| | | | | | | | | | | | | |
|
Writings, 1897-1950
(continued) |
|
Invocation to the Muses (Carnegie Hall, 1941), 1941
|
|
Magazines and newspapers, 1907-1950,
undated
|
|
(4 folders) |
|
Miscellaneous special printings,
1917-1941, undated
|
|
Murder of Lidice
|
|
Correspondence and related material,
1942-1946, undated
|
|
Drafts |
|
Miscellaneous, undated
|
|
(3 folders) |
|
BOX 114 |
Pamphlet version, 1942
|
|
Translations, 1942, undated
|
|
Poem and Prayer for an Invading Army, 1944
|
|
Miscellaneous notes, undated
|
|
(2 folders) |
|
Working drafts |
|
“Ballad of the Harp Weaver,”
undated
|
|
“Euclid Alone Has Looked on Beauty Bare,”
undated
|
|
“Interim,” 1913-1914, undated
|
|
Miscellaneous |
|
circa 1912-circa 1920
|
|
(4 folders) |
|
BOX 115 |
circa 1920-1950, undated
|
|
(10 folders) |
|
BOX 116 |
“One Bird,” 1897
|
|
“Renascence,” 1912
|
|
Prose |
|
Articles and speeches |
|
Boyd, Nancy (pseudonym), essays for Vanity Fair, circa 1920-1921
|
|
“Eden,” draft fragments,
undated
|
|
“Fear,” The Outlook,
1927
|
|
“Foreword,” Bibliography of the Works of Edna St. Vincent Millay, by Karl Yost, 1936
|
|
Fragments and notes |
|
Miscellaneous topics and personal
observations, undated
|
|
Poetry, undated
|
|
World War II radio broadcasts and
articles, circa 1940-1944
|
|
“House for Mankind,” speech for National
Women's Conference, New York, N.Y., 1943
|
|
“Introduction to Three Songs,” undated
|
|
Lindbergh, Anne Morrow, The Wave of the Future
|
|
Background file, newspaper and magazine
articles, 1940-1941
|
|
Draft fragments, notes, and
correspondence, 1940, undated
|
|
“Nets to Catch the Wind: Elinor Wylie,”
draft fragment, undated
|
|
“On Book-Reviewing” and “Fifty Lesser
Poets and Louis Untermeyer,” draft fragments, circa 1936,
undated
|
|
“On the Existence of a Divine Mind,”
undated
|
|
“Our Two Debts to Russia,” circa
1942
|
|
School assignments and other juvenalia,
1902-1909, undated
|
|
BOX 117 |
Novel, “Hardigut,” draft fragments,
circa 1920
|
|
Short stories and related
material |
|
Boyd, Nancy (pseudonym),
stories |
|
“Breakfast in Bed,” Vanity Fair, 1921
|
|
“The Dark Horse,” 1919
|
|
“The Door,” 1919
|
|
“Here Comes the Bride,” Vanity Fair, 1921
|
|
“The Implacable Aphrodite,” Vanity Fair, 1921
|
|
“Innocents at Large,” 1919
|
|
“M.R.,” undated
|
|
“Nothing in Common,”
[1919?]
|
|
“Powder, Rouge and Lip-Stick,” Vanity Fair, 1921
|
|
“The Same Boat,” Vanity Fair, 1921
|
|
“Sentimental Solon,”
undated
|
|
“The Seventh Stair,” 1919
|
|
“The White Peacock,” 1920
|
|
“Young Love,” 1919
|
|
“The Cooper's Wife,” draft fragments,
undated
|
|
“Cynthia Loves 'Accordingly,'”
undated
For additional material see Container 38,
Vol. 12, circa 1920
|
|
“The Dear Incorrigibles,” draft fragment,
circa 1908
|
|
“Drama for the Deaf,” circa
1920
|
|
“The Key,” fragments, 1922,
undated
|
|
Miscellaneous fragments,
undated
|
|
BOX 118 |
“Murder in the Fishing Cat,”
1922-1923
|
|
“The Platter,” circa 1920
|
|
“Say Shibboleth,” Vanity Fair, 1923
|
|
School assignments and other
juvenalia |
|
Maine schools, 1907-1908,
undated
|
|
Vassar College, 1913
|
|
“Stranger within the Gates,”
undated
|
|
Songs and music |
|
Memoriam presentation, lyrics by Millay and
music by Deems Taylor, undated
See Oversize
|
|
Poems by Millay set to music by Harrison
Dowd, 1932, undated
See Oversize
|
|
Songs with music and lyrics by Millay,
circa 1910-circa 1920, undated
See Oversize
|
|
“Three Songs for Voice and
Piano,” by Millay and Efrem Zimbalist, 1940
See also Oversize
|
|
BOX 118-121 |
Miscellany, 1911-1952
|
|
Correspondence, notes, reports, photographs, playbills, promotional and printed
matter, and magazine and newspaper clippings. |
|
Arranged alphabetically by name of organization or by topic. |
|
BOX 118 |
Academy of American Poets, 1948
|
|
American Society of Composers, Authors, and
Publishers, 1934-1942, 1950
|
|
Dogs, 1927-1933, undated
|
|
Gardening and herbs, 1928, 1936-1938,
1944-1952, undated
|
|
Greenwich Village, New York, N.Y.,
1918-1929, undated
|
|
(2 folders) |
|
Guggenheim Foundation poetry
fellowships |
|
Correspondence, 1931-1939,
undated
|
|
Reports, undated
|
|
(2 folders) |
|
BOX 119 |
Hall of Fame, New York University, New York,
N.Y., 1933-1950
|
|
(4 folders) |
|
Horses |
|
Correspondence and notes,
1937-1949, undated
See also Containers 74-75, Brann, William
L.
|
|
Newspaper and magazine articles,
1936-1948, undated
|
|
Pedigrees, undated
|
|
Photographs, 1938-1942,
undated
See also Oversize
|
|
Racing programs, 1938-1939
|
|
BOX 120 |
Literary and cultural organizations,
1925-1951, undated
|
|
National Institute of Arts and Letters and
American Academy of Arts and Letters, 1929, 1940-1950, undated
|
|
Poetry |
|
Newspaper and magazine articles, 1913,
1920, 1930, 1941-1949, undated
|
|
Parodies of or references to Millay,
1924-1938, undated
|
|
Sent to Millay, 1921-1927, 1937-1950,
undated
|
|
Poetry Society of America, 1912-1922,
1943-1948
|
|
Political organizations, 1920-1923,
1931-1935
|
|
Sacco-Vanzetti protests, 1927-1928,
undated
|
|
Theater groups |
|
Camden Opera House, Camden, Maine,
1911, undated
|
|
Miscellaneous playbills and related material,
1919-1927, undated
|
|
Provincetown Players and Other Players
|
|
Promotional material and miscellany,
1917-1923, undated
|
|
Playbills, 1918-1929
|
|
Theater Guild, 1919, 1944
|
|
BOX 121 |
World War II |
|
Newspaper and magazine articles,
1940-1944
|
|
Statement on Vichy regime in France, with
other authors, 1940
|
|
Volunteer work |
|
China relief, 1937-1942
|
|
Other activities, 1939-1944,
undated
|
|
Spanish war relief, 1937-1941
|
|
Wylie, Eleanor, 1927-1929, 1937
|
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