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Part II: Writings, 1910-1997 (continued) | |||||||||||||
“Ward Three: Faith,” 1980, undated | |||||||||||||
Was-We | |||||||||||||
“Washing Your Feet,” undated | |||||||||||||
“Washington, D.C.,” 1956 | |||||||||||||
“Washington, D.C., Mobs in Neon,” undated | |||||||||||||
“Watching a Kettle Boil,” 1961 | |||||||||||||
“Watching a Wart Hog on TV,” undated | |||||||||||||
“We Stand in the Street and Watch” See Container II:58, “To the Man with a Soul” | |||||||||||||
[We were not meant to be remembered], undated | |||||||||||||
“Wednesday,” undated | |||||||||||||
“Weekend,” undated | |||||||||||||
“The Weight,” undated | |||||||||||||
“Welcome to Camp Polecat-in-the-Sky,” undated | |||||||||||||
“Well, Welcome, Now That You're Here,” 1972 | |||||||||||||
Wh-Wo | |||||||||||||
“What and While,” undated | |||||||||||||
[What did you do when the blue man came?], undated | |||||||||||||
[What do you do when an owl says “Moo”], undated | |||||||||||||
[What do you do when you want to be good?], undated | |||||||||||||
“What Do You Think?” undated | |||||||||||||
[What else would you like?], undated | |||||||||||||
“What Johnny Told Me,” 1972 | |||||||||||||
[What scholar is he?], undated | |||||||||||||
[What shall the sea in all its driven days], undated | |||||||||||||
“What Was Her Name?” 1965-1968 | |||||||||||||
[What would you think if you went for a drink], undated | |||||||||||||
[Whatever you ask, you must ask it please], undated | |||||||||||||
[When I think of all the men there are], undated | |||||||||||||
[When I think of Marie Madillena], undated | |||||||||||||
“When I Was a Boy,” undated | |||||||||||||
[Whenever I've done what I know I should], undated | |||||||||||||
“Whispers in Church,” undated | |||||||||||||
[Will you understand for once], undated | |||||||||||||
“Willis C. Sick,” undated | |||||||||||||
“Wino,” undated | |||||||||||||
“The Word,” 1938 | |||||||||||||
“The Worm of Evil,” undated | |||||||||||||
“Worthies,” undated | |||||||||||||
Y-Z | |||||||||||||
[You and I, darling, and the idiot age], undated | |||||||||||||
[You ask to find a day], 1947 | |||||||||||||
[You could be wrong. It just could be], undated | |||||||||||||
[You could be wrong. It seems to me], undated | |||||||||||||
[You could wake rejoiced one morning], undated | |||||||||||||
“The Young Men” See Container II:58, “To the Man with a Soul” | |||||||||||||
“Zed,” undated | |||||||||||||
Unidentified fragments, undated | |||||||||||||
Radio scripts | |||||||||||||
“Directions in Modern Poetry,” typescript, 1947 | |||||||||||||
National Public Radio, “A Word in Your Ear,” undated | |||||||||||||
(8 folders) | |||||||||||||
BOX II:60 | (4 folders) | ||||||||||||
Short stories | |||||||||||||
“The Hypnoglyph,” published under pseudonym John Anthony, printed version, undated | |||||||||||||
Speeches and lectures, 1955-1986, undated | |||||||||||||
(30 folders) | |||||||||||||
Textbooks | |||||||||||||
How Does a Poem Mean? | |||||||||||||
Book reviews, 1960 | |||||||||||||
Correspondence with publisher, 1959 | |||||||||||||
Royalty statements, 1961-1966 | |||||||||||||
Introduction to Literature | |||||||||||||
Correspondence with publisher, 1959 | |||||||||||||
Royalty statements, 1961-1966 | |||||||||||||
On Writing, By Writers, contract, 1965 | |||||||||||||
Poetry: A Closer Look | |||||||||||||
Advertisement, undated | |||||||||||||
Royalty statements, 1963-1965 | |||||||||||||
Steps to Reading Literature, royalty statements, 1964-1965 | |||||||||||||
By others | |||||||||||||
Articles and essays | |||||||||||||
Dos Passos, John, “Where Do We Go from Here?” printed version, undated | |||||||||||||
Hayford, Harrison, “The Poetry of John Holmes,” printed version, undated | |||||||||||||
Holmes, John | |||||||||||||
“John Ciardi: Tufts Poet,” printed version, 1955 | |||||||||||||
“Richard Wilbur,” printed version, 1959 | |||||||||||||
MacKenzie, Glenn | |||||||||||||
“Autobiography,” typescript, 1960 | |||||||||||||
“Regrets,” typescript, circa 1960 | |||||||||||||
Viereck, Peter, “The Poet in the Machine Age,” printed version, 1949 | |||||||||||||
Weaver, George Russell, “Sex in the World of Tomorrow,” printed version, 1949-1953 | |||||||||||||
Wykert, John, “John Wilson,” printed version, undated | |||||||||||||
Unidentified author | |||||||||||||
Ciardi mentioned on pp. 3-4, typescript, undated | |||||||||||||
“Elizabeth Harriet Greeve,” typescript, undated | |||||||||||||
Book reviews | |||||||||||||
Amacher, Anne, The Fugitives: A Critical Account by John M. Bradbury, typescript, 1958 | |||||||||||||
Kohn, Hans, Conservatism Revisited by Peter Viereck, mimeograph, 1949 | |||||||||||||
Viereck, Peter | |||||||||||||
Harmonium and Transport to Summer by Wallace Stevens, printed version, 1948 | |||||||||||||
Holes in the Sky by Louis MacNeice and Selected Poems of John Oxenham edited by Charles L. Wallis, printed version, undated | |||||||||||||
BOX II:61 | Books | ||||||||||||
Cifelli, Edward M., John Ciardi: A Biography, advertisement and book review, 1997 | |||||||||||||
MacKenzie, Glenn, The Free Spirit, typescript, 1962-1963 | |||||||||||||
(4 folders) | |||||||||||||
Pratt, Fletcher, proposed fourth volume to biography of Napoleon Bonaparte, 1806-1807, draft, undated | |||||||||||||
(2 folders) | |||||||||||||
Sorce, Rose, La Cucina: The Complete Italian Cookbook, typescript, incomplete, 1952-1953 | |||||||||||||
Spencer, Theodore, unidentified draft, poems, undated | |||||||||||||
Starbuck, George, Bone Thoughts, photocopy of galley proofs, 1960 | |||||||||||||
Veasey, Jack, Etiquette While Drowning and Other Poems, photocopy of typescript, undated | |||||||||||||
Viereck, Peter, Terror and Decorum, advertisement, undated | |||||||||||||
Plays | |||||||||||||
Fitts, Dudley, A Boiotian Eclogue Celebrating the Birth of Jeffrey Harding, typescript, undated | |||||||||||||
Jaffe, Dan, Some Ticket Holder Wants Your Seat! mimeograph, 1964 | |||||||||||||
MacLeish, Archibald | |||||||||||||
J.B.: A Play in Verse, photocopy of typescript with emendations, 1960 | |||||||||||||
(2 folders) | |||||||||||||
This Music Crept by Me on the Water, mimeograph, undated | |||||||||||||
Peckham, Barbara Ann, Ciardi, the Chameleon, typescript, 1960 | |||||||||||||
Veasey, Jack | |||||||||||||
Arguments: A Play in One Act, mimeograph, undated | |||||||||||||
Miriam? (based on The Marble Faun by Nathaniel Hawthorne), photocopy of typescript and holograph, undated | |||||||||||||
BOX II:62 | Poems | ||||||||||||
Beaver, Almeda L., [Autumn again with its bittersweet day], holograph, undated | |||||||||||||
Curnow, Allen | |||||||||||||
“Alice in Aulis Which Is Also Manhattan,” typescript, 1950 | |||||||||||||
“Elegy on My Father,” typescript, circa 1950 | |||||||||||||
“When the Hulk of the World,” typescript, 1950 | |||||||||||||
Denno, P. M. | |||||||||||||
[Doctor Slop and professional smile], typescript, 1949 | |||||||||||||
[If I were to sit by a fire light], typescript, 1949 | |||||||||||||
Eberhart, Richard | |||||||||||||
“Concord Cats,” typescript, undated | |||||||||||||
“Oddments of History,” typescript, undated | |||||||||||||
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