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Margaret Webster papers, 1837-1974

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BOX 4-16 Professional File, 1917-1971
Correspondence, memoranda, clippings, printed matter, scripts, prompt copies of plays and operas, musical scores, accounts, schedules, technical plots, setting and staging diagrams, and miscellaneous material.
Arranged alphabetically by type of material, title, or subject, and chronologically therein.
BOX 4 Actors Equity, 1941-1951 See also same Container, Blacklisting (regarding Brooks Atkinson)
Actors Equity Association Council, television merger, 1949-1952
American National Theater and Academy, 1960
Ann Arbor, Mich., repertory project
Ball, William G.
Guthrie, Tyrone
American Repertory Theater, 1946-1948
Articles, critics, 1946-1947 Correspondents include
Atkinson, Brooks
Correspondence, 1946-1947 Correspondents include
Brando, Marlon
Choate, Edward
Crawford, Cheryl
Rockefeller, John D., Jr.
History, reports, schedules, miscellany, 1946-1948
Letters of appreciation, 1946-1947 Correspondents include
Bowen, Catherine Drinker
Kucyniak, James
Stratton, Henry
Unions, circa 1946-1948
Australia tour, 1968
Authors Guild, printed matter, 1969
Biographical material, 1944-1950, undated
Blacklisting, 1945-1961
Actors Equity and others, 1947-1961
Notes for book, 1945-1955
Budgets, accounts, 1937-1971
Clippings, miscellaneous, 1938-1966
Correspondence, A-Z, 1930-1972 Correspondents include
Anderson, Dame Judith
Bing, Rudolf
Bookman, Judith
Brown, John Mason
Carnovsky, Morris
Christians, Mady
Claire, Ina
Cowl, Jane
Crawford, Cheryl
Gordon, Ruth
Greene, Graham
Guinness, Alec
Hedberg, Steve
Hewitt, Alan
Howard, Clare Eames
Johnson, Edward
Löhr, Marie
Lunt, Lynn and Alfred
Reed, Joseph Verner
Shaw, George Bernard
Slezak, Walter
Staples, Leslie
Stevenson, Janet Marshall
Thorndike, Dame Sybil
Van Cleve, Edith
White, A. Moresby
Williams, Evelyn M.
Wolfit, Donald
Woolcott, Alexander
Critics' controversy, 1942-1954
Atkinson, Brooks
Gibbs, Wolcott
Le Gallienne, Eva
Wilson, Earl
Margaret Webster Shakespeare Co. (Marweb Productions)
Clippings, 1948-1950
Correspondence and memoranda, 1948-1952 Correspondents include
Choate, Edward
Gates, Larry
Martinson, Larry
Tregoe, William
Yorke, John
Financial reports, 1948-1950 Correspondents include
Choate, Edward
Itineraries, schedules, 1948-1950
BOX 5 Programs, miscellany, 1948-1950
Surveys, funding, 1949-1951
Thesis by David H. Fennema, 1967-1968
“The Problems of a Touring Company: Margaret Webster's Shakespeare Touring Company” Correspondents include
Choate, Edward
Fennema, David H.
Linenthal, Michael
Programs, 1917-1946
South Africa, State Department, 1961-1962 Correspondents include
Mokae, Zakes M.
Omond, J. L.
Tresidder, Angus J.
Theater plans, public theaters, 1945
Theater productions, operas, 1950-1960
Aida by Verdi (Metropolitan Opera), 1951
Don Carlo by Verdi (Metropolitan Opera), 1950
Macbeth by Verdi (New York City Opera), 1957
BOX 6 Simon Boccanegra by Verdi (Metropolitan Opera), 1960
(2 folders)
The Silent Woman by Strauss (New York City Opera), 1958
The Taming of the Shrew by Vittorio Giannini (New York City Opera), 1958
Troilus and Cressida by William Walton and Christopher Hassal (New York City Opera), 1955
(2 folders)
BOX 7 Theater productions, plays, 1934-1970
A Man for All Seasons by Robert Bolt (South Africa), 1962
(2 folders)
A Touch of the Poet by Eugene O'Neill (South Africa), 1961
Alice in Wonderland by Lewis Carroll, adapted by Eva Le Gallienne and Florida Freibus (American Repertory Theater), 1947
Androcles and the Lion by George Bernard Shaw (Bucks County Playhouse), 1941
Ask Me No More by Pamela Frankau (London, England), 1956
Back to Methuselah by George Bernard Shaw, adapted by Arnold Moss (Theater Guild), 1958
BOX 8 Battle of Angels by Tennessee Williams (Theater Guild), 1940
Counterattack by Janet and Philip Stevenson (New Haven, Conn.), 1943
Dandy Dick by Arthur W. Pinero (Woodstock, N.Y.), 1950
Family Portrait by Lenore and William Joyce Cowan (New York, N.Y.), 1939
Flare Path by Terence Rattigan (New Haven, Conn.), 1943
Fortunato by Webster-Choate (Woodstock, N.Y.), 1950
Hedda Gablerand Ghosts by Henrik Ibsen (American Repertory Theater), 1948
John Gabriel Borkman by Henrik Ibsen (American Repertory Theater), 1946
Madame Will You Walk by Sidney Howard (Baltimore, Md.), 1939
Mrs. Warren's Profession by George Bernard Shaw (Surrey Theatre), 1970
BOX 9 On Approval by Frederick Lonsdale (Woodstock, N.Y.), 1950
St. Joan by George Bernard Shaw (Theater Guild), 1951
(2 folders)
The Apollo of Bellac by Jean Giraudoux, adapted by Pierre Garai (Woodstock, N.Y.), 1950
The Aspern Papers by Michael Redgrave, based on Henry James (New York, N.Y.), 1962
The Cherry Orchard by Anton Pavlovich Chekhov (New York), 1944
The Devil's Disciple by George Bernard Shaw (New York City Center), 1950
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