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Professional File, 1917-1971
(continued) |
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Van Cleve, Edith |
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White, A. Moresby |
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Williams, Evelyn M. |
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Wolfit, Donald |
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Woolcott, Alexander |
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Critics' controversy,
1942-1954
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Atkinson, Brooks |
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Gibbs, Wolcott |
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Le Gallienne, Eva |
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Wilson, Earl |
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Margaret Webster Shakespeare
Co. (Marweb Productions) |
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Clippings, 1948-1950
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Correspondence and memoranda,
1948-1952
Correspondents include
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Choate, Edward |
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Gates, Larry |
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Martinson, Larry |
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Tregoe, William |
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Yorke, John |
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Financial reports, 1948-1950
Correspondents include
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Choate, Edward |
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Itineraries, schedules,
1948-1950
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BOX 5 |
Programs, miscellany,
1948-1950
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Surveys, funding,
1949-1951
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Thesis by David H. Fennema,
1967-1968
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“The Problems of a Touring Company:
Margaret Webster's Shakespeare Touring Company” Correspondents include
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Choate, Edward |
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Fennema, David H. |
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Linenthal, Michael |
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Programs, 1917-1946
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South Africa, State
Department, 1961-1962
Correspondents include
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Mokae, Zakes M. |
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Omond, J. L. |
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Tresidder, Angus J. |
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Theater plans, public theaters,
1945
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Theater productions, operas,
1950-1960
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Aida by Verdi (Metropolitan Opera), 1951
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Don Carlo by Verdi (Metropolitan Opera), 1950
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Macbeth by Verdi (New York City Opera), 1957
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BOX 6 |
Simon Boccanegra by Verdi (Metropolitan Opera), 1960
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(2 folders) |
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The Silent Woman by Strauss (New York City Opera), 1958
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The Taming of the Shrew by Vittorio Giannini (New York City Opera),
1958
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Troilus and Cressida by William Walton and Christopher Hassal (New York City Opera),
1955
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(2 folders) |
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BOX 7 |
Theater productions, plays,
1934-1970
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A Man for All Seasons by Robert Bolt (South Africa), 1962
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(2 folders) |
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A Touch of the Poet by Eugene O'Neill (South Africa), 1961
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Alice in Wonderland by Lewis Carroll, adapted by Eva Le Gallienne and Florida Freibus
(American Repertory Theater), 1947
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Androcles and the Lion by George Bernard Shaw (Bucks County Playhouse),
1941
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Ask Me No More by Pamela Frankau (London, England), 1956
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Back to Methuselah by George Bernard Shaw, adapted by Arnold Moss (Theater Guild),
1958
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BOX 8 |
Battle of Angels by Tennessee Williams (Theater Guild),
1940
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Counterattack by Janet and Philip Stevenson (New Haven, Conn.),
1943
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Dandy Dick by Arthur W. Pinero (Woodstock, N.Y.),
1950
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Family Portrait by Lenore and William Joyce Cowan (New York, N.Y.),
1939
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Flare Path by Terence Rattigan (New Haven, Conn.),
1943
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Fortunato by Webster-Choate (Woodstock, N.Y.), 1950
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Hedda Gablerand Ghosts by Henrik Ibsen (American Repertory Theater),
1948
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John Gabriel Borkman by Henrik Ibsen (American Repertory Theater),
1946
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Madame Will You Walk by Sidney Howard (Baltimore, Md.), 1939
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Mrs. Warren's Profession by George Bernard Shaw (Surrey Theatre),
1970
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BOX 9 |
On Approval by Frederick Lonsdale (Woodstock, N.Y.),
1950
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St. Joan by George Bernard Shaw (Theater Guild), 1951
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(2 folders) |
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The Apollo of Bellac by Jean Giraudoux, adapted by Pierre Garai (Woodstock, N.Y.),
1950
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The Aspern Papers by Michael Redgrave, based on Henry James (New York, N.Y.),
1962
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The Cherry Orchard by Anton Pavlovich Chekhov (New York),
1944
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The Devil's Disciple by George Bernard Shaw (New York City Center),
1950
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BOX 10 |
The High Ground by Charlotte Hastings (New York, N.Y.),
1951
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The Long Christmas Dinner by Thornton Wilder (London, England), 1934
[?]
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The Madwoman of Chaillot by Jean Giraudoux, translated form Aurélie by Eva Le Gallienne
(N.R.T.), 1965
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The School for Scandal by Richard B. Sheridan (Birmingham, England),
1960
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The Strong Are Lonely by Fritz Hochwälder (Das Heilige Experiment), translated by Eva Le
Gallienne (New York), 1953, and (London, England), 1955
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(2 folders) |
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BOX 11 |
The Trojan Women by Euripides, translated by Gilbert Murray (New York, N.Y.,
benefit), 1941 (N.R.T.), 1965
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Therese by Thomas Job from Emile Zola's Therese Raquin (New York, N.Y.),
1945
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Three Sisters by Anton Pavlovich Chekhov (Woodstock, N.Y.),
1950
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Twelve Angry Men by Reginald Rose (London, England), 1964
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Waiting in the Wings by Noel Coward (London, England), 1960
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BOX 12 |
What Every Woman Knows by James M. Barrie, (American Repertory Theater),
1946
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Yellow Jack by Sidney Howard (American Repertory Theater),
1947
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Theater productions, Shakespearean,
1937-1966
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A Midsummer Night's Dream(melodrama with Baltimore Symphony Orchestra),
1959
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Antony and Cleopatra(Berkeley, Calif.), 1963 |
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Comedy of Errors, undated
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Hamlet(Maurice Evans), 1939
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(2 folders) |
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Hamlet(Marweb Productions), 1948
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(3 folders) |
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BOX 13 |
Julius Caesar(Marweb Productions) |
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(Marweb Productions),
1951
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(Stratford, Conn.),
1966
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King Henry IV
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Part 1 (Maurice Evans),
1939
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Parts 1-2, free adaptation,
undated typescript |
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King Henry VIII(American Repertory Theater), 1946
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BOX 14 |
King Richard II
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(Maurice Evans),
1937
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(New York City Center),
1951
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King Richard III (City Center), 1953
Correspondents include
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Miller, Bernard W. |
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Macbeth
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(Maurice Evans),
1941
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(Marweb Productions),
1948
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BOX 15 |
Measure for Measure
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(London, England),
1957
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(Boston University, Boston, Mass.),
1964
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Othello (Theater Guild), 1942
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(2 folders) |
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The Merchant of Venice(Stratford-on-Avon), 1956
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(2 folders) |
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The Taming of the Shrew(New York City Center), 1951
See also Container 13, Julius Caesar (Marweb
Productions)
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(1 folder) |
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BOX 16 |
(1 folder) |
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The Tempest (New York, N.Y.), 1945
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Crawford, C., and David
Diamond |
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Diamond, David (score) |
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Twelfth Night(Theater Guild), 1940
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Theatrical writings, 1942-1971,
undated
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“Margaret Webster's Theory and Practice of
Shakespeare” by Ely Silverman, 1969
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“Mark Twain and Royalty and Me” by Bernard
Sabath, 1971
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“Preface to ’Hedda Gabler'” by Eva Le
Gallienne, undated
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“The Art of the Actor” by C. Coquelin,
1951 [1894] |
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“The Drama of the Future” by Robert E. Jones,
1942
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