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BOX 24-42 |
Book, Article, Poetry, and
Lecture File, 1891-circa 1950
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Writings and lectures by Beach. |
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Arranged by type of material and therein alphabetically by title. |
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BOX 24 |
Books |
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The Coming of Eve
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The Concept of Nature in Nineteenth-Century English Poetry
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Chapters 1-15 |
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BOX 25 |
Chapters 16-21, footnotes, annotated
typescript, Chs. 1-14 |
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BOX 26 |
Beach's working notes |
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Irving Babbitt-J. J. Rousseau,
annotated typescript, chapters 15-21 |
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BOX 27 |
Scale of ascent-Wordsworth, permissions
to quote, reviews of the published work |
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BOX 28 |
The Making of the Auden Canon
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First vacation, part of the second
version |
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BOX 29 |
Remainder of the second version,
revisions, and excisions, supplementary notes and appendices to final
version, second carbon of final version |
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BOX 30 |
Remainder of second carbon of final
version, index, gallery proofs, research notes, bibliographies reviews of
the published work |
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BOX 31 |
Moral Forces in English Literature
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BOX 32 |
The Nature of Comedy
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BOX 33 |
Obsessive Images
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BOX 34 |
The Loathly Lady, doctoral thesis, Harvard University, Cambridge, Mass. |
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BOX 35 |
Articles and stories |
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American Fiction in This Century |
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American Literature in French
Universities |
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American Poetry of This Decade |
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American Poetry, Strasbourg |
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American Poets of the Twentieth
Century |
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The Black Man in a White World |
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Body's Breviary |
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Bowdlerized Versions of Hardy |
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Breaking the Butterfly |
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Bromides and Stimulants |
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The Cancelling Out |
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A Child at Play |
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Coleridge's Borrowings from the
German |
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Coleridge the Stuffed Shirt |
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College Days |
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The Common Ground of Liberal
Studies |
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The Concept of the Divine |
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Confessio Fidel |
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Confusions |
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Conrad Aiken and T. S. Eliot |
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A Critical Balance Sheet |
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Dark Oracles |
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Daughters of James |
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Definition and Nature of Poetry |
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The Decent of Man |
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Digressions on a Wheel |
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Directive Concepts for Analysis and
Appraisal |
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Dos Passos |
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BOX 36 |
Dos Passos and Wolfe |
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Dreiser's Literary Importance |
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Echoes of Melville in Cranés "Voyages
II" |
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Edith Wharton |
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The Eloquence of Stones |
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Emerson and the Bestial Theory |
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English Department |
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English Free Verse |
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The English Sentimentalists |
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English Speech and American
Masters |
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The Enticements of Buddha |
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Ernest Hemingway |
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The Essentials of Poetic Art |
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Expostulation and Reply |
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Fashions in Hymns |
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Fiction Leaves the Home |
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The Fitter |
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Five Names in American Fiction |
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Francis Jammes, Primitive |
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Fraternities as a Factor in Minnesota College
Life |
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Freedom |
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The Function of Poetry |
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A Gentleman of Ronda |
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Hardy's Philosophy in Terms of His
Style |
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Helsingfors Bohemia |
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How Not to Miss Mont Saint Michel |
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Humanism |
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Impressions of Arthur Upson |
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In strict Confidence |
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The Individual and the Group |
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The Integrity of the Poem |
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Italian Political Eloquence |
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Mr. Krutch and Ideal Values in
Literature |
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La Belle Elberfeldoise |
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The Lost Generation |
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Macaulay |
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A Master of Irony |
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The "Material" World |
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Maurice Denis |
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Meredith Himself |
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I' Pagliacci |
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Mexico: Journey in Time |
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Minneapolis as a Literary Center Faces a New
Decade |
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Minnesota and Scandinavian
Culture |
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BOX 37 |
Modern American Poetry |
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The "Modern" Note in the Novel |
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The Modern Novel and the Good
Life |
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Modern Poets After Frost |
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Mrs. West and Some Others |
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Narrative Takes New Forms |
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The New Eloquence |
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The New Humanism |
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New Intentions in the Novel |
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The Nineteen Forties in American
Poetry |
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Noblesse Oblige |
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Our Phonetic Language |
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Our Poets and the American Dream |
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Our Poets' Report on Their World |
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Pension de Famille |
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The Place of Intellect in the Definition of
Poetry |
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The Poems of Andrew Marvell |
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The Poems of Auden and the Prose
Diathesis |
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Poetry |
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Poetry and Communication |
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The Problem of Obscurity |
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The Problem of the Poet Today |
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Proud Words |
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The Puppet Girl |
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Realism in the English Romantic
Poets |
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Realism Plus |
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Reason and Nature in Wordsworth |
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Restoration Comedy |
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Robert Frost |
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Romantic Movement |
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The Rubbing Woman |
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Salzburg Seminar in American
Studies |
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Sartre's Roads to Freedom |
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