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Series 1:
Fieldwork
(continued) |
|
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Subseries 5: Various
field photography
|
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Notes from original housing: Deborah
Flynn photos of 84 Spanish market, Santos. 83, Velarde, New Mexico,
Enrique, Actual box: summer '84 E.R.'s images, St. Francis, St. Teresa,
St. Matin's E.R. backyard. |
|
BOX 12 |
An assortment of art
and various cultural activities in New Mexico, 1983-1998
|
|
Slide IDs: AFC 2022/001: PH07-01PH07-100 |
|
Extent: 100 color slides (35
mm) |
|
Notes from original housing: 01: Spanish
market: St. Francis, St. Ramen, photo by D. Flynn (1984); 02:
Spanish market: Photo by D. Flynn by Horacio Valdez (1984); 03:
Eurgencio Lopez, Cordova, New Mexico; 04: Crosses on a red
background; 05: Lady at table with the red crosses; 06: [Skeleton in
a box]-title supplied by archivist; 07: Fred Vigil, center of alter,
St. John's Church, Santa Fe; 08: Fredrico Vigil, St. John's Church,
Santa Fe; 09: Fred Vigil, St. John's Church, Santa Fe; 10: Fred
Vigil, St. John's Church, bottom left of alter; 11: Gloria Lopez
Cordola, Feria Artesana, Albuquerque, (1983) ; 12: Feria Artesana,
Albuquerque, (1983); 13: Fred Vigil, bottom left of altar, St.
John's Church, Sante Fe; 14: Fred Vigil, top left of alter, St.
John's Church, Santa Fe; 15: Fred Vigil, center of alter, St. John's
Church, Santa Fe; 16: Eurgencio Lopez, Cordova, New Mexico; 17:
Statue of the Virgin Mary; 18: Male in blue shirt; 19-30: unlabeled
item; 31: Spanish market (1984); 32: Canyon de Mosquero, Pachecos
Place; 33: unlabeled item; 34: Canyon de Mosquero, stone house at
end of canyon; 35: Canyon de Mosquero, stone house at end of canyon;
36: Canyon de Mosquero, Jacal; 37: Digital content available, NM85
CF3 -7: Bill Wright, auctioneer and described as co-owner livestock
auction; 38: unlabeled item; 39: Labor Day rodeo, serving barbeque,
Hayden, New Mexico (1985); 40: Labor Day rodeo Hayden cowboy club
members serving barbeque, Hayden, New Mexico (1985); 41: Hayden, New
Mexico (1985); 42: Hayden, New Mexico (1985); 43: Parking '87,
Hayden, New Mexico (1987); 44: Labor Day rodeo, Hayden, New Mexico,
1985; 45: Canyon de Mosquero for hanging animal, place at end of
canyon; 46: Canyon de Mosquero, Image of Jacal Margarito Garcia; 47:
Canyon de Mosquero, Cartwheel, Pacheco's Place; 48: Alessandra
Cordova and Joe Cordova, grandchildren, and interview, Mosquero, New
Mexico, NM85-CF-9 (August 29, 1985); 49: Mosquero, New Mexico,
Antonio Trujillo and Brad Pitt on bench in front of general store
(August 21-22, 1985); 50: The bench at Trujillo's store, scenes in
town, interview with Margarito and Trinidad Garcia, Mosquero, New
Mexico, M85-CF-14-3; 51: St. Joseph's Roman Catholic Church,
building and grounds, scenes of the town, Mosquero, New Mexico,
NM85-CF13-15 (August 30, 1985); 52: Ledeux Graveadorened with
painted cinder blocks, Santa Clara cemetery, Wagon Mound; 53: Garcia
ranch, Mosquero Canyon, New Mexico, NM85-CF17-5, ( August 30-31,
1985); 54: Egg carton vase, Santa Clara cemetery, Wagon mound, New
Mexico; 55: Santa Clara cemetery, wagon mound, New Mexico, (Aug 21,
1985); 56: Fraker Gravestone, Santa Clara, Wagon Mound, New Mexico
(1997); 57: Fraker Family plot, Santa Clara cemetery, Wagon Mound,
New Mexico (1998); 58: Houses from Dawson coal mine company town,
Lloyd Tower and Irene Tower, Clayton, New Mexico, NM85-CF5-12
(August 28, 1985); 59: Houses from Dawson coal mine company town,
Lloyd Tower and Irene Tower, Clayton, New Mexico, NM85-CF5-14(
August 28, 1985); 60: Dawson worker's house, Clayton, New Mexico;
61: Dawson worker's house, Clayton, New Mexico; 62: Five State
Livestock Auction, Clayton, New Mexico; Houses from Dawson coal mine
company town, Clayton, New Mexico NM85-CF4-2, (August 28, 1985); 63:
Five State Livestock Auction, Clayton, New Mexico NM85-CF3-12,
(August 28, 1985); 64: Livestock auction, Clayton, New Mexico;
65-66: unlabeled item; 67: Catholic Church of the Immaculate
Conception, Gallegos, New Mexico, Photo by Boyd Pratt; 68: Photo by
Boyd Pratt; 69: Outside of Johnson log cabin, Horizontal
construction with poor notching (August 9, 1985); 70: Santiago
Apstoic Church, Maes, New Mexico (August 13, 1985); 71: 2- story
barn, Maes, New Mexico, Photo by Boyd Pratt, Maes, New Mexico; 72:
Enrique Rendon, San Francisco recent additions, Velarde, New Mexico
00147; 73: [Wooden statue of Jesus?]; 74: Felipe Archuleta, Tesuque,
New Mexico; 75: ER retablo, Velarde, New Mexico; 76: [2 wooden
statues]; 77: Felipe Archuleta, Tesuque, New Mexico; 78: Unlabelled
item, 79: Enrique Rendon, Velarde N.M. 1986, Guadelupe y Juan Diego
(1986); 80: Luis Tapia, Santa Fe, New Mexico, 1883-1984, San Miguel,
Our Lady of Sorrows, San Pedro Apostol (1983-1984); 81: China
section of Moa, New Mexico interior of church, photo by LBK, 1984;
82: [Altar of religious statues]; 83: Velarde, New Mexico, 1sr visit
(1984), E.R. Cristo; 84: Heads for Enrique's santos, Velarde, New
Mexico; 85: E.R. San Antonio's Velarde; 86: Velarde, E.R. San
Antonio's; 87: Velarde, muerte, ER; 88: Velarde, muerto, ER; 89:
Velarde, muerto, ER; 90: Donkey made for bought cart, Velarde, New
Mexico; 91: Donkey made for bought cart, Velarde, New Mexico; 92:
Velarde, ER, San Antonio (1976); 93: Wood for drums made at Red
skirt /indian drum shop, Taos, New Mexico; 94: Velarde, ER, San
Antonio (1976); 95: Velarde, ER, San Antonio (1986); 96: Velarde,
E.R. Santa Bernadette; 97: Bows for E.R.'s santos, Velarde; 98: Bows
for ER's santos, Velarde; 99: Lamb by Felipe Archuletta, Owned by
Gere Kavanaugh; 100: ER St. Jude, Velarde. |
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BOX 4 |
Unidentified
project |
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Roll ID: AFC 2022/001: PH07 |
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Extent: 4 color negative strips (7
frames) |
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Contains unlabeled item content. Each strip was cut so they do not
have the normal amount of frames. Each of the strips contains 2
frames and 1 strip contains 1 frame. |
|
BOX 4 |
Summer, 1984
|
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Roll ID: AFC 2022/001: PH07 |
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Extent: 3 color negative strips (5
frames) |
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The following names were recorded as being associated to the
negatives. E.R images, St. Francis, St. Teresa, St. Martin and ER's
background. Each strip was cut so they do not have the normal amount
of frames. Each of the strips contains 2 frames and 1 strip contains
1 frame. |
|
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Series 2:
Exhibitions
|
|
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Subseries 1: Santos Statues and Sculpture: Contemporary Woodcarving from New Mexico
1988
|
|
BOX-FOLDER 2/1 |
Santos Statues and Sculpture: Contemporary Woodcarving in New
Mexico, catalogue and research materials, 1984-1988
(1/2), 1984-1988
|
|
BOX-FOLDER 2/2 |
Santos Statues and Sculpture: Contemporary Woodcarving in New Mexico, catalogue and research materials, 1984-1988 (2/2), 1988
|
|
Extent: 1 color transparency; 2
black and white (4x6) ; 1 black-and-white print (5x7); 10
black-and-white prints |
|
Includes correspondence and photographic prints. |
|
BOX-FOLDER 2/3 |
Santos, Statues and Sculpture Contemporary woodcarving from New
Mexico, CAFAM, LA, 1988, prints, 1988
|
|
Extent: 1 black-and-white
print |
|
Includes 7 black-and-white photocopied prints and 1 photo print of
various artist and their artwork. |
|
BOX-FOLDER 2/4 |
Correspondence with
Santeros community and Ortega, 1991, 1996
|
|
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Subseries 2: Crafting Devotions: Tradition in Contemporary, New Mexico Santos, 1976-1995
|
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Notes and
correspondence |
|
BOX-FOLDER 2/5 |
Crafting Devotions: Tradition in
Contemporary, New Mexico Santos, Eulogio Ortega,
1988
|
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Eulogio Ortega request documentation from the Craft Museum about
the loan of his santos. |
|
BOX-FOLDER 2/7 |
Crafting Devotions: Tradition in
Contemporary, New Mexico Santos, Gene Autry Museum
(1/4), 1990;
1994
|
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Extent: 2 color prints
(4x6) |
|
Includes object list, a layout of the exhibit and object labeling
and descriptions. |
|
BOX-FOLDER 2/6 |
Crafting Devotions: Tradition in
Contemporary New Mexico Santos, notes from
consultants meeting (2/4), January 27-28,
1992
|
|
Handwritten notes taken at the January consultant meeting for
Santos show with Charles Briggs, Barbara
Kirshenblatt-Gimblett, Laurie Beth Kalb, Kevin Mulroy and
Cynthia Hanisch. |
|
BOX-FOLDER 2/8 |
Crafting Devotions: Tradition in
Contemporary, New Mexico Santos, Gene Autry Museum
(3/4), 1994
|
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Extent: 1 color print
(5x5) |
|
Correspondence from Mark Lewis pertaining to the layout of the
exhibit. |
|
BOX-FOLDER 2/9 |
Crafting Devotions: Tradition in
Contemporary New Mexico Santos, Autry Museum (4/4),
1994-1995
|
|
Extent: 2 black-and-white
prints; 2 color slides (35 mm) |
|
Contains correspondence with James H. Nottage, Joanne D. Hale,
video treatment and press release. Also includes the slide that
was used as the cover image for the exhibit. |
|
BOX-FOLDER 2/10 |
Crafting Devotions: Tradition in
Contemporary, New Mexico Santos, captions and prints
for illustrations, undated
|
|
Extent: 19 color prints (3 1/2
x 5) |
|
Captions for images displayed in the exhibit. |
|
BOX-FOLDER 2/11 |
Crafting Devotions: Tradition in Contemporary, New Mexico Santos, LA Times Review, December 9, 1994
|
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Newspaper clippings about the exhibit. |
|
Research slides |
|
Notes from original housing: Submitted to editor Dana Asbury, University of New Mexico, for book
publication (Autry museum and University of New Mexico Press).
|
|
BOX 10 |
Santo artists and
artwork (1/2) |
|
Slide IDs: AFC 2022/001:PH04-01 — PH04-135 |
|
Extent: 135 color slides (35
mm) |
|
Notes from original housing:
01: unlabeled item; 02: Wood for drums made at Red Shirt Indian
Drum shop, Taso, New Mexico, 03-07: not labeled item; 08:
Carving by Felix Lopez 3 figure abstract carving by Felix Lopez.
Owned by the artist (1983); 09: unlabeled item; 10: Santos and Modern Sculpture by Feliz Lopez; 11: 1990 Spanish market display of Luis
Barela, Jr.; 12-17: unlabeled item; 18: Abstract sculpture by Luis Tapia; 19: unlabeled item; 20: Taos
Pueblo, Taos HH; 21: Frank Pinta, Santa Fe; 22: not labeled
item; 23: Lion by Billy Rodriguez cont. section Spanish market
(1989); 24-25: unlabeled; 26: Coyote, Chimayo, Robert Bal
(1988); 27: Luis Tapia, Bird of Russian Olive, Santa Fe.(1984);
28: Modern sculpture by Feliz Lopez; 29: 8 interior of Tapas's
studio; 30: Enrique Rendon, Velarde, New Mexico FF; 31-32:
unlabeled; 33: Acrylic reproduction of W. Prathern photo by
Edward Gonzales; 34: Stone Sculpture by Anglo modernist artist
Kit Agri; 35: Enrique Rendon, Velarde, July 29, 1986; 36 -39:
unlabeled; 40: Velarde, ER. 'P San Antonio's, 1976, 1986; 41:
Velarde ER, hand carved donkey in brought? Cart; 42: St.
Bernadette, Section IV, Velarde (1986); 43: Enrique Rendon (wood
form Taos pueblo), Velarde, New Mexico; 44: Velarde, New Mexico,
ER, San Francisca de arts; 45: Velarde ER, St. Jude? 46: Muerto
IV by Enrique Rendon, Velarde; 47: Enrique Rendon, Velarde, New
Mexico; 48: Enrique in backyard, Velarde, New Mexico; 49:
Velarde, New Mexico, ER, San Martin de.; 50: By Enrique Rendon,
carved by S and George Wheeler, Kateri Tekakwither; 51: Velarde
E.R., Brown faced Guadalupe; 52: Velarde New Mexico, ER's brown
faced Guadalupe; 53: Velarde New Mexico, San Martin; 54: Enrique
Rendon retablo? San Francisco recent additions of , Velarde, New
Mexico 00147; 55: [wooden statue of Jesus?]; 56: Felipe
Archuleta, Tesuque, New Mexico; 57: Enrique Rendon's retablo,
Velarde; 58: [2 wooden statues]; 59: Felipe Archuleta, Tesuque,
New Mexico; 60: unlabeled; 61: Enrique Rendon, Velarde N.M.
1986, Guadalupe y Juan Diego, 1986; 62: Luis Tapia, Santa Fe,
New Mexico, 1883-1984, San Miguel, Our Lady of Sorrows, San
Pedro Apostol; 63: China section of Moa, New Mexico interior of
church, photo by LBK, 1984; 64: [Altar of religious statues];
65: Velarde, New Mexico, 1sr visit (1984), E.R. Cristo; 66:
Velarde, New Mexico, heads for Enrique's santos; 67: Velarde,
1976-1986, E.R. San Antonio's; 68: Velarde, 1976-1986, E.R. San
Antonio's; 69: Velarde, muerte, ER; 70: Velarde, muerto, ER; 71:
Velarde, muerto, ER; 72: Velarde, New Mexico, donkey made for
bought cart; 73: Velarde, New Mexico, donkey made for bought
cart; 74: Velarde, ER, 1976, San Antonio; 75: Taos, New Mexico,
wood for drums made at Red skirt /Indian drum shop; 76: Velarde,
ER, 1976, San Antonio; 77: Velarde, 1986, ER San Antonio; 78:
Velarde, E.R. Santa Bernadette; 79: Velarde, E.R., Bows of
Santos; 80: Velarde bows for Ers, santos; 81: Owned by Gere
Kavanaugh, lamb by Felipe Archuletta; 82: Velarde ER, St. Jude;
83: Orlinda Lopez, Cordova, New Mexico; 84: Eurgencio Lopez,
Cordova, New Mexico; 85: Charles Lopez, Cordova, New Mexico
Eurgencios, San Miguel; 86: Charles Lopez, Cordova, New Mexico,
1983, San Miguel and the Dragon; 87: Enrique Rendon, Velarde,
New Mexico; 88: Velarde, New Mexico, E.E. painting materials;
89: Elvid Levi Martinez, spanish market cont. section; 90:
contemporary section, vspanish market, 19i89, Elvid Martinez;
91: Velarde, 1986, E.R. San Antonio; 92: Velarde, New Mexico,
side view of Enrique's house including out? Buildings; 93:
Verlade, New Mexico, Enrique Rendon; 94: Velarde, New Mexico
E.R. Santa Teresa; 95: Velarde, New Mexico, prototype for E.R.'s
images; 96: Velarde, New Mexico,v E.r. Santa Teresa; 97:
Velarde, v1986, E.R. Santa Teresa; 98: Guadalupe and Juan Diego
Potero Trading Post by Enrique Rendon; 99: Santa Teresa,
Velarde, New Mexico, E.R.; 100: E.R., San Martin de Porres,
Velarde, New Mexico; 101: E.R., Sam Martin de Porres, Velarde,
New Mexico; 102: Enrique Rendon, Velarde, New Mexico, summer
1983; 103: Velarde, New Mexico, Backside of St. Francis table;
104: Taos Pueblo; 105: Velarde, New Mexico, E.R. Santa Teresa;
106: unlabeled item; 107: Velarde, New Mexico, Prototype for
E.R. image; 108: Prototype for E.R. image; 109: Velarde, New
Mexico, Enrique Rendon backyard; 110: Velarde, New Mexico, E.R's
painting materials; 111: Enrique Rendon, San Cajetan; 112-118:
unlabeled item; 119: Trastero by Luis Tapia pine, tempera; 120: Abstract woodcarvings by Patrocinio Barela ca 1930s WPA, Feliz
Lopez ca. 1982, Celso Gallegos, ca 1930s; 121 -135:
unlabeled. |
|
BOX 11 |
Santo artists and
artwork (2/2) |
|
Slide IDs: AFC 2022/001:PH04-136 — PH04-255 |
|
Extent: 109 color slides (35
mm) |
|
Notes from original housing:
136: Eulogio Ortega, Spanish market '84, San Isidro; 137:
unlabeled; 138: Ramon Lopez, Spanish market, 1990; 139 - 140:
unlabeled; 141: Feria Artesana, Albuquerque, 1983, Gloria Lopez
Cordova in her both; 142: Luis Lujan, 1988, San Pedro Apostol;
143: Santa Lucia, 1988, Nambe by Luisito Lujan; 144: unlabeled;
145: unlabeled; 146: Sculpture by Egri, Taos, New Mexico; 147:
Luis Tapia, ca. 1990, Holy Family; 148: Santa Lucia, 1988, Nambe
by Luisito Lujan; 149 -255: unlabeled. |
|
Undated
photographs |
|
Notes from original housing:Illustrations for Crafting Devotions in Contemporary New Mexico
Santos, Autry Museum, 1994. |
|
BOX 3 |
Images for book
(1/3) |
|
Slide IDs: AFC 2022/001: PH04-256 — PH04-346 |
|
Extent: 88 color transparency
film (4x5) |
|
Notes from original housing:
256: intro p. 3.; 257: intro p. 6; 258: intro p.7; 259: intro p.
10; 260: intro p. 15; 261: intro p. 15; 262: 2.18, 263: Tapia p.
29; 264: Tapia p. 7; 265: Tapia p. 7; 266: Tapia p. 15; 267:
Tapia p. 16; 268: Barela p. 1; 269: Barela p. 4; 270: Barela p.
7; 271: Barela p. 16; 272: Barela p. 25; 273: Barela p. 26; 274:
Barela p. 26; 275: Barela p. 30; 276: Marco p. 24; 277: Marco
p.26; 278: Marco p.27; 279: Marco p. 30; 280: Marco p. 30; 281:
Marco p.41; 282: Rendon p.2; 283: Rendon p.2; 284: Rendon p.8;
285: Rendon p.18; 286: Rendon p.30; 287: Rendon p.35; 288:
Rendon p.38; 289: Rendon p.39; 290: Rendon p.40; 291: Rendon
p.40; 292: Conclusion 293-301: unlabeled; 303 -337: unlabeled;
339 -344: unlabeled. |
|
BOX 3 |
Images for book
(2/3) |
|
Slide ID: AFC 2022/001: PH04-302 |
|
Extent: 1 black-and-white
transparency film (4x5) |
|
BOX 3 |
Images for book
(3/3) |
|
Slide ID: AFC 2022/001: PH04-338 |
|
Extent: 1 color transparency
film (2 1/2 x 2 1/2) |
|
BOX 11 |
Artist,
undated
|
|
Slide IDs: AFC 2022/001: PH04-345 — PH04-346 |
|
Extent: 2 color slides (35
mm) |
|
Victor Goler |
|
|
Series 3: Academic
Works
|
|
Papers and
theses |
|
BOX-FOLDER 2/12 |
From market to home: The Domestic environment of a Contemporary Santero, Masters Thesis, 1985
|
|
Extent: 7 black-and-white and 2
color prints |
|
BOX-FOLDER 2/13 |
From market to home: The Domestic environment of a Contemporary Santero, AFS paper printouts, 1985
|
|
BOX-FOLDER 2/14 |
Cultural Conservation Project: From the Coffee shop to the canyon: women's personal experiences and the architectural history, Northeast New Folklife Survey, AFS paper, 1986
|
|
BOX-FOLDER 2/15 |
Santos, Statutes and Sculpture Contemporary Woodcarving from New Mexico: AFS Conference, October 26-30,
1988
|
|
Conference held in Cambridge, MA. |
|
BOX-FOLDER 2/16 |
JAF Review of
Hispanic-American material culture, Laurie Beth Kalb, 1989
|
|
BOX-FOLDER 2/17 |
Kalb Review of Community and Continuity: The history, architecture and cultural landscape of La Tierra Amarilla, New Mexico, 1991
|
|
BOX-FOLDER 2/18 |
Crafting Tradition: Spanish colonial santo production by Marco and Patricia Oviedo, AFS Paper, 1992
|
|
BOX-FOLDER 2/19 |
Lecture to
Anthropology Faculty Harvard University: Crafting Tradition: Modernism, Primitivism and the Cultural Ownership of Woodcarvings by Taos Artist Patrocinio Barela,
1994
|
|
BOX-FOLDER 2/20 |
Imaging the West Symposium 1995: Interpretive Strategies Among New Mexico Santeros: The "Other" as Image Maker, June 11,
1995
|
|
Extent: 29 color slides
(35mm) and manuscript materials |
|
Symposium at the Autry Museum of Western Heritage, Los Angeles.
Includes paper that was presented, 29 color slides (35 mm),
registration form and a brochure. |
|
BOX 11 |
Various artists and
Spanish market, 1990
|
|
Slide IDs: AFC 2022/001: PH06-01 — PH06-28 |
|
Extent: 28 color slides (35 mm)
|
|
Notes from original housing:
01:Santa Fe, Spanish market, 1884. Photo by D. Flynn 1, Thomas Sena?;
02: Leo Salazar and display on his woodcarvings at 1990 Spanish
market; 03-04: unlabeled; 05: 5 "abstract;" 06-07: unlabeled; 08:
Oviedo; 09 -28: unlabeled |
|
Correspondence |
|
BOX-FOLDER 2/21 |
Correspondence,
Thomas Merlan, 1984-1994
|
|
Cosmo seeking permission to use The Merlan's family
collection of Patrocinio Barela's materials for her
dissertation. |
|
BOX-FOLDER 2/22 |
Correspondence,
Richard Ahlborn, 1988-1989
|
|
Correspondence between Richard Ahlborn and Cosmo pertaining to her
Smithsonian Fellowship. Also included is Cosmo's report of the
fellowship. |
|
BOX-FOLDER 2/23 |
Correspondence for
dissertation, 1991-1992
|
|
Review of dissertation by Roger Abrahams, Charles Briggs and Burt
Feintuch. |
|
Taos |
|
BOX-FOLDER 2/24 |
TAOS, 1986
|
|
Article pertaining to Cosmo and her new position at the museum
including congratulatory letters. |
