| | | | | | | | | | | | | |
|
Series 8: Sound
recordings
(continued) |
|
Subseries 1: Artists,
bands, and interviews
(continued) |
|
Teddy Wilson, Jerry
Fuller, Don DeMicheal, Joe Johnson, Tony Bellson, Ianucci #3, August 1971
(continued) |
|
Rack number: RXH 3672 |
|
Extent: on one side of 1 sound
tape reel (polyester, 00:34:31) : analog, 7 1/2 ips, half track,
stereo ; 7 in. |
|
Probably recorded live at The In-Place. |
|
Time
|
Content
|
|
|
Start |
unidentified jazz performance |
00:05:24 |
"Avalon" |
00:11:28 |
unidentified jazz performance |
00:16:26 |
"I Got Rhythm" |
00:22:26 |
"Ain't Misbehaving" |
00:26:51 |
unidentified jazz performance |
00:34:31 |
End |
|
|
|
Item-ID: AFC 2011/053: SR683 |
Keep On The Sunny Side - Mac Wiseman (DLP-3336), December 29, 1976
|
|
Rack number: RXH 5560 |
|
Extent: 1 sound tape reel
(00:27:53) : analog, 7 1/2 ips, stereo ; 7 in. |
|
Archivist's note: The album was originally released in 1960. This
recording may have been part of an effort to re-release the
album. Vendor's digitization note: The program is distorted at times. |
|
Time
|
Content
|
|
|
Start |
test tones |
00:00:45 |
"One Mint Julep" |
00:03:29 |
"I'd Rather Die Young" |
00:05:56 |
"I Hear You Knockin'" |
00:08:25 |
"I'm Waiting For Ships That Never Come
In" |
00:10:34 |
"Little White Church" |
00:13:14 |
"Keep On The Sunny Side" |
00:15:53 |
"The Fire In My Heart" |
00:19:12 |
"Step It Up And Go" |
00:21:01 |
"The Kentuckian Song" |
00:23:11 |
"The Waltz You Saved For Me" |
00:25:48 |
"When The Work's All Done This Fall" |
00:27:53 |
End |
|
|
|
Item-ID: AFC 2011/053: SR684 |
Mac Wiseman Sings Fire Ball Mail and Other Favorites (DLP-3408), December 29, 1976
|
|
Rack number: RXH 5561 |
|
Extent: 1 sound tape reel
(00:29:32) : analog, 7 1/2 ips, stereo ; 7 in. |
|
Archivist's note: The album was originally released in 1961. This
recording may have been part of an effort to re-release the
album. Vendor's digitization note: The program is distorted at times. |
|
Time
|
Content
|
|
|
Start |
test tones |
00:00:27 |
"Wabash Cannonball" |
00:02:56 |
"Sundown" |
00:04:47 |
"These Hands" |
00:07:26 |
"Waiting For The Boys" |
00:10:17 |
"You Can't Judge A Book" |
00:12:44 |
"Fire Ball Mail" |
00:15:13 |
"Crazy Blues" |
00:17:44 |
"Danger Heartbreak Ahead" |
00:20:16 |
"I'm Eatin' High On The Hog" |
00:22:25 |
"Let Me Borrow Your Heart For Tonight" |
00:24:55 |
"Dream Of Mother And Home" |
00:27:17 |
"My Little Home In Tennessee" |
00:29:32 |
End |
|
|
|
Item-ID: AFC 2011/053: SR317 |
John Wolf - Gerry
Collate [Collete?], June 19, 1965
|
|
Rack number: RXH 4203 |
|
Extent: 1 sound tape reel
(00:20:08) : analog, 7 1/2 ips, mono, 7 1/2 ips, mono ; 7
in. |
|
Vendor's digitization note: The program is distorted at times. Logger's note: Solo piano jazz pieces. Gerry Collate [Collete?],
piano soloist. |
|
Time
|
Content
|
|
|
Start |
"Misty" |
00:03:10 |
"Will Meet Again" |
00:08:06 |
"Swingin' Shepherd Blues" |
00:12:40 |
"When You Wish Upon a Star" |
00:18:05 |
"Tenderly" |
00:20:08 |
End |
|
|
|
Item-ID: AFC 2011/053: SR124 |
Douglas "Tex" Woods,
1, July 14,
1961
|
|
Rack number: RXH 3673 |
|
Extent: on one side of 1 sound
tape reel (polyester, 00:43:44) : analog, 7 1/2 ips, half track,
stereo ; 7 in. |
|
Collector's original ID number: 37. Logger's note: Woods is a street singer who was blind. He sings and
plays accordion on all selections. Recorded in Philadelphia,
Pennsylvania. |
|
Time
|
Content
|
|
|
Start |
"Down in the Valley" |
00:04:52 |
first line: "Last night as I lay on the
prairie" |
00:07:09 |
first line: "Life is like a mountain railroad"
|
00:10:40 |
first line: "Life is like a mountain railroad" -
two voices |
00:14:49 |
first line: "Way out in Reno Nevada, where
romance blooms and fades" |
00:19:17 |
"Good night Irene" |
00:22:10 |
"Home on the Range" |
00:28:19 |
first line: "I had a home down in Texas, down
where the blue bonnets grow" |
00:32:17 |
Lyrics: "You wouldn't read my letter if I wrote
it to you, you asked me not to call you on the
telephone" |
00:36:26 |
first line: "Oh beautiful, beautiful Texas, where
beautiful blue bonnets grow" |
00:39:33 |
first line: "What a friend you have in
Jesus" |
00:43:44 |
End |
|
|
|
Item-ID: AFC 2011/053: SR125 |
Douglas "Tex" Woods,
2, July 14,
1961
|
|
Rack number: RXH 3674 |
|
Extent: on one side of 1 sound
tape reel (polyester, 00:18:10) : analog, 7 1/2 ips, half track,
stereo ; 7 in. |
|
Archivist's note: Includes unedited comments and one song ("Down in
the Valley" (described on the tape box as the "broken version"). See
notes for SR124. |
|
Time
|
Content
|
|
|
Start |
Getting ready. Pete Welding (PW) and Douglas
Woods (DW) are talking. DW talks about songs that he
knows. |
00:03:18 |
Down in the Valley |
00:07:39 |
PW asks for more ballads. PW and DW talk about
various songs that he knows and does not know. DW
talks but a guitar player called Sam Frazier. DW
talks about being blind and being a blind street
musician. |
00:13:56 |
DW talks about a street banjo player. DW talks
about some of the songs that he has learned. He says
that his wife sings quite a bit. PW and DW talk
about "Beautiful Texas" which is or was the Texas
State Song. |
00:18:10 |
End |
|
|
|
Item-ID: AFC 2011/053: SR667 |
Alive and Well In Paris - Phil Woods and His European Rhythm Machine, November
14-15, 1968
|
|
Rack number: RXH 5544 |
|
Extent: 1 sound tape reel :
analog, stereo ; 7 in. |
|
Archivist's note: Recorded live, on these dates, at Pathé-Marconi
Studios. Dub copy of the LP. The tape box has "And When We're Young"
as the album title. |
|
|
Item-ID: AFC 2011/053: SR764 |
New Music By The New Phil Woods Quartet - Phil Woods Quartet (Testament Records T-4402-A), 1974
|
|
Rack number: RAA 59302 |
|
Extent: 1 sound tape reel :
analog, 15 ips, two track, stereo ; 10 in. |
|
Copy of the master recording. |
|
|
Item-ID: AFC 2011/053: SR765 |
New Music By The New Phil Woods Quartet - Phil Woods Quartet (Testament Records T-4402-B), 1974
|
|
Rack number: RAA 59303 |
|
Extent: 1 sound tape reel :
analog, 15 ips, two track, stereo ; 10 in. |
|
See note for SR764
|
|
|
Item-ID: AFC 2011/053: SR184 |
Lee Wooten (piano),
undated
|
|
Rack number: RXH 4067 |
|
Extent: 1 sound tape reel
(acetate, 00:50:03) : analog, 3 3/4 ips, half track, mono ; 7
in. |
|
Recorded on one tape side only. Collector's original ID number:
48. Archivist's note: Lee Wooten was the husband of Ethel McCoy. |
|
Time
|
Content
|
|
|
Start |
A male vocalist sings with piano and accompanying
instruments. The song may be titled "I Got to Find
My Baby." |
00:04:39 |
The musicians begin the instrumental piece and
stop because someone is not playing in the correct
rhythm/time signature |
00:05:50 |
The musicians restart the previous song |
00:08:15 |
A song with a male vocalist and accompaniment,
title is unknown |
00:12:58 |
The musicians perform their next piece. |
00:17:06 |
The next song |
00:20:57 |
The next selection |
00:23:57 |
The musicians perform their next piece |
00:26:41 |
The musicians sing and play "Early in the
Morning" |
00:30:28 |
The next selection |
00:34:07 |
The musicians perform the next piece, "I've Been
Worried About You" |
00:37:08 |
The instrumental piece, "I'm Going to Boogie from
Door to Door" |
00:40:35 |
The next selection |
00:44:15 |
The next song |
00:47:20 |
The musicians perform their next piece |
00:50:02 |
End |
|
|
|
Item-ID: AFC 2011/053: SR211 |
Bob Wright, Eubie
Blake, Teddy Wilson (performers, Side 1); Bunk Johnson, Frank Chace,
Bob Wright (performers, Side 2), July and November 1970
|
|
Rack number: RXH 4094 |
|
Extent: 1 sound tape reel
(graphite-backed polyester; Side 1: 01:37:11, Side 2: 01:37:05) :
analog, 3 3/4 ips, quarter track, stereo ; 7 in. |
|
Includes live recordings and some dubs of commercial recordings.
Accompanying set list. The July recordings were made at The Edge
Lounge. The November recordings were made in "a friend's living
room." LC engineer's note: The tape was recorded out of relative phase. This
was corrected in the transfer. |
|
Side 1
Time
|
Content
|
|
|
Start |
The performer, most likely Eubie Blake (EB)
starts with a piano ragtime instrumental from Max
Kortlander titled "Hunting the Ball" |
00:03:40 |
EB performs another piano ragtime instrumental
from Charles Thompson called "The Lily Rag" |
00:06:02 |
EB performs a selection by George Gershwin titled
"How Long Has This Been Going On?" |
00:11:21 |
EB performs a cover of the "Coconut Girl Jazz" by
Tim Brown |
00:14:13 |
EB performs a cover of the "Puerto Rico Rag" by
Fort Daphne |
00:17:07 |
EB performs a cover of "Where Have You Been?" by
Cole Porter |
00:20:50 |
The next piano piece, title is unknown |
00:23:54 |
The next piano piece |
00:27:40 |
EB performs the next piano piece from their
set |
00:30:40 |
A piano selection |
00:35:07 |
The next piano piece |
00:37:34 |
EB performs their next selection titled ["I Must
Be Blunt"?] |
00:42:29 |
The beginning of a piano instrumental that the
pianist decides not to finish playing |
00:43:22 |
EB wrote the song "Play" for his wife in 1972.
That year, EB completed 6 rag songs and 5 [waltz?]
compositions. He begins playing at 43:47. |
00:46:54 |
The next piano selection |
00:56:10 |
A piano instrumental selection by EB |
01:02:14 |
An instrumental selection |
01:06:09 |
The next piano piece by EB |
01:10:21 |
EB performs his next instrumental piece |
01:14:38 |
The next piece |
01:18:32 |
EB performs his next piece with background
vocals |
01:21:27 |
A piano instrumental selection |
01:24:57 |
The next piano piece by EB |
01:29:41 |
EB performs his next instrumental piece |
01:34:02 |
The next piece |
01:37:11 |
End |
|
|
Side 2
Time
|
Content
|
|
|
Start |
A band with a horn [saxophone or trumpet] solo
plays an instrumental cover of "When the Saints Go
Marching In." |
00:03:10 |
The jazz band plays their next selection, the
title is unknown |
00:06:24 |
The next instrumental cover |
00:09:12 |
The band plays another instrumental work |
00:12:39 |
An instrumental selection |
00:15:55 |
The band plays their next instrumental
selection |
00:18:59 |
The next piece |
00:22:08 |
An instrumental selection |
00:25:28 |
The band plays their next piece |
00:29:19 |
The next instrumental selection |
00:31:54 |
An instrumental piece |
00:36:03 |
The band plays another instrumental work |
00:38:21 |
The next piece |
00:41:49 |
An instrumental selection |
00:44:27 |
The next instrumental cover |
00:49:09 |
The band plays their next instrumental
selection |
00:51:49 |
An instrumental piece |
00:57:04 |
The next selection |
01:01:57 |
The band plays another piece |
01:08:22 |
An instrumental interlude |
01:10:13 |
The band plays their next instrumental
selection |
01:14:25 |
An instrumental work |
01:19:33 |
The next piece |
01:25:52 |
The band plays another cover selection |
01:33:45 |
The next instrumental work by the band |
01:37:05 |
End |
|
|
|
Item-ID: AFC 2011/053: SR649 |
Une Soirée Avec Les Yancey (Guilde du Jazz J. 1023) - Jimmy Yancey, Mama Yancey,
Alonzo Yancey, 1957
|
|
Rack number: RXH 5526 |
|
Extent: 1 sound tape reel :
analog ; 7 in. |
|
|
Item-ID: AFC 2011/053: SR785 |
Johnny Young - John
Lee Granderson - J. Wrencher - Avery Brady? #8, undated
|
|
Rack number: RAA 59323 |
|
Extent: 1 sound tape reel
(00:20:35) : analog, 15 ips, half-track, stereo ; 10 in. |
|
Dub recording. Vendor's digitization note: Some high frequency loss on this
recording, as well as distortion and hiss. |
|
Time
|
Content
|
|
|
Start |
unidentified song - Johnny Young (Lyrics: "got
the blues this morning, got the blues [?]/got to
leave her walkin' [?] 'cause my baby don't pay me no
mind/Baby hold yourself, hold right here with
me") |
00:04:11 |
"You Better Your Ways" [?] - Johnny Young
("Lyrics: "....you better quit your ways...you
stayed out all night long/everything you do baby,
you do it your way" |
00:08:21 |
"Let My Baby Ride" [?] - unidentified performer
(false start, followed by silence) |
00:09:36 |
"Let My Baby Ride" [?] - unidentified
performer |
00:11:41 |
unidentified song and performer (Lyrics: "on the
[?] ship, painted red, white, and blue/you know they
reelin' and rockin', and I won't see home no
more) |
00:14:02 |
"Gangster Blues" - unidentified performer |
00:16:22 |
unidentified song and performer [Lyrics: "mama
where your doller gone/she loved me this morning;
leave me all alone/I'm walking in the moonlight, I'm
trying to find my babe tonight"; sound cuts out and
back in a few times] |
00:20:35 |
End |
|
|
|
Item-ID: AFC 2011/053: SR516 |
Johnny Young and His Friends (Testament Records T-2226), 1975
|
|
Rack number: RXH 5378 |
|
Extent: 1 sound tape reel (Side
1: 00:20:35, Side 2: 00:20:12) : analog, 7 1/2 ips, mono ; 7
in. |
|
Dub copy of the sequenced LP. Vendor's digitization note: The program is distorted at times. |
|
Side 1
Time
|
Content
|
|
|
Start |
"Prison Bound" (Young, vocal, guitar; Otis Spann,
piano; Slim Willis, harmonica; Robert Whitehead,
drums) |
00:02:26 |
"Sugar Farm Blues" (Young, vocal, mandolin; John
Lee Granderson, guitar; John Wrencher,
harmonica) |
00:05:58 |
"All My Money Gone" (Young, vocal, electric
guitar; Walter Horton, harmonica; Jimmy Walker,
piano) |
00:08:58 |
"My Home Ain't Here" (Young, vocal, acoustic
guitar) |
00:11:56 |
"Did You Get That Letter?" (Young, vocal,
electric guitar; Walter Horton, harmonica; Jimmy
Walker, piano) |
00:15:42 |
"I'm Leaving, Baby" (Young, vocal.; mandolin;
Little Walter Jacobs, harmonica; Jimmy Walker,
piano) |
00:18:09 |
"I Got it" [instrumental] (Young, guitar; Otis
Spann, piano; Slim Willis, harmonica; Robert
Whitehead, drums) |
00:20:35 |
End |
|
|
Side 2
Time
|
Content
|
|
|
Start |
"Meet Me in the Bottom" (Young, vocal, acoustic
guitar; Robert Nighthawk, electric guitar; John
Wrencher, harmonica) |
00:02:25 |
"You Made Me Feel So Good" (Young, vocal,
mandolin; Little Walter Jacobs, harmonica; Jimmy
Walker, piano) |
00:06:50 |
"Blues and Trouble" (Young, vocal, electric
guitar; Walter Horton, harmonica; Jimmy Walker,
piano) |
00:09:43 |
"Kid Man Blues" (Young, vocal, mandolin; John Lee
Granderson, guitar; John Wrench, harmonica) |
00:12:50 |
"Humpty Dumpty" (Young, vocal, electric guitar;
Otis Spann, piano; Slim Willis, harmonica; Robert
Whitehead, drums) |
00:14:55 |
"Forty-Four Blues" (Young, vocal; Little Walter
Jacobs, harmonica; Jimmy Walker, piano) |
00:16:45 |
"Whoop it Up" (Young, vocal, electric guitar;
Walter Horton, harmonica; Jimmy Walker,
piano) |
00:20:12 |
End |
|
|
|
Item-ID: AFC 2011/053: SR077 |
Lester Young
interview, February
6, 1959
|
|
Rack number: RXH 3216 |
|
Extent: on one side of 1 sound
tape reel (backcoated polyester; 00:32:30) : analog, 3 3/4 ips,
quarter track, stereo ; 7 in. |
|
Archivist's note: The interview was conducted by François Positif (a
jazz journalist), in Paris, France, at the Hotel d'Angleterre. The
tape is in stereo, but the audio is itself mono. This copy is dubbed
from the source, which is a longer interview. |
|
Time
|
Content
|
|
|
Start |
[several false starts] LY says that he was not
born in New Orleans; rather he was born in
Woodville, Mississippi. |
00:00:46 |
LY says that he was raised in New Orleans. He
talks about his mother and his family. He talks
about trucks advertising dances. |
00:02:30 |
LY talks about his father who played trumpet. LY
went to Minneapolis. He started as a drummer then
switched to alto and tenor sax. |
00:06:01 |
LY says that he played in Salina, Kansas. He
asked Art Bronson, "the boss man," to buy him a
tenor sax. As soon as he played it, he knew it was
the right instrument for him. FI and LY discuss
playing the tenor sax. LY talks about Count
Basie. |
00:08:58 |
FI asks LY about his start with the Count Basie
Band. LY responds. He talks, with a great deal of
anger, about being a colored person. |
00:10:51 |
FI asks about the tenor play who influenced LY.
LY talks about Frankie Trumbauer. FI asks about Bert
Freeman. LY answers. |
00:12:33 |
FI asks LY his opinion about the Blues. LY
responds. He talks about his father and his sister.
He says that early on he could not read music. His
father forced him to learn to read music. He says
that he did not like being constrained by written
music. |
00:16:01 |
LY says that he does not like to read music. He
says that someone in New York is composing music for
him. He talks about Norman Granz. |
00:17:55 |
FI asks about LY's last recordings. LY says he
played clarinet on them. |
00:18:48 |
LW talks at length about when he first came to
New York in 1934. |
00:21:05 |
FI asks about the music LY is playing now. LY
answers. |
00:22:19 |
FI asks why LY left the Count Basie Band. They
talk about his recordings with Basie. |
00:24:02 |
LY says that he stays by himself and is a private
person. |
00:24:35 |
FI asks if LY prefers playing with a trio,
quartet or band. LY answers that he prefers the
quartet. He says that he wants his music to be
"sweet." |
00:26:20 |
FI asks when LY began to get his songs. LY says
they came naturally, in 1934 or 19 35. He wanted to
see and hear Coleman Hawkins. He talks about the
Count Basie Band. He talks about Fletcher Henderson
wife, who played trumpet. |
00:32:30 |
End |
|
|
|
Item-ID: AFC 2011/053: SR183 |
ZOTZ (Emmitt
Siniard, Richard Bredice, Steve Carnahan, Dave Plehn, Mike Adams,
Michael Dunnagan, and Steven Hague), recorded at Night Owl Recording
Studio, late
1972-1973
|
|
Rack number: RXH 4066 |
|
Extent: 1 sound tape reel
(backcoated polyester, 00:32:20) : analog, 7 1/2 ips, half track,
stereo ; 7 in. |
|
Archivist's note: Emmitt Siniard confirmed the name of the band, and
shared additional names of personnel involved, and provided the
recording date range. He identified the location as his first
recording studio (email response to the archivist, December 19,
2021). |
|
Time
|
Content
|
|
|
Start |
The recording begins with a 1 kHz tone, followed
by the song "Socks" |
00:03:44 |
"I'll Cry Instead" |
00:06:59 |
"I Need Somebody" |
00:10:48 |
"Late in the Evening" |
00:15:41 |
"Luana" |
00:18:42 |
"Yes We Will" |
00:22:04 |
"Michael and Me" |
00:24:26 |
"It's Alright" |
00:27:15 |
"Good Times" |
00:29:01 |
"She's a Mess" |
00:32:16 |
End |
|
|
Subseries 2:
Events
|
|
Events are grouped by the event name. |
|
Sub-subseries 1: The
All-Duke Ellington program at Caltech
|
|
|
Item-ID: AFC 2011/053: SR817 |
Bigard-Woodman
All-Stars concert, reel #2, October 20, 1975
|
|
Rack number: RAA 59354 |
|
Extent: 1 sound tape reel
(00:36:11) : analog, 15 ips, half track, stereo ; 10
in. |
|
Recorded live at Baxter Lecture Hall, Caltech (California
Institute of Technology), in Pasadena, as part of an all-Duke
Ellington program. Personnel: Barney Bigard, clarinet; Britt
Woodman, trombone; Jimmy Jones, piano; Larry Leatherwood, bass;
Nick Fatool, drums. Archivist's note: The tape container indicates the concert date
was November 20, while SR137's container indicates the date was
October 20.The archivist at Caltech confirmed the date was
October 20. Recordings from this event are also included on SR137 , SR749 , SR756 , SR757 , and SR758. Vendor's digitization note: The program has hiss from the
tape. |
|
Time
|
Content
|
|
|
Start |
"C Jam Blues" |
00:09:06 |
"Mood Indigo" |
00:18:03 |
"Don't Get Around Much Anymore" |
00:26:32 |
"Perdido" (spoken intro by Brigard) |
00:36:11 |
End |
|
|
|
Item-ID: AFC 2011/053: SR749 |
Bigard-Woodman
All-Stars concert, reel 2 of 2, October 20, 1975
|
|
Rack number: RAA 59287 |
|
Extent: 1 sound tape reel
(00:36:39) : analog, 15 ips, half track, stereo ; 10
in. |
|
Archivist's note: Other recordings from this event are included
on SR137 , SR756 , SR757 , SR758 , and
SR817 , with further details
noted for SR817 relevant to all recordings from the event. Vendor's digitization note: The program has distortion and hiss
from the source tape. The beginning and end of the tape are cut
off. |
|
Time
|
Content
|
|
|
Start |
"C-Jam Blues" |
00:04:12 |
"Caravan" |
00:14:02 |
"Chelsea Bridge" |
00:17:36 |
"Rose Room" |
00:22:44 |
"Sophisticated Lady" |
00:27:40 |
"Take the 'A' Train"/"Things Ain't What They
Used To Be" |
00:36:39 |
End |
|
|
|
Item-ID: AFC 2011/053: SR137 |
Bigard-Woodman
All-Stars concert, October 20, 1975
|
|
Rack number: RXH 3686 |
|
Extent: 1 sound tape reel
(polyester; Side 1: 00:41:00, Side 2: 00:41:15) : analog, 7 1/2
ips, quarter track, stereo ; 7 in. |
|
Described on the tape box as a rough dub-down recording. See SR817 for further details and
notes. Recordings from this event are included on SR749 , SR756 , SR757 , SR758 , and SR817. |
|
Side 1
Time
|
Content
|
|
|
Start |
"In a Mello Tone" |
00:07:46 |
"C Jam Blues" |
00:16:44 |
"Mood Indigo" |
00:25:49 |
"Don't Get Around Much Anymore" |
00:34:14 |
"Perdido" |
00:41:00 |
End |
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Side 2
Time
|
Content
|
|
|
Start |
"Perdido" |
00:03:56 |
"Caravan" |
00:14:04 |
"Chelsea Bridge" |
00:17:53 |
"Rose Room" |
00:23:12 |
"Sophisticated Lady" |
00:28:24 |
"Take the A Train" |
00:35:15 |
"Things Ain't What They Used To Be" |
00:41:15 |
End |
|
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Sub-subseries 2: A
Night in New Orleans
|
|
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Item-ID: AFC 2011/053: SR756 |
A Night in New
Orleans (3rd annual), held at Caltech (reel #1 of 3), October 20,
1975
|
|
Rack number: RAA 59294 |
|
Extent: 1 sound tape reel :
analog, 15 ips, 4 track ; 10 in. |
|
The tape box includes the following information: Barney Bigard;
Britt Woodman; Jimmy Jones; Ray Leatherwood; Nick Fatool /
Caltech Concert. Other recordings from this event are included on SR137 , SR749 , SR757 , SR758 , and SR817 , with further details
noted for SR817 relevant to all recordings from the event. |
|
|
Item-ID: AFC 2011/053: SR757 |
3rd annual "A
Night in New Orleans," held at Caltech (reel #2 of 3), October 20,
1975
|
|
Rack number: RAA 59295 |
|
Extent: 1 sound tape reel :
analog, 15 ips, 4 track ; 10 in. |
|
Archivist's note: Other recordings from this event are included
on SR137 , SR749 , SR756 , SR758 , and
SR817 , with further details
noted for SR817 relevant to all recordings from the event. |
|
|
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