| | | | | | | | | | | | | |
|
Series 8: Sound
recordings
(continued) |
|
Subseries 1: Artists,
bands, and interviews
(continued) |
|
Item-ID: AFC 2011/053: SR753 |
Bob Wills #2,
undated
|
|
Rack number: RAA 59291 |
|
Extent: 1 sound tape reel :
analog, 7 1/2 ips, full track, mono ; 10 in. |
|
|
|
Item-ID: AFC 2011/053: SR453 |
Bob Wills #3,
undated
|
|
Rack number: RXH 4693 |
|
Extent: 1 sound tape reel
(00:31:53) : analog, 7 1/2 ips, stereo ; 7 in. |
|
Vendor's digitization note: The program is distorted at times. |
|
|
Time
|
Content
|
|
|
| Start |
"Bluer Than Blue" |
| 00:02:47 |
"Roly Poly" |
| 00:05:25 |
"You Should Have Thought Of That Before" |
| 00:08:02 |
"I Can't Go On" |
| 00:10:46 |
"I'm Wasting My Time On You" |
| 00:13:20 |
"Easy Rocking Chair" |
| 00:15:56 |
"I'm Just a plain Old Country Boy" |
| 00:18:48 |
"Silver Dew On the Blue Grass" |
| 00:21:20 |
"I'm So Glad I Met You" |
| 00:23:57 |
"New Spanish Two-Step" |
| 00:26:29 |
"Sugar Moon" |
| 00:29:01 |
"Brain Cloudy Blues" |
| 00:31:53 |
End |
|
|
|
|
Item-ID: AFC 2011/053: SR454 |
Bob Wills #4,
undated
|
|
Rack number: RXH 4694 |
|
Extent: 1 sound tape reel
(00:15:37) : analog, 7 1/2 ips, stereo ; 7 in. |
|
Vendor's digitization note: The program is distorted at times. |
|
|
Time
|
Content
|
|
|
| Start |
"Brain Cloudy Blues" |
| 00:02:58 |
"I Got A Cinder In My Eye" |
| 00:05:23 |
"Virginia" |
| 00:07:54 |
"Fat Boy Rag" |
| 00:10:46 |
"The Kind of Love I Can't Forget" |
| 00:13:27 |
"Drum Test" (An instrumental piece) |
| 00:15:37 |
End |
|
|
|
|
Item-ID: AFC 2011/053: SR085 |
Al Wilson interview,
January 29,
1968
|
|
Rack number: RXH 3223 |
|
Extent: 1 sound tape reel
(polyester; Side 1: 01:05:10; Side 2: 00:29:00) : analog, 3 3/4 ips,
half track, mono ; 7 in. |
|
Side 1
|
Time
|
Content
|
|
|
| Start |
PW and AW talk about the forming of AW's band,
Canned Heat, in November of 1965. AW talks about the
turnover of band personnel. He commends the band's
management. |
| 00:03:16 |
AW attributes Canned Heat's early success to the
absence of the word "blues" in the band's name. He
talks about being part of another band, for a short
period, before Canned Heat came together again in
early 1967. He talks about some of the band members
and their interest in specific forms of music.
|
| 00:07:00 |
AW says that the makeup of Canned Heat now is
100% committed to the blues. PW and AW talk about
the appearance of the band and the music itself. AW
talks about the coffee house and college circuit
market. AW discusses various blues bands and where
they stand in the market. He says he's concerned
that the popular interest in the blues will not last
more than a year or two. |
| 00:11:10 |
PW asks if AW considered the blues as something
distinct from the larger body of rock, folk rock and
experimental rock. AW answers and explains his
answer. He says that there is a blues buying public.
|
| 00:12:58 |
They talk about Canned Heat's audience and other
performers with a similar audience. |
| 00:15:30 |
PW asks what Canned Heat set out to do when the
band was formed. AW answers in detail and at
length. |
| 00:21:00 |
PW asks about changes as the band has been
working over the last year and a half. AW
responds. |
| 00:22:10 |
PW asks about translating older style blues to
Canned Heat's repertoire. AW responds. |
| 00:25:20 |
They talk about the liner notes PW wrote for
Caned Heat's first album. They talk about the modal
approach to playing the blues and the harmonic
approach. They talk about the 12-bar blues
structure. |
| 00:32:04 |
PW asks how large a repertoire the band has now.
AW responds and explains how songs are dropped and
added. |
| 00:34:40 |
They talk about adapting old-style blues to
electric instruments. They talk about taking "licks"
from old recordings. |
| 00:36:30 |
PW asks where most of the band's material comes
from. AW replies and gives examples. |
| 00:38:28 |
PW asks about the kinds of places the band has
been working in the last few months. AW responds:
clubs, psychedelic spaces, and one-night concerts.
He explains. They discuss the audiences at these
venues. |
| 00:43:25 |
They talk about how long the listening public
will be interested in the blues. They discuss if
there will be an audience for black blues singers
(and bands). They discuss black blues players and
white blues players. They discuss old blues players
and young blues players. They talk about singing the
blues. |
| 00:54:40 |
dead air |
| 00:55:06 |
AW continues taking about blues singers and
recordings. He says Canned Heat added brass for its
recordings. |
| 00:58:19 |
PW asks about other working groups that AW finds
interesting. AW replies and discusses several
performers and bands. |
| 01:05:10 |
End |
|
|
Side 2
|
Time
|
Content
|
|
|
| Start |
AW abut Taj Mahal, the tuning(s) he uses, and his
style of playing the blues. |
| 00:01:47 |
PW asks if AW has encountered any interesting
bands while he has been on the road. AW responds and
gives examples. |
| 00:06:08 |
PW asks if Canned Heat has played in New York. AW
answers. He says they had a better reaction at Club
47 in Boston, than they did in New York. |
| 00:07:00 |
PW asks about the problems playing amplified
blues versus acoustic blues. AW responds. He talks
about sounds available to amplified music. They talk
at length about writing new material. |
| 00:13:17 |
PW asks how much of the band's repertoire is
original material. AW answers. He discusses the
language of song lyrics. They discuss the transition
from speech to song. |
| 00:21:50 |
AW talks about using new instruments and new
sounds. He specifically mentions the Fender Bass. He
talks about rhythm sections and the blues. |
| 00:29:00 |
End |
|
|
|
|
Item-ID: AFC 2011/053: SR685 |
George Wilson and
Arthur Baker, undated
|
|
Rack number: RXH 5562 |
|
Extent: 1 sound tape reel :
analog ; 7 in. |
|
Dubs of commercial recordings. |
|
|
|
Item-ID: AFC 2011/053: SR114 |
Jack Wilson - Live
at Memory Lane #1, July
8, 1970
|
|
Rack number: RXH 3663 |
|
Extent: on one side of 1 sound
tape reel (polyester, 00:31:50) : analog, 7 1/2 ips, quarter track,
stereo ; 7 in. |
|
First set.
|
Time
|
Content
|
|
|
| Start |
Unidentified - jazz piano performance |
| 00:05:07 |
Unidentified - jazz piano performance |
| 00:16:35 |
Unidentified - jazz piano performance |
| 00:23:23 |
Unidentified - jazz piano performance |
| 00:31:50 |
End |
|
|
|
|
Item-ID: AFC 2011/053: SR637 |
Jack Wilson - Live
at Memory Lane #1, July
1970
|
|
Rack number: RXH 5514 |
|
Extent: 1 sound tape reel
(00:39:20) : analog, 7 1/2 ips, stereo ; 7 in. |
|
Archivist's note: First set, on either July 8 or 9. Copy of an
earlier or the original recording. Near the end of the recording
Jack Wilson introduces the band (Ike Isaacs, bass; Donald Bailey,
drums and percussion), and says the performance is being recorded
live for Blue Note Records. |
|
|
|
Item-ID: AFC 2011/053: SR115 |
Jack Wilson - Live
at Memory Lane #2, July
8, 1970
|
|
Rack number: RXH 3663 |
|
Extent: on one side of 1 sound
tape reel (backcoated polyester, 00:45:20) : analog, 7 1/2 ips, half
track, stereo ; 7 in. |
|
Second set.
|
Time
|
Content
|
|
|
| Start |
Unidentified - jazz piano performance |
| 00:07:35 |
Jack Wilson (JW) introduces the band: Ike Isaacs,
bass; Donald Bailey, drums; himself, piano. He
acknowledges several people in attendance. He says
the engineers are trying to correct a sound problem
with the electric piano. He introduces the next
song. |
| 00:11:43 |
Ramblin' |
| 00:23:29 |
JW talks, then: Unidentified - jazz piano
performance |
| 00:30:59 |
Unidentified - jazz piano performance |
| 00:38:32 |
JW talks. He introduces the next song.
Unidentified - jazz piano performance |
| 00:44:50 |
JW introduces the band. He says they are going to
take a break. |
| 00:45:20 |
End |
|
|
|
|
Item-ID: AFC 2011/053: SR116 |
Jack Wilson - Live
at Memory Lane #3, July
1970
|
|
Rack number: RXH 3665 |
|
Extent: on one side of 1 sound
tape reel (backcoated polyester, 00:29:15) : analog, 7 1/2 ips, half
track, stereo ; 7 in. |
|
Third set. Possibly a dub copy. |
|
|
Time
|
Content
|
|
|
| Start |
Unidentified - jazz piano performance |
| 00:00:47 |
dead air |
| 00:01:06 |
Unidentified - jazz piano performance |
| 00:08:38 |
Jack Wilson (JW) talk about Dinah Washington. He
introduces the next song, "If It's the Last Thing I
Do" |
| 00:17:01 |
Unidentified - jazz piano performance |
| 00:26:58 |
Unidentified - jazz piano performance. JW
introduces the band. |
| 00:29:14 |
End |
|
|
|
|
Item-ID: AFC 2011/053: SR117 |
Jack Wilson - Live
at Memory Lane #4, July
9, 1970
|
|
Rack number: RXH 3666 |
|
Extent: on one side of 1 sound
tape reel (backcoated polyester, 00:29:25) : analog, 7 1/2 ips, half
track, stereo ; 7 in. |
|
Possibly a dub copy. |
|
|
Time
|
Content
|
|
|
| Start |
Getting ready |
| 00:00:58 |
unidentified - jazz piano performance |
| 00:15:31 |
unidentified - jazz piano performance |
| 00:24:54 |
unidentified - jazz piano performance |
| 00:28:55 |
Jack Wilson thanks the band and the
audience. |
| 00:29:25 |
End |
|
|
|
|
Item-ID: AFC 2011/053: SR118 |
Jack Wilson - Live
at Memory Lane #5, July
1970
|
|
Rack number: RXH 3667 |
|
Extent: on one side of 1 sound
tape reel (backcoated polyester, 00:36:36) : analog, 7 1/2 ips, half
track, stereo ; 7 in. |
|
Possibly a dub copy. |
|
|
Time
|
Content
|
|
|
| Start |
unidentified - jazz piano performance |
| 00:07:44 |
unidentified - jazz piano performance |
| 00:18:49 |
unidentified - jazz piano performance |
| 00:25:47 |
Jack Wilson introduces the next song which was
written for his wife; unidentified - jazz piano
performance |
| 00:33:53 |
unidentified - jazz piano performance |
| 00:36:36 |
End |
|
|
|
|
Item-ID: AFC 2011/053: SR119 |
Jack Wilson - Live
at Memory Lane #6, July
1970
|
|
Rack number: RXH 3668 |
|
Extent: on one side of 1 sound
tape reel (backcoated polyester, 00:37:35) : analog, 7 1/2 ips, half
track, stereo ; 7 in. |
|
Possibly a dub copy. |
|
|
Time
|
Content
|
|
|
| Start |
unidentified - jazz piano performance |
| 00:10:52 |
unidentified - jazz piano performance |
| 00:19:20 |
Jack Wilson recognizes several people.
Unidentified - jazz piano performance |
| 00:26:08 |
unidentified - jazz piano performance |
| 00:37:34 |
Jack Wilson introduces the band. |
| 00:37:35 |
End |
|
|
|
|
Item-ID: AFC 2011/053: SR120 |
Jack Wilson - Live
at Memory Lane #7, July
1970
|
|
Rack number: RXH 3669 |
|
Extent: on one side of 1 sound
tape reel (backcoated polyester, 00:41:00) : analog, 7 1/2 ips, half
track, stereo ; 7 in. |
|
Possibly a dub copy. |
|
|
Time
|
Content
|
|
|
| Start |
unidentified - jazz piano performance |
| 00:06:30 |
unidentified - jazz piano performance |
| 00:17:14 |
Jack Wilson says that the next tune "Angle City"
was written by Teddy Edwards. There are several
starts to get the correct tempo. |
| 00:26:24 |
Background talking. Jack Wilson introduces the
next tune, "Crazy about You Baby." |
| 00:32:20 |
unidentified - jazz piano performance, or maybe
just noodling. |
| 00:36:10 |
Noodling and talking in the background. |
| 00:37:15 |
unidentified - jazz piano performance |
| 00:40:14 |
Jack Wilson thanks everyone. |
| 00:41:00 |
End |
|
|
|
|
Item-ID: AFC 2011/053: SR121 |
Teddy Wilson, Jerry
Fuller, Don DeMicheal, Joe Johnson, Tony Bellson, #1, August 1971
|
|
Rack number: RXH 3670 |
|
Extent: on one side of 1 sound
tape reel (polyester, 00:45:22) : analog, 7 1/2 ips, half track,
stereo ; 7 in. |
|
Recorded live at The In-Place. |
|
|
Time
|
Content
|
|
|
| Start |
Jerry Fuller says "welcome to The In Place." He
introduces the band: Tony Bellson, drums; (?)
guitar; Joe Johnson, string bass; Don De Michael,
vibes; Jerry Fuller, clarinet; and Teddy Wilson,
piano. |
| 00:00:56 |
unidentified jazz performance |
| 00:06:42 |
unidentified jazz performance |
| 00:12:24 |
unidentified jazz performance |
| 00:19:01 |
"The Man I Love," "Someone to Watch Over Me," "I
Got Rhythm" - Teddy Wilson medley on piano |
| 00:26:15 |
unidentified jazz performance |
| 00:32:52 |
unidentified jazz performance |
| 00:39:19 |
"After You're Gone" |
| 00:45:22 |
End |
|
|
|
|
Item-ID: AFC 2011/053: SR122 |
Teddy Wilson, Jerry
Fuller, Don DeMicheal, Joe Johnson, Tony Bellson, #2, August 1971
|
|
Rack number: RXH 3671 |
|
Extent: on one side of 1 sound
tape reel (polyester, 00:45:40) : analog, 7 1/2 ips, half track,
stereo ; 7 in. |
|
Recorded live at The In-Place. |
|
|
Time
|
Content
|
|
|
| Start |
"East of the Sun (and West of the Moon)" |
| 00:06:19 |
unidentified jazz performance |
| 00:12:04 |
"On the sunny Side of the Street" |
| 00:19:22 |
unidentified jazz performance; at the end of this
song, Jerry Fuller introduces the band |
| 00:25:49 |
"You Make Me Happy" |
| 00:32:05 |
unidentified jazz performance |
| 00:37:37 |
unidentified jazz performance |
| 00:45:40 |
End |
|
|
|
|
Item-ID: AFC 2011/053: SR123 |
Teddy Wilson, Jerry
Fuller, Don DeMicheal, Joe Johnson, Tony Bellson, Ianucci #3, August 1971
|
|
Rack number: RXH 3672 |
|
Extent: on one side of 1 sound
tape reel (polyester, 00:34:31) : analog, 7 1/2 ips, half track,
stereo ; 7 in. |
|
Probably recorded live at The In-Place. |
|
|
Time
|
Content
|
|
|
| Start |
unidentified jazz performance |
| 00:05:24 |
"Avalon" |
| 00:11:28 |
unidentified jazz performance |
| 00:16:26 |
"I Got Rhythm" |
| 00:22:26 |
"Ain't Misbehaving" |
| 00:26:51 |
unidentified jazz performance |
| 00:34:31 |
End |
|
|
|
|
Item-ID: AFC 2011/053: SR683 |
Keep On The Sunny Side - Mac Wiseman (DLP-3336), December 29, 1976
|
|
Rack number: RXH 5560 |
|
Extent: 1 sound tape reel
(00:27:53) : analog, 7 1/2 ips, stereo ; 7 in. |
|
Archivist's note: The album was originally released in 1960. This
recording may have been part of an effort to re-release the
album.
Vendor's digitization note: The program is distorted at times. |
|
|
Time
|
Content
|
|
|
| Start |
test tones |
| 00:00:45 |
"One Mint Julep" |
| 00:03:29 |
"I'd Rather Die Young" |
| 00:05:56 |
"I Hear You Knockin'" |
| 00:08:25 |
"I'm Waiting For Ships That Never Come
In" |
| 00:10:34 |
"Little White Church" |
| 00:13:14 |
"Keep On The Sunny Side" |
| 00:15:53 |
"The Fire In My Heart" |
| 00:19:12 |
"Step It Up And Go" |
| 00:21:01 |
"The Kentuckian Song" |
| 00:23:11 |
"The Waltz You Saved For Me" |
| 00:25:48 |
"When The Work's All Done This Fall" |
| 00:27:53 |
End |
|
|
|
|
Item-ID: AFC 2011/053: SR684 |
Mac Wiseman Sings Fire Ball Mail and Other Favorites (DLP-3408), December 29, 1976
|
|
Rack number: RXH 5561 |
|
Extent: 1 sound tape reel
(00:29:32) : analog, 7 1/2 ips, stereo ; 7 in. |
|
Archivist's note: The album was originally released in 1961. This
recording may have been part of an effort to re-release the
album.
Vendor's digitization note: The program is distorted at times. |
|
|
Time
|
Content
|
|
|
| Start |
test tones |
| 00:00:27 |
"Wabash Cannonball" |
| 00:02:56 |
"Sundown" |
| 00:04:47 |
"These Hands" |
| 00:07:26 |
"Waiting For The Boys" |
| 00:10:17 |
"You Can't Judge A Book" |
| 00:12:44 |
"Fire Ball Mail" |
| 00:15:13 |
"Crazy Blues" |
| 00:17:44 |
"Danger Heartbreak Ahead" |
| 00:20:16 |
"I'm Eatin' High On The Hog" |
| 00:22:25 |
"Let Me Borrow Your Heart For Tonight" |
| 00:24:55 |
"Dream Of Mother And Home" |
| 00:27:17 |
"My Little Home In Tennessee" |
| 00:29:32 |
End |
|
|
|
|
Item-ID: AFC 2011/053: SR317 |
John Wolf - Gerry
Collate [Collete?], June 19, 1965
|
|
Rack number: RXH 4203 |
|
Extent: 1 sound tape reel
(00:20:08) : analog, 7 1/2 ips, mono, 7 1/2 ips, mono ; 7
in. |
|
Vendor's digitization note: The program is distorted at times.
Logger's note: Solo piano jazz pieces. Gerry Collate [Collete?],
piano soloist. |
|
|
Time
|
Content
|
|
|
| Start |
"Misty" |
| 00:03:10 |
"Will Meet Again" |
| 00:08:06 |
"Swingin' Shepherd Blues" |
| 00:12:40 |
"When You Wish Upon a Star" |
| 00:18:05 |
"Tenderly" |
| 00:20:08 |
End |
|
|
|
|
Item-ID: AFC 2011/053: SR124 |
Douglas "Tex" Woods,
1, July 14,
1961
|
|
Rack number: RXH 3673 |
|
Extent: on one side of 1 sound
tape reel (polyester, 00:43:44) : analog, 7 1/2 ips, half track,
stereo ; 7 in. |
|
Collector's original ID number: 37.
Logger's note: Woods is a street singer who was blind. He sings and
plays accordion on all selections. Recorded in Philadelphia,
Pennsylvania. |
|
|
Time
|
Content
|
|
|
| Start |
"Down in the Valley" |
| 00:04:52 |
first line: "Last night as I lay on the
prairie" |
| 00:07:09 |
first line: "Life is like a mountain railroad"
|
| 00:10:40 |
first line: "Life is like a mountain railroad" -
two voices |
| 00:14:49 |
first line: "Way out in Reno Nevada, where
romance blooms and fades" |
| 00:19:17 |
"Good night Irene" |
| 00:22:10 |
"Home on the Range" |
| 00:28:19 |
first line: "I had a home down in Texas, down
where the blue bonnets grow" |
| 00:32:17 |
Lyrics: "You wouldn't read my letter if I wrote
it to you, you asked me not to call you on the
telephone" |
| 00:36:26 |
first line: "Oh beautiful, beautiful Texas, where
beautiful blue bonnets grow" |
| 00:39:33 |
first line: "What a friend you have in
Jesus" |
| 00:43:44 |
End |
|
|
|
|
Item-ID: AFC 2011/053: SR125 |
Douglas "Tex" Woods,
2, July 14,
1961
|
|
Rack number: RXH 3674 |
|
Extent: on one side of 1 sound
tape reel (polyester, 00:18:10) : analog, 7 1/2 ips, half track,
stereo ; 7 in. |
|
Archivist's note: Includes unedited comments and one song ("Down in
the Valley" (described on the tape box as the "broken version"). See
notes for SR124. |
|
|
Time
|
Content
|
|
|
| Start |
Getting ready. Pete Welding (PW) and Douglas
Woods (DW) are talking. DW talks about songs that he
knows. |
| 00:03:18 |
Down in the Valley |
| 00:07:39 |
PW asks for more ballads. PW and DW talk about
various songs that he knows and does not know. DW
talks but a guitar player called Sam Frazier. DW
talks about being blind and being a blind street
musician. |
| 00:13:56 |
DW talks about a street banjo player. DW talks
about some of the songs that he has learned. He says
that his wife sings quite a bit. PW and DW talk
about "Beautiful Texas" which is or was the Texas
State Song. |
| 00:18:10 |
End |
|
|
|
|
Item-ID: AFC 2011/053: SR667 |
Alive and Well In Paris - Phil Woods and His European Rhythm Machine, November
14-15, 1968
|
|
Rack number: RXH 5544 |
|
Extent: 1 sound tape reel :
analog, stereo ; 7 in. |
|
Archivist's note: Recorded live, on these dates, at Pathé-Marconi
Studios. Dub copy of the LP. The tape box has "And When We're Young"
as the album title. |
|
|
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