| | | | | | | | | | | | | |
|
Oversize, 1883-circa 1990
(continued) |
|
Building,
1950-1983 (Container 129) |
|
BOX OV 15 |
Fund-raising and development |
|
Benefits |
|
1956,
Baby Doll (Container 190) |
|
1961,
Roseland (Container 193) |
|
BOX OV 16 |
Organizations |
|
National Endowment for
the Humanities, circa 1975 (Container 213) |
|
Guest books,
1959-1960 (Container 220) |
|
BOX OV 17 |
Miscellany,
1978 (Container 221) |
|
Productions and Projects |
|
Actors Studio Theatre |
|
Blues for Mr. Charlie
|
|
Miscellany,
1964 (Container 232) |
|
BOX OV 18 |
Legal and financial
papers, 1964 (Container 235) |
|
Miscellaneous |
|
The Birds, 1972 (Container 257) |
|
A Break in the Skin, 1973 (Container 257) |
|
Long Day's Journey into Night, circa 1973 (Container 261) |
|
Richard III, 1977 (Container 266) |
|
The Secret Thighs of New England Women, 1980 (Container 266) |
|
Sundown Beach, 1948 (Container 267) |
|
Various projects,
1982 (Container 267) |
|
The Violano Virtuoso, 1979 (Container 267) |
|
The Wakefield Plays, 1977 (Container 267) |
|
Non-Actors Studio productions |
|
Monday After the Miracle, 1981 (Container 268) |
|
Special projects |
|
Dynamite Tonight, 1963 (Container 268) |
