| | | | | | | | | | | | | |
BOX 1 |
1920-1936 |
|
Notebooks, and typed transcriptions, kept by Roberts while
correspondent for the Saturday Evening Postand containing
information on the following topics: |
|
"1st Immigration," "Monte Carlo," "Paris Immigrants," "Aviation
Interviews," "Maisch Dress Interviews," "Paris Russians," "Mussolini,"
"Spain-Gibraltar," "Dalmatia," "Jugoslavia," "Movies," "London," "Paris,"
"Vienna," "Czechoslovakia," "Berlin," "Warsaw," "Scotland," "Madam Ubinoff,"
"Germany 1934" |
BOX 2 |
"England," "Scattered Notes 1921," "Chapira (Paris)," "Antwerp,"
"Rotterdam Danzig," "Kaluszyn," "Warsaw," "Paris Hats," "Mexican
Immigration," "Mexican Border Patrol," "Norway," "Sweden," "Denmark,"
"Finland," "Germany," "France," "Czechoslovakia," "Russia," "Pressburg,"
"Hungry," "Rome" |
BOX 3 |
"Aroostock County," "Archery at Philips Lake Maine," "Billboards,"
"Cornell," "Chicago," "Crime Commission," "Florida," "London-Paris," "New
Mexico," "Governor Haggerman," "New York," "Mormons," "San Francisco," "Los
Angeles," "University of Michigan," "University of Illinois," "Washington
Interview with Hoover," "Hiram Bingham," "Young Teddy Roosevelt," "Taxation
and Senator Cousins," "Palm Beach," "Senator Pepper" |
BOX 4 |
1917 |
|
Literary manuscripts |
|
"A Little Letter Is a Dangerous Thing" (longhand and
typescript) |
|
"Dicky Lion-Heart" (typescript; short story) |
|
"Good Will and Almond Shells" (Saturday Evening Posttear sheet) |
|
"With Neatness and Despatch" (longhand, typescript; published in
Saturday Evening Post) |
|
1918 |
|
Literary manuscripts |
|
"Improbably but Plausible" (longhand) |
|
1919 |
|
Folder 1 |
|
"Clothes" (Saturday Evening Posttear
sheet) |
|
"Drifting Leaves" (Harper's tear sheet;
typescript) |
|
"Oriental Irritants" (Cosmopolitan tear
sheet) |
|
"The Random Notes of an Amerikansky" (longhand, typescript, and
Saturday Evening Posttear sheet) |
|
Folder 2 |
|
Notebook No. 1 contains in longhand: |
|
"Bringing Chaos Out of Order, Part I" |
|
"Corona Advertisement" |
|
"Random Notes of an Amerikansky" |
|
Notebook No. 2 contains in longhand: |
|
"The Super-Boobs" (published inSaturday Evening Post) |
|
"Bringing Chaos Out of Order, Part II" (published in
Saturday Evening Post) |
|
"A Republican Asset" (published in
Life) |
|
"The German Psychologists Again" |
|
"Sloppy Business" (published in Life) |
|
"A Giddy Jumble" (published in Life) |
|
"A Difficult Combination" |
|
"A Fantasie in A-Flat" (published in
Life) |
|
"A New Source of Evil" (published in
Life) |
|
"A Terrible Blunder" (published in
Life) |
|
"News from an Approaching Era" (published in
Life) |
|
"If a Wire-Haired Terrier Could Speak" (published in
Life) |
|
"If Men Did Things As Women Do" (published in
Judge) |
|
"A Tragedy of the Future" (published in
Life) |
|
"An Absolute Necessity" (published in
Life) |
|
Notebook No. 2 also contains a two-page autobiography
sketch |
|
Notebook No. 3 contains in longhand: |
|
"Clothes" |
|
"Food for Thought" (published in Saturday Evening Post) |
|
"Bolshevism and Sun Spots" (published in
Life) |
|
"Theory and Common Sense" (published in
Life) |
|
"Gloomy Retrospects" (published in
Life) |
|
"The Possessor of a Wonderful Talent" |
|
"Another Testimonial for Advertising" (published in
Life) |
|
"The Disclosure of a Secret" |
|
"Universal Signal-Cards" (published in
Life) |
|
"Refined Socialism" |
|
"In the Museum, 2019 A.D., the Nickel" (published in
Life) |
|
"A Great Idea" (published in Life) |
|
"A Tragedy of the Sea" (published in
Judge) |
|
"Further Information Wanted" (published in
Life) |
|
"Dear Brothers in Alpha Psi" |
|
"How to Tell a Girl from a Miss" (published in
Life) |
|
"The Sad Fate of Lampson Ditheridge" (published in
Judge) |
|
"The Cause of High Prices" (published in
Life) |
|
"The Solution" (published in Life) |
|
"Degenerates Repeat Themselves" (published in
Life) |
|
"The Parlor Bolshevik, A.D." |
|
"Two Costly Jewels" (published in
Life) |
|
"Luxuries" (published in Life) |
|
"A Word of Advice for Rockland" (published in
Life) |
|
"A Tremendous Relief" (published in
Life) |
|
"What Free Verse Is" |
|
"Unbeaten Germany and Green Cheese Moons" (published in
Life) |
|
"Where Mr. Gallivan Slipped" |
|
"The 23rd Psalm Rewritten for Mr. Fords Bible" |
|
"The Children's Age" |
|
"The Spirit of the Dog Sneaks" |
|
"If Prices Keep on Rising" |
|
"What We May Come To" (published in
Life) |
|
"An Explanation and a Warning" |
|
"Wanted, a Pioneer" (published in
Life) |
|
"Kolchak and Advisers; Jobs" (published in
Life) |
|
"The Modern Child" (published in Life) |
|
"Archimedes" |
BOX 5 |
Notebook No. 4 contains in longhand: |
|
"The Wild Waves" |
|
"Golf" (published in Saturday Evening Post) |
|
1920 |
|
Folder 1 |
|
"Almost Sunny Italy" (longhand) |
|
"A Bit of the Balkans" (longhand and typescript) |
|
"Edges of the World" (typescript) |
|
"How Cousin John's Getting Along" (typescript) |
|
"Husks" (Typescript) |
|
"Italian Immigration" (longhand and typescript; published in
Saturday Evening Post) |
|
Folder 2 |
|
"Poland for Patriotism" (typescript) |
|
"Schieber Land" (Saturday Evening Posttear
sheet) |
|
"The Rising Irish Tide" (typescript; Saturday Evening Posttear sheet) |
|
"The String on the German Exodus" (Saturday Evening Posttear sheet) |
|
"That Dear Paris" (typescript) |
|
"Trial by Travel" (longhand and typescript) |
|
Folder 3 |
|
Vienna notebook contains in longhand: |
|
"Handing It Back (also typescript) |
|
"Nem! Nem! Soha!" (also typescript) |
|
"Wanted: Jobs for Five Million Germans" |
|
1921 |
|
Folder 1 |
|
Vienna notebook |
|
"The Constantinople Refugees" (longhand and typescript; published
in Saturday Evening Post) |
|
"Eating Through Europe" (typescript) |
|
"The Existence of an Emergency" (longhand) |
|
Folder 2 |
|
"Flying Made Easy" (typescript; published in Saturday Evening Post) |
|
"Italy from a Dirigible Window" (longhand and
typescript) |
|
"Paris and So Forth" (typescript) |
|
Folder 3 |
|
"Ports of Embarkation" (longhand; published in Saturday Evening Post) |
|
"They Sometimes Come Back" (longhand) |
|
"Various Things about Paris" (longhand) |
|
"What's Coming to America" (typescript forward; published in
Saturday Evening Post) |
|
Folder 4 |
|
Notebook No. 5 contains in longhand: |
|
"The Beer-Worshippers" (published in Saturday Evening Post) |
|
"Sheep to the Shearer" (title changed to "Gambling Made Easy";
published in Saturday Evening Post manuscript,
incomplete |
|
Notebook No. 6 |
|
"Plain Remarks for Plain Americans" (published in Saturday Evening Post) |
|
"Scotland for Scotch" (published in Saturday Evening Post) |
|
"Sheep to the Shearer" (title changed to "Gambling Made
Easy") |
|
"The Rim of the Yugoslavs" |
BOX 6 |
1922 |
|
Folder 1 |
|
"Adventures in Budgeting" (longhand, typescript, and Saturday Evening Posttear sheet) |
|
"An Emphatic Participant" (Saturday Evening Posteditorial clipping) |
|
"Back to Toryism" (title changed to "Constitution Busters";
longhand; published in Saturday Evening Post
|
|
"Balkan Jottings" (Saturday Evening Posttear
sheet) |
|
"Before Enlarging the Quotas" (longhand; and editorial) |
|
"Canada Bars The Gates" (typescript and Saturday Evening Posttear sheet) |
|
"Committee Land" (longhand, typescript, and Saturday Evening Post tear sheet) |
|
Folder 2 |
|
"The Hooving of Hoover" (Saturday Evening Posttear
sheet) |
|
"Jellyfish and Others" (longhand; published in as an
editorial) |
|
"The Notes of an Antique Weevil" (Saturday Evening Posttear sheet) |
|
"Peeper" (typescript) |
|
"Shutting the Sea Gates" (typescript; published in Saturday Evening Post) |
|
"Scraps from a Wanderer's Notebook" (Saturday Evening Post) |
|
"The Submerged Congressman" (typescript and Saturday Evening Post tear sheet) |
|
"Another Argument Gone Wrong" (Saturday Evening Posteditorial tear sheet) |
|
"The Tribulations of the Senate" (typescript and Saturday Evening Posttear sheet) |
|
"The Troubles of the House" (typescript and Saturday Evening Post tear sheet) |
|
"Washington Madnessess" (typescript of title page only) |
|
"Why Battleships Go Up" (typescript) |
|
"The Worth of Citizenship" (typescript and Saturday Evening Post tear sheet) |
|
1923 |
|
Folder 1 |
|
"A Wanderer's Notebook" (typescript) |
|
"The Ambush of Italy (longhand; letter signed Arnaldo S.
Cortesi) |
|
"As Simple As Black And White" (longhand and typescript) |
|
"Done in the District Of Columbia" (longhand and
typescript) |
|
"Filibusters" (longhand and Saturday Evening Posttear sheet) |
|
Folder 2 |
|
"Four-Minute Men" (longhand, typescript, and Saturday Evening Post tear sheet) |
|
"The Inarticulate Conservatives" (longhand) |
|
"Irregular and Peculiar" (typescript and Saturday Evening Posttear sheet) |
|
"Lest We Forget" (longhand and typescript; immigration
article |
|
"A Mystery of the Air" (title changed to "Our Too-Free Air;
(longhand and Saturday Evening Post editorial tear
sheet) |
|
"Other People's Troubles" (typescript and Saturday Evening Post tear sheet) |
|
"The Progressives. What They Stand For and Want." (Typescript and
Saturday Evening Post) |
BOX 7 |
Folder 3 |
|
"Retrogressives and Others, Being a Further Record of the Musings of
David Augustus Flack." (Longhand, typescript, and Saturday Evening Posttear sheet |
|
"Senators and What Not" (longhand, typescript, andSaturday Evening Post tear sheet) |
|
"Slow Poison" (longhand and typescript) |
|
"Suds" (typescript) |
|
"Swedish Punch" (typescript and Saturday Evening Posttear sheet) |
|
"Three Black Cows, Being a Few Notes on David Augustus Flack and
Other Matters" (longhand, typescript, and Saturday Evening Posttear sheet) |
|
1924 |
|
Folder 1 |
|
"And West Is West" (longhand, typescript, and Saturday Evening Posttear sheet) |
|
"Concentrated New England" (longhand andSaturday Evening Post tear sheet) |
|
"East Is East" (longhand, typescript, and Saturday Evening Posttear sheet) |
|
Folder 2 |
|
"Florida Loafing" (longhand) |
|
"German Sports" (longhand, typescript, and Saturday Evening Post tear sheet) |
|
"Hot Air and Nitrates" (longhand, typescript, and Saturday Evening Posttear sheet) |
|
Folder 3 |
|
"The Patient Pimas" (longhand, typescript, and Saturday Evening Posttear sheet) |
|
"Red Trim"(longhand, typescript, and Saturday Evening Posttear sheet) |
|
"Small Change" (longhand and typescript) |
|
Folder 4 |
|
"Souse West by West," Book I, "Navaho Land" (longhand, typescript,
and Saturday Evening Posttear sheet) |
|
"Souse West by West," Book II, "Flaming Hollywood" (typescript and
Saturday Evening Posttear sheet) |
|
Folder 5 |
|
"Souse West by West," Book III, "Souse-West" (longhand, typescript,
and Saturday Evening Posttear sheet) |
|
"Souse West by West," Book IV, "Fruits of the Desert" (longhand,
typescript, and Saturday Evening Post tear sheet) |
|
"Souse West by West," Book V, "The First Families of America"
(typescript and Saturday Evening Posttear sheet) |
|
Folder 6 |
|
"The Stern and Clam-Bound Coast" (longhand and Saturday Evening Posttear sheet) |
|
"Why Correspondents Develop Nerves: The Annoying Case of the Grand
Duchess Tatiana" (typescript) |
BOX 8 |
1925 |
|
Folder 1 |
|
"The Circumspect Seventies" (longhand and Saturday Evening Posttear sheet) |
|
"Cockatoos and Others" (longhand, typescript, and Saturday Evening Posttear sheet) |
|
"The Dirt Farmer Complex" (longhand, typescript, and Saturday Evening Posttear sheet) |
|
"Disciples of Realism" (longhand, typescript, andSaturday Evening Posttear sheet) |
|
Folder 2 |
|
"The Dull Season" (longhand, typescript, and Saturday
Evening Posttear sheet) |
|
"The Great Commission Metropolis" (longhand, typescript, and
Saturday Evening Posttear sheet) |
|
"Laws" (longhand, typescript, and Saturday Evening Posttear sheet) |
|
"The Mysterious Island" (longhand, typescript, and Saturday Evening Posttear sheet) |
|
Folder 3 |
|
"The New Immigration" (typescript and Saturday Evening Posttear sheet) |
|
"The Old Cure" (longhand and typescript; never
published) |
|
"Some Wonders of Washington" (longhand, typescript, and
Saturday Evening Post tear sheet) |
|
"Unfinished Business"(longhand, typescript, and Saturday Evening Posttear sheet) |
|
1926 |
|
Folder 1 |
|
"A Tour of the Battlefields" (Saturday Evening Posttear sheet) |
|
"California Diversions" (longhand, typescript, and Saturday Evening Posttear sheet) |
|
"California Change" (longhand, typescript, and
Saturday
Evening Posttear sheet) |
BOX 9 |
Folder 2 |
|
"The California Ray" (longhand, typescript, andSaturday Evening Posttear sheet) |
|
"California's War on Ugliness" (typescript and Saturday Evening Posttear sheet) |
|
"Florida Diversions" (Saturday Evening Posttear
sheet) |
|
"In the Wake of a Hurricane" (typescript and Saturday Evening Posttear sheet) |
|
"Mail-Order Legislation" (Saturday Evening Posttear
sheet) |
|
"Mormons and What Not" (typescript and Saturday Evening Posttear sheet) |
|
Folder 3 |
|
"Movie Mad" (longhand and typescript) |
|
"A Sesqui Day" (typescript and Saturday Evening Post
tear sheet) |
|
"The Trail of the Lonesome Trout" (typescript andSaturday Evening Posttear sheet) |
|
"The Voice of the People" (typescript) |
|
1927 |
|
Folder 1 |
|
"The Charm City" (typescript and Saturday Evening Posttear sheet) |
|
"Everybody's Capital" (longhand and typescript) |
|
"Hardships of New Mexico" (typescript and Saturday Evening Post tear sheet) |
|
"The House with the Blue Roof" (typescript and Country Lifetear sheet) |
|
Folder 2 |
|
"New Orleans Diversions" (longhand, typescript, and Saturday Evening Posttear sheet) |
|
"New Orleans Notes" (longhand, typescript, and Saturday Evening Post tear sheet) |
|
"Nobody's Capital" (longhand, typescript, and Saturday Evening Posttear sheet) |
|
Folder 3 |
|
"Sport in Italy" (longhand, typescript, and Saturday Evening Post tear sheet) |
|
"Watchdogs of Crime" (longhand, typescript, and Saturday Evening Posttear sheet) |
BOX 10 |
1922-1926 |
|
"Who's Who-And Why" containing the following: |
|
"A Patient Waiter," William Walter Husband (longhand and
typescript) |
|
"A Conscientious Digger," Brigadier General Herbert M. Lord
(longhand, typescript, and Saturday Evening Posttear
sheet) |
|
"The Little Father of the Consuls," Wilbur J. Carr (longhand,
typescript, and Saturday Evening Posttear sheet) |
|
"The Welder of the Parks," Stephen T. Mather (longhand, typescript,
and Saturday Evening Posttear sheet) |
|
"The Alarm-Clock of the Farm," Senator Arthur Capper (longhand,
typescript, and Saturday Evening Post tear sheet) |
|
"The Alarm-Clock Senator," Feb. 24, 1923 |
|
"A Pleasing Irritant," George Higgins Moses (longhand
typescript) |
|
"The Last of the Old School," John Sharp Williams (longhand,
typescript, and Saturday Evening Post tear sheet, "A Senator
of the Old School") |
|
"One Who Must Be Shown," Albert Johnson (longhand, typescript, and
Saturday Evening Posttear sheet) |
|
"Senator Reed Smoot" (longhand and typescript) |
|
"A Beloved Enemy," Senator Pat Harrison (longhand and
typescript) |
|
"The Scab Millionaire," Senator James Couzens (longhand, typescript,
and Saturday Evening Posttear sheet) |
|
"The Log-Cabin Senator," Senator Smith Wildman Brookhart (longhand,
typescript, and Saturday Evening Posttear sheet) |
|
"A Mild Fighter," Colonel E. Lester Jones (typescript) |
|
"A Stoic in the Right Place," Senator Charles Curtis of Kansas
(longhand, typescript, and Saturday Evening Posttear
sheet) |
|
"A Good Reproduction," Theodore Roosevelt, Jr. (longhand,
typescript, and Saturday Evening Posttear sheet) |
|
"The Nadir of Wildness," William J. Donovan (longhand and
typescript) |
|
"Grand Duke Horace of Yellowstone," Horace M. Albright (typescript
and Saturday Evening Posttear sheet) |
|
"Adventurous Blood," Hiram Bingham (typescript and Saturday Evening Posttear sheet) |
|
"A Hopeless Case," John Garibaldi Sargent (longhand, typescript, and
Saturday Evening Posttear sheet) |
|
"Bill the Newsboy," William B. Hibbs (longhand, typescript, and
Saturday Evening Posttear sheet, "Bill The
Scout") |
|
"The Boy Who Didn't Like Goats," Joseph H. Dyer (typescript and
Saturday Evening Posttear sheet) |
|
"A Slightly Handicapped New Englander," Harry Chandler (typescript
and Saturday Evening Posttear sheet, "An Effectively
Transplanted New Englander") |
|
"The Bravest of the Blovalators," Senator J. Thomas Heflin
(typescript) |
|
"A Naughty, Naughty Boy," Senator William Cabell Bruce
(typescript) |
BOX 11 |
1929 |
|
Folder 1 |
|
"Antiques Go Boom" (typescript) |
|
"The Bull Market in Antiques" (Saturday Evening Posttear sheet) |
|
"Far Above Cayuga's Waters" (Saturday Evening Posttear sheet) |
|
"Harvard: Fair and Cooler" (longhand and Saturday Evening Post tear sheet) |
|
"Pests" (typescript and Saturday Evening Posttear
sheet) |
|
Folder 2 |
|
"Revolt in Billboardia" (longhand, typescript, andSaturday Evening Posttear sheet) |
|
"Roads of Remembrance" (longhand and Saturday Evening Posttear sheet) |
|
"Smoldering Illini"2 (Saturday Evening Posttear
sheet) |
BOX 12 |
1930 |
|
Folder 1 |
|
"Billboard-Dammerung" (longhand and typescript) |
|
"France and The Scenery-Wreckers" (longhand and
typescript) |
|
"England's War on Ugliness" (longhand, typescript, and
Saturday Evening Posttear sheet) |
|
Folder 2 |
|
"The Stolen Thunder" (title later changed to "The Great Billboard
Crusade"; typescript; three drafts) |
|
1931 |
|
Folder 2 |
|
"An Inquiry into Diets" (Saturday Evening Posttear
sheet) |
|
"Evenings Grow Gamier" (typescript and revised galley
proofs) |
|
"For Author's Only" (Saturday Evening Posttear
sheet) |
|
"Twinkle, Twinkle, Little Star" (Saturday Evening Posttear sheet) |
|
1934 |
|
"An American Looks at Oxford" (Saturday Evening Posttear sheet) |
|
"England Turns the Corner" (typescript) |
|
"Hitler Youth" (Saturday Evening Posttear sheet; in two
installments) |
|
"Murmuring Michigan" (Saturday Evening Posttear
sheet) |
|
1935 |
|
For Author's Only (galley proofs, with author's
revisions; two reviews) |
|
1936 |
|
It Must Be Your Tonsils (typescript) |
|
"Quoddy" (typescript andSaturday Evening Posttear
sheet) |
|
"Rogers Rangers" (Saturday Evening Post tear sheets;in
seven installments) |
|
"Too Much Service" (typescript and Saturday Evening Posttear sheet) |
|
1937 |
|
"Wanted: Peace Risk Insurance" (typescript) |
BOX 13 |
1938 |
|
"Down East Ambrosia" (Saturday Evening Posttear
sheet) |
|
Trending Into Maine
|
|
Longhand, typescript, and final proofs, with author's
revisions |
BOX 14 |
1944 edition, with author's revisions |
BOX 15 |
1939 |
|
"Turkeys, Dreams and Mr. Williams" (forward to Ben Ames Williams's
The Happy End, 1939) |
|
1940 |
|
"John Pierce: Journal by the Advance Surveyor with Colonel Arnold on
the March to Quebec" (typescript, with author's revisions; two
drafts) |
|
Oliver Wiswell(galley proofs, with author's
revisions) |
BOX 16 |
1942 |
|
"We Need More Rogers' Rangers" (typescript) |
|
1943 |
|
"That's Hay, That Is" (Country Gentlementear
sheet) |
|
1945 |
|
Abridgement of The Kenneth Roberts Readeras published
in Omnibook (tear sheet) |
|
"Mystery of the Forked Twig," published in The Kenneth Reader as "Experience with a Forked Twig" (longhand and
typescript) |
|
1947 |
|
Lydia Bailey
|
|
Typescript, with author's revisions; first draft |
BOX 17 |
Setting copy |
BOX 18 |
Setting copy continued; final proofs |
BOX 19 |
Final proofs |
BOX 20 |
Moreau de St. Méry's American Journey, 1793-1798
|
|
Reader's proof, final proof, with author's corrections; notes and
corrected pages |
BOX 21 |
Typescript and reader's proof, with author's corrections |
BOX 22 |
Introduction and index |
|
"Don't Say That about Maine" (Saturday Evening Post
tear sheet) |
|
"What's the Matter with the Maine Highway Commission"
(longhand) |
|
1949 |
|
I Wanted To Write
|
|
Setting copy, with author's revisions; (typescript, pages
1-500) |
BOX 23 |
Setting copy continued; pages 500-675; index; typescript draft, with
author's revisions |
BOX 24 |
Typescript continued |
BOX 25 |
Corrected pages and reader's proofs |
BOX 26 |
Reader's proofs; two sets |
BOX 27 |
1957 |
|
Henry Gross and His Dowsing Rod
|
|
Final proofs |
BOX 28 |
Final proofs continued; setting copy |
BOX 29 |
1951 |
|
"Gamblers Delight" (typescript, with author's revisions) |
|
"The Great Lice Age (typescript) |
|
1953 |
|
Review of Ben Ames Williams's The Unconquered
|
BOX 30 |
The Seventh Sense (typescript, with author's
revisions) |
BOX 31 |
Continuation of typescript |
BOX 32 |
Galley proofs and final proofs, with author's revisions |
BOX 33 |
1956 |
|
Boon Island
|
|
Typescript, early draft with author's revisions |
BOX 34 |
Typescript, final draft |
|
"Langman's Narrative" (typescript) |
BOX 35 |
Boon Island (galley proofs and final proofs) |
BOX 36 |
1954 |
|
"The Importance of Our Birthright" (longhand; copy of A Challenge to All Citizens of the Bay State, with Some Convictions by Kenneth Roberts
|
|
"A Glimpse of Oxford" (typescript) |
|
"Leonardo Was Right" (typescript) |
|
1955 |
|
"Benedict Arnold" (typescript and Massachusetts newspaper
clipping) |
|
"Developments in Water Dowsing" (typescript) |
|
"Home from the Sea" (typescript) |
|
"Roger's Rules for Fighting" (typescript) |
|
1956 |
|
Introduction to vol. 1 edition of John Marquand's Wickford Point, The Late George Apley, and H. M. Pulham, Esqre. (Notes; longhand and typescript drafts) |
|
1957 |
|
"Dissertation on Marrow Bones" (a part of Foods Of Old New Englandby Majorie Mosser; longhand and typescript) |
|
"Harlan T. Stetson on Dowsing: His Essay Mangled by Professor J. B.
Rhine" (typescript of Professor Stetson's articles and correspondence between
himself and Roberts) |
|
Plays-Folder 1 |
|
"The Brotherhood of Man" (Saturday Evening Post tear
sheet; co-authored with Robert Garland)] |
|
"The Great Cheese Investigation" (longhand, typescript, and
Saturday Evening Posttear sheet) |
|
"Hands Across the Sea" (longhand, typescript, and Saturday Evening Posttear sheet) |
|
"Inside Information, a Tragedy" (Saturday Evening Post tear sheet) |
|
"The March of Progress" (typescript; 1929 and 1951
drafts) |
|
"Money Talks, a Play in Four Acts" (typescript; co-authored with Ben
Ames Williams) |
|
"Nootes Ambrosiae" (Saturday Evening Post tear
sheets) |
|
Plays-Folder 2 |
|
"Precedence: A Near Tragedy" (longhand and Saturday Evening Post tear sheet) |
|
"Protectors Of the Poor, a Drama in the Manner of the Moscow Art
Theater" (typescript and Saturday Evening Post tear
sheet) |
|
"Some Party" (Saturday Evening Post tear
sheet) |
|
"The Stricken Rich, a Tragedy in One Act" (typescript) |
|
"The Tin Can Generation" (typescript) |
|
"Travel Is So Broadening, a Mystery Play" (longhand and
Saturday Evening Post tear sheet) |
|
Undated |
|
"Dictaphone Records from Darkest Berlin, the Substitute Victory"
(longhand) |
|
"A Not Improbably Interview" (longhand) |
|
"Nothing of a Personal Nature" (longhand) |
|
"A Riot in Spirit-Land" (longhand) |
|
"A Word to the Farmer" (typescript) |
|
1957 |
|
Water Unlimited(setting copy; final proofs) |
BOX 38 |
Biographical |
|
"Interview with Kenneth Roberts by Alton Hall Blackington in the
Lecture Hall of Boston Public Library, Thursday Evening, November 29,
1945" |
|
Radio interview dated July 1937 and appearing to have been prepared by
Roberts |
|
Miscellaneous |
|
"Revised Check List, 400 Songs for the Boys in the
Backroom" |
|
Letter to Lawrence Martin, Dec. 19, 1939 |