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Series I. Scripts
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Scripts for documentary films directed by Charles and Ray Eames. |
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BOX A-0031 |
A
communications primer, 1953
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Local ID number: 1621271-1-1 |
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Narration script |
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BOX A-0031 |
S-73, also known as Sofa compact
movie, 1954
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Local ID number: 1621573-1-1 |
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Narration script |
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BOX A-0031 |
Day
of the dead, 1957
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Local ID number: 1621279-1-1 |
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Narration script |
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BOX A-0031 |
The
information machine, 1957
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Local ID number: 1621274-1-1 |
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Narration script |
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I.B.M. Brussels film |
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BOX A-0031 |
House of science, 1962
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Local ID number: 1621281-1-1 |
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Narration script |
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United States science exhibit, Seattle World's Fair 1962 |
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BOX A-0031 |
Untitled Charles Eames
1964 World's Fair script, 1964
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Local ID number: 1621580-1-1 |
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Narration script |
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BOX A-0031 |
IBM
at the fair, 1965
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Local ID number: 1621578-1-1 |
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Narration script |
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BOX A-0031 |
Westinghouse in alphabetical order, also known as Westinghouse ABC, 1965
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Local ID number: 1621284-1-1 |
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Narration script |
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BOX A-0031 |
The
Smithsonian Institution, 1965
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Local ID number: 1621287-1-1 |
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Dialogue script |
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BOX A-0031 |
Views from the people wall, 1966
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Local ID number: 1621290-1-1 |
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Dialogue script |
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BOX A-0031 |
National Fisheries Center and Aquarium, 1967
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Local ID number: 1621292-1-1 |
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Script outline |
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BOX A-0031 |
A
rough sketch for a proposed film dealing with the powers of ten and
the relative size of things in the universe, also known as
Cosmic view, 1969
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Local ID number: 1621294-1-1 |
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Script treatment |
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BOX A-0031 |
Copernicus, 1973
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Local ID number: 1621296-1-1 |
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Narration script |
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From an exhibition celebrating the 500th anniversary of his birth |
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BOX A-0031 |
Something about photography, 1976
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Local ID number: 1621565-1-1 |
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Narration script |
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Series II.
Writings
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BOX A-0031 |
You
don't have to be crazy to be in show business but it helps,
undated
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Local ID number: 1981043-1-1 |
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Unpublished autobiography |
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Unpublished manuscript for an autobiography of Edward Small, You Don’t Have to be Crazy to be in Show Business
but it Helps as told to Robert Kent, screenwriter of eight of
Small’s films between 1958 and 1970. The autobiography covers Edward
Small’s career beginning as a vaudeville talent agent through to his
years as an independent movie producer. Small recounts his experience as
a producer of Red River and many other
films, as well as his encounters as an agent with notable Hollywood
producers. |
