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ContainerContents
Part II: Television Productions, 1986-2009 (continued)
"Surviving the Bottom Line," 1994-2000 (continued)
BOX 513 Photograph lists, 1997-1998
BOX 513 Postcards, 1997-1998
BOX 513 Press clippings, 1998
BOX 513 Press kit, 1997
BOX 513 Press releases, 1997-1998
BOX 513 Promotion, 1997-1998
BOX 514 Shuman Communications, 1997-1998
(2 folders)
BOX 514 Ratings, 1998
DF Ratings, digital file, 1998
Digital ID: mss62065_198_070
BOX 514 Research, 1995-1997
(2 folders)
DF Research, digital file, 1995-1997
Digital ID: mss62065_198_007
BOX 514 Schedules, 1997
Scripts
BOX 514 "Effective Education for Tomorrow," 1997
BOX 514 "Labor's Comeback," 1997
BOX 514 "Learning to Survive," 1997
BOX 515 "Managing Corporate Change," 1997
BOX 515 Segment planning
BOX 515 Program 1: "Running with the Bulls" (Wall St.)
BOX 515 CEOs, 1996-1997
BOX 515 Chase Manhattan Bank, 1997
BOX 515 Downsizing, 1994-1997
(2 folders)
BOX 515 General, 1996-1997
BOX 515 Interview background, 1997
BOX 515 Johnson and Johnson, 1996-1997
BOX 515 Olayan Group, 1996-1997
BOX 516 Price, Michael, 1997
(2 folders)
BOX 516 Shoots, 1997
BOX 516 Stock markets, 1996-1997
BOX 516 Sunbeam Corp., 1997
(3 folders)
BOX 516 ValuJet., 1996-1997
(2 folders)
BOX 517 (2 folders)
DF Valujet., digital file, 1996-1997
Digital ID: mss62065_198_017
BOX 517 Wahl Clipper Corp., 1994-1997
BOX 517 Program 2: "Living on the Fault Line" (Fault Line)
BOX 517 B-roll footage, 1997
BOX 517 Briefing, 1997
BOX 517 California contacts, 1995-1996
BOX 517 California research, 1996-1997
(3 folders)
BOX 518 Downsizing, 1996-1997
(2 folders)
BOX 518 Follow-ups, 1997
BOX 518 Goodman, Barak, 1997
BOX 518 Long Beach, Calif., 1995-1997
BOX 518 Presto Studios, 1997
BOX 518 San Diego shoot, 1997
(2 folders)
BOX 519 (1 folder)
BOX 519 Temporary and part-time employment, 1994-1997
(2 folders)
BOX 519 "Time bind," 1997
BOX 519 Program 3: "Learning to Survive "(Education)
BOX 519 Alamo, Tex., 1997
(4 folders)
BOX 520 (4 folders)
DF Alamo, Tex., digital file, 1997
Digital ID: mss62065_198_023
BOX 520 China, 1997
(5 folders)
BOX 521 (1 folder)
BOX 521 Cincinnati, Ohio, 1997
(4 folders)
BOX 521 General, 1997
BOX 521 Memoranda, 1997
(2 folders)
BOX 521 Notes, 1997
BOX 522 Oakland, Calif., 1997
(5 folders)
BOX 522 Oakland Technical High School, 1997
(2 folders)
BOX 522 Reform, 1994-1997
(2 folders)
BOX 523 Shoot, 1997
BOX 523 Program 4: "Beating the Bottom Line" (Beyond)
BOX 523 Concept, 1997
BOX 523 Harman International, 1997
BOX 523 Hathaway Shirt Co., 1995-1997
BOX 523 Holland, 1997
BOX 523 Memoranda, 1997
BOX 523 Northwest Airlines, 1997
BOX 523 Respectable capitalism, 1995-1997
(2 folders)
BOX 523 Saturn Corp., 1997
BOX 523 Shoots, 1997
BOX 524 Unions, 1996-1997
(2 folders)
BOX 524 United Airlines, 1997
BOX 524 United Parcel Service, 1997
BOX 524 W.L. Gore & Associates, 1997
BOX 524 Xerox Corp., 1997
BOX 524 Seminar
BOX 524 Allan, Ari, 1997
(2 folders)
BOX 524 General, 1997-1998
BOX 525 Smith, Hedrick, 1997
(2 folders)
BOX 525 Smith, Jenny, 1997
(2 folders)
BOX 525 Transcripts, 1997
(3 folders)
BOX 525 Station carriage, 1997-1998
BOX 526 Stock footage
BOX 526 "Beyond the Bottom Line," 1997
BOX 526 Correspondence, 1997
(3 folders)
BOX 526 "Living on the Fault Line," 1997
BOX 526 Viewer responses, 1998
(3 folders)
BOX 527 (1 folder)
BOX 527 Website, 1997-2000
(4 folders)
DF Website, digital file, 1997-2000
Digital ID: mss62065_198_064
BOX 527-538 "Tax Me if You Can," 2002-2004
This subseries contains segment planning materials, research files, publicity and promotional material, and production bibles related to Smith’s Public Broadcasting Service Frontline episode, "Tax Me if You Can," which investigates the use of tax shelters by American corporations and how fraudulent transactions are developed and used to avoid tax collection by the Internal Revenue Service. Shoot books form the largest part of this subseries and reflect the many locations Smith filmed for this episode including the Cayman Islands, Germany, Florida, New York, and Massachusetts, among others. Editing pulls and interview transcript pulls are also well represented, as are files pertaining to the various publicity strategies Smith employed to promote this episode.
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