| | | | | | | | | | | | | |
|
Series 8: Sound
recordings
(continued) |
|
Subseries 1: Artists,
bands, and interviews
(continued) |
|
J. Brewer, circa mid-1960s
(continued) |
|
Extent: 1 sound tape reel
(00:16:34) : analog, 15 ips, half track, stereo ; 10 in. |
|
Archivist's note: Probably Jimmy (James) Brewer. This tape seems to
be a dub of recordings made in a studio, but not yet produced for
commercial release. Vendor's digitization note: The program is distorted at times, and
there is significant hiss from the tape. |
|
|
Item-ID: AFC 2011/053: SR747 |
Big Bill Broonzy,
Side 1, undated
|
|
Rack number: RAA 59285 |
|
Extent: 1 sound tape reel
(00:24:29) : analog, 15 ips, half track stereo ; 10 in. |
|
Vendor's digitization note: The program has distortion and hiss from
the source tape. |
|
|
Item-ID: AFC 2011/053: SR748 |
Big Bill Broonzy,
Side 2, undated
|
|
Rack number: RAA 59286 |
|
Extent: 1 sound tape reel
(00:24:11) : analog, 15 ips, half track, stereo ; 10 in. |
|
Vendor's digitization note: The program has distortion and hiss from
the source tape. The beginning of the recording is cut off. |
|
|
Item-ID: AFC 2011/053: SR619 |
Big Bill Broonzy -
dubs #1, undated
|
|
Rack number: RXH 5480 |
|
Extent: 1 sound tape reel :
analog ; 7 in. |
|
|
Item-ID: AFC 2011/053: SR550 |
Big Bill Broonzy -
dubs #2, 1958-1959
|
|
Rack number: RXH 5412 |
|
Extent: 1 sound tape reel
(00:30:58) : analog ; 7 in. |
|
Logger's note: Dubs of 10" disc recordings released on the Melotone
record label. |
|
|
Item-ID: AFC 2011/053: SR457 |
Clarence "Gatemouth"
Brown - dubs, undated
|
|
Rack number: RXH 4697 |
|
Extent: 1 sound tape reel (Side
1: 00:48:10, Side 2: 00:47:44) : analog, 7 1/2 ips, mono ; 5
in. |
|
Vendor's digitization note: The programs are distorted at times. In
addition, the tape was recorded at a very high level. |
|
Side 1
Time
|
Content
|
|
|
Start |
"You Got Money" |
00:02:44 |
"Midnight Hour" |
00:05:30 |
"For Now Song" |
00:08:22 |
"Okie Dokie Stomp" |
00:10:54 |
"Depression Blues" |
00:13:45 |
"Rock My Blues Away" |
00:16:20 |
"Gate's Salty Blues" |
00:19:09 |
"Swingin' The Gate" |
00:22:00 |
"Just Before Dawn" [instrumental] |
00:24:12 |
"Slop Time" [instrumental] |
00:26:54 |
"Gate's Tune" [instrumental] |
00:29:24 |
"Leftover Blues" [instrumental] |
00:32:06 |
"Summertime" [instrumental] |
00:34:42 |
"September Song" [instrumental] |
00:37:33 |
"Ain't That Dandy" [instrumental] |
00:40:22 |
"Boogie Uproar" [instrumental] |
00:43:07 |
"Hurry Back Good News" |
00:45:48 |
"Pale Dry Boogie, Pt. 1" [ends abruptly] |
00:48:10 |
End |
|
|
Side 2
Time
|
Content
|
|
|
Start |
test tone |
00:00:36 |
"Pale Dry Boogie, Pt. 1" |
00:03:28 |
"Pale Dry Boogie, Pt. 2" |
00:06:21 |
"Just Got Lucky" |
00:09:22 |
"Baby, Take It Easy" |
00:11:58 |
"She Winked Her Eye" |
00:14:58 |
"Sad Hour" [topical-draft] |
00:17:50 |
"Please Tell Me, Baby" |
00:20:37 |
"Gate Walks To Board" |
00:23:10 |
"Justice Blues" |
00:25:58 |
"I Live My Life" |
00:28:37 |
"Win With Me, Baby" |
00:31:35 |
"She Walk Right In" |
00:34:22 |
"Too Late, Baby" |
00:36:58 |
"Taking My Chances" |
00:39:48 |
"Mercy On Me" |
00:42:11 |
"Didn't Reach My Goal" |
00:44:58 |
"Dirty Work At The Crossroads" |
00:47:44 |
End |
|
|
|
Item-ID: AFC 2011/053: SR142 |
Jimmy Brown and
Willie Lee Harris interview, circa 1963-1964
|
|
Rack number: RXH 3691 |
|
Extent: 1 sound tape reel
(polyester, 00:16:30) : analog, 7 1/2 ips, half track, mono ; 7
in. |
|
Collector's original ID number: 182. Archivist's note: Doodles on the tape box may have been made by Pete
Welding. |
|
Logger's note: A man named Joe is also present at the interview. |
|
Time
|
Content
|
|
|
Start |
PW starts by asking JB several questions about
himself and his family. |
00:01:07 |
PW asks JB how he first got started in music. JB
replies that he started with guitar then switched to
violin. A man named Bob Jones started him playing
violin when he was 22 years old. They discuss where
JB played and the music he played. |
00:04:38 |
JB left Mississippi and went to St. Louis. They
talk about the music JB learned from records. JB did
mostly construction work to earn his living. |
00:06:36 |
JB says that he worked construction in St. Louis.
They discuss where he played in St. Louis. JB says
he played mostly guitar. |
00:08:05 |
JB and Joe talk about meeting and playing
together. |
00:08:50 |
PW asks WLH several questions about himself and
his musical background. WLH says that when he was
four years old his sister took him from Mississippi
to St. Louis. He talks about the work he did n St.
Louis. |
00:10:25 |
PW asks WLH about playing music in St. Louis. WLH
answers. |
00:10:55 |
PW asks WLH when he first took up the harp (i.e.,
the harmonica). WH responds. JB, WLH and Joe have
worked together over the years. The discuss this.
|
00:14:26 |
PW and WLH talk about how WLH learned to play the
harp. They talk about where WLH learned the songs he
played. WLH also wrote some songs. |
00:16:30 |
End |
|
|
|
Item-ID: AFC 2011/053: SR153 |
"In Concert:"
Jackson Browne; Linda Ronstadt, March 1, 1974
|
|
Rack number: RXH 4036 |
|
Extent: 1 sound tape reel
(polyester, 00:21:35) : analog, 7 1/2 ips, half track, stereo ; 7
in. |
|
Archivist's note: March 1, 1974 was probably the broadcast date. See
the note for SR151. |
|
Time
|
Content
|
|
|
Start |
"Redneck Friend," performed by Jackson
Browne |
00:04:10 |
"Ready or Not," performed by Jackson
Browne |
00:07:38 |
"Doctor My Eyes," performed by Jackson
Browne |
00:10:07 |
"Love Has No Pride," performed by Linda
Ronstadt |
00:15:23 |
"Desperado," performed by Linda Ronstadt |
00:19:00 |
"Silver Threads and Golden Needles," performed by
Linda Ronstadt |
00:21:35 |
End |
|
|
|
Item-ID: AFC 2011/053: SR126 |
W.B. Bryson, #1,
May 20,
1962
|
|
Rack number: RXH 3675 |
|
Extent: on one side of 1 sound
tape reel (polyester, 00:44:44) : analog, 7 1/2 ips, half track,
mono ; 7 in. |
|
Collector's original ID number: 282. Logger's note: Conflicting dates appear for the five Bryson
performances. See SR127 , SR128 , SR129 , and SR130. |
|
Time
|
Content
|
|
|
Start |
unidentified song - piano solo |
00:03:02 |
first line: "All right baby, that's all right for
you" - vocal and piano |
00:07:12 |
unidentified song - vocal and piano |
00:11:49 |
one line: "Morgan mountain is a mean place to go"
- vocal and piano |
00:17:01 |
unidentified song - vocal and piano |
00:20:03 |
first line: "I got drunk last Monday and couldn't
find my way home" - vocal and piano |
00:24:27 |
unidentified song - vocal and piano |
00:27:09 |
first line: ""Ain't it a shame baby, the way you
drag my heart around" - vocal and piano |
00:31:08 |
unidentified song - vocal and piano |
00:35:04 |
Pete Welding (PW) and W.B Bryson (WB) talking. WB
talks about first starting to play the piano. The
talk about music WB has written and WB's playing
style. Other people join the conversation. |
00:44:44 |
End |
|
|
|
Item-ID: AFC 2011/053: SR130 |
W.B. Bryson, alt #1,
May 27,
1962
|
|
Rack number: RXH 3679 |
|
Extent: on one side of 1 sound
tape reel (polyester, 00:46:10) : analog, 7 1/2 ips, half track,
mono ; 7 in. |
|
See the note for SR126. |
|
Time
|
Content
|
|
|
Start |
first line: "I know you be mine, you're somebody
else's too" - (take 1) - piano and vocal |
00:02:51 |
first line: "What a mean old train, Lord, taking
my baby away" - piano and vocal |
00:06:42 |
first line: "I know you be mine, you're somebody
else's too" - (take 2) - piano and vocal |
00:10:44 |
unidentified song - piano and vocal |
00:13:28 |
unidentified song - piano and vocal |
00:18:19 |
getting ready and false start |
00:19:18 |
false start |
00:20:25 |
unidentified song - piano and vocal |
00:24:47 |
first line: "I want to tell you baby ..." - piano
and vocal |
00:27:39 |
getting ready |
00:28:22 |
unidentified song - piano and vocal |
00:32:45 |
first line: "You've been as god to me, you've
been as good to me as you could be" - piano and
vocal |
00:37:55 |
a bit of "St. Louis Blues" then stopped |
00:38:41 |
false start, then unidentified song - piano
solo |
00:41:25 |
first line: "Oh, I haven't any money, Oh I've got
no place to go" |
00:46:10 |
End |
|
|
|
Item-ID: AFC 2011/053: SR127 |
W.B. "Piano Bill"
Bryson, #2 or 2A, May 20 and/or 27, 1962
|
|
Rack number: RXH 3676 |
|
Extent: on one side of 1 sound
tape reel (polyester, 00:47:34): analog, 7 1/2 ips, half track, mono
; 7 in. |
|
See the note for SR126. Collector's
original number: 180. |
|
Time
|
Content
|
|
|
Start |
unidentified piano solo |
00:02:58 |
unidentified piano solo |
00:05:30 |
unidentified piano solo |
00:08:28 |
talking, fits and starts, then unidentified piano
solo |
00:13:08 |
unidentified piano solo, song composed by Mr.
Bryson |
00:17:52 |
talking, then noodling on the piano |
00:20:28 |
first line: "All right pretty baby, Oh Lord it's
all right with you" - piano and vocal |
00:25:22 |
PW and WB talk about a song's lyrics. WB segues
into a song - first line: "I woke up one morning ...
Half past four" [There is a dog barking in the
background.] - piano and vocal |
00:33:03 |
talking |
00:33:40 |
first line: "I received your letter ..." - piano
and vocal |
00:38:15 |
talking and noodling on piano |
00:39:01 |
unidentified song - piano and vocal |
00:47:34 |
End |
|
|
|
Item-ID: AFC 2011/053: SR128 |
W.B. "Piano Bill"
Bryson, #3, May 27,
1962
|
|
Rack number: RXH 3677 |
|
Extent: on one side of 1 sound
tape reel (acetate, 00:40:00) : analog, 7 1/2 ips, half track, mono
; 7 in. |
|
See the note for SR126. Collector's
original number: 178. |
|
Time
|
Content
|
|
|
Start |
getting ready, then unidentified song - piano and
vocal |
00:04:26 |
talking, then unidentified song - piano and
vocal |
00:07:11 |
unidentified song - piano and vocal |
00:11:52 |
several false starts |
00:13:38 |
first line: "I want to tell you baby" - piano and
vocal |
00:16:19 |
getting ready, then unidentified song - piano and
vocal |
00:21:10 |
first line: "You've been as good to me, you've
been as good to me as you can be" - piano and
vocal |
00:26:16 |
unidentified song - piano and vocal |
00:28:36 |
first line: "Oh, I haven't any money...I've got
no place to go" - piano and vocal |
00:33:17 |
unidentified song - piano and vocal |
00:34:29 |
talking, then unidentified piano solo |
00:36:54 |
unidentified song - piano and vocal |
00:40:00 |
End |
|
|
|
Item-ID: AFC 2011/053: SR129 |
W.B. "Piano Bill"
Bryson, #4, May 27,
1962
|
|
Rack number: RXH 3678 |
|
Extent: on one side of 1 sound
tape reel (polyester, 00:08:32): analog, 7 1/2 ips, half track, mono
; 7 in. |
|
See the note for SR126. Collector's
original number: 179. |
|
Time
|
Content
|
|
|
Start |
unidentified song - piano and vocal |
00:01:06 |
getting ready |
00:01:30 |
first line: "Now what a time, what a dream, I had
nobody treat me this way" - piano and vocal |
00:04:37 |
unidentified song - piano and vocal |
00:06:03 |
unidentified song - piano and vocal |
00:08:32 |
End |
|
|
|
Item-ID: AFC 2011/053: SR636 |
George "Mojo" Buford
blues album, 1969
|
|
Rack number: RXH 5513 |
|
Extent: 1 sound tape reel
(00:33:46) : analog, 7 1/2 ips, quarter-track, stereo ; 7
in. |
|
Collector's original ID number: 236. LC engineer's note: This tape is a dub copy of a George 'Mojo' Buford
LP master tape recorded in 1969 that was mixed and mastered but
remained unreleased until the Americana Anthropology record label
released it in 2020 under the title Mojo Workin'. |
|
Time
|
Content
|
|
|
Start |
"Botheration Blues" |
00:05:08 |
"Deep Sea Diver" |
00:10:40 |
"Love Without Jealousy" |
00:13:36 |
"Lost Love" |
00:17:45 |
"Mojo Workin'" |
00:22:04 |
"Stingin' Bee Blues" |
00:24:28 |
"You Got To Help Me" |
00:29:22 |
"Bag Picker's Blues" |
00:33:46 |
End |
|
|
|
Item-ID: AFC 2011/053: SR356 |
Jim Bunkley - George
Henry Bussey - Bud White - Jessie Clarence Gorman - Cliff Scott -
Bud Grant |
|
Rack number: RXH 4599 |
|
Extent: 1 sound tape reel (Side
1: 00:46:36, Side 2: 00:47:34) : analog, 7 1/2 ips, two track,
stereo ; 7 in. |
|
Collector's original ID number: 241. Archivist's note: This tape may be a compilation of live recordings.
Due to a labeling issue, the digital file for Side 1 of the tape (as
designated on the tape box) was named as Side 2, and vice versa. Vendor's digitization note: The program is distorted at times, and
there is significant hum from the tape. |
|
Side 1
Time
|
Content
|
|
|
Start |
"Come Around To My House, Baby" - George Henry
Bussey |
00:03:37 |
"Looking For My Woman" - George Henry
Bussey |
00:07:37 |
"My Baby Going to Leave Me, She Going to Need My
Help Again" - George Henry Bussey |
00:11:23 |
"Catch a Greyhound" - George Henry Bussey |
00:14:09 |
"Sail On, Little Girl" - George Henry
Bussey |
00:18:35 |
"Sixteen Snow White Horses" - Bud White |
00:22:45 |
"Going Up the Country" - Jessie Clarence
Gorman |
00:27:00 |
"Long Wavy Hair" - Cliff Scott |
00:29:06 |
"Salty Dog" - Cliff Scott |
00:31:29 |
"Sweat Old Tampa" - Cliff Scott |
00:33:40 |
"Pole Platting" - Cliff Scott |
00:35:54 |
unidentified song 1 - Bud Grant |
00:38:09 |
"Freight Train Blues" - Bud Grant |
00:40:39 |
"What the Matter With the Mill?" - Bud
Grant |
00:43:46 |
"Trouble in Mind" - Bud Grant |
00:46:36 |
End |
|
|
Side 2
Time
|
Content
|
|
|
Start |
"Segregation Blues" - Jim Bunkley |
00:03:43 |
"16-20" - Jim Bunkley (with Lottie Kate
Bunkley) |
00:06:13 |
"Them Greasy Greens" - Jim Bunkley |
00:08:52 |
"Blues Come From Texas" - Jim Bunkley |
00:11:43 |
"Good Morning, Lil School Girl" - Jim
Bunkley |
00:13:22 |
"The Howling Wolf" - Jim Bunkley |
00:15:47 |
"Rocking Chair Blues" - Jim Bunkley |
00:17:25 |
"Black Gal" - Jim Bunkley (with Lottie Kate
Bunkley) |
00:20:40 |
"Jack of Diamonds" - Jim Bunkley |
00:23:48 |
"Hard Luck Blues" - Jim Bunkley |
00:26:20 |
"What's the Matter With the Mill?" - Jim
Bunkley |
00:28:42 |
"Oh, Red" - Jim Bunkley (With friend) |
00:30:50 |
"Freight Train Blues" - George Henry
Bussey |
00:33:23 |
"Kansas City" - George Henry Bussey |
00:35:23 |
"Mean Mistreater" - George Henry Bussey |
00:37:41 |
"When I'm Sober, When I'm Drunk Blues" - George
Henry Bussey |
00:40:32 |
"Grieving Over Me" - George Henry Bussey |
00:43:50 |
"V-8 Ford" - George Henry Bussey |
00:47:34 |
End |
|
|
|
Item-ID: AFC 2011/053: SR154 |
Vinnie Burke
All-Stars; The Buddy Arnold Septet, 1956
|
|
Rack number: RXH 4037 |
|
Extent: 1 sound tape reel
(polyester; Side 1: 00:40:00, Side 2: 00:36:33) : analog, 3 3/4 ips,
quarter track, mono ; 7 in. |
|
Dub recordings of The Vinnie Burke All-Stars (ABC Paramount 139), on Side 1, and the Buddy Arnold Septet
album, Wailin' (ABC Paramount 114), on Side 2. The original recordings
were released in 1956. See SR594 for
potentially identical content. |
|
Side 1
Time
|
Content
|
|
|
Start |
"I'm Getting Sentimental Over You" |
00:05:42 |
"Vin-Tin-Tin" |
00:11:45 |
"Lulu's Back in Town" |
00:15:55 |
"You Don't Know What Love Is" |
00:19:41 |
"Unison Blues" |
00:24:01 |
"Jordu" |
00:29:05 |
"Blue Jeans" |
00:34:43 |
"Strike Up the Band" |
00:39:57 |
End |
|
|
Side 2
Time
|
Content
|
|
|
Start |
"Oedipus" |
00:03:46 |
"Footsie" |
00:08:51 |
"It's Sand, Man" |
00:12:34 |
"You Don't Know What Love Is" |
00:17:49 |
"No Letter Today" |
00:21:25 |
"Patty's Cake" |
00:24:51 |
"P.W. Stomp" |
00:28:25 |
"Moby Dick" |
00:32:20 |
"Old Devil Moon" |
00:36:29 |
End |
|
|
|
Item-ID: AFC 2011/053: SR594 |
Vinnie Burke All-Stars / Wailing - Buddy Arnold Septet, 1956
|
|
Rack number: RXH 5455 |
|
Extent: 1 sound tape reel (Side
1: 00:40:21, Side 2: 00:36:11) : analog, 3 3/4 ips, stereo ; 7
in. |
|
See SR154 for the log and notes, and
potentially identical content. Vendor's digitization note: The program is distorted at times. |
|
|
Item-ID: AFC 2011/053: SR150 |
Billy Butterfield;
Max Kaminsky, April
29, 1973 , October 12, 1974
|
|
Rack number: RXH 3699 |
|
Extent: 1 sound tape reel
(polyester; Side 1: 01:36:14, Side 2: 01:33:15) : analog, 3 3/4 ips,
quarter track, stereo ; 7 in. |
|
Two performances: Billy Butterfield (Side 1 and the first four
performances on Side 2) and Max Kaminsky (Side 2), recorded at Big
Horn. Butterfield was recorded on April 29, 1973, and Kaminsky was
recorded on October 12, 1974. |
|
Side 1
Time
|
Content
|
|
|
Start |
"Struttin' with Some Barbecue" by Louis
Armstrong |
00:08:00 |
"Rosetta" |
00:18:02 |
"Black and Blue Over You" |
00:27:14 |
"You Can Depend on Me" |
00:34:24 |
"Butter and Egg Man" by Louis Armstrong |
00:41:28 |
"Indiana" by Hoagy Carmichael |
00:45:25 |
seconds with no sound |
00:50:57 |
"Chicago" |
00:58:51 |
"What's New?" |
01:03:20 |
"Oh Baby (Ain't You Good to Me)" |
01:13:32 |
"Tin Roof Blues" |
01:24:59 |
"The Tenth Interval Rag" (Bobby Wright, piano
solo) |
01:30:05 |
"Wolverine Blues" |
01:36:14 |
End |
|
|
Side 2
Time
|
Content
|
|
|
Start |
"Wolverine Blues" with an instrumental
solo |
00:04:42 |
"Royal Garden Blues" |
00:13:31 |
"Baby Won't You Please Come Home" |
00:20:18 |
"Sweet Georgia Brown" |
00:28:41 |
"Love is Just around the Corner" |
00:36:48 |
"When You're Smiling"; MK is the vocalist |
00:44:52 |
"The Fidgety Feet" |
00:53:55 |
"Bourbon Street Parade" |
01:01:50 |
"St. James Infirmary" ["Black and Blue"] |
01:10:17 |
"Basin Street Blues" |
01:17:40 |
"Dippermouth Blues" |
01:23:04 |
"Ain't Gonna Give Nobody None of My
Jellyroll" |
01:26:34 |
"I Found a New Baby" |
01:33:12 |
End |
|
|
|
Item-ID: AFC 2011/053: SR611 |
Hoagy Carmichael #1,
circa
1929-1939
|
|
Rack number: RXH 5472 |
|
Extent: 1 sound tape reel :
analog ; 7 in. |
|
Dubs from various commercial recordings. |
|
|
Item-ID: AFC 2011/053: SR612 |
Hoagy Carmichael #2,
circa
1929-1939
|
|
Rack number: RXH 5473 |
|
Extent: 1 sound tape reel :
analog ; 7 in. |
|
Dubs from various commercial recordings. |
|
|
Item-ID: AFC 2011/053: SR613 |
Hoagy Carmichael #3,
circa
1929-1939
|
|
Rack number: RXH 5474 |
|
Extent: 1 sound tape reel :
analog ; 7 in. |
|
Dubs from various commercial recordings. |
|
|
Item-ID: AFC 2011/053: SR614 |
Hoagy Carmichael #4,
circa
1929-1939
|
|
Rack number: RXH 5475 |
|
Extent: 1 sound tape reel :
analog ; 7 in. |
|
Dubs from various commercial recordings. |
|
|
Item-ID: AFC 2011/053: SR615 |
Hoagy Carmichael #5,
circa
1929-1939
|
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