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| Container | Contents | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Part III: Writings, 1947-1968 (continued) | |||||||||||||
| “A Roethke Memorial,” 1966 | |||||||||||||
| “Ruminants and Factitioners,” 1963 | |||||||||||||
| Sa | |||||||||||||
| “The Sadness of the Performer,” undated | |||||||||||||
| Sh-Sl | |||||||||||||
| “The Shaken World,” undated | |||||||||||||
| [A short while ago, as a symbol of American intellect...], undated | |||||||||||||
| “Six Million and One,” undated | |||||||||||||
| “Skin,” undated | |||||||||||||
| “Slushpile,” undated | |||||||||||||
| So-Sp | |||||||||||||
| “Sober Citizens,” undated | |||||||||||||
| “Solemnity and Frivolity, or What Else Is Doing This Week?” undated | |||||||||||||
| “Some Postscripts for (and about) Robert Frost,” 1962 | |||||||||||||
| “Some Reflections after a Harangue by Miss B,” undated | |||||||||||||
| “Spectaculars,” undated | |||||||||||||
| “Sports Fever and Fevered Sports,” undated | |||||||||||||
| “Spring,” undated | |||||||||||||
| St-Sw | |||||||||||||
| “Status? No Thanks. Make Mine Survival,” undated | |||||||||||||
| “Still in Defense,” undated | |||||||||||||
| “Student Publications and the Tufts Plan (Or Alma Mater, Yours in Pride),” undated See also Container III:24, Tufts University | |||||||||||||
| “Subject Matter,” undated | |||||||||||||
| “Sweepings: Item One,” undated | |||||||||||||
| Tab-Tau | |||||||||||||
| “Table of Organization,” 1963 | |||||||||||||
| “Taurus Revisited, or Was That Bull Irish?” 1964 | |||||||||||||
| Tha-Tho | |||||||||||||
| “Thank You, No,” undated | |||||||||||||
| “Theodore Roethke,” 1965 | |||||||||||||
| “Theory of Games,” undated | |||||||||||||
| “Thomas Hart Benton,” undated | |||||||||||||
| To-Too | |||||||||||||
| “To Be Sure,” 1963 | |||||||||||||
| “To Speak an Age,” undated | |||||||||||||
| “To the Damnation of Deans (A Prejudice),” undated | |||||||||||||
| “Tom Perry, Won't You Please Call Back,” undated | |||||||||||||
| “Too Late for Drums?” 1963 | |||||||||||||
| Tow-TV | |||||||||||||
| “Toward a More Militant Uncertainty,” 1967 | |||||||||||||
| “Traffic Jam at Yellowstone: An Open Letter to Secretary Udall,” undated | |||||||||||||
| “The Tragedy Maker,” undated | |||||||||||||
| “Trial of a Poet,” undated | |||||||||||||
| “Tribute,” 1961 | |||||||||||||
| “The Trivial History of Our Times,” undated | |||||||||||||
| “Tropic of Cancer,” undated | |||||||||||||
| “Truth, Metaphor, and the Universe,” undated | |||||||||||||
| “TV and J. Frank Dobie,” undated | |||||||||||||
| “TV and the Script,” undated | |||||||||||||
| BOX III: 16 | U-V | ||||||||||||
| “Unsolicited Opening Day Address by Proxy,” undated | |||||||||||||
| “US Noose and Whirled Report,” undated | |||||||||||||
| “The Vice-Presidency (An Official Appraisal),” undated | |||||||||||||
| “The Voice of Robert Frost,” undated | |||||||||||||
| “Voices,” undated | |||||||||||||
| Wa-When | |||||||||||||
| “Wanted: A Bank for People,” 1961 | |||||||||||||
| “War Surplus,” undated | |||||||||||||
| “The Wasteland,” undated | |||||||||||||
| “We Are Not Alone,” 1962 | |||||||||||||
| “What Do We Do Now?” undated | |||||||||||||
| “What Do You Owe the Ones Below?” undated | |||||||||||||
| “What Is a Poem?” undated | |||||||||||||
| “What Is Pornography?” 1963 | |||||||||||||
| “What Is Your Definition of Poetry?” 1966 | |||||||||||||
| [When Leaves of Grass was first published in 1855, it contained twelve poems], undated | |||||||||||||
| Who-Wi | |||||||||||||
| “Who Writes the Contract?” 1965 | |||||||||||||
| “William Carlos Williams, 1883-1962,” 1962 | |||||||||||||
| “Wit and Grace,” 1966 | |||||||||||||
| Wo | |||||||||||||
| [The world is forever arranging odd confrontations], undated | |||||||||||||
| “The World Well Lost, But Happy New Year Anyhow,” undated | |||||||||||||
| “The World's Largest Crucifix,” undated | |||||||||||||
| Y | |||||||||||||
| “A Year-end Dialogue with Outer Space,” undated | |||||||||||||
| “Year's End When Leaves Fall,” undated | |||||||||||||
| “Year's End, Year's Beginning,” 1961 | |||||||||||||
| “Yes, Wow!” 1963 | |||||||||||||
| Unidentified fragments, undated | |||||||||||||
| (2 folders) | |||||||||||||
| Limericks | |||||||||||||
| A-O | |||||||||||||
| “Assurance,” undated | |||||||||||||
| “Auden Limerick,” undated | |||||||||||||
| An author who liked to spin tales, undated | |||||||||||||
| “Breeding Will Tell,” undated | |||||||||||||
| “Ecco Maria dei Fiore,” circa 1967 | |||||||||||||
| A Feeble's too thin to be clear, undated | |||||||||||||
| I just saw a cage at the Zoo, undated | |||||||||||||
| I strung my brand new bow with care, undated | |||||||||||||
| If it takes you the whole blessed year, undated | |||||||||||||
| “A Local Feat,” undated | |||||||||||||
| Most Feebles are scarcer than much, undated | |||||||||||||
| “My sons,” said a slug slurping soup, undated | |||||||||||||
| “Of a Long Surmise,” undated | |||||||||||||
| “One Gets What One Pays for, Doesn't One?” undated | |||||||||||||
| S-U | |||||||||||||
| A sad lonesome wolf, a poor sinner, undated | |||||||||||||
| So don't be so creep-along slow, undated | |||||||||||||
| There once was a boy from Dubuque, undated | |||||||||||||
| There once was a boy who ate spinach, undated | |||||||||||||
| There once was a boy who was good, version 1, undated | |||||||||||||
| There once was a boy who was good, version 2, undated | |||||||||||||
| There once was a boy with a nose, undated | |||||||||||||
| There once was a cage at the Zoo, undated | |||||||||||||
| There once was a Feeble so few, undated | |||||||||||||
| There once was a girl from the Isthmus, undated | |||||||||||||
| There once was a star in the sky, undated | |||||||||||||
| There once was an oyster whose head, undated | |||||||||||||
| There was a young fellow from Macon, undated | |||||||||||||
| There was a young fellow from Spain, version 1, undated | |||||||||||||
| There was a young fellow from Spain, version 2, undated | |||||||||||||
| There was a young fellow named Mike, undated | |||||||||||||
| There was a young lady from Gloucester, undated | |||||||||||||
| There was a young man who felt old, undated | |||||||||||||
| There was a young man with two feet, undated | |||||||||||||
| There was an old man on a hill, undated | |||||||||||||
| “Unsocialized Medicine,” undated | |||||||||||||
| Unidentified fragments, undated | |||||||||||||
| Notebooks | |||||||||||||
| A (pp. 1-228), circa 1959-1960, undated | |||||||||||||
| B (pp. 1-290), circa 1948, undated | |||||||||||||
| BOX III: 17 | C (pp. 1-301), 1960, undated | ||||||||||||
| Plays | |||||||||||||
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