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Container | Contents | ||||||||||||
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Speeches, Interviews, and Lectures, 1955-2004 (continued) | |||||||||||||
BOX 119 | 2004, Apr. 27, Donald Ross Hamilton Lecture, Princeton University, Princeton, N.J. See also Digital Files, mss83183_190_010 | ||||||||||||
BOX 119 | 2012, Nov. 17, "The Lawgiver: Telling Moses' Story, Differently," interview, Morning Edition, NPR See Digital Files, mss83183_202_045 | ||||||||||||
DF | 2017, Sept. 2, CBS Sunday Morning, interview See Digital Files, mss83183_202_055 | ||||||||||||
BOX 120-195 | Stage and Screen, 1941-2013 | ||||||||||||
The Stage and Screen series consists of scripts, screenplays, and treatments
written or consulted on by Wouk for theatre, television, and film. Wouk
adapted many of his novels for stage and screen. Among plays, the series
includes files related to the attempted musical adaptation of his novel
Don't Stop the Carnival with musician Jimmy Buffet from 1994 to 2001. Materials include
contracts, correspondence, libretto drafts, marketing material, and work
journals. Much of the correspondence concerns productions staged in Miami,
Florida, and Nassau, Bahamas. The series also documents the play The Caine Mutiny Court Martial, dramatized by Wouk and adapted from his novel of the same name in
1953, and includes material on subsequent international and revival
productions and television adaptations dating from 1954 to 2006. A small
amount of material relates to film adaptations of The Caine Mutiny, Marjorie Morningstar, and Slattery's Hurricane. Among television productions, the series includes files related to
the television mini-series The Winds of War and War and Remembrance, based on Wouk’s novels, which aired on ABC in 1983 and 1988-1989,
respectively. Files include promotion materials, publicity, reviews,
research, and correspondence with producer and director Dan Curtis. The
files primarily document the writing process, and include rough drafts,
fragments, revisions, author approval review copies, and final shooting
scripts. There is very little documentation of the production aspects of the
project. Wouk’s work journals further detail the writing process, describing
his ideas, emotions, relationships with collaborators, and experiences
working within the television industry. Wouk wrote the entire teleplay for
The Winds of War, while Curtis and Earl W. Wallace wrote the bulk of the teleplay
for War and Remembrance, with Wouk focusing on the more historical and Holocaust-related
sequences. Material types include writings, drafts, libretto, correspondence, work journals, notes, clippings, memoranda and notes, scripts, contracts, outlines, schedules, financial materials, and reviews. |
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Arranged alphabetically by title. | |||||||||||||
BOX 120 | The Boys From Syracuse, 1965-1966 | ||||||||||||
BOX 120 | The Caine Mutiny, 1951-1955 | ||||||||||||
(2 folders) | |||||||||||||
BOX 120 | The Caine Mutiny Court Martial | ||||||||||||
BOX 120 | Correspondence | ||||||||||||
BOX 120 | Business, 1953-1959 | ||||||||||||
(3 folders) | |||||||||||||
BOX 120 | General, 1952-1959, 1969-1988 | ||||||||||||
(3 folders) | |||||||||||||
BOX 121 | Financial materials, 1953-1958 | ||||||||||||
(3 folders) | |||||||||||||
BOX 121 | Foreign rights, contracts, and correspondence, 1954-1959 | ||||||||||||
(2 folders) | |||||||||||||
BOX 121 | Manuscript drafts | ||||||||||||
BOX 121 | Polish translation, circa 1958 | ||||||||||||
BOX 121 | Spanish translation, circa 1958 | ||||||||||||
BOX 122 | Marketing, promotion, and publicity, 1953-1961, 1971, 1983-1985, 2006 | ||||||||||||
(3 folders) | |||||||||||||
BOX 122 | Productions | ||||||||||||
BOX 122 | British productions, 1955-1957 | ||||||||||||
BOX 123 | CBS Broadcasting Inc., Robert Altman television adaptation, 1987-1988 | ||||||||||||
BOX 123 | Chinese production, 1987-1989, 2007 | ||||||||||||
(3 folders) | |||||||||||||
BOX 123 | Hartman Theatre production, Circle in the Square Theatre, New York, N.Y., 1982-1983 | ||||||||||||
(2 folders) | |||||||||||||
BOX 124 | Kennedy Center, Washington, D.C., 1984-1988 | ||||||||||||
(2 folders) | |||||||||||||
BOX 124 | Los Angeles, Calif., 1971 | ||||||||||||
BOX 124 | Miscellaneous foreign productions, 1954-1959 See also Container OV 4, Posters for Israeli and German language productions | ||||||||||||
(4 folders) | |||||||||||||
BOX 125 | Schoenfeld Theatre, New York, N.Y., Jeffrey Richards, 2004-2006 | ||||||||||||
(7 folders) | |||||||||||||
BOX 126 | Reviews, 1988 | ||||||||||||
BOX 126 | Confidentially Connie, 1951-1953 | ||||||||||||
BOX 126 | Crisis Over Marjorie, circa 1956 | ||||||||||||
BOX 126 | The Curious Impertinent, 1945-1956 | ||||||||||||
BOX 126 | Don't Stop the Carnival | ||||||||||||
BOX 126 | Album liner notes, "Introduction to Jimmy Buffett's Songs," 1998-2000 | ||||||||||||
BOX 126 | Business, 1996-2001 | ||||||||||||
(4 folders) | |||||||||||||
BOX 127 | Contracts | ||||||||||||
BOX 127 | Contract negotiations, 1994-2001 | ||||||||||||
(2 folders) | |||||||||||||
BOX 127 | Nassau, Bahamas, production, 2001 | ||||||||||||
(3 folders) | |||||||||||||
BOX 127 | Signed and draft contracts, 1995-1999 | ||||||||||||
BOX 128 | Correspondence | ||||||||||||
BOX 128 | Buffett, Jimmy, 1993-1996, 2009-2013 | ||||||||||||
(2 folders) | |||||||||||||
BOX 128 | General, 1992-1994 | ||||||||||||
(5 folders) | |||||||||||||
BOX 129 | General, 1995 | ||||||||||||
(6 folders) | |||||||||||||
BOX 130 | General, 1996 | ||||||||||||
(6 folders) | |||||||||||||
BOX 131 | General, 1997-1998 | ||||||||||||
(6 folders) | |||||||||||||
BOX 132 | General, 1999-2000 | ||||||||||||
(8 folders) | |||||||||||||
BOX 133 | General, 2001 | ||||||||||||
(6 folders) | |||||||||||||
BOX 133 | Miscellaneous, 1996-1999, 2013 | ||||||||||||
(2 folders) | |||||||||||||
BOX 134 | Stein, Liza, 1995-1996 | ||||||||||||
(2 folders) | |||||||||||||
BOX 134 | Well-wishers, 1997 | ||||||||||||
BOX 134 | Editing, 1995-2001 | ||||||||||||
(5 folders) | |||||||||||||
BOX 134 | Manuscript drafts | ||||||||||||
BOX 134 | Discards, 1995 | ||||||||||||
BOX 134 | Fragments, 1994 | ||||||||||||
(2 folders) | |||||||||||||
BOX 135 | Fragments, 1994-1995 | ||||||||||||
(7 folders) | |||||||||||||
BOX 136 | Fragments, 1995 | ||||||||||||
(6 folders) | |||||||||||||
BOX 137 | Fragments, 1995-1996 | ||||||||||||
(6 folders) | |||||||||||||
BOX 138 | Fragments, 1996-1997 | ||||||||||||
(6 folders) | |||||||||||||
BOX 139 | Fragments, 1996-1997 | ||||||||||||
(7 folders) | |||||||||||||
BOX 139 | Libretto, 1995 | ||||||||||||
BOX 140 | Libretto, 1995-1997 | ||||||||||||
(9 folders) | |||||||||||||
BOX 141 | Libretto, 1997, 1999 | ||||||||||||
(7 folders) | |||||||||||||
BOX 142 | Libretto, 1999 | ||||||||||||
(6 folders) | |||||||||||||
BOX 143 | Libretto, 1999-2001 | ||||||||||||
(8 folders) | |||||||||||||
BOX 144 | Libretto, 2001, undated | ||||||||||||
(4 folders) | |||||||||||||
BOX 144 | Scraps, 1997-2000 | ||||||||||||
(2 folders) | |||||||||||||
BOX 144 | Marketing, promotion, and publicity, 1995-2001 | ||||||||||||
(3 folders) | |||||||||||||
BOX 144 | Memoranda and notes, 1992-1994 | ||||||||||||
(2 folders) | |||||||||||||
BOX 145 | Memoranda and notes, 1996-2000 | ||||||||||||
(5 folders) | |||||||||||||
BOX 145 | Reviews, 1997 | ||||||||||||
DF | Revision, 1996, May 1 See Digital Files, mss83183_190_086 | ||||||||||||
BOX 145 | Work journals | ||||||||||||
BOX 145 | Numbers 1-8, 1994-1995 | ||||||||||||
(8 folders) | |||||||||||||
BOX 146 | Numbers 9-20, 1995-1997 | ||||||||||||
(12 folders) | |||||||||||||
BOX 146 | Rewrite, 1997-2000 | ||||||||||||
(4 folders) | |||||||||||||
BOX 146 | Ideas and outlines | ||||||||||||
BOX 146 | "Follow Your Heart" or "Pan," 1946-1947 | ||||||||||||
BOX 146 | "Hattie Heart," undated | ||||||||||||
BOX 146 | "Incredible Lorenzo," 1949 | ||||||||||||
BOX 146 | "The Last Voyage of Lucinda" or "Sail Beyond the Sunset," 1949-1955 | ||||||||||||
BOX 146 | "Mary Dorn," 1950 | ||||||||||||
BOX 146 | Miscellany, circa 1946-1954 | ||||||||||||
BOX 146 | "Three Trials," 1968 | ||||||||||||
BOX 147 | The Koenig Masterpieces, 1951 | ||||||||||||
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