| | | | | | | | | | | | | |
|
Professional File, 1917-1971
(continued) |
BOX 10 |
The High Ground by Charlotte Hastings (New York, N.Y.),
1951
|
|
The Long Christmas Dinner by Thornton Wilder (London, England), 1934
[?]
|
|
The Madwoman of Chaillot by Jean Giraudoux, translated form Aurélie by Eva Le Gallienne
(N.R.T.), 1965
|
|
The School for Scandal by Richard B. Sheridan (Birmingham, England),
1960
|
|
The Strong Are Lonely by Fritz Hochwälder (Das Heilige Experiment), translated by Eva Le
Gallienne (New York), 1953, and (London, England), 1955
|
|
(2 folders) |
BOX 11 |
The Trojan Women by Euripides, translated by Gilbert Murray (New York, N.Y.,
benefit), 1941 (N.R.T.), 1965
|
|
Therese by Thomas Job from Emile Zola's Therese Raquin (New York, N.Y.),
1945
|
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Three Sisters by Anton Pavlovich Chekhov (Woodstock, N.Y.),
1950
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Twelve Angry Men by Reginald Rose (London, England), 1964
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Waiting in the Wings by Noel Coward (London, England), 1960
|
BOX 12 |
What Every Woman Knows by James M. Barrie, (American Repertory Theater),
1946
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Yellow Jack by Sidney Howard (American Repertory Theater),
1947
|
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Theater productions, Shakespearean,
1937-1966
|
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A Midsummer Night's Dream(melodrama with Baltimore Symphony Orchestra),
1959
|
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Antony and Cleopatra(Berkeley, Calif.), 1963 |
|
Comedy of Errors, undated
|
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Hamlet(Maurice Evans), 1939
|
|
(2 folders) |
|
Hamlet(Marweb Productions), 1948
|
|
(3 folders) |
BOX 13 |
Julius Caesar(Marweb Productions) |
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(Marweb Productions),
1951
|
|
(Stratford, Conn.),
1966
|
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King Henry IV
|
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Part 1 (Maurice Evans),
1939
|
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Parts 1-2, free adaptation,
undated typescript |
|
King Henry VIII(American Repertory Theater), 1946
|
BOX 14 |
King Richard II
|
|
(Maurice Evans),
1937
|
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(New York City Center),
1951
|
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King Richard III (City Center), 1953
Correspondents include
|
|
Miller, Bernard W. |
|
Macbeth
|
|
(Maurice Evans),
1941
|
|
(Marweb Productions),
1948
|
BOX 15 |
Measure for Measure
|
|
(London, England),
1957
|
|
(Boston University, Boston, Mass.),
1964
|
|
Othello (Theater Guild), 1942
|
|
(2 folders) |
|
The Merchant of Venice(Stratford-on-Avon), 1956
|
|
(2 folders) |
|
The Taming of the Shrew(New York City Center), 1951
See also Container 13, Julius Caesar (Marweb
Productions)
|
|
(1 folder) |
BOX 16 |
(1 folder) |
|
The Tempest (New York, N.Y.), 1945
|
|
Crawford, C., and David
Diamond |
|
Diamond, David (score) |
|
Twelfth Night(Theater Guild), 1940
|
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Theatrical writings, 1942-1971,
undated
|
|
“Margaret Webster's Theory and Practice of
Shakespeare” by Ely Silverman, 1969
|
|
“Mark Twain and Royalty and Me” by Bernard
Sabath, 1971
|
|
“Preface to ’Hedda Gabler'” by Eva Le
Gallienne, undated
|
|
“The Art of the Actor” by C. Coquelin,
1951 [1894] |
|
“The Drama of the Future” by Robert E. Jones,
1942
|
BOX 17-21 |
Speeches and Writings File, 1886-1974
|
|
Articles, lectures, books, and one play, including working and final drafts,
corrected galleys, research material, notes, reviews, clippings, correspondence
with publishers and fans, and other material relating to published and unpublished
writings. |
|
Arranged alphabetically by title or subject and chronologically therein. |
BOX 17 |
Articles and lectures,
1930-1974
|
|
Lists and correspondence,
1959-1974
|
|
On bus tours,
1949-1950
|
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On directing, acting,
1938-1958
|
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On individual actors, 1933-1968
Correspondents include
|
|
Edwin Booth, Mady Christians |
|
Ellen Terry, and Dame May
Whitty |
|
On individual directors and writers,
1944-1968
Writers and directors include
|
|
Edith Craig, Anton Pavlovich Chekhov,
Pamela Frankau, Molière, and Stanislavsky |
|
On Old Vic,
1930-1946
|
|
On opera productions and Rudolf Bing,
1950-1958
|
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On radio, 1942
|
|
On Shakespeare and his plays,
1930-1964
|
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On Shaw, 1950-1958
|
|
On South Africa,
1961-1962
|
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On theater, history, and general topics,
1940-1964, undated
|
|
Books, 1886-1973,
undated
|
|
Blueprints for Shakespeare
|
|
Introduction,
1944
|
|
Richard II,
undated
|
|
Book of prefaces, proposed, 1970
Correspondents include
|
|
Gaskill, William |
|
Gottlieb, Robert |
|
Guthrie, Tyrone |
|
Oliver, Laurence |
|
Don't Put Your Daughter on the Stage
|
|
Author's galleys,
1972
|
|
Pages 1-166 |
|
Pages 167-379 |
|
Corrected galleys,
1972
|
|
Part 1, chapters 1-5 |
BOX 18 |
Part 2, chapters 6-9 |
|
Part 3, chapters 10-13 and
epilogue |
|
Setting copy |
|
Pages 1-174 |
|
Pages 175-391 |
|
Pages 392-541 |
|
Typescripts |
|
Chapters 1-5 |
BOX 19 |
Chapters 6-9 |
|
Chapters 10 to end and
index |
|
Research and miscellany |
|
Bibliography, acknowledgments,
1968-1971
Correspondents include
|
|
Breen, Robert |
|
Chapters 9, 10, 11, unused |
|
Correspondence, publicity,
1972-1973
Correspondents include
|
|
Gielgud, John |
|
Lunt, Alfred |
|
Sabath, Bernard |
|
Schneider, Alan |
|
Notes for quotations,
1942-1971
Correspondents include
|
|
Engel, Lehman |
|
Notes from diaries, press books, and
prompt copies, 1939-1953
|
|
Notes on blacklisting,
1971
|
|
South Africa, 1971
Correspondents include
|
|
Inglis, Margaret |
|
Royal Highness(based on German of Felix Salten) |
|
Draft, first version, circa
1937
|
|
Draft, working,
1937-1949
|
|
Draft with revisions,
1952
|
|
Research, notes, program,
1935-1949
|
|
Shakespeare Without Tears,original notes, circa 1940 and contract,
1956-1957
|
|
Shakespearean prefaces, old notes, etc.,
circa 1940
|
BOX 20 |
The Same Only Different
|
|
Drafts (rejects),
1968
|
|
Index, genealogy, galley additions,
1968
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