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| Container | Contents | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| BOX 3-7 | Documentation, 1979-1980 | ||||||||||||
| The Documentation series consists of fieldnotes, photographs, and sound recordings created during fieldwork. See full document of this inventory PDF |
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| Arranged into five subseries. | |||||||||||||
| BOX 4 | Fieldnotes | ||||||||||||
| The fieldnotes are the intellectual core of the project and record and interpret the researchers'
daily activities, observations, and impressions. these journals, along with some ephemera, are listed
in this section under the fieldworkers' name. See full document of this inventory PDF |
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| Arrangement of fieldnotes is alphabetically by fieldworker's name. | |||||||||||||
| BOX 4 | Supplemental Information | ||||||||||||
| This section includes maps, lists of contacts, and interview report forms. See full document of this inventory PDF |
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| Arranged into three series. | |||||||||||||
| BOX 4-7, 12-52 | Photographic : Black & White | ||||||||||||
| Black and white photographic documentation includes negatives, contact sheets, and logs. The negatives
are identified by a serial roll number (There are several sets of these: 01001-01268, 93193-93198, 93204-93205.)
or by a number assigned by the laboratory when the film was processed. These latter numbers begin with a roll
number, followed by a dash and then the batch number. Individual images are identified by the film's edge
numbers. The inventory lists the negatives in numerical order and identifies the photographer for each roll and
gives a brief description of the contents. Additional information about the photos may be acquired from related
fieldnotes or sound recordings. Logs for the photos are listed by photographer and numerically. Contact sheets
are arranged numerically and by photographer. In the latter set logs are attached to each contact. See full document of this inventory PDF |
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| Arrangement of black & white photographs is by number. | |||||||||||||
| BOX 6-7, 12-52 | Photographic : Color | ||||||||||||
| Color photographic documentation includes color transparencies, reference fiches, duplicate slides, color
negatives and contact sheets, and color prints from the negatives. The transparencies have been filed in plastic
storage racks, each of which has been assigned a separate number. Each image has a rack number and serial
number within the rack. The holders have been grouped by photographer. In the rack inventory brief descriptions
of subject and place have been provided, along with the number of slides in each rack. Reference fiches are color
slides of entire racks. The duplicate slides are of selected transparencies only. There are 4 rolls of color
negatives represented by contact sheets and selected prints. The logs for the transparencies identify the subjects,
photographer, the photographer and fieldworker, and the date and location. Corresponding fieldnotes and sound
recordings may provide additional information. See full document of this inventory PDF |
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| Arrangement of color photographs is by number and grouped by photographer. | |||||||||||||
| BOX 7 | Sound Recordings | ||||||||||||
| The Sound Recordings include reel-to-reel and audio cassette field recordings and their logs. The concordance
in this inventory provides a brief summary of the tape contents along with the various numbers assigned to each
tape. Recordings are listed alphabetically by fieldworker and grouped as reels or cassettes. Each recording
listed includes a brief description of its contents. Logs are inventoried by fieldworker and outline the
contents of the recordings as well as providing information on the recording situation and equipment. See full document of this inventory PDF |
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| Arrangement of sound recordings is alphabetically by fieldworker and grouped as reels or cassettes. | |||||||||||||
| BOX 8 | Final Products | ||||||||||||
| The Final Products series includes post-fieldwork essays by Michael Bell and Tom Burns, reports by Burns
and by Peter Bartis, materials relating to a photo exhibit based on the project documentation, grant
applications for a follow-up project, a list of presentation slides, and a list of participants in a
post-fieldwork folklife workshop. See full document of this inventory PDF |
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| Arranged into three subseries. | |||||||||||||