Halsted B. VanderPoel literary collection, 1815-1929

Container	Contents

BOX 1	Stephens, James
BOX 1		No. 1, “The Critic as Hero.” Typescript with holograph corrections, 51 pp.
BOX 1		No. 2, “Strict Joy!” Poems, typescript with holograph corrections. Manuscript title page. A holograph of three pages is inserted between pages 35 and 36, 1 vol., 45 pp.
BOX 1		No. 3, “Golden Treasury of Modern Lyrics.” A review of Laurence Binyon’s book published by Macmillian. Holograph, 3 pp.
BOX 1		No. 4, “Theme and Variations.” Typescript with holograph corrections, 21 pp. A four-page introduction in the author’s hand. Also proof sheets with corrections in author’s hand and 2 ALS re above to James Wells dated 1929, Dec. 12 (2 pp), and 1929, Nov. 1 (1 p.)
BOX 2		No. 1, “Arthur Griffith, President of Dail Eirinn.” Typescript with holograph corrections, 14 pp. Also printed version, Arthur Griffith, Journalist and Statesman, by James Stephens (Dublin: Wilson, Hartnell and Co., 1922?), (includes a sketch of Griffith at the hour of his death which is not included in typescript).
BOX 2		No. 2, Four Short Essays. Typescript with holograph corrections, 1 vol. (7 pp.)
BOX 2		No. 3, Four Reviews and a dialogue
BOX 2			A. The Swallow-Book by Ernest Toller, holograph, 2 pp.;
BOX 2			B. Selected Poems of Herbert French, holograph, 2 pp.;
BOX 2			C. Contemporary British Artistsby Ambrose McEvory, holograph, 2 pp.;
BOX 2			D. Poems of Revolt: Chosen by Joan Beauchamp, holograph, 3 pp.;
BOX 2			E. And a “Dialogue,” holograph, 3 pp.
BOX 2		No. 4, “Etched in the Moonlight,” typescript with holograph corrections, 58 pp.
BOX 2		No. 5, Twenty-one poems, 1927. Typescript with holograph corrections.
BOX 2			A. “To Joachim deBellay”
BOX 2			B. “Honors Butler and Lord Venmare–1720”
BOX 2			C. “Nancy Walsh”
BOX 2			D. “Nancy Walsh”
BOX 2			E. “Nancy Walsh”
BOX 2			F. “Eileen and Diarmuld and Teig O’Croain”
BOX 2			G. “The Weavers”
BOX 2			H. “The Geraldine’s Cloak”
BOX 2			I. “Odell”
BOX 2			J. “Skim-milk”
BOX 2			K. “Righteous Anger”
BOX 2			L. “Mary Hynes”
BOX 2			M. “Anthony O’Daly”
BOX 2			N. “Mary Ruane”
BOX 2			O. “William O’Kelly”
BOX 2			P. “Peggy Mitchell
BOX 2			Q. “The Coolun”
BOX 2			R. “The Red Man’s Wife”
BOX 2			S. “Clean Cartie”
BOX 2			U. “Egan O’Rahilly”
BOX 2			V. “Do not be distant with me, do not be Angrey because I drank of your wine . . .”
BOX 2		No. 6, “Darling,” from Etched in Moonlight,” 1927. Typescript with holograph corrections, 7 pp. Also two sets of proofs, one set with holograph corrections.
BOX 2		No. 7, “Hunger.” Typescript with holograph corrections, 1 vol. (27 pp.)
BOX 2		No. 8, Poems, 1909-1913
BOX 2			A. “The Road”
BOX 2			B. “There Is No Sin”
BOX 2			C. “The Last Judgement”
BOX 2			D. “The Imp”
BOX 2			E. “The Holy Time”
BOX 2			F. “The Clouds” (2 versions).
BOX 3		1. Gerrardi, Piero delli, “Tutta la vitta, et fatti de M. Eccel: de’ Roman, origine della sua famiglia, et fime, nel qual tempo lui fecca infinitte crudelta mella marcha Triuisana. . .” Holograph, 1 vol., pigskin cover
BOX 3		2. Swinburne, Algernon Charles. Foreign and miscellaneous poems, an untitled play, and other miscellaneous writings. Several of which are legal notes. 1 vol.
BOX 3		3. Mallarmé, Stéphane. Poems, translated by Arthur Symons. Holograph, ink, printed index enclosed.
BOX 3		4. Malthus, T. R. ALS to Mr. Hunter, dtd 1815, Jan. 5, 3 pp.
BOX 3		5. Goldman, Emma, “Communism and Anarchism.” Typescript with holograph corrections, 28 pp.
BOX 4		1. Baudelaire, Charles, “The Painter of Modern Life: Constantin Guys.” Translated by Arthur Symons. Holograph, ink, 100 pp.
BOX 4		2. Russell, Bertrand, “Psychology and Politics.” Holograph, 12 pp.
BOX 4		3. Moore, George. 21 LS., 14 Apr. 1925-1 Oct. 1928 (3 undated), London, Paris, and Torquay to James R. Wells or William E. Rudge regarding principally the printing of an edition of Peronik The Fool; also 1 TL to Mr. Liveright, Apr. 28, 1925. Includes 2 ALS of W. K. Magee, each of 2 pp., one addressed to George Moore, dated 1928, Jan. 25, and the other to James R. Wells, dated 1928, Jan. 29, both written from Prestatyn, North Wales. These letters are to Èdouard Dujardin.
BOX 4			1) TLS, Apr. 14, 1925 to Wells, 2 pp.
BOX 4			2) TLS, Apr. 16, 1925 to Wells, 1 p.
BOX 4			3) TLS, Apr. 17, 1925 to Wells, 1 p.
BOX 4			4) TLS, Apr. 28, 1925 to Wells, 1 p.
BOX 4			5) TLS, Carbon, Apr. 28, 1925 to Liveright, 1 p. (enclosed with letter no. 4)
BOX 4			6) TLS, May 15, 1925 to Wells, 1 p.
BOX 4			7) TLS, June 30, 1925 to Wells, 1 p.
BOX 4			8) TLS, July 17, 1925 to Rudge, 2 pp.
BOX 4			9) TLS, July 20, 1925 to Rudge, 2 pp.
BOX 4			10) TLS, Aug. 10, 1925 to Rudge, 1 p.
BOX 4			11) TLS, Aug. 12, 1925 to Rudge, 1 p.
BOX 4			12) TLS, Aug. 19 1925 to Rudge signed by a secretary, 1 p.
BOX 4			13) TLS, Aug. 28 1925 to Rudge, 1 p.
BOX 4			14) ALS, May 6, no year, to Wells, 1 p.
BOX 4			15) TLS, Jan. 22 to Rudge, 1 p.
BOX 4			16) TLS, Feb. 24 to Wells, 1 p.
BOX 4			17) TLS, Mar. 1 to Wells, 1 p.
BOX 4			18) ALS, undated, to Wells, 1 p.
BOX 4			19) TLS, Nov. 22 to Wells, 2 pp.
BOX 4			20) TLS, Jan. 13 to Wells, 1p.
BOX 4			21) ALS, undated to Wells, 2pp.
BOX 4			22) TLS, Sept. 27 to Wells, 2pp.
BOX 4			23) TLS, Oct. 1 to Wells, 1 p.
BOX 4			24) ALS, undated to Wells, 2 pp.
BOX 4		Included with the foregoing are 2 ALS of W. K. Magee, each of 2 pp., one addressed to George Moore, dated 1928, Jan. 25, and the other to James R. Wells, dated 1928, Jan. 29, both written from Prestatyn, North Wales. These letters are to Èdouard Dujardia.
BOX 4		4. Symons, Arthur, “The Rosettis.” Holograph, 30 pp.
BOX 4		5. Symons, Arthur, “A Mime’s Melody.” Holograph, ink, 22 pp.
BOX 4		6. Rossetti, William Michael. Copyright royalty agreement between Rossetti and Sands and Co., of 12 Burleigh Street, Stand, London, W. C., dated July 5, 1902, relating to “Rosetti Papers 1862 to 1870.” Also A.L.S. of Rossetti to Mr. Colles, London, 1906, Nov. 22, 3 pp.
BOX 4		7. Ruskin, John. ALS to D. G. Rossetti, mar. 28 or 29, 1864, 2 pp.
BOX 4		8. Hardy, Thomas, “The forsaking of the Nest,” and an ALS of Clement Shorter addressed to John Lane, dated July 30, 1924, the text of which makes reference to Hardy’s poem mentioned above.