, Charles Hart, and Richard Stilgoe, book by Stilgoe and Lloyd Webber, staging and choreography by Gillian Lynne, produced by Cameron Mackintosh and The Really Useful Theatre Company Ltd., with Sarah Brightman, Michael Crawford, Steve Barton, Judy Kaye) |
| 1988 | Received Tony Award for best director for Phantom of the Opera |
| 1989 July 7 | Directed Don Giovanni (Score by Wolfgang Amadeus Mozart, libretto by Lorenzo da Ponte, choreographed by Susan Stroman, produced by New York City Opera, with Jan Opalach, Nova Thomas, John Cheek Commendatore, Nilita Storojec, Erie Mills) |
| 1990 February 1 | Directed Faust (Score by Charles Gounod, libretto by Michal Carre and Jules Barbier, after the poem by Goethe, English version by Ruth and Thomas Martin, choreographed by Gillian Lynne, with Neil Shicoff, Carol Vaness, James Morris, Brian Schexnayder, Delores Ziegler, Loretta Di Franco, James Courtney, produced by the Metropolitan Opera) |
| 1990 May 1 | Directed Kiss of the Spider Woman (Score by Kander and Ebb, book by Terrence McNally, choreographed by Susan Stroman, presented by New Musicals in association with the Performing Arts Center State University College at Purchase N. Y., with Kevin Gray, John Rubinstein, Lauren Mitchell, Barbara Andres) |
| 1992 February 16 | Directed and adapted Grandchild of Kings (Choreographed by Barry McNabb, presented by the Irish Repertory Theater Company, with Patrick Bedford, Patrick Fitzgerald, Louise Favier, Pauline Flanagan, Chris O’Neill, Denis O’Neill, Ciarin O’Reilly) |
| 1993 May 3 | Directed Kiss of The Spider Woman (Score by Kander and Ebb, book by McNally, choreographed by Vincent Paterson with additional choreography by Rob Marshall, produced by Livent, Inc., with Brent Carver, Anthony Crivello, Chita Rivera. 904 performances) |
| 1994 December 18 | Directed The Petrified Prince (Score by Michael John LaChiusa, book by Edward Gallardo based on a screenplay by Ingmar Bergman, choreographed by Rob Marshall, presented by the New York Shakespeare Festival/The Public Theater, George C. Wolfe, producer, with Candy Buckley, Alexander Gaberman, Ralph Byers, Loni Ackerman, Alan Braunstein, Marilyn Cooper, Daisy Prince. 23 performances) |
| 1994 October 2 | Directed Show Boat (Score by Jerome Kern and Oscar Hammerstein, book by Hammerstein, choreographed by Susan Stroman, produced by Livent, Inc., with Rebecca Luker, Mark Jacoby, Lonette McKee, McMartin, Stritch, Michel Bell. 947 performances) |
| 1995 | Received Tony Award for best director for Show Boat |
| 1996 December 12 | Directed Whistle Down the Wind (Score by Lloyd Webber, Jim Stenman, book by Patricia Knop, choreographed by Joey McKneely, produced in Washington, D.C. by Rocco Landesman, with Davis Gaines, Irene Molloy, Timothy Nolen, Abbie Hutcherson, Candy Buckey) |
| 1997 April 29 | Directed Candide (Choreographed by Birch, produced by Livent, Inc., with Jason Danieley, Jim Dale, Harolyn Blackwell, Andrea Martin, Brent Barrett. 104 performances) |
| 1998 December 17 | Directed and co-conceived Parade (Score by Jason Robert Brown, book by Alfred Uhry, choreographed by Birch, with Brent Carver, Carolee Carmello. 85 performances) |
| 2000 November 11 | Directed The Flight of the Lawnchair Man segment within 3hree (Score by Robert Lindsay Nassif, book by Peter Ullian, choreographed by Michael Arnold, presented by Prince Music Theater, Philadelphia, with Donna Lynn Champlin, Roger DeWitt, Jessica Molaskey, Rachel Ulanet) |
| 2000 December | Awarded National Medal of Arts |
| 2000 December 4 | Recipient of Kennedy Center Honors |
| 2002 October 13 | Directed Hollywood Arms (Script by Carrie Hamilton and Carol Burnett, produced by Prince and Arielle Tepper (originally produced by and presented by the Goodman Theatre), with Michele Pawk, Donna Lynn Champlin, Sara Niemetz, Linda Lavin, Frank Wood. 76 performances) |
| 2003 June 30 | Directed Bounce (Score by Sondheim, book by Weidman, choreographed by Michael Arnold, produced by the Goodman Theatre, Chicago, with Richard Kind, Howard McGillin, Michelle Pawk, Gavin Creel, Jane Powell) |
| 2003 October 30 | Directed Bounce , Kennedy Center, Washington, D.C. |
| 2006 January | Phantom of the Opera became longest running show in Broadway history |
| 2006 June 11 | Awarded Special Tony for Lifetime Achievement in the Theatre |
| 2006 June 24 | Directed The Phantom of the Opera (Las Vegas) (Score by Lloyd Webber, Hart, Stilgoe, book [revised] by Stilgoe and Lloyd Webber, with Sierra Boggess, Brent Barrett, Anthony Crivello, Tim Martin Gleason, Elena Jeanne Batman) |
| 2007 May 3 | Directed Lovemusik, suggested by the letters of Kurt Weill and Lotte Lenya (Score by Weill, Maxwell Anderson, Bertold Brecht, Howard Dietz, Roger Fernay, Ira Gershwin, Hammerstein, Langston Hughes, Alan Jay Lerner, Maurice Magre, Ogden Nash, Elmer Rice, musical staging by Birch, book by Uhry, produced by Manhattan Theatre Club, Marty Bell, Bovett Ostar Production, Tracy Aron, Roger Berlind, Debra Black, Chase Mishkin, Ted Snowdon. With Michael Cerveris, Donna Murphy, Judith Blazer, David Pittu. 60 performances) |
| 2010 April 5 | Awarded Eugene O’Neill Theater Award for Achievement in the Theater |
| 2010 May 26 | Co-directed Paradise Found with Susan Stroman (Lyrics by Ellen Fitzhugh set to music by Johann Strauss II, book by Richard Nelson, produced by the Menier Chocolate Factory, London, with John McMartin, Mandy Patinkin, Shuler Hensley, Judy Kaye, Kate Baldwin, Nancy Opel) |
| 2019 July 31 | Died in Reykjavík, Iceland |