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| Container | Contents | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Part II: Writings, 1910-1997 (continued) | |||||||||||||
| “Blue Movie,” undated See also Container II:OV 1 | |||||||||||||
| “Bomb in the Tower of London,” undated | |||||||||||||
| “A Box Comes Home,” 1955 | |||||||||||||
| “Boy,” 1940 | |||||||||||||
| “Bridal Photo, 1906,” undated | |||||||||||||
| “A Buddha Seen As the Thing Least Like Me,” 1968 | |||||||||||||
| “Bufo Vulgaris,” undated | |||||||||||||
| “The Bugle-Billed Bazoo,” 1961 | |||||||||||||
| “Bus Baxter Retires,” undated | |||||||||||||
| “Buying an Automatic,” 1972, undated | |||||||||||||
| “Buying and Selling,” undated | |||||||||||||
| Ca-Ci | |||||||||||||
| “Cain,” 1938 | |||||||||||||
| “Calvin Watt,” undated | |||||||||||||
| “Can You Tell Me Why?” undated | |||||||||||||
| [The Capitoline is rocky], undated | |||||||||||||
| “The Catalpa,” 1983 | |||||||||||||
| “Censorship,” 1978 | |||||||||||||
| “Child Picking His Nose,” 1964 | |||||||||||||
| [Children ought really not to try], undated | |||||||||||||
| “Choosing,” undated | |||||||||||||
| “CIA,” undated | |||||||||||||
| “Circles, Centers,” undated | |||||||||||||
| “Citation,” undated | |||||||||||||
| “Citation on Retirement,” undated | |||||||||||||
| “Citizenship,” undated | |||||||||||||
| Cl-Cr | |||||||||||||
| “Clearing the Air,” undated | |||||||||||||
| “Cliff Dwellers,” undated | |||||||||||||
| “Clipper Museum,” undated | |||||||||||||
| “Coast Road,” undated | |||||||||||||
| [Collating the dead for the restoration of Eden], undated | |||||||||||||
| [The Common Blue Preposterous], undated | |||||||||||||
| “Commutation: For Walker Percy,” 1978, undated | |||||||||||||
| “A Conversation with Leonardo,” 1973, undated | |||||||||||||
| “Corpus Christi,” undated | |||||||||||||
| “Counting the Wolves,” undated | |||||||||||||
| “The Cow,” undated | |||||||||||||
| “Craft,” undated | |||||||||||||
| Da-De | |||||||||||||
| “Damn Her,” 1961 | |||||||||||||
| “A Damnation of Doves,” undated | |||||||||||||
| “The Damned,” undated | |||||||||||||
| “The Dangers of Tri-D,” undated | |||||||||||||
| “Darling,” undated | |||||||||||||
| “Dawn” (first line “A twitter in the thicket starts it”), undated | |||||||||||||
| “Dawn” (first line “My window silvers”), undated | |||||||||||||
| “A Day in the Life of,” undated | |||||||||||||
| [Days when there is no sky], undated | |||||||||||||
| “The Dead Being Unreal, the Young Unmade, I Choose the Old,” undated | |||||||||||||
| “Dear Sir,” 1988 | |||||||||||||
| “Death Bed Scene,” undated | |||||||||||||
| “Death of a Bomber” See Container II:57, “Ode to My Bomber and Other Poems” | |||||||||||||
| “Declaration” See Container II:58, “To the Man with a Soul” | |||||||||||||
| [Describe yourself], undated | |||||||||||||
| Dia-Div | |||||||||||||
| “Dialogue,” 1959 | |||||||||||||
| “A Dialogue in the Stoneworks,” undated | |||||||||||||
| “Dialogue with Outer Space,” undated | |||||||||||||
| “Diary: After the Bolshoi,” undated | |||||||||||||
| “Diary Entry,” undated | |||||||||||||
| “Differences,” 1973, undated | |||||||||||||
| “Directions,” undated | |||||||||||||
| “Directives,” undated | |||||||||||||
| “Divorced, Husband Demolishes House: News Item,” 1961 | |||||||||||||
| Do-Du | |||||||||||||
| [“Do you like your life?”], undated | |||||||||||||
| “Doggy,” undated | |||||||||||||
| “Doing, Being, Telling,” undated | |||||||||||||
| “The Dollar Dog” (first line “A dollar dog is all mixed up”), undated | |||||||||||||
| “The Dollar Dog” (first line “I had a dollar dog named Spot”), undated | |||||||||||||
| “Domesticity,” 1968 | |||||||||||||
| “Donne ch'avete intelletto d'amore: An Elegy for the American School System,” 1979, undated | |||||||||||||
| “Don't Get Confused,” undated | |||||||||||||
| “Don't Miss Your Chance,” 1975 | |||||||||||||
| “’Don't Say Me,' They Say,” undated | |||||||||||||
| “Doodles,” undated | |||||||||||||
| “Dragons,” 1961 | |||||||||||||
| “A Dream,” 1958 | |||||||||||||
| “Driving across the American Desert and Thinking of the Sahara,” undated | |||||||||||||
| “Ducks,” undated | |||||||||||||
| “Due Process,” undated | |||||||||||||
| Ea-En | |||||||||||||
| “East Sixties,” undated | |||||||||||||
| “Ed 10 rispasi,” undated | |||||||||||||
| “Elegy” (first line “Viking the cat”), undated | |||||||||||||
| “Elegy” (first line “My father was born with a spade in his hand”), 1955 | |||||||||||||
| “Elegy Deferred for F.O.M.,” undated | |||||||||||||
| “Elegy for Sandro,” 1954 | |||||||||||||
| “Elegy: For You, Father,” 1941 | |||||||||||||
| “Elm,” undated | |||||||||||||
| “An Emeritus Addresses the School,” undated | |||||||||||||
| “Encounter,” undated | |||||||||||||
| “The Enormous Cocoon,” undated | |||||||||||||
| Epil-Epit | |||||||||||||
| “Epilogue: A Last Stone,” undated | |||||||||||||
| “Epitaph,” 1961 | |||||||||||||
| “Epithalamium at St. Michael's Cemetery,” undated | |||||||||||||
| Et-Ex | |||||||||||||
| “Etude,” 1940 | |||||||||||||
| “An Evening of the Private Eye,” undated | |||||||||||||
| [Everytime I read another first], undated | |||||||||||||
| “Everywhere That Universe,” 1961 | |||||||||||||
| “Ex-Champ,” undated | |||||||||||||
| “Exegesis of an Allegorical Text,” undated | |||||||||||||
| “An Exuberance,” undated | |||||||||||||
| BOX II:56 | Fa-Fe | ||||||||||||
| [The faces I tried to live in], undated | |||||||||||||
| “The Fantasy Echo,” undated | |||||||||||||
| “Fat Cat,” undated | |||||||||||||
| [A fate in hand, it weighs and mystifies], undated | |||||||||||||
| “Favi and Aristotle,” undated | |||||||||||||
| “Feasts,” undated | |||||||||||||
| Fil-Fiv | |||||||||||||
| “Fillmore Clutch,” undated | |||||||||||||
| “First Autumn after a War,” undated | |||||||||||||
| “First Summer after a War,” 1947 | |||||||||||||
| “Firsts,” 1976-1979, undated | |||||||||||||
| “A Five-year Step,” 1968, undated | |||||||||||||
| Fl-Fr | |||||||||||||
| “Flowering Quince,” 1952 | |||||||||||||
| “The Fluffies,” undated | |||||||||||||
| “Flying to Chicago en route to California Tomorrow after Being in Leningrad Yesterday, and Last Night in North Philadelphia,” undated | |||||||||||||
| “F.M. Wireless Intercom,” undated | |||||||||||||
| “A Fool Too Fast,” undated | |||||||||||||
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