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| Container | Contents | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Part III: Writings, 1947-1968 (continued) | |||||||||||||
| Ang-Any | |||||||||||||
| “Angel-Fluffs, Savages, and Dispensable Adults,” undated | |||||||||||||
| [Any man, as I believe I read in the Bill of Rights...], undated | |||||||||||||
| B-E | |||||||||||||
| “Bread Loaf, USA,” undated | |||||||||||||
| [The big package is marked “Truth – Idle with Care”], undated | |||||||||||||
| “Dear Kip,” undated | |||||||||||||
| “The Detroit Follies,” undated | |||||||||||||
| “E. L. Mayo – A Modern Metaphysical,” 1947 | |||||||||||||
| [Epiphanius Wilson, A.M., is not a name that reverberates...], undated | |||||||||||||
| [Every generation of poets has its would-be law-givers...], undated | |||||||||||||
| [Everyone hopes a little], undated | |||||||||||||
| F | |||||||||||||
| “A Fable of the Father of Assassins,” undated | |||||||||||||
| “A Faith for Life in Literature?” undated | |||||||||||||
| H | |||||||||||||
| [Harvard has required no defense from me and I have made none], undated See Container II:64, Progressive Party, and Container III:16, Notebook B, pp. 278-279 | |||||||||||||
| [Here comes 1968, and if only as a collector of lost causes...], circa 1967 | |||||||||||||
| [The hospital corridor, dimmed for the night watch of sleep...], undated See Container III:16, Notebook B, pp. 225-235 | |||||||||||||
| “How to Read Dante,” 1961 | |||||||||||||
| I | |||||||||||||
| “Italy: The Sense of Rapture,” undated | |||||||||||||
| J-M | |||||||||||||
| “Jim Crow Is Treason,” 1960 | |||||||||||||
| “Last November,” undated | |||||||||||||
| “Milton Hebald,” circa 1963 | |||||||||||||
| “Morals, Anyone? or What Good Is Literature, Anyhow?” undated | |||||||||||||
| [My wife and I puzzled at the thing for a while...], undated | |||||||||||||
| O | |||||||||||||
| “On the Road,” undated | |||||||||||||
| “On Writing and Bad Writing,” 1962 | |||||||||||||
| Poet | |||||||||||||
| “The Poet and the Politician,” 1960, undated | |||||||||||||
| (1 folder) | |||||||||||||
| BOX III: 7 | (1 folder) | ||||||||||||
| Poet's-Poetry As | |||||||||||||
| [The poet's eye is a trained eye], undated | |||||||||||||
| “Poetry and Metaphor,” undated | |||||||||||||
| “Poetry and the High School System,” undated | |||||||||||||
| “Poetry As Knowledge: A Dialogue with a Realist,” undated | |||||||||||||
| Poetry in-Prose | |||||||||||||
| “Poetry in Crystal,” undated | |||||||||||||
| “Poetry Is for Pleasure,” 1960 See Container III:16, Notebook A, pp. 21-39 | |||||||||||||
| “Poetry: The Word and the Image,” 1964 | |||||||||||||
| [PR men don't care – so long as it makes a noise], undated | |||||||||||||
| “Prose Poems from the Journal of Lazarus Smith,” undated | |||||||||||||
| Q-R | |||||||||||||
| “Quotations for Mr. R. J. Dandenau,” undated | |||||||||||||
| “The Relevance of The Inferno,” undated | |||||||||||||
| “Rico Lebrun and Dante,” undated | |||||||||||||
| [Robert Frost's eighty-eighth birthday...], undated | |||||||||||||
| Sm-Som | |||||||||||||
| “The Small Private College,” undated | |||||||||||||
| [Some of the fast burners know it, even advertize it], undated | |||||||||||||
| [Some parts of Nettie Forbish's nervous system...], undated | |||||||||||||
| Son-Su | |||||||||||||
| “Song for an Allegorical Play,” 1962 | |||||||||||||
| “Statement by the Library Board,” undated | |||||||||||||
| [Summer in New York is the time when the side street hotels...], undated | |||||||||||||
| There | |||||||||||||
| [There are good signs that New Jersey is determined...], undated | |||||||||||||
| [There is power in the American people], circa 1968 | |||||||||||||
| This-Two | |||||||||||||
| “This Side of the Mirror,” undated | |||||||||||||
| [This Spring John O'Hara was given the Award of Merit Medal for the Novel...], undated | |||||||||||||
| “Thomas Stearns Eliot, 1888-1964,” undated | |||||||||||||
| “Translation: The Art of Failure,” 1961 | |||||||||||||
| [The true poet must love his art enough to honor it...], undated | |||||||||||||
| [Two years ago, after an evening lecture at a good Catholic girls' college...], undated | |||||||||||||
| V-W | |||||||||||||
| “Veterans Day,” 1961 | |||||||||||||
| “What Every Writer Must Learn,” 1956 | |||||||||||||
| “What Is Modern Poetry?” undated See Container III:16, Notebook B, pp. 31-35 | |||||||||||||
| “What Makes It a Poem?” undated See Container III:16, Notebook A, pp. 9-15 | |||||||||||||
| “Work Habits of Writers,” 1965 | |||||||||||||
| Unidentified fragments, undated | |||||||||||||
| (2 folders) | |||||||||||||
| BOX III: 8 | Book reviews | ||||||||||||
| Arthos, John, Dante, Michelangelo and Milton, undated | |||||||||||||
| Braine, John, Life at the Top, 1962 | |||||||||||||
| Cameron, Kenneth Neil, editor, Shelley and His Circle, 1773-1822, 1961 | |||||||||||||
| Cleland, John, Memoirs of a Woman of Pleasure, undated | |||||||||||||
| Cummings, E. E., 73 Poems, 1963 | |||||||||||||
| Faulkner, William, The Wishing Tree, 1967 | |||||||||||||
| Frost, Robert, In the Clearing, 1962 | |||||||||||||
| Fruchter, Norman, Coat upon a Stick, undated | |||||||||||||
| Holmes, John, Writing Poetry, 1960 | |||||||||||||
| O'Hara, John, From the Terrace, undated | |||||||||||||
| Books | |||||||||||||
| An Alphabestiary | |||||||||||||
| Author's proofs, 1966 | |||||||||||||
| Draft, undated | |||||||||||||
| (2 folders) | |||||||||||||
| Galley proofs, 1965 | |||||||||||||
| As If: Poems New and Selected, printer's copy, 1955 | |||||||||||||
| Dialogue with an Audience, introduction, drafts, 1962, undated | |||||||||||||
| Divine Comedy by Dante Alighieri, translation | |||||||||||||
| Inferno, translator's note, printer's copy, undated | |||||||||||||
| Purgatorio | |||||||||||||
| Correspondence, 1960-1961 | |||||||||||||
| Drafts | |||||||||||||
| Holograph, cantos III, IV, XVI, XIX, and miscellany, undated | |||||||||||||
| BOX III: 9 | Typescript C with notes by editor, 1961 | ||||||||||||
| (7 folders) | |||||||||||||
| Printed versions, cantos XIX and XXVII, 1959-1960, undated | |||||||||||||
| Translator's note, typescript, undated | |||||||||||||
| Paradiso | |||||||||||||
| Drafts | |||||||||||||
| Holograph, cantos I, VII, IX, XXIX, and miscellany, undated | |||||||||||||
| Typescript, cantos I, III, XXXI, and XXXIII, undated | |||||||||||||
| Printed version, canto XXI, 1967 | |||||||||||||
| I Met a Man | |||||||||||||
| Book reviews, 1961 | |||||||||||||
| Drafts | |||||||||||||
| Holograph, undated | |||||||||||||
| BOX III: 10 | Typescript, 1959 | ||||||||||||
| (3 folders) | |||||||||||||
| Printer's copy, undated | |||||||||||||
| In Fact | |||||||||||||
| Author's proofs, 1962-1963 | |||||||||||||
| Drafts | |||||||||||||
| Typescript A, undated | |||||||||||||
| (2 folders) | |||||||||||||
| Typescript B, 1962 | |||||||||||||
| Printer's copy, 1962 | |||||||||||||
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