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Container | Contents | ||||||||||||
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BOX 18-23 | Business Correspondence, 1903-1967 | ||||||||||||
Letters received and copies of letters sent, contracts and copyright records, programs and publicity for plays, notes, printed material, and newspaper clippings. | |||||||||||||
Arranged in three sections by name of agents and individuals and by titles of plays. | |||||||||||||
BOX 18 | Agent, Harold Freedman | ||||||||||||
Early records of places plays were sent, 1938 | |||||||||||||
Letters, 1933-1967 | |||||||||||||
(9 folders) | |||||||||||||
List of plays handled | |||||||||||||
Prisoner of Fame, correspondence, 1938-1937 | |||||||||||||
French, Samuel, business records, 1917-1962 | |||||||||||||
(2 folders) | |||||||||||||
BOX 19 | American Play Co. | ||||||||||||
Correspondence | |||||||||||||
Adam and Eva, Polly With a Past, and Cave Girl, 1922 | |||||||||||||
The Big Pond, 1919-1921 | |||||||||||||
The House of a Thousand Candles, 1907-1940 | |||||||||||||
List of plays controlled by the company | |||||||||||||
Belasco, David | |||||||||||||
Belasco-Roeder correspondence concerning French adaptations | |||||||||||||
Colton, Ed, correspondence | |||||||||||||
Georgina, contract | |||||||||||||
L'Avocat, adaptation contract | |||||||||||||
L'Heure de Berger, adaptation contract | |||||||||||||
Personal correspondence, 1914-1953 | |||||||||||||
Plays Produced Under the Stage Direction of David Belasco (New York: 1925) | |||||||||||||
Polly With a Past | |||||||||||||
Amateur rights and arrangement with Samuel French concerning royalties in England | |||||||||||||
Belasco-Roeder business correspondence, 1917-1929 | |||||||||||||
Contracts and correspondence | |||||||||||||
Copyright records | |||||||||||||
Foreign, 1918-1949 | |||||||||||||
General, 1917-1929 | |||||||||||||
Hammerstein, Arthur, 1926 | |||||||||||||
Original notes for play | |||||||||||||
Programs and publicity | |||||||||||||
Une Petite Main Qui Se Place, contracts and correspondence | |||||||||||||
Vera Baghdad, adaptation contract and correspondence | |||||||||||||
Bobbs-Merrill, correspondence, 1925-1957 | |||||||||||||
Century Play Co., correspondence, 1924-1948 | |||||||||||||
BOX 20 | Bolton, Guy | ||||||||||||
Correspondence, 1914-1967 | |||||||||||||
(8 folders) | |||||||||||||
Draft of plot for collaboration | |||||||||||||
Business letters | |||||||||||||
Miscellaneous, 1915-1950 | |||||||||||||
Rejections, 1903-1961 | |||||||||||||
Cohan and Harris, option on plays to be written | |||||||||||||
Stevens, Roger, correspondence, 1954-1965 | |||||||||||||
Whitehead, Robert, correspondence, 1959-1964 | |||||||||||||
BOX 21 | Adam and Eva | ||||||||||||
Contracts, 1917-1928 | |||||||||||||
Correspondence | |||||||||||||
Amateur and film rights | |||||||||||||
Kern, Jerome, correspondence concerning, 1927-1928 | |||||||||||||
Miscellaneous, 1919-1947 | |||||||||||||
Turner, Paul, 1920-1922 | |||||||||||||
The Big Pond | |||||||||||||
Contracts, 1928-1958 | |||||||||||||
Correspondence, 1959-1967 | |||||||||||||
(4 folders) | |||||||||||||
BOX 22 | Blood Money | ||||||||||||
Colton, Ed, correspondence, 1961 | |||||||||||||
Contracts and related correspondence | |||||||||||||
The Bride, contracts and related correspondence, 1923, 1952 | |||||||||||||
The Cave Girl | |||||||||||||
Contracts and related correspondence, 1919-1947 | |||||||||||||
Original text as produced by Cohan and Harris | |||||||||||||
The Light of the World | |||||||||||||
Contracts and related correspondence, 1918-1959 | |||||||||||||
Version performed at L'Odeon in Paris | |||||||||||||
Madame Capet | |||||||||||||
Adaptation as produced | |||||||||||||
Correspondence, 1938 | |||||||||||||
French text and Middleton's adaptation | |||||||||||||
BOX 23 | Diana Does It | ||||||||||||
Contracts, copyright history, and correspondence, 1940-1962 | |||||||||||||
Revised and final copies of text | |||||||||||||
Revised script before typing | |||||||||||||
Nowadays, copyright, production and publication contracts, and related correspondence, 1913-1919 | |||||||||||||
BOX 24-36 | Subject File, 1901-1967 | ||||||||||||
Correspondence, reports, memoranda, manuscripts, printed matter, newspaper clippings, drafts of writings, contracts, certificates of award, and bound volumes. | |||||||||||||
Arranged alphabetically by topic. | |||||||||||||
BOX 24 | Columbia University, New York, N.Y., alumni register, biographical material on Middleton | ||||||||||||
Copyright legislation | |||||||||||||
Articles related to copyright legislation | |||||||||||||
Copyright law revision hearings, 1965 | |||||||||||||
Material on copyrights, 1967 | |||||||||||||
Universal Copyright Convention, 1955 | |||||||||||||
Copyrights | |||||||||||||
Newspaper clippings, 1962, etc. | |||||||||||||
Odds and Ends, copyright | |||||||||||||
One-act play copyrights and contracts | |||||||||||||
Records of unproduced plays | |||||||||||||
That Was Balzac | |||||||||||||
Dramatists Guild | |||||||||||||
Articles | |||||||||||||
Material used in autobiography | |||||||||||||
Speech of Bronson Howard, 1901 | |||||||||||||
Chronological file | |||||||||||||
1920-1928 | |||||||||||||
(7 folders) | |||||||||||||
BOX 25 | 1928-1960 | ||||||||||||
(18 folders) | |||||||||||||
BOX 26 | 1955-1966 | ||||||||||||
(15 folders) | |||||||||||||
BOX 27 | Middleton's literary properties, 1965 | ||||||||||||
Newspaper clippings, 1959 | |||||||||||||
Correspondence | |||||||||||||
1920-1965 | |||||||||||||
(15 folders) | |||||||||||||
BOX 28 | 1966-1967 | ||||||||||||
(2 folders) | |||||||||||||
Authors Guild Bulletin, 1956-1967 | |||||||||||||
(12 folders) | |||||||||||||
BOX 29 | The American Writer, vols. 1-3, 1952-1954 | ||||||||||||
Authors League Bulletin and other Authors League publications | |||||||||||||
Dramatists Guild Fund, bylaws | |||||||||||||
Dramatists Guild Quarterly, 1964-1967 | |||||||||||||
(4 folders) | |||||||||||||
Dramatists Bulletin, 1960-1964 (ring-binder notebook) | |||||||||||||
BOX 30 | Ferrer, Jose, Justice Department brief concerning tax case, 1961 | ||||||||||||
Miscellany | |||||||||||||
(6 folders) | |||||||||||||
BOX 31 | Dutch Treat Club, history by Will Irwin (1943), correspondence, 1944-1964 | ||||||||||||
Film contracts | |||||||||||||
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