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| Container | Contents | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Series II: Sound Recordings (continued) | |||||||||||||
| SR432, November 16, 1965 | |||||||||||||
| 1 sound tape reel : analog, 3.75 ips, mono.; 7 in. | |||||||||||||
| Side A: Phrases from the Sea and/or Terms of Deep Water Life | |||||||||||||
| Digital ID: afc1942002_sr432a | |||||||||||||
| SR433 | |||||||||||||
| Side A: The Jackie Gleason Show, December 8 and 15, 1962 | |||||||||||||
| 1 sound tape reel : analog, mono.; 7 in. | |||||||||||||
| Digital ID: afc1942002_sr433a | |||||||||||||
| The songs are preceded by and interspersed with comedy sketches. Frank Fontaine sings "When Your Hair Has Turned to Silver," which Linscott incorrectly identifies as "Always." | |||||||||||||
| When Your Hair Has Turned to Silver | |||||||||||||
| I'm Dreaming of a White Christmas [White Christmas] | |||||||||||||
| Auld Acquaintance [Auld Lang Syne] | |||||||||||||
| SR434, undated | |||||||||||||
| 1 sound tape reel : analog, 3 3/4 ips, double-track, mono.; 7 in. | |||||||||||||
| Performed by the Bourne Male Quartet and Chorus and William J. (Jack) Sherrard | |||||||||||||
| Side A: | |||||||||||||
| Digital ID: afc1942002_sr434a | |||||||||||||
| Johnny's Gone to Hilo | |||||||||||||
| Ryo Grande [1] | |||||||||||||
| Leave Her, Johnny, Leave Her | |||||||||||||
| Ryo Grande [2] | |||||||||||||
| Blow the Man Down | |||||||||||||
| Explanation of phrases "pigs in your boots," "Jacob's ladder," "monkey's fist," and "bitter end" | |||||||||||||
| A Long Time Ago | |||||||||||||
| SR435 | |||||||||||||
| 1 sound tape reel : analog, 3 3/4 ips, mono.; 5 in. | |||||||||||||
| Performed by Charles (Uncle Charlie) Ronco, in Dover-Foxcroft, Maine. Songs in French and English. Duplicated from Linscott's original disc recordings (1943-1946) by Peter Fagley, on January 20, 1974. | |||||||||||||
| Side A: Lumberjack songs, tape 2 | |||||||||||||
| Digital ID: afc1942002_sr435a | |||||||||||||
| Rossignol Sauvage | |||||||||||||
| Sparrow | |||||||||||||
| Late Evening Dew | |||||||||||||
| Prince Edward Island Song | |||||||||||||
| Bachelor Song | |||||||||||||
| Emma Jean | |||||||||||||
| French Wedding Song | |||||||||||||
| SR436, circa 1950s | |||||||||||||
| 1 sound tape reel : analog, mono.; 5 in. | |||||||||||||
| Charles Linscott (son of John and Ardes Linscott) is the baby heard in track 1. | |||||||||||||
| Side A: | |||||||||||||
| Digital ID: afc1942002_sr436a | |||||||||||||
| Baby's Cry | |||||||||||||
| Bunco Kelly | |||||||||||||
| Ele lecture [Lecture given by Eloise Hubbard Linscott] | |||||||||||||
| Sherrard-Paddy Get Back [Paddy Get Back] | |||||||||||||
| Western Ocean | |||||||||||||
| Side B: | |||||||||||||
| Digital ID: afc1942002_sr436b | |||||||||||||
| II Dreadnaught | |||||||||||||
| Western Ocean | |||||||||||||
| B Kelly start [Bunco Kelly] | |||||||||||||
| SR437, undated | |||||||||||||
| 1 sound tape reel : analog, mono.; 5 in. | |||||||||||||
| Side A: Interview with Mr. and Mrs. Harold Stead | |||||||||||||
| Digital ID: afc1942002_sr437a | |||||||||||||
| SR438, undated | |||||||||||||
| 1 sound tape reel : analog, mono.; 5 in. | |||||||||||||
| Dubs of commercial recordings for approximately the first half of the tape. Part of the tape is recorded at the wrong speed, followed by a section of what may be home recordings. | |||||||||||||
| Side A: Charles Stead's records - music | |||||||||||||
| Digital ID: afc1942002_sr438a | |||||||||||||
| SR439, February 7, 1956 | |||||||||||||
| 1 sound tape reel : analog, mono.; 5 in. | |||||||||||||
| Performed by Edward A. (Ed) Lewis (fiddle) and Eloise Hubbard Linscott (piano). Recordings that follow this section seem to have been copied from a radio broadcast. At the very end of the recording is more fiddle music by Lewis. | |||||||||||||
| Side A: | |||||||||||||
| Digital ID: afc1942002_sr439a | |||||||||||||
| Tuning | |||||||||||||
| Haste to the Wedding [Come Haste to the Wedding] | |||||||||||||
| Fisher's Hornpipe | |||||||||||||
| Devil's Dream | |||||||||||||
| Soldier's Joy | |||||||||||||
| Chorus Jig | |||||||||||||
| The Girl I Left Behind Me | |||||||||||||
| Various audio clips of square dances | |||||||||||||
| Unidentified fiddle tune (fragment) | |||||||||||||
| SR440, October 20, 1957 | |||||||||||||
| 1 sound tape reel : analog, mono.; 5 in. | |||||||||||||
| The first two songs performed by performed by Jimmy Hathcock. The third song performed by L.E. Chrysler. The balance of the tape is recordings of Linscott, her son John, daughter-in-law Ardes, and grandson Charles. | |||||||||||||
| Side A: | |||||||||||||
| Digital ID: afc1942002_sr440a | |||||||||||||
| Love Always Has Its Way | |||||||||||||
| Boston Burglar | |||||||||||||
| The Miller | |||||||||||||
| Jingle Bells | |||||||||||||
| The Witch Doctor | |||||||||||||
| I've Been Working on the Railroad | |||||||||||||
| “Grace” | |||||||||||||
| SR441, 1962 | |||||||||||||
| 1 sound tape reel : analog, 3 3/4 ips, mono.; 5 in. | |||||||||||||
| Recording made by Eric Hillis of Halifax, Nova Scotia. | |||||||||||||
| Side A: Voyage of MGM's Bounty: Vancouver to Boston, with Calls at Major Ports | |||||||||||||
| Digital ID: afc1942002_sr441a | |||||||||||||
| SR442, August 2 and 16, 1964 | |||||||||||||
| 1 sound tape reel : analog, mono.; 5 in. | |||||||||||||
| Performers include Alice Cyr (for songs 1 through 3), Gil Edgerly, Royall Prindle, and Eldridge Robie. Edgerly, Prindle, and Robie participated in the bull session). | |||||||||||||
| Side A: | |||||||||||||
| Digital ID: afc1942002_sr442a | |||||||||||||
| Teaching French in Killilou | |||||||||||||
| Jolly Irishman | |||||||||||||
| Clancy's Wooden Wife | |||||||||||||
| Bull session of Old Times | |||||||||||||
| SR443, August 23, 1964 | |||||||||||||
| 1 sound tape reel : analog, 3 3/4 ips, mono.; 5 in. | |||||||||||||
| Recordings made in Gene's Coffee Shop, East Wolfeboro, New Hampshire. Performers include the following: Dearborn, bass and electric guitar (Wolfeboro, New Hampshire); Les Dorr, guitar (Kittery, Maine); Lyle Glidden, guitar (East Wolfeboro, New Hampshire); Beaulieu A. MacIver, fiddle (Gonic, New Hampshire). | |||||||||||||
| Side A: | |||||||||||||
| Digital ID: afc1942002_sr443a | |||||||||||||
| SR444, circa December 1951 | |||||||||||||
| 1 sound tape reel : analog, 7 1/2 ips, mono.; 5 in. | |||||||||||||
| Performers include the Cotton Mountain Boys, Horace Roberts, and Lyle Glidden. Recorded at Gene's coffee shop, East Wolfeboro, New Hampshire. | |||||||||||||
| Side A: Cotton mountain Boys: Christmas 1951 | |||||||||||||
| Digital ID: afc1942002_sr444a | |||||||||||||
| Side B: Lyle Glidden Side II | |||||||||||||
| Digital ID: afc1942002_sr444b | |||||||||||||
| SR445, circa December 1956-December 31, 1957 | |||||||||||||
| 1 sound tape reel : analog, 7 1/2 ips, mono.; 5 in. | |||||||||||||
| "Frozen Logger" and "Kisses Sweeter Than Wine" performed by Jo Mapes (guitar and vocals); recorded from a television broadcast. "Fooling around on the tape" includes Linscott, John, Charles, and Bob Partridge having a conversation."McGilligan's Ball" performed by Arthur Godfrey and Carmel Quinn. Edward A. (Ed) Lewis performs "How I'd Like Someone to Love Me..." (his own composition) on fiddle. "Haste to the Wedding" and "Soldier's Joy" performed by Lews (fiddle) and Linscott (piano). | |||||||||||||
| Side A: | |||||||||||||
| Digital ID: afc1942002_sr445a | |||||||||||||
| Spoken introduction by Linscott | |||||||||||||
| Frozen Logger | |||||||||||||
| Fooling around on the tape | |||||||||||||
| Kisses Sweeter Than Wine | |||||||||||||
| McGilligan's Ball | |||||||||||||
| Conversation between Godfrey and Carmel Quinn | |||||||||||||
| How I'd Like to Have Someone to Love Me Like I Could Love Someone Like You | |||||||||||||
| Haste to the Wedding [Come Haste to the Wedding] | |||||||||||||
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