| | | | | | | | | | | | | |
|
Series 8: Sound
recordings
(continued) |
|
Subseries 6: Various
recordings
(continued) |
|
Unidentified jazz
ensemble (big band-style), undated
(continued) |
|
|
|
Item-ID: AFC 2011/053: SR831 |
Unidentified jazz
ensemble (big band-style), undated
|
|
Rack number: RXH 4098 |
|
Extent: 1 sound tape reel
(backcoated polyester, 00:10:00) : analog, 15 ips, half track,
stereo ; 7 in. |
|
Archivist's note: The title was supplied by the archivist. The
recordings seem to be dubs of commercial recordings. |
|
|
Time
|
Content
|
|
|
| Start |
Unidentified instrumental work 1 |
| 00:03:16 |
Unidentified instrumental work 2 |
| 00:07:04 |
Unidentified instrumental work 3 |
| 00:10:00 |
End |
|
|
|
|
Item-ID: AFC 2011/053: SR566 |
If You Can Believe Your Eyes and Ears (selections) - The Mamas and the Papas, 1966
|
|
Rack number: RXH 5427 |
|
Extent: 1 sound tape reel
(00:25:08) : analog, 7 1/2 ips, stereo ; 7 in. |
|
The tape box indicates this should be a dub of "Comedy from the
Second City" (Mercury - OCS 6201), released in 1961. Instead, this
recording includes dubs (not all in order) from The Mamas and the
Papas LP.
Vendor's digitization note: The program is distorted at times. |
|
|
|
Item-ID: AFC 2011/053: SR314 |
"I Met A Man Last
Night" (rough version with time guide vocal), circa mid-1970s
|
|
Rack number: RXH 4200 |
|
Extent: 1 sound tape reel
(00:04:44) : analog, 15 ips, stereo ; 7 in. |
|
Archivist's note: An unidentified woman sings a Christian pop song,
with a voice reminiscent of an early-career Olivia Newton-John. |
|
|
Time
|
Content
|
|
|
| Start |
"I Met A Man Last Night" |
| 00:04:44 |
End |
|
|
|
|
Item-ID: AFC 2011/053: SR828 |
Unidentified male
singer, undated
|
|
Rack number: RAA 59365 |
|
Extent: 1 sound tape reel
(00:19:39) : analog, 15 ips, four track ; 10 in., 1/2 in.
wide |
|
LC engineer's note: The contents and artists listed on the box and
inner box flap do not match the recording on the tape. The actual
recording is of an unidentified singer with guitar accompaniment;
recording date unknown. Multiple partial takes of the two songs. The
last tune is a remnant of a Pete Robinson session as noted on the
inner box flap. |
|
|
Time
|
Content
|
|
|
| Start |
unidentified tune #1 [includes false
start] |
| 00:02:44 |
unidentified tune #1 [false starts] |
| 00:03:24 |
unidentified tune #1 |
| 00:06:10 |
unidentified tune #2 [garbled audio at
00:09:29] |
| 00:11:07 |
unidentified tune #2 [includes false start; Pete
Welding speaks just before the false start] |
| 00:13:29 |
unidentified tune #2 |
| 00:14:16 |
unidentified tune #2 |
| 00:15:29 |
unidentified tune #2 |
| 00:16:58 |
unidentified tune #2 |
| 00:18:05 |
unidentified tune - Pete Robinson |
| 00:19:39 |
End |
|
|
|
|
Item-ID: AFC 2011/053: SR830 |
Unidentified
recording, undated
|
|
Rack number: RAA 59367 |
|
Extent: 1 sound tape reel :
analog ; 10 in. |
|
|
|
Item-ID: AFC 2011/053: SR832 |
Master session tape
with backing tracks (and no vocals) for Presenting Dion and The Belmonts (unconfirmed), 1959
|
|
Extent: 1 sound tape reel :
analog ; 10 in. |
|
The title was supplied by the archivist.
LC engineer's note: This is almost certainly the original master
session tape for the first album recorded by Dion and The Belmonts.
Some speaking can be heard, but no singing. |
|
|
Series 9: Photographic
materials
|
|
|
Subseries 1:
Black-and-white prints and contact sheets
|
|
BOX-FOLDER 21/1 |
Ammons and Johnson,
circa
1940-1941
|
|
Extent: 4 photographs :
black-and-white prints ; 9 in. x 10 in. or smaller |
|
4 photographs. Folder includes manuscript items, one affixed to the
verso of a photo. |
|
BOX-FOLDER 21/2 |
Bean Blossom Blues
Festival, undated
|
|
Extent: 10 photographs :
black-and-white prints ; 3 1/2 in. x 3 1/2 in. |
|
10 photographs and a photo development lab envelope. See Box 28 for black-and-white
negatives. |
|
BOX-FOLDER 21/3 |
Ted Bogan,
undated
|
|
Extent: 1 photograph :
black-and-white contact sheet (10 frames) ; 8 1/2 in. x 11 in. or
smaller |
|
1 contact sheet (received with one frame clipped out) and a glassine
photo development lab sleeve for negatives. See Box 28 for black-and-white
negatives. |
|
BOX-FOLDER 21/4 |
Jimmy Brewer, circa 1960s
|
|
Extent: 12 photographs :
black-and-white prints ; 3 1/2 in. x 3 1/2 in. |
|
12 photographs (taken on Maxwell Street, Chicago) and a photo
development lab envelope. See Box 28
for black-and-white negatives. |
|
BOX-FOLDER 21/5 |
Fannie Brewer and
Jimmy Brewer, circa
1962
|
|
Extent: 6 photographs :
black-and-white prints ; 10 in. x 8 in. or smaller; 1 photograph :
black-and-white contact sheet (12 frames) ; 8 1/2 in. x 11 in. or
smaller |
|
6 photographs (taken at the flea market, on Maxwell Street, Chicago)
and a glassine photo development lab sleeve for negatives. See Box 28 for black-and-white
negatives. |
|
BOX-FOLDER 21/6 |
Brother Amos, circa 1960s
|
|
Extent: 1 photograph :
black-and-white print ; 10 in. x 8 in. or smaller |
|
1 photograph taken on Maxwell Street, Chicago. Brother Amos was a
religious singer and member of Jimmy Brewer's group. |
|
BOX-FOLDER 21/7 |
Paul Butterfield,
undated
|
|
Extent: 1 photograph :
black-and-white print ; 10 in. x 8 in. or smaller |
|
1 photograph. |
|
BOX-FOLDER 21/8 |
Clifton Chenier,
January 1968
|
|
Extent: 20 photographs :
black-and-white prints ; 3 in. x 4 in. or smaller |
|
20 photographs and a photo development lab envelope. See Box 28 for black-and-white
negatives. |
|
BOX-FOLDER 21/9 |
Chicago String Band,
June 1966
|
|
Extent: 1 photograph :
black-and-white print ; 9 1/2 in. x 8 in. or smaller; 1 photograph :
black-and-white print contact sheet (10 frames) ; 10 in. x 8 in. or
smaller |
|
1 photograph and 1 contact sheet. Photos taken on Maxwell Street,
Chicago, of the Chicago String Band Carl Martin, John Wrencher,
Johnny Young, John Lee Granderson), individually and as a group. The
contact sheet originally had 12 frames; two were cut out before the
sheet arrived at AFC. The folder includes a photocopy of the
original folder plus an original glassine envelope for negatives.
See Box 28 for black-and-white
negatives. |
|
BOX-FOLDER 21/10 |
Nettie Compton,
undated
|
|
Extent: 7 photographs :
black-and-white prints ; 3 1/2 in. x 3 1/2 in. |
|
7 photographs and a photo development lab envelope. See Box 28 for black-and-white
negatives. |
|
BOX-FOLDER 21/11 |
Leroy
Dallas |
|
Extent: 10 photographs :
black-and-white prints ; 3 1/2 in. x 3 1/2 in. |
|
10 photographs and an envelope with handwritten notes. The photo
borders are lab-stamped with the date February 1962. |
|
BOX-FOLDER 21/12 |
Teddy Darby, circa
1950s-1960s
|
|
Extent: 1 photograph :
black-and-white print ; 3 1/2 in. x 5 1/2 in. or smaller |
|
1 photograph, which originally accompanied materials in box-folder
1/25. |
|
BOX-FOLDER 21/13 |
Buddy DeFranco,
undated
|
|
Extent: 4 photographs :
black-and-white print contact sheets (47 frames) ; 8 1/2 in. x 11
in. |
|
4 contact sheets, with a single frame cut out from one of them
(before it arrived at AFC). 7 glassine envelopes for negatives. See
Box 28 for black-and-white
negatives. |
|
BOX-FOLDER 21/14 |
David "Honeyboy"
Edwards, July
1967
|
|
Extent: 1 photograph :
black-and-white print ; 10 in. x 8 in. |
|
1 photograph, plus a photocopy of the original folder. |
|
BOX-FOLDER 21/15 |
Sleepy John Estes,
undated
|
|
Extent: 1 photograph :
black-and-white print ; 5 in. x 7 in. |
|
1 photograph. |
|
BOX-FOLDER 21/16 |
Sleepy John Estes
and Hammie Nixon, October 1964
|
|
Extent: 1 photograph :
black-and-white print ; 3 1/2 in. x 3 1/2 in. |
|
1 photograph and 1 envelope. The photo was taken on either October 19
or October 25. The event (for both dates) was the American Negro
Blues Festival, held at Fairfield Halls, Croydon, England. |
|
BOX-FOLDER 21/17 |
Aretha Franklin,
circa
1960s
|
|
Extent: 4 photographs :
black-and-white prints ; 3 1/2 in. x 3 1/2 in. |
|
4 photographs and 1 envelope. See Box
28 for black-and-white negatives. |
|
BOX-FOLDER 21/18 |
Galax,
undated
|
|
Extent: 27 photographs :
black-and-white prints ; 3 1/4 in. x 4 1/2 in.; 3 photographs :
black-and-white contact sheets (34 frames) ; 10 in. x 8
in. |
|
27 photos and 3 contact sheets (two contact sheets have frames cut
out), 2 photo development lab envelopes, and 4 glassine envelopes
for negatives. See Box 28 for
black-and-white negatives. |
|
BOX-FOLDER 21/19 |
Arvella Gray, circa 1962-1963
|
|
Extent: 19 photographs :
black-and-white prints ; 3 1/2 in. x 3 1/2 in. |
|
19 photographs and a photo development lab envelope. The photographs
were taken on Maxwell Street, Chicago. See Box 28 for black-and-white negatives. |
|
BOX-FOLDER 21/20 |
Bobby Green, July 17, 1961
|
|
Extent: 1 envelope : 3 3/4 in. x
6 1/2 in. or smaller |
|
1 envelope with handwritten information. The black-and-white images
(see Box 28 ) were taken at the
Settlement School. |
|
BOX-FOLDER 21/21 |
Willie Hatcher,
undated
|
|
Extent: 6 photographs :
black-and-white prints ; 3 1/2 in. x 3 1/2 in. |
|
6 photographs and 2 envelopes (one from a photo development lab). See
Box 28 for black-and-white
negatives. |
|
BOX-FOLDER 21/22 |
John Lee Henley,
1962
|
|
Extent: 11 photographs :
black-and-white ; 10 in. x 8 in.; 1 photograph : black-and-white
contact sheet (10 frames) ; 8 1/2 in. x 11 in. |
|
11 photographs, 1 contact sheet, and 1 glassine envelope for
negatives. See Box 28 for
black-and-white negatives. |
|
BOX-FOLDER 21/23 |
Carl Hodges,
undated
|
|
Extent: 6 photographs :
black-and-white prints ; 3 1/2 in. x 3 1/2 in. |
|
6 photographs and a photo development lab envelope. |
|
BOX-FOLDER 21/24 |
Homesick James,
undated
|
|
Extent: 6 photographs :
black-and-white prints ; 3 1/2 in. x 3 1/2 in. |
|
6 photographs and a photo development lab envelope. See Box 28 for black-and-white
negatives. |
|
BOX-FOLDER 21/25 |
Sam "Lightnin'"
Hopkins, undated
|
|
Extent: 1 photograph :
black-and-white print ; 7 1/2 in. x 8 in. or smaller |
|
1 photograph. Photo credit: Andrew A. Hanson. The photograph
originally accompanied materials in box-folder 2/17. |
|
BOX-FOLDER 21/26 |
Son House,
undated
|
|
Extent: 30 photographs :
black-and-white prints ; 3 1/2 in. x 3 1/2 in. |
|
30 photographs, plus two envelopes (one from a photo development
lab). See Box 28 for black-and-white
negatives. |
|
BOX-FOLDER 21/27 |
Son House, Jimmy
Brewer, Thomas Swain, undated
|
|
Extent: 2 manuscripts :
black-and-white photocopies ; 8 1/2 in. x 11 in. |
|
Photocopies of the original slide container. See Box 29 for color slides. |
|
BOX-FOLDER 21/28 |
Peg Leg Howell,
March 1963;
October 1963
|
|
Extent: 10 photographs :
black-and-white prints ; 3 1/2 in. x 3 1/2 in.; 1 manuscript :
black-and-white photographic print ; 8 1/2 in. 11 in. |
|
3 photos are dated March 1963 and seven photos are dated October
1963. The photographic print is inkjet or laser print on glossy
stock paper, and is dated October 1963. The folder also includes an
envelope with handwritten information. |
|
BOX-FOLDER 21/29 |
Howlin' Wolf,
undated
|
|
Extent: 2 photos :
black-and-white prints ; 7 in. x 6 in. or smaller; 1 photograph :
black-and-white print contact sheet (6 frames) ; 10 in. x 5 1/2 in.
or smaller |
|
The contact sheet is incomplete; 6 frames were removed before the
collection came to the American Folklife Center. The folder includes
a glassine envelope with handwritten information. See Box 28 for one black-and-white
negative. |
|
BOX-FOLDER 21/30 |
J.B. Hutto,
undated
|
|
Extent: 2 photos :
black-and-white prints ; 8 in. x 10 in. or smaller; 1 photograph :
black-and-white print contact sheet (12 frames) ; 10 in. x 5 1/2 in.
or smaller |
|
3 photographs, a glassine envelope for negative strips, and a sheet
of paper with handwritten notes regarding dimensions and publication
layout. See Box 28 for
black-and-white negatives. |
|
BOX-FOLDER 21/31 |
Bill Jackson,
undated
|
|
Extent: 8 photographs :
black-and-white prints ; 5 1/8 in. x 3 1/2 in. |
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