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Part III: Writings, 1947-1968 (continued) | |||||||||||||
“Some Useful Hints on Being Born,” undated | |||||||||||||
“Somehow Comes Morning,” undated See Container III:17, Notebook C, pp. 78-79 | |||||||||||||
BOX III: 22 | Someone | ||||||||||||
“Someone,” 1962 | |||||||||||||
[Someone about as big as a bump], undated | |||||||||||||
[Someone fast and someone slow], undated | |||||||||||||
[Someone had misread the vegetable order], undated | |||||||||||||
“Someone I Know,” undated | |||||||||||||
[Someone I met], undated | |||||||||||||
“Someone in the Fantasy Ward Is Eating Well,” undated | |||||||||||||
[Someone just came out of the sky], undated | |||||||||||||
[Someone said], undated | |||||||||||||
[Someone sighed], undated | |||||||||||||
[Someone under the chestnut tree], undated | |||||||||||||
“Someone Up There,” undated | |||||||||||||
[Someone we know], undated | |||||||||||||
[Someone who said she was Jill], undated | |||||||||||||
Something-Son | |||||||||||||
[Something about birds kills the song], undated | |||||||||||||
“The Something/Nothing Any Love Can Tell,” undated | |||||||||||||
[Sometimes in San Francisco, sometimes in], undated | |||||||||||||
[Sometimes when you are], undated | |||||||||||||
“Song” (first line “I draw the breath I am about”), undated | |||||||||||||
“Song” (first line “Oh finger, the tickles of all my loves”), undated | |||||||||||||
“Song” (first line “The cardinal there in the always tree”), undated | |||||||||||||
“Song for an Allegorical Play,” 1962 | |||||||||||||
“Sonnet,” undated | |||||||||||||
“A Sonnet to Robert Frost but Not about Him,” undated | |||||||||||||
Soo-Stop | |||||||||||||
[Sooner or later a night will come], undated | |||||||||||||
[Sooner or later, because the ghosts], undated | |||||||||||||
“S.P.Q.R. Domus Claudius,” undated | |||||||||||||
[A sparrow lights on the sill], undated | |||||||||||||
“A Spring Semester,” undated | |||||||||||||
“A Starnose Mole on the Fairway,” undated | |||||||||||||
“The Starry Heavens, the Moral Law,” undated | |||||||||||||
“Stars,” undated | |||||||||||||
[The stars sit still and the world goes round], undated | |||||||||||||
“Steps,” undated | |||||||||||||
“Still,” undated | |||||||||||||
“Still Life,” undated See Container III:16, Notebook B, p. 165 | |||||||||||||
“Stone Steps,” 1962 | |||||||||||||
[“Stop war,” he said], undated | |||||||||||||
Stor-Su | |||||||||||||
[Storms later, we awoke], undated | |||||||||||||
[Striking a blow for freedom, Joe was], undated | |||||||||||||
“Styles,” undated | |||||||||||||
“A Submarine Testament,” undated | |||||||||||||
“A Suburban Man Speaks Honestly,” undated For additional material see Container III:17, Notebook C, pp. 52-53, 56-57 | |||||||||||||
“Success,” undated | |||||||||||||
“Summer,” undated | |||||||||||||
“Sunset and After,” undated | |||||||||||||
“Survival,” undated | |||||||||||||
Ta-That | |||||||||||||
[Taking a walk in Baguio because I was there], undated | |||||||||||||
“Talking Myself to Sleep at One More Hilton,” undated | |||||||||||||
[Technique is for musicians and the young], undated See Container III:16, Notebook B, pp. 9-11 | |||||||||||||
[Tell me one, tell me two], undated | |||||||||||||
[Tell me this, if you don't mind], undated | |||||||||||||
[Tempted at the Algonquin by such a choice], undated | |||||||||||||
“Ten Minutes My Captive,” undated | |||||||||||||
“Ten Years Ago I Played at Being Brave,” undated | |||||||||||||
“Tenzone,” undated | |||||||||||||
“A Thanks to a Botanist,” undated | |||||||||||||
“That Spring,” undated | |||||||||||||
Theo-There was a fox | |||||||||||||
“Theories of Flight,” undated | |||||||||||||
[There a young man who turned eight], undated | |||||||||||||
[There are twice as many eyes as there are], undated | |||||||||||||
[There is no one way in this language], undated | |||||||||||||
[There once was a girl who never went to bed], undated | |||||||||||||
[There's no Top City when everyone's broke], undated | |||||||||||||
[There's nothing to saying goodbye], undated | |||||||||||||
[There was a boy who lost his head], undated | |||||||||||||
[There was a dead sheep in the feed-lot], undated | |||||||||||||
[There was a fish that was born in a cup], undated | |||||||||||||
[There was a fox], undated | |||||||||||||
There was a gold-Three | |||||||||||||
[There was a gold boy on a gold dolphin], undated | |||||||||||||
[There was a man who said “No! No! No!”], undated | |||||||||||||
[There was a man who was so slow], undated | |||||||||||||
[There was a shark that liked to bite], undated | |||||||||||||
[There was an old man, an old, old, old], undated | |||||||||||||
[There was Stoner, eighteen of his thirty years], undated | |||||||||||||
[There were sword scars on the old fire-eater's face], undated | |||||||||||||
[They admired you], undated | |||||||||||||
“Thing,” undated | |||||||||||||
[Think of someone about as big], undated | |||||||||||||
[This decent executive person is], undated | |||||||||||||
[This is Jane. She sits and yawns], undated | |||||||||||||
“This Is of the Intimacy and Legality of Evil,” undated | |||||||||||||
[This is the way Monday went. First], undated | |||||||||||||
[This man – the massive center of what world], undated | |||||||||||||
[This morning I fell from a horse I was about], undated | |||||||||||||
[THIS: of seven sparrows on a country wire], undated | |||||||||||||
[Three gray squirrels at a Mayday], undated | |||||||||||||
Thro-To | |||||||||||||
[Through my hemlocks to the spruce beyond], undated | |||||||||||||
“To a Metaphysician with His Head in the Oven,” undated | |||||||||||||
“To a Plinking of Mandolins,” undated | |||||||||||||
“To a Poor Wretch Who Made Good,” undated | |||||||||||||
“To a Reviewer Who Admired My Book,” undated | |||||||||||||
“To Daphne to Make Up Her Damned Mind,” undated | |||||||||||||
[To do a thing right, you will see], undated | |||||||||||||
“To Each His Own,” undated | |||||||||||||
“To Judith,” undated See Container III:16, Notebook B, pp. 24-25, 28-29, 44-45 | |||||||||||||
“To No End Ever,” undated | |||||||||||||
“To the Father of Proverbs,” undated | |||||||||||||
[To see is to interpret], undated See Container III:16, Notebook B, p. 5 | |||||||||||||
“To Somatica to Say Nothing,” undated | |||||||||||||
Tod-Tw | |||||||||||||
[Today – because I would not lie to you – ], undated | |||||||||||||
[Toe-tippy and a dancing man to his], undated | |||||||||||||
“Tongues,” undated | |||||||||||||
[Toy maker Ptolemy], undated | |||||||||||||
[The trains in that country], undated | |||||||||||||
“The Tree,” undated See Container III:17, Notebook C, pp. 94-95 | |||||||||||||
“Tree-Cutting,” undated | |||||||||||||
[The tribe that became a nation], undated | |||||||||||||
“Trojan Horse,” undated | |||||||||||||
“Tribes,” undated | |||||||||||||
[The trouble with most poets], undated | |||||||||||||
[The True Preposterous is a beast], undated | |||||||||||||
“Twice When Jack Was Away I Thought of Him,” undated | |||||||||||||
“Two for Rob't Frost: I. Sense Is the Size of What You Make of It, II. The Flowering (and Fading) of New England,” undated See Container III:17, Notebook C, p. 47 | |||||||||||||
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