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Writings, 1940-1995
(continued) |
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“Feiffer's Corner,” drafts, possibly for
television, 1984,
undated
|
|
Feiffer's People
|
|
Playscript, drafts |
|
Fragments, undated
|
|
Full text, undated
|
|
Theater productions, 1962-1975, undated
|
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God Bless
|
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Background material, 1967-1969
|
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Correspondence, 1968-1970
|
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Playscript |
|
Character sketches, outlines, and
notes, undated
|
BOX 39 |
Drafts |
|
Fragments, undated
|
|
(2 folders) |
|
Full text, undated
|
|
Half hour version, 1969
|
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Revisions, undated
|
|
Printed text from Plays and Players, 1969
|
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Theater productions |
|
New Theater for Now, Los Angeles,
Calif., 1969
|
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Royal Shakespeare Co., London,
England |
|
Correspondence and playbill, 1968
|
|
Newspaper clippings and related
material, 1968
|
|
Photographs, 1968
|
|
Yale School of Drama, New Haven,
Conn. |
|
Correspondence and playbill, 1968
|
|
Newspaper clippings and related
material, 1968
|
|
Grown Ups
|
|
Playscript, drafts |
|
Full text |
|
1978
|
BOX 40 |
1981-1985,
undated
|
|
(6 folders) |
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Revisions |
|
Holograph, undated
|
|
Typescript |
|
1983
|
BOX 41 |
Undated
|
|
(2 folders) |
|
Television productions, “Showtime” and
“Great Performances,” 1985-1986
|
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Theater productions |
|
American Repertory Theatre, Cambridge,
Mass., 1981
|
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Lyceum Theater, New York, N.Y., 1981-1982
|
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Mark Taper Forum, Los Angeles, Calif.,
1983
|
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Miscellaneous, 1982-1986
|
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“Harold Swerg,” undated
|
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Harry, the Rat with Women
See Containers 28-29, same heading
|
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“Head for the DMZ: Political
Satire Cabaret,” New York, N.Y., 1968
See also OV 3, same heading
|
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Hold Me!
|
|
Playscript, undated
|
BOX 42 |
Theater productions |
|
Correspondence, contracts, programs,
and promotional material, 1977-1980, undated
|
|
Newspaper clippings and
related material, 1977
|
|
I Want to Go Home
|
|
Film production |
|
Correspondence, contracts, and
miscellany, 1987-1991, undated
|
|
Newspaper clippings and promotional
material, 1989
See also OV 3, same heading
|
|
Screenplay |
|
Correspondence, notes, sketches, and
synopsis, undated
Correspondents include Alain Renais |
|
Drafts |
|
Fragments, undated
|
|
Full text |
|
“Faux Ami,” undated
|
|
(2 folders) |
BOX 43 |
(1 folder) |
|
Final? undated
|
|
Revisions, 1988, undated
|
|
(2 folders) |
|
Knock, Knock
|
|
Book contract, 1985
|
|
Playscript, drafts |
|
“Cohn of Arc” |
|
Fragments, undated
|
|
Full text, 1971,
undated
|
|
(3 folders) |
BOX 44 |
Revisions, undated
|
|
“Knock, Knock,” undated
|
|
Theater productions |
|
Correspondence and miscellany, 1976, undated
|
|
Newspaper clippings and related
material, 1976-1978, undated
|
|
Playbills and promotional material,
1976-1978,
undated
|
|
“Little Brucie” |
|
Screenplay |
|
Background material, 1973-1979,
undated
|
BOX 45 |
Drafts |
|
Full text, undated
|
|
(3 folders) |
|
Revisions, undated
|
|
Memoranda and notes, 1981, undated
|
|
Little Murders
See also Container 28, “Car Ride”
|
|
Articles by Feiffer, 1967, undated
|
|
Book publication, 1966, 1989,
undated
|
|
Film production |
|
Correspondence and contracts, 1968-1970
|
BOX 46 |
Newspaper clippings and related
material, 1970-1974, 1988, undated
|
|
Production records, 1970, undated
|
|
General correspondence, 1966-1970
Correspondents include Charles Marowitz,
Walter Matthau, and Mike Nichols |
|
(2 folders) |
|
Playscript |
|
Drafts |
|
Full text, 1966, undated
|
|
(2 folders) |
|
Revisions |
|
Holograph, undated
|
BOX 47 |
Typescript, undated
|
|
Royal Shakespeare Co., London,
England, undated
|
|
Schubert Theater, New York, N.Y.,
undated
|
|
(2 folders) |
|
Screenplay, draft, undated
|
|
Theater productions |
|
Great Britain |
|
Correspondence and contracts, 1966-1967
|
|
Photographs, playbills, and
newspaper clippings, 1967, undated
|
BOX 48 |
Greece, 1974
|
|
Italy, 1968, 1985-1986
|
|
Miscellaneous |
|
United States, 1966-1977,
1988-1991
|
|
Other countries, 1967-1969, 1987,
undated
|
|
New York, N.Y. |
|
Booth Theater and Broadhurst
Theatre |
|
Correspondence, playbill, and
miscellany, 1967
|
|
Newspaper clippings and related
material, 1967
|
|
Circle in the Square
Theater |
|
Correspondence and playbills,
1968-1970
Correspondents include Lillian
Hellman and John Herse |
|
Financial records, 1969
|
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