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|
Book, Article, Poetry, and
Lecture File, 1891-circa 1950
(continued) |
|
Fiction Leaves the Home |
|
The Fitter |
|
Five Names in American Fiction |
|
Francis Jammes, Primitive |
|
Fraternities as a Factor in Minnesota College
Life |
|
Freedom |
|
The Function of Poetry |
|
A Gentleman of Ronda |
|
Hardy's Philosophy in Terms of His
Style |
|
Helsingfors Bohemia |
|
How Not to Miss Mont Saint Michel |
|
Humanism |
|
Impressions of Arthur Upson |
|
In strict Confidence |
|
The Individual and the Group |
|
The Integrity of the Poem |
|
Italian Political Eloquence |
|
Mr. Krutch and Ideal Values in
Literature |
|
La Belle Elberfeldoise |
|
The Lost Generation |
|
Macaulay |
|
A Master of Irony |
|
The "Material" World |
|
Maurice Denis |
|
Meredith Himself |
|
I' Pagliacci |
|
Mexico: Journey in Time |
|
Minneapolis as a Literary Center Faces a New
Decade |
|
Minnesota and Scandinavian
Culture |
|
BOX 37 |
Modern American Poetry |
|
The "Modern" Note in the Novel |
|
The Modern Novel and the Good
Life |
|
Modern Poets After Frost |
|
Mrs. West and Some Others |
|
Narrative Takes New Forms |
|
The New Eloquence |
|
The New Humanism |
|
New Intentions in the Novel |
|
The Nineteen Forties in American
Poetry |
|
Noblesse Oblige |
|
Our Phonetic Language |
|
Our Poets and the American Dream |
|
Our Poets' Report on Their World |
|
Pension de Famille |
|
The Place of Intellect in the Definition of
Poetry |
|
The Poems of Andrew Marvell |
|
The Poems of Auden and the Prose
Diathesis |
|
Poetry |
|
Poetry and Communication |
|
The Problem of Obscurity |
|
The Problem of the Poet Today |
|
Proud Words |
|
The Puppet Girl |
|
Realism in the English Romantic
Poets |
|
Realism Plus |
|
Reason and Nature in Wordsworth |
|
Restoration Comedy |
|
Robert Frost |
|
Romantic Movement |
|
The Rubbing Woman |
|
Salzburg Seminar in American
Studies |
|
Sartre's Roads to Freedom |
|
Sawing the Air |
|
Scanning the Horizon |
|
The Science of the Imaginary |
|
Senor Gonzales |
|
Shakespeare and the Modern Stage |
|
Shelley and Keats |
|
Skiddaw |
|
Skywater Paths |
|
BOX 38 |
The Sociological Approach to
Poetry |
|
Some Types of Symbolism in Contemporary
American Fiction |
|
A Sonnet of Watson and a Stanza of
Spenser |
|
The Stones of Paris |
|
The Symphony: An Appreciation |
|
T. S. Eliot: English or American? |
|
Terms That Need Defining |
|
Through the Looking Glass |
|
Tonality |
|
The Trial |
|
The Typist |
|
The Unbeliever Teaching the
Humanities |
|
The Unknown Quantity in Fiction |
|
Virginia Woolf |
|
The Way Out |
|
What I Prize Most in Fiction |
|
What He Can Remember |
|
When We Had the Scarlatina |
|
The Wisdom of Hardy and the Wisdom of
Meredith |
|
A Woman's Way |
|
Untitled article |
|
Ideas for stories |
|
Publishing contracts |
|
Royalty statements |
|
Reviews of Glass Mountain
|
|
BOX 39 |
Poems |
|
Beginning with Plato
|
|
Historical and metaphysical poem |
|
Political poems |
|
Poems |
|
1891-1946
|
|
BOX 40 |
1947-1949
|
|
Undated poems |
|
BOX 41 |
Lectures |
|
Abstract Composition |
|
Byron |
|
Coleridge |
|
Dos Passos, John |
|
The Humanities |
|
John Henry Newman |
|
The New Poetry |
|
The Social Conscience and the Literary
Conscience |
|
Walter Pater |
|
A Way Out? |
|
Wolfe |
|
Miscellaneous |
|
Notes for Salzburg lectures |
|
Notes for Sorbonne lectures |
|
Class lectures, Humanities in the Modern
World English Literature |
|
BOX 42 |
Class lectures, English
Literature |
|
Printed announcements of lectures at the
Université de Paris, Paris, France, 1951-1952
|
|
Reviews of A Romantic View of Poetry
|
|
Book reviews by Beach |
|
Movie review, Baby Doll
|
|
Beach bibliographies |
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