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| Container | Contents | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Part II: Writings, 1910-1997 (continued) | |||||||||||||
| New Poets: An Anthology of Seven Young Contemporary Poets, including thirteen poems by Ciardi, printed version, 1941 | |||||||||||||
| New World Writing, “Poems: Selected, with an Introduction, by John Ciardi,” printed version, pp. 100-101, 1956 | |||||||||||||
| Twentieth Century American Poets, correspondence with publisher, 1960-1961, undated | |||||||||||||
| Unidentified poetry collection, “Introduction” by Ciardi, undated | |||||||||||||
| Articles and essays | |||||||||||||
| Ac-Ad | |||||||||||||
| “The Act of Language,” 1960 See also Container II:OV 1 | |||||||||||||
| “Adam and Eve and the Third Son,” 1964 | |||||||||||||
| Am-Ar | |||||||||||||
| [The American culture as a whole has never paid much attention to poetry], undated | |||||||||||||
| “The Anger,” undated | |||||||||||||
| “The Arts in 1975,” 1976 | |||||||||||||
| BOX II:19 | Autobiographical essays | ||||||||||||
| I-XIV | |||||||||||||
| [When I was forty-five...], undated | |||||||||||||
| [In Vermont, behind the house...], undated | |||||||||||||
| [Truth in Advertising...], undated | |||||||||||||
| [I no longer go to the world...], undated | |||||||||||||
| [I had my first teaching job...], undated | |||||||||||||
| [My godfather...], undated | |||||||||||||
| [Long drives...], 1978 | |||||||||||||
| [In 1950...], undated | |||||||||||||
| [A Visit], undated | |||||||||||||
| [I was on Saipan...], undated | |||||||||||||
| [I read galleys...], 1961 | |||||||||||||
| [My father-in-law...], undated | |||||||||||||
| “Cats? Rats!” undated | |||||||||||||
| “On Learning No Trick at All from an Unteachable Old Dog,” undated | |||||||||||||
| XV-XIX | |||||||||||||
| “It Never Cost Me Anything to Say ’Sir,'” 1970 | |||||||||||||
| [Worksheets for Lives of X], undated | |||||||||||||
| [On a half-pay sabbatical...], undated | |||||||||||||
| [I was hardly home...], circa 1984 | |||||||||||||
| [Let's go to New York...], undated | |||||||||||||
| XX-XXX | |||||||||||||
| “Nepotism Revisited,” circa 1976 | |||||||||||||
| “Golden Goosery,” undated | |||||||||||||
| [There are not many felons in my town...], circa 1971 | |||||||||||||
| [Dear Appalled...], undated | |||||||||||||
| “The Surreal Road,” circa 1971 | |||||||||||||
| “The Bourgeois Radical,” 1970 | |||||||||||||
| [I found myself in San Francisco...], undated | |||||||||||||
| [By a trick of history...], undated | |||||||||||||
| “Briarley,” undated | |||||||||||||
| [The plane was an old F-27...], circa 1961 | |||||||||||||
| [We had a summer affair...], circa 1961 | |||||||||||||
| XXXI-XL | |||||||||||||
| “On Virtue and Poetry,” 1976 | |||||||||||||
| [In October in Rome...], undated | |||||||||||||
| [The summer arts festival...], undated | |||||||||||||
| [It doesn't take much reason...], 1985-1986 | |||||||||||||
| “Identity,” undated | |||||||||||||
| [Automotive designers...], undated | |||||||||||||
| [Look, you don't want to think], undated | |||||||||||||
| [Judge (Judge = George)...], undated | |||||||||||||
| “An Appeal to Reason,” circa 1971 | |||||||||||||
| “Between Two Stones,” 1969 | |||||||||||||
| XLI-XLV | |||||||||||||
| “Punctuation,” undated | |||||||||||||
| [In Rome in February of 1951...], undated | |||||||||||||
| [Finding that apartment...], undated | |||||||||||||
| [On sabbatical from Harvard...], 1951 | |||||||||||||
| [These poems are not arranged...], circa 1984 | |||||||||||||
| Addenda | |||||||||||||
| “About Being Born, and Surviving It,” 1985 | |||||||||||||
| “Postscript,” undated | |||||||||||||
| “Funerary Arrangements,” undated | |||||||||||||
| “Wilson Library Bulletin Autobiography,” 1964 | |||||||||||||
| Ca-Ci | |||||||||||||
| “Can Art Be Taught?” undated | |||||||||||||
| “Can Language Still Communicate?” 1980 | |||||||||||||
| “Cid Corman,” 1947 | |||||||||||||
| “The City” (first line “Art is a social phenomenon”), undated | |||||||||||||
| “The City” (first line “A very tidy place you have”), 1942 | |||||||||||||
| Com-Cou | |||||||||||||
| “Comments on Theodore Roethke,” 1969 | |||||||||||||
| “Counter/Measure: X.J. Kennedy on Form, Meter, and Rime,” circa 1973 | |||||||||||||
| D | |||||||||||||
| “The Decline and Fall of Kansas City,” undated | |||||||||||||
| “Dialogue with an Audience: The First Seven Years,” 1963 | |||||||||||||
| “Dialogue with the Audience: What Sort of Human Behavior Is a Poem?” undated | |||||||||||||
| “Do You Really Want a Coat of Arms?” 1977 | |||||||||||||
| E | |||||||||||||
| “E. L. Mayo – A Modern Metaphysical,” 1947 | |||||||||||||
| “The Economics of Poetry” (first line “Everyone lives with his native eccentricities”), undated | |||||||||||||
| “The Economics of Poetry” (first line “No good poet writing in America...”), undated | |||||||||||||
| “Endowment Fund Announced for Bread Loaf Writers' Conference Writers of Children's Books,” undated | |||||||||||||
| “The English As She Is Spoke,” undated | |||||||||||||
| “An Evening with Ted Roethke,” 1967 | |||||||||||||
| [Every age has its enshrined ideas...], undated | |||||||||||||
| “Everyone Wants To Be Published, But...,” 1976 | |||||||||||||
| F | |||||||||||||
| “The First American Bestseller,” 1938 | |||||||||||||
| “Folk Etymology – Wrong, and Wrong Again,” 1979 | |||||||||||||
| “The Future of Art,” undated | |||||||||||||
| H | |||||||||||||
| “Heart of America,” undated | |||||||||||||
| “Homo Loquens,” 1982 | |||||||||||||
| I-In | |||||||||||||
| [I think I'm through with pretending to understand the younger generation], undated See also Container II:OV 1 | |||||||||||||
| “An Impish Look at the Ghosts of Language Past,” 1980 | |||||||||||||
| “In and Out of the Dictionary,” 1976 | |||||||||||||
| “In Case You Get Saved,” 1973 | |||||||||||||
| “In Praise of Disbelief,” 1960 | |||||||||||||
| Ins-It | |||||||||||||
| “Inside a Poem with the Poet,” 1958 | |||||||||||||
| “Is There a Vandal in Your Family Tree?” 1976 | |||||||||||||
| “Italy: The Sense of Rapture,” undated | |||||||||||||
| “It's OK with the Locofocos,” undated | |||||||||||||
| J-M | |||||||||||||
| “J.B. Revisited,” undated | |||||||||||||
| “John Frederick Nims and the Modern Idiom,” 1947 | |||||||||||||
| “Liberal Arts and the Arts,” 1964 | |||||||||||||
| “Literature Undefended,” 1959 | |||||||||||||
| “Mary and Matthew,” 1937 | |||||||||||||
| “The Metaphysical Conceit,” undated | |||||||||||||
| “Municipal Rivalry and Western Journalism,” undated | |||||||||||||
| N | |||||||||||||
| “The Nature of Poetry,” 1960 | |||||||||||||
| “Non-fiction – Whatever That Is,” undated | |||||||||||||
| “Nurses As Writers,” 1970-1971 | |||||||||||||
| “Nutty But Sincere,” 1973 | |||||||||||||
| BOX II:20 | O | ||||||||||||
| “Oedipus and Charlie,” undated | |||||||||||||
| “On (Half) Rhyming Dante,” 1954 | |||||||||||||
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