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Part III: Writings, 1947-1968 (continued) | |||||||||||||
[Harvard has required no defense from me and I have made none], undated See Container II:64, Progressive Party, and Container III:16, Notebook B, pp. 278-279 | |||||||||||||
[Here comes 1968, and if only as a collector of lost causes...], circa 1967 | |||||||||||||
[The hospital corridor, dimmed for the night watch of sleep...], undated See Container III:16, Notebook B, pp. 225-235 | |||||||||||||
“How to Read Dante,” 1961 | |||||||||||||
I | |||||||||||||
“Italy: The Sense of Rapture,” undated | |||||||||||||
J-M | |||||||||||||
“Jim Crow Is Treason,” 1960 | |||||||||||||
“Last November,” undated | |||||||||||||
“Milton Hebald,” circa 1963 | |||||||||||||
“Morals, Anyone? or What Good Is Literature, Anyhow?” undated | |||||||||||||
[My wife and I puzzled at the thing for a while...], undated | |||||||||||||
O | |||||||||||||
“On the Road,” undated | |||||||||||||
“On Writing and Bad Writing,” 1962 | |||||||||||||
Poet | |||||||||||||
“The Poet and the Politician,” 1960, undated | |||||||||||||
(1 folder) | |||||||||||||
BOX III: 7 | (1 folder) | ||||||||||||
Poet's-Poetry As | |||||||||||||
[The poet's eye is a trained eye], undated | |||||||||||||
“Poetry and Metaphor,” undated | |||||||||||||
“Poetry and the High School System,” undated | |||||||||||||
“Poetry As Knowledge: A Dialogue with a Realist,” undated | |||||||||||||
Poetry in-Prose | |||||||||||||
“Poetry in Crystal,” undated | |||||||||||||
“Poetry Is for Pleasure,” 1960 See Container III:16, Notebook A, pp. 21-39 | |||||||||||||
“Poetry: The Word and the Image,” 1964 | |||||||||||||
[PR men don't care – so long as it makes a noise], undated | |||||||||||||
“Prose Poems from the Journal of Lazarus Smith,” undated | |||||||||||||
Q-R | |||||||||||||
“Quotations for Mr. R. J. Dandenau,” undated | |||||||||||||
“The Relevance of The Inferno,” undated | |||||||||||||
“Rico Lebrun and Dante,” undated | |||||||||||||
[Robert Frost's eighty-eighth birthday...], undated | |||||||||||||
Sm-Som | |||||||||||||
“The Small Private College,” undated | |||||||||||||
[Some of the fast burners know it, even advertize it], undated | |||||||||||||
[Some parts of Nettie Forbish's nervous system...], undated | |||||||||||||
Son-Su | |||||||||||||
“Song for an Allegorical Play,” 1962 | |||||||||||||
“Statement by the Library Board,” undated | |||||||||||||
[Summer in New York is the time when the side street hotels...], undated | |||||||||||||
There | |||||||||||||
[There are good signs that New Jersey is determined...], undated | |||||||||||||
[There is power in the American people], circa 1968 | |||||||||||||
This-Two | |||||||||||||
“This Side of the Mirror,” undated | |||||||||||||
[This Spring John O'Hara was given the Award of Merit Medal for the Novel...], undated | |||||||||||||
“Thomas Stearns Eliot, 1888-1964,” undated | |||||||||||||
“Translation: The Art of Failure,” 1961 | |||||||||||||
[The true poet must love his art enough to honor it...], undated | |||||||||||||
[Two years ago, after an evening lecture at a good Catholic girls' college...], undated | |||||||||||||
V-W | |||||||||||||
“Veterans Day,” 1961 | |||||||||||||
“What Every Writer Must Learn,” 1956 | |||||||||||||
“What Is Modern Poetry?” undated See Container III:16, Notebook B, pp. 31-35 | |||||||||||||
“What Makes It a Poem?” undated See Container III:16, Notebook A, pp. 9-15 | |||||||||||||
“Work Habits of Writers,” 1965 | |||||||||||||
Unidentified fragments, undated | |||||||||||||
(2 folders) | |||||||||||||
BOX III: 8 | Book reviews | ||||||||||||
Arthos, John, Dante, Michelangelo and Milton, undated | |||||||||||||
Braine, John, Life at the Top, 1962 | |||||||||||||
Cameron, Kenneth Neil, editor, Shelley and His Circle, 1773-1822, 1961 | |||||||||||||
Cleland, John, Memoirs of a Woman of Pleasure, undated | |||||||||||||
Cummings, E. E., 73 Poems, 1963 | |||||||||||||
Faulkner, William, The Wishing Tree, 1967 | |||||||||||||
Frost, Robert, In the Clearing, 1962 | |||||||||||||
Fruchter, Norman, Coat upon a Stick, undated | |||||||||||||
Holmes, John, Writing Poetry, 1960 | |||||||||||||
O'Hara, John, From the Terrace, undated | |||||||||||||
Books | |||||||||||||
An Alphabestiary | |||||||||||||
Author's proofs, 1966 | |||||||||||||
Draft, undated | |||||||||||||
(2 folders) | |||||||||||||
Galley proofs, 1965 | |||||||||||||
As If: Poems New and Selected, printer's copy, 1955 | |||||||||||||
Dialogue with an Audience, introduction, drafts, 1962, undated | |||||||||||||
Divine Comedy by Dante Alighieri, translation | |||||||||||||
Inferno, translator's note, printer's copy, undated | |||||||||||||
Purgatorio | |||||||||||||
Correspondence, 1960-1961 | |||||||||||||
Drafts | |||||||||||||
Holograph, cantos III, IV, XVI, XIX, and miscellany, undated | |||||||||||||
BOX III: 9 | Typescript C with notes by editor, 1961 | ||||||||||||
(7 folders) | |||||||||||||
Printed versions, cantos XIX and XXVII, 1959-1960, undated | |||||||||||||
Translator's note, typescript, undated | |||||||||||||
Paradiso | |||||||||||||
Drafts | |||||||||||||
Holograph, cantos I, VII, IX, XXIX, and miscellany, undated | |||||||||||||
Typescript, cantos I, III, XXXI, and XXXIII, undated | |||||||||||||
Printed version, canto XXI, 1967 | |||||||||||||
I Met a Man | |||||||||||||
Book reviews, 1961 | |||||||||||||
Drafts | |||||||||||||
Holograph, undated | |||||||||||||
BOX III: 10 | Typescript, 1959 | ||||||||||||
(3 folders) | |||||||||||||
Printer's copy, undated | |||||||||||||
In Fact | |||||||||||||
Author's proofs, 1962-1963 | |||||||||||||
Drafts | |||||||||||||
Typescript A, undated | |||||||||||||
(2 folders) | |||||||||||||
Typescript B, 1962 | |||||||||||||
Printer's copy, 1962 | |||||||||||||
In the Stoneworks, table of contents, undated | |||||||||||||
John J. Plenty and Fiddler Dan, drafts, 1963, undated | |||||||||||||
The King Who Saved Himself from Being Saved | |||||||||||||
Drafts | |||||||||||||
Holograph, undated | |||||||||||||
(2 folders) | |||||||||||||
Typescript, undated | |||||||||||||
Galley proofs, 1965 | |||||||||||||
Printer's copy, 1967 | |||||||||||||
BOX III: 11 | The Man Who Sang the Sillies | ||||||||||||
Draft, undated | |||||||||||||
Page proofs, 1961 | |||||||||||||
Manner of Speaking, introduction, draft, undated | |||||||||||||
The Monster Den or Look What Happened at My House – And to It | |||||||||||||
Drafts, undated | |||||||||||||
Page proofs, 1967 | |||||||||||||
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