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BOX 4-16 |
Professional File, 1917-1971
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Correspondence, memoranda, clippings, printed matter, scripts, prompt copies of
plays and operas, musical scores, accounts, schedules, technical plots, setting
and staging diagrams, and miscellaneous material. |
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Arranged alphabetically by type of material, title, or subject, and
chronologically therein. |
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BOX 4 |
Actors Equity,
1941-1951
See also same Container, Blacklisting
(regarding Brooks Atkinson)
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Actors Equity Association Council, television
merger, 1949-1952
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American National Theater and
Academy, 1960
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Ann Arbor, Mich., repertory
project |
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Ball, William G. |
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Guthrie, Tyrone |
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American Repertory Theater,
1946-1948
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Articles, critics, 1946-1947
Correspondents include
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Atkinson, Brooks |
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Correspondence, 1946-1947
Correspondents include
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Brando, Marlon |
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Choate, Edward |
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Crawford, Cheryl |
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Rockefeller, John D., Jr. |
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History, reports, schedules, miscellany,
1946-1948
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Letters of appreciation,
1946-1947
Correspondents include
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Bowen, Catherine Drinker |
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Kucyniak, James |
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Stratton, Henry |
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Unions, circa
1946-1948
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Australia tour, 1968
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Authors Guild, printed matter,
1969
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Biographical material, 1944-1950,
undated
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Blacklisting,
1945-1961
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Actors Equity and others,
1947-1961
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Notes for book,
1945-1955
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Budgets, accounts,
1937-1971
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Clippings, miscellaneous,
1938-1966
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Correspondence, A-Z, 1930-1972
Correspondents include
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Anderson, Dame Judith |
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Bing, Rudolf |
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Bookman, Judith |
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Brown, John Mason |
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Carnovsky, Morris |
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Christians, Mady |
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Claire, Ina |
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Cowl, Jane |
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Crawford, Cheryl |
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Gordon, Ruth |
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Greene, Graham |
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Guinness, Alec |
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Hedberg, Steve |
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Hewitt, Alan |
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Howard, Clare Eames |
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Johnson, Edward |
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Löhr, Marie |
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Lunt, Lynn and Alfred |
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Reed, Joseph Verner |
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Shaw, George Bernard |
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Slezak, Walter |
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Staples, Leslie |
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Stevenson, Janet Marshall |
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Thorndike, Dame Sybil |
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Van Cleve, Edith |
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White, A. Moresby |
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Williams, Evelyn M. |
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Wolfit, Donald |
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Woolcott, Alexander |
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Critics' controversy,
1942-1954
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Atkinson, Brooks |
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Gibbs, Wolcott |
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Le Gallienne, Eva |
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Wilson, Earl |
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Margaret Webster Shakespeare
Co. (Marweb Productions) |
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Clippings, 1948-1950
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Correspondence and memoranda,
1948-1952
Correspondents include
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Choate, Edward |
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Gates, Larry |
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Martinson, Larry |
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Tregoe, William |
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Yorke, John |
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Financial reports, 1948-1950
Correspondents include
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Choate, Edward |
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Itineraries, schedules,
1948-1950
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BOX 5 |
Programs, miscellany,
1948-1950
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Surveys, funding,
1949-1951
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Thesis by David H. Fennema,
1967-1968
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“The Problems of a Touring Company:
Margaret Webster's Shakespeare Touring Company” Correspondents include
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Choate, Edward |
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Fennema, David H. |
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Linenthal, Michael |
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Programs, 1917-1946
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South Africa, State
Department, 1961-1962
Correspondents include
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Mokae, Zakes M. |
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Omond, J. L. |
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Tresidder, Angus J. |
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Theater plans, public theaters,
1945
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Theater productions, operas,
1950-1960
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Aida by Verdi (Metropolitan Opera), 1951
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Don Carlo by Verdi (Metropolitan Opera), 1950
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Macbeth by Verdi (New York City Opera), 1957
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BOX 6 |
Simon Boccanegra by Verdi (Metropolitan Opera), 1960
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(2 folders) |
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The Silent Woman by Strauss (New York City Opera), 1958
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The Taming of the Shrew by Vittorio Giannini (New York City Opera),
1958
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Troilus and Cressida by William Walton and Christopher Hassal (New York City Opera),
1955
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(2 folders) |
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BOX 7 |
Theater productions, plays,
1934-1970
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A Man for All Seasons by Robert Bolt (South Africa), 1962
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(2 folders) |
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A Touch of the Poet by Eugene O'Neill (South Africa), 1961
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Alice in Wonderland by Lewis Carroll, adapted by Eva Le Gallienne and Florida Freibus
(American Repertory Theater), 1947
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Androcles and the Lion by George Bernard Shaw (Bucks County Playhouse),
1941
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Ask Me No More by Pamela Frankau (London, England), 1956
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Back to Methuselah by George Bernard Shaw, adapted by Arnold Moss (Theater Guild),
1958
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BOX 8 |
Battle of Angels by Tennessee Williams (Theater Guild),
1940
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Counterattack by Janet and Philip Stevenson (New Haven, Conn.),
1943
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Dandy Dick by Arthur W. Pinero (Woodstock, N.Y.),
1950
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Family Portrait by Lenore and William Joyce Cowan (New York, N.Y.),
1939
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Flare Path by Terence Rattigan (New Haven, Conn.),
1943
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Fortunato by Webster-Choate (Woodstock, N.Y.), 1950
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Hedda Gablerand Ghosts by Henrik Ibsen (American Repertory Theater),
1948
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John Gabriel Borkman by Henrik Ibsen (American Repertory Theater),
1946
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Madame Will You Walk by Sidney Howard (Baltimore, Md.), 1939
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Mrs. Warren's Profession by George Bernard Shaw (Surrey Theatre),
1970
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BOX 9 |
On Approval by Frederick Lonsdale (Woodstock, N.Y.),
1950
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St. Joan by George Bernard Shaw (Theater Guild), 1951
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(2 folders) |
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The Apollo of Bellac by Jean Giraudoux, adapted by Pierre Garai (Woodstock, N.Y.),
1950
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The Aspern Papers by Michael Redgrave, based on Henry James (New York, N.Y.),
1962
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The Cherry Orchard by Anton Pavlovich Chekhov (New York),
1944
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The Devil's Disciple by George Bernard Shaw (New York City Center),
1950
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