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Series 1. Scripts, 1945-1996
(continued) |
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Miscellaneous and
Unproduced Scripts
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BOX-FOLDER 36/3 |
Changing hearts
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BOX-FOLDER 36/4 |
Chaplin
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BOX-FOLDER 36/5 |
The Ebony tower, 1976
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Unclear if ever produced. |
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The Ebony Tower, a screenplay by John
Hopkins, based on the story by John Fowles. |
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BOX-FOLDER 37/1 |
The Ebony tower, 1976-03
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Copy 2. Softcover. |
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The Ebony Tower, a screenplay by John
Hopkins, based on the story by John Fowles. |
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BOX-FOLDER 37/2 |
Guest appearance, 1987-06-02
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Guest Appearance (later retitled Laura Lansing Slept Here), written for
television by James Prideaux. First draft. |
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BOX-FOLDER 37/3 |
The Hollywood girls, 1988-02-22
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The Hollywood Girls, written by James
Prideaux. |
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BOX-FOLDER 37/4 |
In Redcliffe Square, 1991-08-01
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In Redcliffe Square, a play by James
Prideaux. |
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BOX-FOLDER 37/5 |
The Late Christopher Bean, 1984-06-15
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The Late Christopher Bean, teleplay by
George Kirgo, based on plays by Sidney Howard and Rene Fauchois.
Revised second draft script. |
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BOX-FOLDER 38/1 |
Letters of a Portuguese nun
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Screenplay. |
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BOX-FOLDER 38/2 |
The Librarian [and] The Killing of Jesse James
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The Librarian and The Killing of Jesse James), two plays for our time by
James Prideaux. |
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BOX-FOLDER 38/3 |
Love among the ruins, 1966-05
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Love Among the Ruins , a television
play by James Costigan. |
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BOX-FOLDER 38/4 |
Me and Phyllis, 1988
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Me and Phyllis, a screenplay by
Katharine Hepburn. Director's draft, revised, dated June 24, 1988.
K[atharine Hepburn]'s revisions: June 1-July 26, 1988. |
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BOX-FOLDER 38/5 |
Me and Phyllis, 1986-08-06
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Me and Phyllis, by Katharine Hepburn.
Shooting script. |
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BOX-FOLDER 39/1 |
Nightshade, 1995-04
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Nightshade, from We Have Always Lived in the Castle by Shirley Jackson,
adapted by Ara Watson and Sam Blackwell, Irene and Louis Kamp. |
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BOX-FOLDER 39/2 |
Nightshade, 1995-04
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Copy 2 |
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Nightshade, from We Have Always Lived in the Castle by Shirley Jackson,
adapted by Ara Watson and Sam Blackwell, Irene and Louis Kamp. |
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BOX-FOLDER 41/2 |
Old times, 1976-10-14
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Old Times, a screenplay by Harold
Pinter. |
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BOX-FOLDER 39/3 |
Photo plays
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Photo Plays, an evening of three plays
by James Prideaux: The Actress by
Prideaux, adapted from a play by Molnar; And
Now Goodby by Prideaux, adapted from a play by Molnar;
and Laughter in the Shadow of the Trees
by Prideaux. |
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BOX-FOLDER 39/4 |
Scattered leaves
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Scattered Leaves, an evening of two
plays by James Prideaux. |
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BOX-FOLDER 39/5 |
The Second barrier
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Screen treatment by James Costigan, based on The Trap by Howard Fast. |
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BOX-FOLDER 39/6 |
The Tiger at cocktail hour
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The Tiger at Cocktail Hour, a play in
two acts by James Prideaux. |
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BOX-FOLDER 39/7 |
Upper Broadway
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Upper Broadway, a screenplay by James
Prideaux, based on his play. |
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BOX-FOLDER 39/8 |
Vanessa
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Vanessa, and Her Young Escort, story
treatment by James Prideaux. A story for the screen. |
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BOX-FOLDER 39/9 |
We have always lived in the castle
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First draft screenplay by Irene and Louis Kamp; from the novel by
Shirley Jackson. |
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BOX-FOLDER 39/10 |
We have always lived in the castle, 1967-10-15
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Production company:
Compass Productions, Inc.
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Screenplay by Irene and Louis Kamp; from the novel by Shirley
Jackson. |
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BOX-FOLDER 40/1 |
We have always lived in the castle, 1967-06-21
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Unbound. |
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Screenplay by Irene and Louis Kamp; from the novel by Shirley
Jackson. |
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BOX-FOLDER 40/2 |
We have always lived in the castle, 1994-10
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We Have Always Lived in the Castle from
the novel by Shirley Jackson, adapted by Ara Watson and Sam
Blackwell, Irene and Louis Kamp. |
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BOX-FOLDER 40/3 |
A Wind from the south
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A Wind from the South, a play by James
Costigan. Includes letter from Manuel D. Herbert to George
Schaefer. |
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Series 2.
Photographs
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Production stills from
on-set
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BOX-FOLDER 42/1 |
Abe Lincoln in
Illinois photographs |
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17 photographic prints: various sizes ;
black and white |
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BOX-FOLDER 42/2 |
Abe Lincoln in
Illinois photographs |
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21 photographic contact sheets: various
sizes ; black and white |
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BOX-FOLDER 42/3 |
Abe Lincoln in
Illinois photographs |
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12 photographic contact sheets: various
sizes ; black and white |
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BOX-FOLDER 42/4 |
The Admirable
Crichton photographs |
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7 photographic prints: various sizes ;
black and white |
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BOX-FOLDER 42/5 |
The Admirable
Crichton photographs |
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18 photographic contact sheets: various
sizes ; black and white |
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BOX-FOLDER 42/6 |
Anastasia
photographs |
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16 photographic contact sheets (approx.
35 images each): 8 x 10 inches ; black and white |
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BOX-FOLDER 42/7 |
Anastasia
photographs |
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16 photographic contact sheets (approx.
35 images each): 8 x 10 inches ; black and white |
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BOX-FOLDER 42/8 |
Anastasia
photographs |
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17 photographic contact sheets (approx.
35 images each): 8 x 10 inches ; black and white |
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BOX-FOLDER 42/9 |
Anastasia
photographs |
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13 photographic prints: various sizes ;
black and white |
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BOX-FOLDER 42/10 |
Anastasia
photographs |
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20 photographic contact sheets: various
sizes ; black and white |
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BOX-FOLDER 42/11 |
The Apple
Cart |
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8 photographic prints: 8 x 10 inches ;
black and white |
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BOX-FOLDER 43/1 |
Arsenic and Old Lace
(Army) |
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28 photographic prints: 8 x 10 inches ;
black and white |
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BOX-FOLDER 43/2 |
The Body
Beautiful |
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8 photographic prints: various sizes ;
black and white |
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BOX-FOLDER 43/3 |
Captain Brassbound's
Conversion photographs |
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17 photographic prints: 4 x 5 inches ;
black and white |
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BOX-FOLDER 43/4 |
Captain Brassbound's
Conversion photographs |
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7 photographic contact sheets: 8 x 10
inches ; black and white |
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BOX-FOLDER 43/5 |
Do Not Go Gentle
photographs |
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28 photographic prints: various sizes ;
black and white |
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BOX-FOLDER 43/6 |
Do Not Go Gentle
photographs |
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24 photographic contact sheets: 8 x 10
inches ; black and white |
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BOX-FOLDER 43/7 |
Do Not Go Gentle
photographs |
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24 photographic contact sheets: 8 x 10
inches ; black and white |
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BOX-FOLDER 43/8 |
Do Not Go Gentle
photographs |
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26 photographic contact sheets: 8 x 10
inches ; black and white |
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BOX-FOLDER 43/9 |
Do Not Go Gentle
photographs |
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16 photographic contact sheets: 8 x 10
inches ; black and white |
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BOX-FOLDER 44/1 |
Eagle in a
Cage |
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17 photographic prints: 8 x 10 inches ;
black and white |
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BOX-FOLDER 44/2 |
Eagle in a
Cage |
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16 photographic prints: 8 x 10 inches ;
black and white |
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BOX-FOLDER 44/3 |
Eagle in a
Cage |
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17 photographic prints: 8 x 10 inches ;
black and white |
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BOX-FOLDER 44/4 |
Eagle in a
Cage |
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17 photographic prints: 8 x 10 inches ;
black and white |
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BOX-FOLDER 44/5 |
Eagle in a
Cage |
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1 photographic print: 8 x 10 inches ;
color |
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BOX-FOLDER 44/6 |
Eagle in a Cage
photographs |
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8 photographic prints: 8 x 10 inches ;
black and white |
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BOX-FOLDER 44/7 |
Eagle in a Cage
photographs |
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5 photographic transparencies: 2,5 x 2.5
inches ; color |
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BOX-FOLDER 44/8 |
Eagle in a Cage
photographs |
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4 photographic contact sheets: 8 x 10
inches ; black and white |
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BOX-FOLDER 44/9 |
Eagle in a Cage
photographs |
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19 photographic contact sheets: various
sizes ; black and white |
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BOX-FOLDER 44/10 |
G.I. Hamlet (New
York), 1945-1946
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19 photographic prints: various sizes ;
black and white |
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https://www.ibdb.com/broadway-production/hamlet-1751 |
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BOX-FOLDER 44/11 |
The Joke and the
Valley photographs, 1961, Apr. 20
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13 photographic contact sheets: 8 x 10
inches ; black and white |
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BOX-FOLDER 44/12 |
The Joke and the
Valley photographs, 1961, May 5
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11 photographic contact sheets: 8 x 10
inches ; black and white |
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