| | | | | | | | | | | | | |
|
Sound Recordings
(continued) |
|
MBRS Rack Number: RXG 0817 |
AFC 1975/001: SR0102,
Recorded: undated
|
|
[no tape log is available for this
item] |
|
[Tape box is labeled "Bulgarian Folk Instruments. Narrator tells about
various instruments."] |
|
|
|
MBRS Rack Number: RXG 0774 |
AFC 1975/001: SR103,
Recorded: unknown
|
|
Running time: 24:42 |
|
This is a recording of a John Dildine radio broadcast with Ellen and
Robin Christenson. It was recorded in the home of Peter and Judy Weston.
See also SR062 and SR068
|
|
|
Time
|
Content
|
Performer(s)
|
| Start |
"Little Birdie" |
Ellen and Robin Christenson, banjo and guitar |
| 4:19 |
Dildine speaks with Ellen and Robin
Christenson. |
|
| 9:09 |
"I'm a Poor Country Boy" |
Robin Christenson, banjo |
| 12:00 |
Dildine speaks with Ellen and Robin
Christenson. |
|
| 15:27 |
Ellen and Robin Christenson, banjo and guitar |
|
| 16:58 |
Dildine does a station break. He speaks with Ellen
Christenson. |
|
| 18:20 |
"One Morning in May" |
Ellen Christenson, guitar |
| 21:16 |
Dildine asks for another song. |
|
| 22:14 |
["Sangarie?"] |
Ellen and Robin Christenson, banjo and
guitar. |
| 24:41 |
End |
|
|
|
|
|
MBRS Rack Number: RXG 0775 |
AFC 1975/001: SR104,
Recorded: unknown
|
|
Running time: 13:02 |
|
This recording contains a number of "takes" of different songs by an
unidentified man and woman. They may be Chris and Pixie Christy. There
is guitar accompaniment. See SR003. |
|
|
Time
|
Content
|
Performer(s)
|
| Start |
"First He Made the Sun" (take 1) |
unidentified man and woman, guitar |
| 1:44 |
"Katie Dear" (take 1) |
unidentified man and woman, guitar |
| 3:50 |
"Katie Dear" (more) |
unidentified man and woman, guitar |
| 4:35 |
[nothing useful] |
|
| 5:17 |
"Ain't Got No Place to Lay My Head" (take 1) |
unidentified man and woman, guitar |
| 7:10 |
"Ain't Got No Place to Lay My Head" (take 2) |
unidentified man and woman, guitar |
| 9:06 |
[nothing useful] |
|
| 9:40 |
"When Are You Comin' to See Me" (take 1) |
unidentified man and woman, |
| 11:15 |
"When Are You Comin' to See Me" (take 2) |
unidentified man and woman, |
| 13:02 |
End |
|
|
|
|
|
MBRS Rack Number: RXG 0776 |
AFC 1975/001: SR105,
Recorded: unknown
|
|
Running time: 14:15 |
|
This is a recording of seven songs of sailors and the sea. The performer
is not identified |
|
|
Time
|
Content
|
Performer(s)
|
| Start |
"Pretty Susan" ("The Pride of Kildare") |
unidentified man, guitar |
| 2:16 |
"Bound for the Rio Grande" |
unidentified man, guitar |
| 4:32 |
"What Shall We Do with the Drunken Sailor" |
unidentified man, guitar |
| 6:01 |
"The Lass of Mohea" |
unidentified man, guitar |
| 8:20 |
["Tin Swanky Pot?"] |
unidentified man, guitar |
| 10:21 |
"Hanging Johnny" |
unidentified man, guitar |
| 12:02 |
The first line is: "I thought I heard the old man say
"good bye fare you well, good bye fare you
well"" |
unidentified man, guitar |
| 14:15 |
End |
|
|
|
|
|
MBRS Rack Number: RXG 0817 |
AFC 1975/001: SR0106,
Recorded: undated
|
|
[no tape log is available for this
item] |
|
[Tape box is labeled "Bulgarian Folk Instruments. Narrator tells about
various instruments."] |
|
|
|
MBRS Rack Number: RXG 0777 |
AFC 1975/001: SR107 (1),
Recorded: unknown
|
|
Running time: 20:31 |
|
This is a recording of six songs by an unidentified woman accompanied by
a band. |
|
|
Time
|
Content
|
Performer(s)
|
| Start |
blank |
|
| 0:21 |
"Ain't Nobody's Business" |
unidentified woman and band |
| 2:31 |
Abilene" |
unidentified woman and band |
| 7:00 |
"Frankie and Johnny" |
unidentified woman and band |
| 10:39 |
"Copper Kettle" |
unidentified woman and band |
| 14:11 |
"We Are Crossing the River Jordan" |
unidentified woman and band |
| 16:47 |
"Trouble in Mind" |
unidentified woman and band |
| 20:13 |
End of recording |
|
| 20:31 |
End |
|
|
|
|
|
MBRS Rack Number: RXG 0778 |
AFC 1975/001: SR108 (1),
Recorded: unknown
|
|
Running time: 15:01 |
|
This appears to be the making of a demo of two (unidentified) women
singers with banjo, guitar and bass. An unidentified male performer is
also on the recording. It is continued on SR108
(3). |
|
|
Time
|
Content
|
| Start |
Talking and false starts of a song. |
| 0:42 |
Take 1 of a song with the first line: "If he's gone,
let him go, let him sink or let him swim" |
| 2:51 |
Performers talking |
| 3:12 |
Take 2 of the previous song |
| 3:40 |
Performers talking |
| 4:09 |
Take 3 of the previous song |
| 6:34 |
When I First Came Unto this Country" |
| 9:46 |
Performers talking and tuning |
| 10:15 |
Take 1 "Jack-A-Roe" |
| 10:48 |
Performers talking about the lyrics of the
song |
| 11:30 |
Jack-A-Roe" |
| 6:22 |
"The Cruel War" |
|
|
|
|
MBRS Rack Number: RXG 0778 |
AFC 1975/001: SR108 (2),
Recorded: unknown
|
|
Running time: 1:33 |
|
This appears to be the recording of a telephone conversation between a
man and a woman. They are trying to schedule something. |
|
|
Time
|
Content
|
| Start |
Conversation |
| 16:11 |
"The Crawdad Song" |
|
|
|
|
MBRS Rack Number: RXG 0778 |
AFC 1975/001: SR108 (3),
Recorded: unknown
|
|
Running time: 15:01 |
|
This is a continuation of SR108 (1). It
appears to be the making of a demo of two (unidentified) women singers
with banjo, guitar and bass. An unidentified male singer is also on
several songs. This session is continued on SR109. |
|
|
Time
|
Content
|
| Start |
Tuning |
| 0:42 |
"Ridin' in a buggy" |
| 2:11 |
laughter |
| 2:23 |
"Cindy" |
| 7:02 |
Talking |
| 7:40 |
"Old Joe Clark" |
| 11:00 |
Laughter |
| 11:15 |
"Brandy Leave Me Alone" |
| 13:03 |
Talking, laughter and tuning |
| 13:47 |
Fragment of an unidentified song. |
| 14:52 |
Talking. |
| 10:48 |
Performers talking about the lyrics of the
song |
|
|
|
|
MBRS Rack Number: RXG 0779 |
AFC 1975/001: SR109,
Recorded: unknown
|
|
Running time: 29:45 |
|
This is a continuation of SR108 (1) and SR108 (3). It appears to be the making of a
demo of two (unidentified) women singers with banjo, guitar and bass. An
unidentified male singer is also on several songs. A previously used
tape was used for this session, so in several places the original
recordings are briefly heard. |
|
|
Time
|
Content
|
| Start |
A big band is heard briefly |
| 0:31 |
"Fare ye Well My Own True Love" (take 1) |
| 3:20 |
"Fare ye Well My Own True Love" (take 2) |
| 6:08 |
Talking |
| 6:33 |
"Fare ye Well My Own True Love" (take 3) |
| 8:10 |
"Fare ye Well My Own True Love" (take 4) |
| 10:30 |
Talking, laughing and preparation for the next
song |
| 11:23 |
First line: "If he's gone let him go, let him sink or
let him swim" |
| 13:48 |
Talking |
| 14:01 |
"Ain't Gonna Work Tomorrow" |
| 16:45 |
Talking |
| 16:58 |
"Doney Gal" (take 1) |
| 19:42 |
Talking |
| 20:03 |
"Doney Gal" (take 2) |
| 23:47 |
talking |
| 24:24 |
"You Are My Sunshine" (take 1) |
| 25:12 |
Laughter |
| 25:30 |
"You Are My Sunshine" (take 2) |
| 28:10 |
Big Band music and the sign off of a radio broadcast
called "Pipeline" |
| 0:31 |
"Fare ye Well My Own True Love" (take 1) |
|
|
|
|
MBRS Rack Number: RXG 0780 |
AFC 1975/001: SR111,
Recorded: unknown
|
|
Running time: 14:01 |
|
This recording seems to be a set of dubs of political songs from
phonograph records. There are several male performers. Several of the
songs have Canadian themes. |
|
|
Time
|
Content
|
Performer(s)
|
| Start |
"This Land is our Land" [Canadian Version] |
performer 1, banjo |
| 2:26 |
"Brand New Democratic Party Train" |
performer #1, banjo |
| 5:41 |
first line: "A Douglas for me, a Douglas for me, if
you're not a Douglas you're no use to me" |
performer #2, guitar |
| 6:50 |
Repeat of previous song |
|
| 8:05 |
["We Are Building a New Party"] [to the tune of
"Jacob's Ladder"] |
performer #3, guitar |
| 9:49 |
"We Shall Not Be Moved" |
performer, guitar |
| 11:57 |
"Solidarity Forever" |
performer, guitar |
| 14:01 |
End |
|
|
|
|
|
MBRS Rack Number: RAA 54540 |
AFC 1975/001: SR0112,
Recorded: undated
|
|
[no tape log is available for this
item] |
|
[Tape box is labeled "Skip James interview."] |
|
|
|
MBRS Rack Number: RXG 0781 |
AFC 1975/001: SR113,
Recorded: unknown
|
|
Running time: 17:41 |
|
This is a recording of six songs by an unidentified male singer and his
guitar. There seems to two men doing the recording; neither of them
sounds like John Dildine. The guitar is quite clear but the lyrics are
difficult to understand. The singer sounds like an older African
American. |
|
|
Time
|
Content
|
Performer(s)
|
| Start |
Talking about the next song. |
|
| 0:49 |
"Drunken Spree" |
unknown performer, vocal and guitar |
| 3:20 |
Talking about the next song. |
|
| 4:28 |
["Won't You Go Along New?"] |
unknown performer, vocal and guitar |
| 6:04 |
Talking about the next song. |
|
| 7:12 |
Unidentified song. [The singer says the title is a
"girl's name." It is something like "Celon."] |
unknown performer, vocal and guitar |
| 8:00 |
Talking about the next song. |
|
| 9:17 |
"All Night Long" (take 1) |
unknown performer, vocal and guitar |
| 10:34 |
Talking about the next song. |
|
| 10:52 |
"All Night Long" (take 2) |
unknown performer, vocal and guitar |
| 14:00 |
Talking about the next song. |
|
| 14:38 |
"All Night Long" (take 3) |
unknown performer, vocal and guitar |
| 17:41 |
End |
|
|
|
|
|
MBRS Rack Number: RAA 54541 |
AFC 1975/001: SR0114,
Recorded: undated
|
|
[no tape log is available for this
item] |
|
[from original inventory, this is likely part of the "Skip James
interview."] |
|
|
|
MBRS Rack Number: RAA 54542 |
AFC 1975/001: SR0115,
Recorded: undated
|
|
[no tape log is available for this
item] |
|
[from original inventory, this is likely part of the "Skip James
interview."] |
|
|
|
MBRS Rack Number: RAA 54543 |
AFC 1975/001: SR0116,
Recorded: undated
|
|
[no tape log is available for this
item] |
|
[from original inventory, this is likely part of the "Skip James
interview."] |
|
|
|
MBRS Rack Number: RAA 54544 |
AFC 1975/001: SR0117,
Recorded: undated
|
|
[no tape log is available for this
item] |
|
[from original inventory, this is likely part of the "Skip James
interview."] |
|
|
|
MBRS Rack Number: RAA 54545 |
AFC 1975/001: SR0118,
Recorded: undated
|
|
[no tape log is available for this
item] |
|
[from original inventory, this is likely part of the "Skip James
interview."] |
|
|
|
MBRS Rack Number: RAA 54546 |
AFC 1975/001: SR0119,
Recorded: undated
|
|
[no tape log is available for this
item] |
|
[from original inventory, this is likely part of the "Skip James
interview."] |
|
|
|
MBRS Rack Number: RXG 0782 |
AFC 1975/001: SR120,
Recorded: unknown
|
|
Running time: 12:11 |
|
This appears to be a recording session of an unidentified blues
singer-guitar player. |
|
|
Time
|
Content
|
| Start |
Discussion of the recording of the next song. |
| 1:32 |
Guitar picking in preparation for the next
song. |
| 2:10 |
"Catfish Blues" - start |
| 2:40 |
Getting ready for take. |
| 2:47 |
"Catfish Blues" (take 1) |
| 4:27 |
Discussion about another take. |
| 4:49 |
"Catfish Blues" (take 2) |
| 6:33 |
Getting ready for the next song. |
| 8:02 |
"Bad, Bad Whiskey" (take 1) |
| 9:50 |
Talking |
| 10:02 |
"Bad, Bad Whiskey" (take 2) |
| 11:01 |
Talking about the next song. |
| 11:50 |
"Black Girl" |
| 10:52 |
"All Night Long" (take 2) |
|
|
|
|
MBRS Rack Number: RXG 0783 |
AFC 1975/001: SR121,
Recorded: unknown
|
|
Running time: 11:51 |
|
In this recording an unidentified man reads a poem, 3 takes, then records
a message to two raging seas" |
|
|
Time
|
Content
|
| Start |
"The Wall" (take 1) |
| 3:35 |
"The Wall" (take 2) |
| 6:50 |
"The Wall" (take 3) |
| 10:18 |
The reader records a message to John Dildine. |
| 1:32 |
Guitar picking in preparation for the next
song. |
|
|
|
|
MBRS Rack Number: RXG 0820 |
AFC 1975/001: SR122,
Recorded: undated
|
|
[no tape log is available for this
item] |
|
[the tape box indicates this may be "The Music of Kenya, British
Information Services tape recording." ] |
|
|
|
MBRS Rack Number: RXG 0784 |
AFC 1975/001: SR123, Recorded: probably
1961
|
|
Running time: 28:14 |
|
This is a recording of Peter Weston interviewing Jim Kweskin. Kweskin
also sings and plays guitar. The recording session is continued on SR124. The recording was made in the home of
Peter and Judy Weston in St. Louis, MO. |
|
|
Time
|
Content
|
Performer(s)
|
| Start |
Peter Weston talking with Jim Kweskin). |
|
| 2:18 |
"You're No Good" (a Jesse Fuller song) |
Kweskin, vocal and guitar |
| 3:55 |
Weston and Kweskin talk about "San Francisco Bay
Blues" and Jesse Fuller's records. They talk about the
next song. |
|
| 6:49 |
"The Cuckoo" |
Kweskin, vocal and guitar |
| 9:47 |
Weston and Kweskin talk about where Kweskin collects
material. |
|
| 11:45 |
"House of David Blues" |
Kweskin, vocal and guitar |
| 14:12 |
Weston and Kweskin talk about the previous
song. |
|
| 16:00 |
blank |
|
| 16:24 |
Recording resumes. Kweskin talks about the guitar
tuning for the next song. |
|
| 17:00 |
"Buffalo Skinners" |
Kweskin, vocal and guitar |
| 21:38 |
Weston and Kweskin discuss the previous song. They
discuss guitar tuning. |
|
| 23:26 |
"Cherry Red" |
Kweskin, vocal and guitar |
| 26:20 |
Weston and Kweskin talk about blues and other genres
Kweskin plays. They talk about Kweskin playing the
banjo. |
|
| 28:19 |
End |
|
|
|
|
|
MBRS Rack Number: RXG 0785 |
AFC 1975/001: SR124, Recorded: probably
1961
|
|
Running time: 30:42 |
|
This is a recording of Peter Weston interviewing Jim Kweskin. Kweskin
also sings and plays guitar. The recording session began on SR123. The recording was made in the home of
Peter and Judy Weston in St. Louis, MO. |
|
|
Time
|
Content
|
Performer(s)
|
| Start |
The next song is introduced |
|
| 1:16 |
"Days of ‘49" |
Kweskin, vocal and guitar |
| 5:20 |
Weston and Kweskin talk about Mississippi John Hurt.
Weston asks Kweskin to play Hurt's song
"Frankie." |
|
| 7:18 |
"Frankie" |
Kweskin, vocal and guitar |
| 10:00 |
Weston and Kweskin discuss the previous song and the
next song. |
|
| 10:59 |
"Stagolee" |
Kweskin, vocal and guitar |
| 13:50 |
Weston and Kweskin talk about Kweskin's upcoming
travel to Europe. Weston closed the recording. |
|
| 15:05 |
This 15 minute segment is Weston sending a message to
John Dildine about the Kweskin recording and what's
going on in the music scene in St. Louis. He talks about
why he's made this recording. He says that the club
called the Laughing Buddha has burned down. He talks
about a newly opened coffee shop which offers live
music. He mentions Robin and Ellen Christenson, who are
on other recordings in this collection. He mentions Jean
Redpath, Odetta, and the Weavers playing in St. Louis.
Judy Weston walks in and talks. |
|
| 30:42 |
End |
|
|
|
|
|
MBRS Rack Number: RXG 0786 |
AFC 1975/001: SR125,
Recorded: unknown
|
|
Running time: 12:38 |
|
This SR seems to be dubs of an unidentified Bluegrass Band. |
|
|
|
MBRS Rack Number: RXG 0787 |
AFC 1975/001: SR126, Recorded: ca.
1959-01
|
|
Running time: 30:52 |
|
This is the second part of a recording of a John Dildine radio broadcast
with The New Lost City Ramblers: John Cohen, Mike Seeger and Tom Paley.
The first part is on SR127. |
|
|
Time
|
Content
|
Performer(s)
|
| Start |
Dildine talks about magazines devoted to folk music
including "Caravan" and "Sing Out!" He tells listener
how to subscribe to "Sing Out!" |
|
| 1:37 |
"Farewell to Tarwathie" (recorded) |
A.L. Lloyd and Ewan MacColl |
| 4:07 |
Dildine and John Cohen talk. |
|
| 5:02 |
"Charlie Was a Good Old Man" |
John Cohen, banjo solo |
| 5:45 |
Cohen talks about the previous song and the next
song. |
|
| 6:14 |
"You Are My Sunshine" |
John Cohen, banjo solo |
| 6:42 |
Dildine and Cohen talk about banjo tunings. Mike
Seeger joins them. |
|
| 7:53 |
"Foggy Mountain Breakdown" |
The NLCR |
| 8:34 |
Dildine and The NLCR talk about bluegrass music and a
bluegrass record that Seeger has just made. Seeger talks
about the evolution of old time music into bluegrass. He
mentions Jimmy Driftwood. |
|
| 16:04 |
"Chewing Gum" |
The NLCR |
| 17:53 |
Dildine and The NLCR talk about the previous song.
Seeger says it came from a Carter Family recording. Tom
Paley tunes his guitar. |
|
| 19:10 |
"Buckdancers Choice" |
Paley, guitar solo |
| 20:08 |
Getting ready for the next song. |
|
| 21:13 |
"The wreck of the Tennessee Gravy Train" (an Uncle
Dave Macon song) |
The NLCR |
| 24:19 |
Dildine asks for one more song. He and Cohen talk
about the folk song magazines "Caravan" and Sing
Out!" |
|
| 26:11 |
"Sally Goodin" |
The NLCR |
| 27:30 |
Dildine closes the broadcast. |
|
| 28:14 |
"Railroad Bill" (recorded) |
theme song |
| 30:52 |
End |
|
|
|
|
|
MBRS Rack Number: RXG 0788 |
AFC 1975/001: SR127, Recorded: ca.
1959-01
|
|
Running time: 26:02 |
|
This is the first part of a recording of a John Dildine radio broadcast
with The New Lost City Ramblers: John Cohen, Mike Seeger and Tom Paley.
The second part is on SR126. |
|
|
Time
|
Content
|
Performer(s)
|
| Start |
Opening theme, "Railroad Bill" recorded. Dildine
introduces the program, a live session with the New Lost
City Ramblers: John Cohen, Mike Seeger and Tom Paley.
Dildine introduces the first song. |
|
| 3:14 |
"Old Joe Clark," recorded |
Jimmy Driftwood |
| 4:52 |
Dildine introduces the New Lost City Ramblers. He
says this is 8 months since their first program (May,
1958). |
|
| 5:56 |
"Forked Dear" |
The NLCR |
| 6:48 |
Dildine and the NLCR talk about learning songs from
old phonograph records, and other things. |
|
| 9:32 |
"Beware, Young Ladies" |
The NLCR |
| 11:57 |
they talk about the previous song and other songs
from the Depression Era. They talk about folk music
publications. They talk about Alan Lomax and an article
in "Sing Out!" |
|
| 15:30 |
"Leaving Home" (an unusual version of "Frankie and
Johnny") |
The NLCR |
| 18:32 |
Dildine and the NLCR talk about tuning their
instruments. |
|
| 20:17 |
While the NLCR are tuning, Dildine plays two recorded
songs by A.L. Lloyd and Ewan MacColl, "Sperm Whale
Fishing" and "Blood Red Roses." Also on the record are
Peggy Seeger playing banjo and John Cohen playing
harmonica. |
|
| 25:37 |
Dildine talks about the previous songs. |
|
| 26:02 |
End |
|
|
|
|
|
MBRS Rack Number: RXG 0789 |
AFC 1975/001: SR128,
Recorded: unknown
|
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