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Jules Feiffer papers, 1919-1995

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Writings, 1940-1995 (continued)
Newspaper clippings and related material, 1977
I Want to Go Home
Film production
Correspondence, contracts, and miscellany, 1987-1991, undated
Newspaper clippings and promotional material, 1989 See also OV 3, same heading
Screenplay
Correspondence, notes, sketches, and synopsis, undated Correspondents include Alain Renais
Drafts
Fragments, undated
Full text
“Faux Ami,” undated
(2 folders)
BOX 43 (1 folder)
Final? undated
Revisions, 1988, undated
(2 folders)
Knock, Knock
Book contract, 1985
Playscript, drafts
“Cohn of Arc”
Fragments, undated
Full text, 1971, undated
(3 folders)
BOX 44 Revisions, undated
“Knock, Knock,” undated
Theater productions
Correspondence and miscellany, 1976, undated
Newspaper clippings and related material, 1976-1978, undated
Playbills and promotional material, 1976-1978, undated
“Little Brucie”
Screenplay
Background material, 1973-1979, undated
BOX 45 Drafts
Full text, undated
(3 folders)
Revisions, undated
Memoranda and notes, 1981, undated
Little Murders See also Container 28, “Car Ride”
Articles by Feiffer, 1967, undated
Book publication, 1966, 1989, undated
Film production
Correspondence and contracts, 1968-1970
BOX 46 Newspaper clippings and related material, 1970-1974, 1988, undated
Production records, 1970, undated
General correspondence, 1966-1970 Correspondents include Charles Marowitz, Walter Matthau, and Mike Nichols
(2 folders)
Playscript
Drafts
Full text, 1966, undated
(2 folders)
Revisions
Holograph, undated
BOX 47 Typescript, undated
Royal Shakespeare Co., London, England, undated
Schubert Theater, New York, N.Y., undated
(2 folders)
Screenplay, draft, undated
Theater productions
Great Britain
Correspondence and contracts, 1966-1967
Photographs, playbills, and newspaper clippings, 1967, undated
BOX 48 Greece, 1974
Italy, 1968, 1985-1986
Miscellaneous
United States, 1966-1977, 1988-1991
Other countries, 1967-1969, 1987, undated
New York, N.Y.
Booth Theater and Broadhurst Theatre
Correspondence, playbill, and miscellany, 1967
Newspaper clippings and related material, 1967
Circle in the Square Theater
Correspondence and playbills, 1968-1970 Correspondents include Lillian Hellman and John Herse
Financial records, 1969
Newspaper clippings and related material, 1969
Second Stage Theater, 1987
Northern Europe and Scandinavia, 1968-1972 See also OV 3, same heading
BOX 49 Miscellaneous
Play notes and ideas, circa 1950s-circa 1980s See also OV 3, same heading
Television situation comedy ideas, circa 1980s
Theater productions based on Feiffer's work, 1962-1966, 1974-1975, 1987
“The Needler,” playscript, draft fragments, undated
“Nevins,” playscript or screenplay ideas
Dialogue drafts, undated
Notes, undated
“Nuclear Follies,” television script and correspondence, 1984-1985, undated
“N.V.,” filmscript
Full text, 1989
(2 folders)
Revisions, undated
BOX 50 “The Page Boys,” television script, pilot episode, 1990-1991
(7 folders)
“Passionella” or “Come Back, Go Away, I Love You”
Correspondence and contracts, 1960-1967
Musical lyrics by Stephen Sondheim, undated
Playscript, drafts, 1959-1963
(2 folders)
“Play for Two Characters,” playscript, draft, undated
Popeye
Essay, “Popeye Introduction,” 1984
Film production
Correspondence, contract, essay by Marie Segar Clausen, and promotional material, 1977-1980
Newspaper clippings and related material, 1980, undated
BOX 51 Shooting schedule, 1980
Screenplay
Drafts
Fragments
Holograph, undated
Typescript, undated
Full text, 1979, undated
(4 folders)
Film treatment, 1978, undated
Puss in Boots
Screenplay, undated
BOX 52 Television production, 1984
“The Satan Prize”
Correspondence and background material, 1992, undated
Script for television, drafts
Fragments
Holograph, undated
Typescript, undated
Full text, 1992
Sessions, “Gunfight at the Bookman Corral” episode for Billy Crystal
Correspondence and transcript of conversation, 1991
Script, drafts
Fragments, undated
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