| | | | | | | | | | | | | |
|
Series 2: Sound
Recordings
(continued) |
ITEM-ID AFC 2003/051: SR020 |
Sound recording, 1966
|
|
Rack number: RAA 46854 |
|
Extent: 1 sound tape reel (Side A:
01:03:57, Side B: 01:03:56) : analog, 3 3/4 ips, half track, mono ; 7
in. |
|
Side A Russian-German church (or prayer) service (Brüderschaft meeting), Zion Church,
Lincoln, Nebraska. Recorded by Roger Welsch. Buzzing distortion during
approximately the first 12 minutes of the program. Three seconds of dropout
from 00:32:16 to 00:32:19. Audio cut off abruptly at the end of the
program.
Time
|
Summary
|
00:00:08 |
starts with piano introduction, which then
accompanies group of people (congregation?) during singing |
00:03:55 |
unidentified men, speaking |
00:04:02 |
starts with piano introduction, which then
accompanies group of people (congregation?) during singing |
00:07:58 |
unidentified men, speaking |
00:08:35 |
unidentified man speaks briefly, then sings a
cappella, with piano joining shortly after he begins |
00:11:34 |
sounds of microphone position adjustment, and an
unidentified man speaks in English and Pennsylvania German |
00:11:52 |
unidentified man speaks in Pennsylvania German;
names Bruder [Brother] [?], Bruder Alex Miller (Flint, Michigan);
Bruder Wilhelm [others named?] |
00:12:46 |
starts with piano introduction, which then
accompanies group of people (congregation?) during singing |
00:14:54 |
unidentified man speaks in Pennsylvania
German |
00:15:47 |
unidentified man leads group in singing a song in
Pennsylvania German (a cappella) |
00:16:56 |
unidentified man speaks in Pennsylvania
German |
00:20:01 |
unidentified man leads a song in Pennsylvania
German, and the group joins shortly afterwards |
00:20:34 |
unidentified man speaks in Pennsylvania
German |
00:22:59 |
unidentified man leads a song in Pennsylvania
German, and the group joins shortly afterwards |
00:23:30 |
unidentified man speaks in Pennsylvania German;
another unidentified man introduces and leads the next song |
00:33:28 |
group performs a song (in Pennsylvania
German) |
00:34:03 |
unidentified man speaks in Pennsylvania
German |
00:42:44 |
unidentified man introduces the next song, speaking
in Pennsylvania German |
00:43:00 |
group performs a song (in Pennsylvania German), led
by the same man as above |
00:43:56 |
unidentified man speaks in Pennsylvania
German |
00:45:50 |
group performs a song in Pennsylvania
German |
00:46:23 |
unidentified man speaks in Pennsylvania
German |
00:55:19 |
unidentified man speaks in English; he refers to
Brother Snyder's request that he should speak in English, but
instead asks group to sing the next song in Pennsylvania
German |
00:55:31 |
starts with piano introduction, which then
accompaniment for the group during singing |
00:56:52 |
unidentified man speaks in Pennsylvania German and
English |
|
|
Side B Church (or prayer) service. See notes for SR020,
Side A. Brief dropout in the audio at 00:02:06. Some distortion during the
third selection. Dropout from 00:03:35-00:03:41, followed by brief section
recorded too fast. No audio from 00:59:28 - 00:59:33. Audio cut off abruptly at
the end of the program.
Time
|
Summary
|
00:00:01 |
unidentified man speaks in Pennsylvania German and
English |
00:02:14 |
group performs a song in Pennsylvania German [the
song is introduced with and accompanied by piano playing] |
00:05:16 |
several individuals speak, with each person saying
private prayers aloud (?) in Pennsylvania German; during this time
a voice in the background can be heard speaking, and growing
louder, until it becomes more obvious that his is the leading
voice |
00:07:14 |
unidentified man's voice finally becomes dominant
(and he speaks in Pennsylvania German) |
00:08:18 |
another unidentified man speaks in Pennsylvania
German |
00:09:52 |
group sings a song in Pennsylvania German, with
piano accompaniment |
00:12:49 |
unidentified man speaks (in Pennsylvania German),
followed by several individuals, with each person saying private
prayers aloud (?) in Pennsylvania German |
00:15:05 |
unidentified man speaks in Pennsylvania
German |
00:15:12 |
unidentified man leads song in Pennsylvania German;
soon after he is joined by group and piano accompaniment |
00:18:14 |
unidentified man speaks in Pennsylvania
German |
00:18:32 |
group performs a song in Pennsylvania German (with
brief piano introduction, and continued accompaniment) |
00:19:45 |
unidentified man speaks in Pennsylvania
German |
00:23:46 |
group performs a song in Pennsylvania German (with
brief piano introduction, and continued accompaniment) |
00:25:17 |
unidentified man speaks in Pennsylvania
German |
00:25:24 |
group performs a song in Pennsylvania German (with
piano accompaniment) |
00:26:22 |
unidentified man speaks in Pennsylvania
German |
00:31:49 |
group performs a song in Pennsylvania German (with
brief piano introduction, and continued accompaniment) |
00:33:28 |
unidentified man speaks in Pennsylvania
German |
00:37:45 |
group performs a song in Pennsylvania German (with
brief piano introduction, and continued accompaniment) |
00:39:30 |
unidentified man speaks (in Pennsylvania German);
he begins speaking before the singing ends |
00:43:51 |
pianist begins playing, and singers hesitantly
begin to join in |
00:44:15 |
unidentified man speaks in Pennsylvania
German |
00:44:31 |
group performs a song in Pennsylvania German, a
cappella (part of the group carrying the tune and words more
strongly overwhelm the other part of group, which joins them; the
piano may also perhaps be heard |
00:47:06 |
unidentified man speaks in Pennsylvania
German |
00:48:01 |
group performs a song in Pennsylvania German,
accompanied by piano |
00:50:55 |
unidentified man speaks in Pennsylvania
German |
00:58:45 |
group performs a song in Pennsylvania German (may
be accompanied by piano) |
00:59:21 |
unidentified man speaks in Pennsylvania
German |
00:59:34 |
various people talking, following by music |
01:02:09 |
instrumental segment |
|
ITEM-ID AFC 2003/051: SR021 |
Sound recording, December 6,
1977
|
|
Rack number: RAA 46855 |
|
Extent: 1 sound tape reel (Side A:
01:29:36, Side B: 00:02:15) : analog, 3 3/4 ips, half track, mono ; 5
in. |
|
Yoder speaks at a festival held in honor of Thomas Nast. Digitization note for
SR021: the tape broke during digitization. Points were reattached with fresh
splice tape and the transfer was completed. While it seems that audio was
recorded only on one track, there is a significant amount of
cross-talk/print-through on the other track. |
|
Side A Brief audio dropout from 00:16:04-00:16:05.
Time
|
Summary
|
00:00:08 |
audio fades in (includes Christmas music;
orchestral only) |
00:06:26 |
music ends; audience applauds |
00:06:46 |
unidentified man speaks in Pennsylvania
German |
00:19:05 |
orchestral music |
00:24:20 |
Don Yoder speaks in Pennsylvania German and briefly
in English; he mentions Thomas Nast (German illustrator, in part
responsible for the current, popular image of Santa Claus) |
00:56:49 |
Don Yoder speaks in Pennsylvania German |
00:57:31 |
whistling sound |
00:57:45 |
unidentified man performs a song in Pennsylvania
German, accompanied by guitar and other voices |
00:59:37 |
unidentified man speaks in Pennsylvania
German |
01:00:01 |
unidentified man performs a song in Pennsylvania
German, accompanied by guitar and other voices |
01:02:40 |
unidentified man speaks in Pennsylvania
German |
01:03:04 |
unidentified man, a guitar, and other voices
perform "Go Down Moses" (sung in English) |
01:05:18 |
unidentified man speaks in Pennsylvania
German |
01:05:50 |
unidentified man performs "Battle Hymn of the
Republic" (sung in English), accompanied by guitar and other
voices |
01:08:06 |
unidentified man speaks in Pennsylvania
German |
01:08:16 |
unidentified man performs "Santa Claus Is Coming to
Town" in English, accompanied by guitar and other voices, plus
whistling for a verse |
01:10:02 |
unidentified man speaks in Pennsylvania
German |
01:10:28 |
unidentified man performs a song (sung in English),
accompanied by guitar and other voices |
01:11:54 |
unidentified man speaks in Pennsylvania
German |
01:12:16 |
unidentified man performs a song (in Pennsylvania
German or German), accompanied by guitar and other voices; at one
point, audience joins singing |
01:14:18 |
applause and various sounds |
01:16:02 |
orchestral Christmas music |
01:24:06 |
orchestral Christmas music |
01:24:41 |
unidentified man speaks in German or Pennsylvania
German; another man speaks in English |
01:25:54 |
orchestral Christmas music (beginning with "Jingle
Bells") |
01:28:50 |
general audience noises |
|
|
Side B See the digitization note for SR021, Side A.
Time
|
Summary
|
00:00:21 |
Don Yoder speaks in Pennsylvania German. |
00:00:59 |
instrumental music (the end of the piece) |
00:01:52 |
Don Yoder speaks in Pennsylvania German and English
(may be part of SR021, Side A) |
|
ITEM-ID AFC 2003/051: SR022 |
Sound recording, 1961
|
|
Rack number: RAA 46856 |
|
Extent: 1 sound tape reel (00:33:10) :
analog, 7 1/2 ips, half track, mono ; 7 in. |
|
Recorded at the St. Anthony Festival, Glassboro, New Jersey. |
|
Time
|
Summary
|
00:00:01 |
unidentified person asks interview subject to
identify herself |
00:00:07 |
Ann Cannett Balboni (?) gives her name, address,
and age; talks about making a vow to St. Anthony that if St.
Anthony healed her son, she'd go barefoot for the rest of her life
(her son was healed); also made a vow to have her husband healed;
[not deciphered, at 00:01:01-00:01:05], got the idea from her own
wish; had seen it before, she is the only one in Glassboro; opinion
of how it has "paid off" |
00:02:00 |
Balboni's husband believes that what they're doing
is because they were brought up to believe in miracles and thank
St. Anthony for responding and giving them what they asked for; in
his own experience, he has witnessed these things; if you want
something you have to sacrifice yourself |
00:03:51 |
(singing can be heard in background) unidentified
man gives history of St. Anthony Beneficial Society: founded in
1919, in Glassboro, New Jersey; purpose was primarily for mutual
aid; main objective to give sick benefit, death, benefit, and to
assist members who may be in financial distress; society was
founded with about 102 members (another man interjects here, about
00:04:59); ups and downs in terms of members count; assessment of
how many were members; organization has enjoyed success; about 260
members now; it has good reputation in town, county, and state;
celebration of the Feast of St. Anthony, as close to June 13 as
possible |
00:06:49 |
Anthony Miranda (second-generation member): joined
organization to preserve and carry on traditions of organization;
fraternal and social benefits |
00:07:47 |
Pasquale di Giovanni (organized the society?):
purpose of society to help Italians in Glassboro to get to know
each other, for mutual aid, including spiritual aid, etc.; society
had its first event on Labor Day 1919; got charter on October 28,
1919; society not politically affiliated |
00:10:48 |
John Brigandi (past president of the society):
affiliated with the celebration committee for 16 or 17 years; talks
about the two-day festivities; Mass on Saturday; procession on
Saturday afternoon; efforts involved in procession; includes two
bands and three floats; other organization participate; a queen is
chosen; involvement of children in procession; length of march;
benediction at church after procession; after supper, band begins
the band concert; fireworks end the celebration; sermon is always
in Italian; one of the founders has for years made a crucifix of
flowers for years, and carried it; his sons continue the tradition;
carrying the St. Anthony's statue; people giving gifts for
different vows; putting money on saint; size of statue of the
saint |
00:15:44 |
Stephen [sp?] di Pasquale (new president or
president-elect) of the society: believes that society's traditions
will be continued |
00:16:22 |
Sam Todaro, third-generation member of the society:
grandfather was a founder; society's growth over the years;
enduring nature of the organization; role of youth in
organization |
00:17:49 |
unidentified man emphasizes the pattern that the
organization set consisted of elderly men as leaders, but that
Steve's youth is great for the organization |
00:18:31 |
Pete Grillo [?] (past president of the
organization): responsible for getting youth of organization to
include sports in the organization; softball team was winner or
runner-up for 10 years; organization still affiliated in sports;
organization also has a bowling league, as well as a mixed league
with the Ladies Auxiliary |
00:19:59 |
unidentified man: important to fraternal nature of
the organization: after bowling, couples have coffee and doughnuts;
cordial, friendly atmosphere promotes good will; social nights for
benefit of members (although outsiders can also come to fulfill
complement of the hall, with members getting priority entry);
others not of same religious faith or national heritage also come;
cohesiveness between members of organization and members of
community |
00:21:27 |
unidentified man: fathers, uncles, and grandfathers
in organization were anxious to get educational opportunities for
their children; in membership, there are teachers, doctors, and
other professional people |
00:22:28 |
unidentified man says he is practically typical
example of second- or third-generation of membership getting an
education |
00:22:56 |
John [no surname given]: member of Juvenile
Conference Committee; purpose is to straighten kids out before they
get to jail |
00:23:22 |
unidentified man: members are leaders in other
organizations in the community |
00:23:44 |
several men have a conversation |
00:24:07 |
Jim Dealy gives some of his titles |
00:24:36 |
unidentified man: Steve di Pasquale has been
president of St. Bridget's parochial school for two years |
00:25:04 |
unidentified man: society has pride in its
membership |
00:25:20 |
unidentified man: trustee of St. Bridget's
church |
00:25:31 |
unidentified man: organizational was originally
nationalistic, but has since branched out |
00:25:59 |
unidentified man thanks Pasquale di Giovani and
other founders |
00:26:17 |
unidentified man: jewelry given by members of the
community, in making vows; particular examples; jewelry becomes
property of St. Anthony Society and cannot be returned; every year,
the jewelry is put on the statue |
00:27:31 |
unidentified man (with interjections by a woman):
St. Anthony is protector [dominator?] of fire, some biographical
details about St. Anthony, what St. Anthony wore and what it means;
the interview subject's son wore garb for more than five years
because he made a vow; boy not very talkative until a vow was made
on his behalf (by his parents?) |
|
ITEM-ID AFC 2003/051: SR023 |
Sound recording, April 28,
1979
|
|
Rack number: RAA 46857 |
|
Extent: 1 sound tape reel (Side A:
00:32:11, Side B: 00:32:09) : analog, 7 1/2 ips, quarter track, stereo ; 7
in. |
|
Recorded at the "Symposium on Rural Hymnody," hosted by Berea College, April
27-29, 1979. Session C: A Demonstration of Lining Hymnody by members of the Mt.
Olivet Regular Baptist Church, led by Elder Elwood Cornett; reel 1 of 2 |
|
Side A
Time
|
Summary
|
00:00:01 |
Bill Talmadge [?] introduces performances of lining
hymnody; mentions I.D. (?) |
00:06:06 |
Elwood Cornett introduces church members: Sister
Mary Dixon, Alice Little, Glen Hampton, Oliver Mullins, William
Lusk, Jr., Mrs. Oliver Mullins, Karen Mullins, Mildred Lusk, Kathy
Cornett; they are all from the Mt. Olivet Regular Baptist Church,
Blackey, Kentucky |
00:13:21 |
church group performs "Brethren We Have Met
Again" |
00:16:42 |
Elwood Cornett: spoken passage |
00:18:48 |
church group performs "Tarry With Me, O My
Savior" |
00:22:55 |
Elwood Cornett: spoken passage |
00:25:55 |
church group performs "I'll Go Where You Want Me To
Go" |
00:30:03 |
Elwood Cornett: spoken passage (cut off, continues
on SR023, Side B) |
|
|
Side B
Time
|
Summary
|
00:00:02 |
Elwood Cornett: spoken passage (continued from
SR023, Side A) |
00:01:43 |
church group performs "Jesus Left His Home in
Glory" |
00:04:55 |
Elwood Cornett introduces Charles Jones, who joined
the group from the audience (see SR023, Side A) |
00:05:28 |
church group, plus Charles Jones, perform "Every
Moment Brings Me Nearer" |
00:08:16 |
Elwood Cornett describes how a service would
proceed |
00:11:14 |
church group, plus Charles Jones, perform a song
(on page 32 of book referenced in the recording) |
00:15:17 |
Elwood Cornett introduces the next song |
00:16:22 |
church group, plus Charles Jones, perform a
song |
00:19:46 |
Elwood Cornett discusses the differences between
the old and new ways of singing "Amazing Grace" |
00:21:27 |
church group, plus Charles Jones, perform "Amazing
Grace" (described as the new way of singing it) |
00:22:45 |
church group, plus Charles Jones, perform "Amazing
Grace" (described as the old way of singing it) |
n/a |
Elwood Cornett |
00:24:46 |
church group, plus Charles Jones, perform "On
Jordan's Stormy Banks I Stand" |
00:26:37 |
church group, plus Charles Jones, perform a song
(cut off by end of recording) |
|
ITEM-ID AFC 2003/051: SR024 |
Sound recording, April 28,
1979
|
|
Rack number: RAA 46858 |
|
Extent: 1 sound tape reel (Side A:
00:28:38, Side B: 00:30:30) : analog, 7 1/2 ips, quarter track, stereo ; 7
in. |
|
Symposium on Rural Hymnody, held at Berea College, April 27-29, 1979. Session
C: A Program of Gospel Hymnody by the Phipps Family (A.L., Kathleen, and Donna)
of Barbourville, Kentucky. reel 2 of 2 |
ITEM-ID AFC 2003/051: SR025 |
Sound recording,
undated
|
|
Rack number: RAA 46859 |
|
Extent: 1 sound tape reel (Side A:
00:23:46, Side B: 00:23:41) : analog, 3 3/4 ips, half track, mono ; 5
in. |
|
Barbara Olson interviews Aunt Fannie [sic] on powwowing, witches, and
superstitions. |
ITEM-ID AFC 2003/051: SR026 |
Sound recording, circa
1965
|
|
Rack number: RAA 46860 |
|
Extent: 1 sound tape reel (00:12:49) :
analog, 3 3/4 ips, half track, mono ; 5 in. |
|
According to accompanying documentation, this recording was for an assignment,
so probably made by a student in one of Don Yoder's classes. An unidentified
girl speaks (in Pennsylvania German). Several songs are introduced, then
performed, including a song played on piano: "Eine Vina Violet" [?] (the choral
version may be from another recording). A child can be heard speaking, at a
distance from the microphone, at the end of the recording. |
ITEM-ID AFC 2003/051: SR027 |
Sound recording,
undated
|
|
Rack number: RAA 46861 |
|
Extent: 1 sound tape reel (00:33:08) :
analog, 3 3/4 ips, half track, mono ; 5 in. |
|
The recording begins with an unidentified man talking about a record made by
about 60 teenage boys and girls of the Shaker Village Work Group. They
researched and recorded the songs as part of their work at the Shaker Village
Project near Pittsfield, Massachusetts, in preserving Shaker cultural
materials. He gives a history of Shakers in the U.S. The interview with Brother
Ricardo Belden begins at 00:07:17 and ends at 00:14:48. The interviewer is
probably Don Yoder. At 00:14:50, a man introduces and plays songs on the piano.
The choral versions of songs that follow may be from the recording mentioned at
the beginning of the tape. The recording speed becomes erratic at 00:30:23, and
begins slowing down. |
ITEM-ID AFC 2003/051: SR028 |
Sound recording, December 5
[no year given]
|
|
Rack number: RAA 46862 |
|
Extent: 1 sound tape reel (00:49:08) :
analog, 7 1/2 ips, full track, mono ; 7 in. |
|
Recording made at St. Luke and the Epiphany, Philadelphia, Pennsylvania.
Interviews with Phyllis Brownell, Father [Rev.] Frederick R. Isacksen, Clay
Gordon, and Clara V___ [?]. This tape is copied from another recording. There are problems with the
recording speed (possibly from the source tape). The audio cuts off abruptly at
the end of the recording. The recording also includes what could be a recording
of a radio broadcast of a church service; possibly led Rev. Billy Graham. |
ITEM-ID AFC 2003/051: SR029 |
Sound recording, November
19, 1965
|
|
Rack number: RAA 46863 |
|
Extent: 1 sound tape reel (Side A, part 1:
01:27:32, Side A, part 2: 00:38:48, Side B: 00:44:14) : analog, 7 1/2 ips (Side
A, part 1) and 3 3/4 (Side A, part 2 and Side B), half track, mono ; 7
in. |
|
Digitization note: The source tape broke at two points. Fresh splice tape was
used to reattach the tape. Sticky shed syndrome was evident at the beginning of
the tape. It was baked to rectify the problem. Later during playback, the tape
would suddenly come to a halt, but this was not a result of sticky shed
syndrome. To correct the problem, the engineer, wearing white gloves, manually
held the tape while it played, effectively acting as a brush. The digital file
for Side A was divided into two files to compensate for the then-current WAV
file size limitations. |
|
Side A Church service. The recording begins with organ music. There were technical
problems when the recording was created, with several instances of drop-out.
Continued on SR029, Side A, part 2. Side B Interview on spiritual healing. Carter W. Craigie interviews Dr. Amos
Seldomridge, Collegeville, Pennsylvania, who talks about seminary, experience
with spiritual healing, and the Church of the Heavenly Rest. Recorded in
Collegeville, Pennsylvania. |
ITEM-ID AFC 2003/051: SR030 |
Sound recording, November 6, 1971
|
|
Rack number: RAA 46864 |
|
Extent: 1 sound tape reel (00:31:28) :
analog, 3 3/4 ips, half track, mono ; 5 in. |
|
Don Yoder interviews folk artist Jennie Trein, tape 1 of 3. The date refers to
the recording; the announcement was recorded on a later date. The recording
begins with high-pitched squeaking/squealing. Don Yoder introduces the
recording. Jennie C. Trein introduces herself, and during the interview recites
the Lord's Prayer in German (or Pennsylvania German). |
ITEM-ID AFC 2003/051: SR031 |
Sound recording, November 6, 1971
|
|
Rack number: RAA 46865 |
|
Extent: 1 sound tape reel (00:32:42) :
analog, 3 3/4 ips, half track, mono ; 5 in. |
|
Don Yoder interviews folk artist Jennie Trein, tape 2 of 3. The date refers to
the recording; the announcement was recorded on a later date. |
ITEM-ID AFC 2003/051: SR032 |
Sound recording, November 6, 1971
|
|
Rack number: RAA 46866 |
|
Extent: 1 sound tape reel (00:29:59) :
analog, 3 3/4 ips, half track, mono ; 5 in. |
|
Don Yoder interviews folk artist Jennie Trein, tape 3 of 3. The date refers to
the recording; the announcement was recorded on a later date. |
ITEM-ID AFC 2003/051: SR033 |
Sound recording, December
30, 1965
|
|
Rack number: RAA 46867 |
|
Extent: 1 sound tape reel (Side A:
00:27:37, Side B: 01:09:39) : analog, 3 3/4 ips, half track, mono ; 7
in. |
|
The recording was probably made for Yoder's Religious Thought class by one of
his students (perhaps D. Frank). |
|
Digitization note: Low audio volume throughout the interview. A high-pitched
squeal can be heard later in recording; some sound distortion as well. |
|
Side A Interview on Jewish beliefs and practices. Mrs. Tebela (?), originally from
Aleppo, is the interview subject. Subjects include amulets, use of the term "a
kina hara" (Yiddish) more than once; possibly followed by some Hebrew later
(b'ruch-ah). The audio volume is very low, and garbled at the beginning. See
SR034, Side A, for similar subject content. Archivist's note: "kine hara" is actually "kein ayin hara" or literally "no
evil eye," a saying meant to ward off bad luck). Side B Interview on Jewish beliefs and practices. Mrs. Rachel Hanon (born Raquel
Hanono; the interviewee) came from Aleppo in 1921; her father was a rabbi. The
interview ends at 01:09:10. |
ITEM-ID AFC 2003/051: SR034 |
Sound recording, December
30, 1965
|
|
Rack number: RAA 46868 |
|
Extent: 1 sound tape reel (Side A:
00:15:52, Side B: 00:35:33) : analog, 7 1/2 ips (Side A) and 3 3/4 ips (Side
B), half track, mono ; 7 in. |
|
Side A Interview on Jewish beliefs and practices; also, healing. Other people can be
heard, helping the interview along; opera music can be heard in the background.
An unidentified man (Don Yoder?) interviews Mrs. Gindhi. She came from Syria to
U. S. 45 years ago. Later, the phrase "a kina hara" is used. See SR033, Side B for similar content. Side B Interview concerns the customs and traditions of Syrian Jews. A woman can be
heard, having discussion with the interview subject. Audio distortion early in
recording. An unidentified man interviews Mrs. Safdeye. He says he studies
customs and traditions of Syrian Jews in Brooklyn and Turkish Jews in Seattle,
Washington, to see similarities. She says she came to US in 1943. Before that,
she lived in England and in Columbia. Her family was from Aleppo (father was
from Aleppo and mother from Nicocea). There are high-pitched sound towards end
of recording; audio is cut off at tape's end. |
ITEM-ID AFC 2003/051: SR035 |
Sound recording,
undated
|
|
Rack number: RAA 46869 |
|
Extent: 1 sound tape reel (00:57:41) :
analog, 3 3/4 ips, half track, mono ; 7 in. |
|
Probably a demonstration tape. Compilation of performances of various types of
choral Christian music, performed by different groups. Some are accompanied,
others a cappella. The recording includes an unidentified man preaching during
an African American church service. |
ITEM-ID AFC 2003/051: SR036 |
Sound recording,
undated
|
|
Rack number: RAA 46870 |
|
Extent: 1 sound tape reel (00:45:18) :
analog, 7 1/2 ips, half track, mono ; 7 in. |
|
Probably recorded at the Pennsylvania Dutch Folk Festival. An unidentified man
is the announcer; participants include Paul Brumbach and Mabel Snyder, and Rev.
Brumbach's son. Unidentified event where Pennsylvania Dutch funeral customs and
lore are discussed, including horse and buggy funeral customs. Audio ends at
00:45:08. |
ITEM-ID AFC 2003/051: SR037 |
Sound recording,
undated
|
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Rack number: RAA 46871 |
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Extent: 1 sound tape reel (Side A:
00:32:26, Side B: 00:13:20) : analog, 7 1/2 ips, half track, mono ; 7
in. |
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Side A Probably recorded at the Pennsylvania Dutch Folk Festival. Pennsylvania Dutch
funeral customs are discussed. Duplicate of an earlier section of SR036. Side B Probably recorded at the Pennsylvania Dutch Folk Festival. Pennsylvania Dutch
funeral customs are discussed. Duplicate of the latter section of SR036. |
ITEM-ID AFC 2003/051: SR038 |
Sound recording,
undated
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Rack number: RAA 46872 |
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Extent: 1 sound tape reel (Side A:
00:14:55, Side B: 00:17:09) : analog, 7 1/2 ips, half track, mono ; 5
in. |
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This may be a dubbed copy of a commercial recording. The tape container says
"Harlem congregation" and also "London (English) Records." |
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Side A African American religious service. Audio begins at 00:00:04, with an
unidentified male speaker and voices of the congregation. Recording also
includes the congregation singing. Side B African American religious service. Audio begins at 00:00:05. Recording
includes the congregation singing, with organ accompaniment. Audio ends at
00:17:03. |
ITEM-ID AFC 2003/051: SR039 |
Sound recording,
1962-1966
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Rack number: RAA 46873 |
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Extent: 1 sound tape reel (00:46:38) :
analog, 7 1/2 ips, half track, mono ; 7 in. |
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African American religious singing (both in services and outside services), and
at end, secular singing ("Stewball"). Much distortion and a ground hum later in
the recording. |
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The recording was sent to Don Yoder by Marian P. Michael, acoompanied by a
letter dated December 19, 1968. The tape is a compilation of recordings Michael
originally recorded, meant to reflect typical Texas African American services;
see Marian P. Michael collection of Texas Baptist hymns and services (AFC
1980/033). See the tape container image for a complete list of songs,
performers, dates, and locations. |
ITEM-ID AFC 2003/051: SR040 |
Sound recording,
undated
|
|
Rack number: RAA 46874 |
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Extent: 1 sound tape reel (Side A:
01:04:24, Side B: 00:04:47) : analog, 3 3/4 ips, half track, mono ; 7
in. |
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Written on the tape container: "Demonstration tape to accompany 'A Selected and
Annotated Discography of American Negro Religious Music on Commercially
Manufactured Records, Designed to Illustrate Varieties of Instrumental and
Vocal Combinations'" -- David J. Winslow, 1967 |
|
Side A Compilation of African American blues singing, jazz, and possibly folk. Side B African American gospel singing. May be dubbed from another recording; fades
out towards the end. |
ITEM-ID AFC 2003/051: SR041 |
Sound recording,
undated
|
|
Rack number: RAA 46875 |
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Extent: 1 sound tape reel (Side A:
00:19:57, Side B: 00:19:57) : analog, 3 3/4 ips, half track, mono ; 4
in. |
|
Compilation tape of African American gospel and secular singing, some
performances possibly recorded live, and others prerecorded. The audio on Side
B begins in fits and starts. |
ITEM-ID AFC 2003/051: SR042 |
Sound recording,
undated
|
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Rack number: RAA 46876 |
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Extent: 1 sound tape reel (Side A:
00:23:17, Side B: 00:23:12) : analog, 3 3/4 ips, half track, mono ; 4
in. |
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Compilation of recordings of religious songs, plus at least one jazz
instrumental song, an African song, a song with (perhaps) a kettle drum and
other percussion; seems to be a percussion-oriented compilation tape, created
for a classroom assignment by Richard Raichelson. |
|
Side A A group performs a song (Possibly Native American, followed by instrumental
performances: Jew's harp, kazoo, flute, and harmonica. Side B Compilation tape of recordings of African American and (perhaps) African song,
both vocal and instrumental. |
ITEM-ID AFC 2003/051: SR043 |
Sound recording, April-May
1967
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Rack number: RAA 46877 |
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Extent: 1 sound tape reel (00:10:40) :
analog, 7 1/2 ips, half track, mono ; 5 in. |
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Interview on African American religious services; two other singers after the
interview. |
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Time
|
Summary
|
00:00:01 |
unidentified woman (interviewer) speaks about emotion
and songs, and camp meetings |
00:00:22 |
Lacey Hall (60 years old) tells of Oriole Camp
Meeting and African American singing (his ideas). |
00:06:10 |
Mrs. Ella Talley (76 years), talks about the
Brandywine Summit Camp Meeting, and sings "Give Me That Old-Time
Religion" |
00:07:07 |
Mrs. Ella Talley sings "Gospel Medley" |
00:08:48 |
Rev. Milton Keene, Seaford, DE; 60 years old, sings
"Telephone to Glory" |
00:09:13 |
Life is Like a Mountain Railway" (song), possibly
performed by Rev. Keene |
00:10:08 |
"We Will Roll the Old Chariot Along" (song),
possibly performed by Rev. Keene |
|
ITEM-ID AFC 2003/051: SR044 |
Sound recording,
undated
|
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Rack number: RAA 46878 |
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Extent: 1 sound tape reel (00:30:30) :
analog, 7 1/2 ips, half track, mono ; 7 in. |
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Program of bush meeting songs/revival meetings; see SR006, Side B. Low-quality audio. |
|
Time
|
Summary
|
00:00:04 |
Don Yoder introduces the part of the program with
lining out of German hymns in the churches of Pennsylvania |
00:01:40 |
Clarence Kulp and Rein Gottshall, Montgomery
County, Pennsylvania, perform lined-out singing |
00:06:38 |
Don Yoder speaks about 18th-century style; invasion
of Methodist preachers; history of different churches descended
from these activities; the following is an example of the "shouting
Dutch" (bush meeting singing style) |
00:09:04 |
Jim Miller; Lanceton (?) Menser (his father is
Harry Menser), Lykens Valley; an introduction, followed by
singing |
00:12:38 |
Don Yoder introduces William Yeakel |
00:13:40 |
William Yeakel and Clarence Kulp sing "Ich Wil
Himmel Bleiben Drei..." [?] |
00:14:15 |
Don Yoder follows their song with an explanation of
the song and its context, and then introduces WIlliam Yeakel again
to sing a song about the land of milk and honey |
00:15:08 |
Don Yoder follows their song with an explanation of
the song and its context, and then introduces William Yeakel again
to sing a song about the land of milk and honey. Clarence Kulp
joins Yeakel in singing the song. |
00:16:23 |
Don Yoder introduces the Lykens Valley Bush Meeting
Singers again |
00:17:07 |
"When the Roll Is Called Up Yonder" (sung in
Pennsylvania German) |
00:18:58 |
following an announcement of the titles for the next two songs,
the singers perform the next song ("How Happy We'll Be Over in
Heaven," in Pennsylvania German) |
00:19:58 |
the singers perform "Singet Hallelujah" |
00:21:03 |
Don Yoder speaks about the previous song, and introduces the
next song ("the old battle chorus") |
00:21:28 |
the group performs the song |
00:23:13 |
Don Yoder has William Yeakel sing a slightly different version
of the same song |
00:23:30 |
William Yeakel sings the "embellished version" of the
song |
00:24:15 |
Don Yoder introduces William Yeakel to sing again, with John
Moyer joining him |
00:24:39 |
"Will the Pearly Gates Stand Open Always" (in Pennsylvania
German) |
00:25:42 |
Don Yoder calls on the Lykens Valley singers to perform the
next song |
00:25:55 |
the group sings a song in Pennsylvania German |
00:27:08 |
Don Yoder introduces a farewell hymn, and asks Lanceton Menser,
Jim Miller, and their Lykens Valley Bush Meeting Singers to perform
it |
00:28:13 |
the group performs the song |
00:29:29 |
audio lapse; followed by other noises and audio
problems |
|
ITEM-ID AFC 2003/051: SR045 |
Sound recording,
undated
|
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Rack number: RAA 46879 |
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Extent: 1 sound tape reel (Part 1:
00:00:53, Part 2: 00:32:25) : analog, 3 3/4 ips (Part 1) and 7 1/2 ips (Part
2), full track, mono ; 7 in. |
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The source tape was recorded at two speeds: 3 3/4 ips for the introduction, and
7 1/2 ips for the balance of the tape. Two digital files of one side were
created as a result. |
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Part 1 Religious service (introduction). Part 2 Religious service. African American religious beliefs, laying on of hands,
healing. The recording includes an interview with an unidentified woman,
possibly interviewed by Don Yoder. |
ITEM-ID AFC 2003/051: SR046 |
Sound recording, circa
1958
|
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Rack number: RAA 46880 |
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Extent: 1 sound tape reel (Side A:
00:32:05, Side B: 00:18:19) : analog, 3 3/4 ips, half track, mono ; 7
in. |
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Side A Jehovah's Witnesses. An unidentified woman interviews Miss Frost and Mr.
Carrick. Part of the interview includes information about when each was
"dedicated." Side B Seventh-Day Adventists. The same interviewer heard on SR046, Side A, here
interviews Mrs. Cox. |
ITEM-ID AFC 2003/051: SR047 |
Sound recording,
undated
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