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Music, 1930s-1960s
(continued) |
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Original Compositions, 1930s-1960s
(continued) |
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BOX-FOLDER 2/14 |
It's the Navy, the Navy!
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Holograph score for voice and piano; holograph vocal part in pencil; typescript lyric sheet with annotations |
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Note: Score inscribed to Lt. George M. Powers U.S.N.R. |
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Note: Slight modification of "Father William" from Three choruses from Alice in Wonderland, 1942 |
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BOX-FOLDER 2/15 |
A kiss from Mr. Liszt, 1942
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Holograph score for voice and piano; manuscript lyric sheets with musical annotations |
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BOX-FOLDER 2/15 |
A kiss from Mr. Liszt
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Two holograph scores (photocopy and negative) for voice and piano (incomplete); 2 pages each |
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BOX-FOLDER 2/16 |
Leporello's song
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Holograph lead sheet sketch; miscellaneous sketches |
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Note: Some sketches are unrelated |
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BOX-FOLDER 2/17 |
A letter from Paris
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Holograph score (and two negative photocopies) for voice and piano; holograph sketch; manuscript lyric sheet |
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Laid in: Correspondence from Paul Mills (American Academy of Music, Inc.) to Maynard Kaplan |
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BOX-FOLDER 2/18 |
Lonely little heart |
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Holograph lead sheet; 2 pages |
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BOX-FOLDER 2/19 |
Maggie |
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Collaboration with Richard Wernick |
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Holograph sketches; two Ozalid condensed scores of "Tell it to the worms"; three Ozalid condensed scores of "I wonder" |
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Laid in: Players list; production budget sheets; play synopses; planning notes; correspondence; lyric sheets |
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BOX-FOLDER 2/20 |
McCord's menagerie
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Holograph scores for TBB men's chorus; 10 pages |
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Contents:
- Vultur gryphus
- Jerboa
- Mole
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BOX-FOLDER 2/20 |
McCord's menagerie
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Four photocopies of scores for TBB men's chorus (incomplete); 8 pages each |
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Note: Dedicated to the Harvard Glee club on its 100th anniversary |
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Contents:
- Vultur gryphus
- Jerboa
- Mole
- Clam, or, Whose ooze
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BOX-FOLDER 2/21 |
Measuring music
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Holograph full score; 10 pages |
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BOX-FOLDER 2a/1 |
The Mesabi blues
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Lyrics by Irving Fine and Papa Georgie Fine |
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Holograph score for unaccompanied voice; 2 pages |
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Note: "A Father's Day greeting to Papa Georgie - June 19, 1955, from Claudia, Emily, Joanna, Verna and Irving" written on cover |
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BOX-FOLDER 2a/20 |
Miscellaneous lyrics and sketches |
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Holograph; 14 leaves |
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Laid in: Envelope; song list (mostly from World War II); expense sheet |
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BOX-FOLDER 2a/21 |
Miscellaneous student music workbook |
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Holograph harmony and counterpoint exercises (bound); 26 pages |
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Note: "Irving G. Fine, Dunster J-35, Harvard College" written on cover |
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BOX-FOLDER 15/5 |
Music for piano, 1947
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Ozalid holograph score for piano; 20 pages |
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Contents:
- Prelude
- Waltz-Gavotte
- Variations
- Interlude and finale
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BOX-FOLDER 2a/2 |
My name is Mussolini, 1942
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Holograph piano-vocal score; manuscript lyric sheet |
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BOX-FOLDER 2a/4 |
O Traurigkeit
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Holograph score for organ; 1 page |
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BOX-FOLDER 2a/5 |
Old concerto in manner of Stravinsky-Bach |
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Holograph sketches in pencil (fragile); 7 pages |
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Note: "Concerto - slow movt" written at top |
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BOX-FOLDER 2a/6 |
An old song
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Three Ozalid holograph scores for chorus, one with annotations; 5 pages each |
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BOX-FOLDER 15/6 |
Orchestral preludes
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Photocopy of holograph sketch/short score; 14 pages |
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BOX-FOLDER 2a/7 |
Romanza for wind quintet
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Two Ozalid holograph scores; parts |
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Note: "To Verna," "Commissioned by the Elizabeth Sprague Coolidge Foundation" written at top |
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BOX-FOLDER 2a/7 |
Romanza for wind quintet
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Holograph sketches; 3 pages |
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BOX-FOLDER 2a/8 |
Serious song |
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Holograph sketch; 2 pages |
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Note: Early orchestral version |
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BOX-FOLDER 2a/9 |
Shepherd's song |
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Holograph sketches (fragile); 4 pages |
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BOX-FOLDER 2a/10 |
Sonata for cello |
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Holograph sketch score for cello and piano; 13 pages |
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Note: "Early 1939" on folder |
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BOX-FOLDER 2a/11 |
Sonata for violin and piano |
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Holograph sketch score for violin and piano; 16 pages |
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Note: "Early" on folder |
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BOX-FOLDER 2a/12 |
Song of the flowers
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Ozalid manuscript piano-vocal score; 7 pages |
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BOX-FOLDER 2a/13 |
Springtime is ringtime
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Holograph score for voice and piano (incomplete); holograph sketches; manuscript lyric sheet |
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BOX-FOLDER 2a/14 |
String quartet
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Holograph sketch score; 40 pages |
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Note: "Commissioned by the Koussevitzky Foundation and dedicated to the memory of Serge and Natalie Koussevitzky" written on title page |
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Digital content available
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BOX-FOLDER 2a/14 |
String quartet
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Holograph 12-tone row elaborations; 1 page |
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Laid in: Excerpts from manuscript score transparency; 3 pages |
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Digital image available
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BOX-FOLDER 2a/14 |
String quartet, 1951 September - 1952 May
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Ozalid holograph score; 52 pages |
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Digital content available
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BOX-FOLDER 2a/15 |
Suite for brass instruments
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Holograph full score (incomplete); 2 pages |
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BOX-FOLDER 15/7 |
Symphony 1962
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Ozalid copyist full score with annotations; 32 pages |
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Note: "Print from original masters of Symphony (1962) with corrections for publication" written on cover of portfolio |
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BOX-FOLDER 15/7 |
Symphony 1962
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Photocopy of holograph score; 28 pages |
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Note: Different version |
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BOX-FOLDER 2a/16 |
There'll come a day, 1942
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Words by Michael Lynde |
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Holograph score for voice and piano with annotations; negative photocopy of holograph score |
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BOX-FOLDER 1/2 |
Three choruses from Alice in Wonderland, circa 1942
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Two manuscript scores (transparency and Ozalid) for SATB chorus and piano; 21 pages each |
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Contents:
- Lobster quadrille
- Lullaby of the duchess
- Father William
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BOX-FOLDER 1/3 |
Three choruses from Alice in Wonderland, 1953
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Two holograph scores (transparency and Ozalid) for women's chorus and piano; 19 pages each |
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Note: "Composed for the one hundred and fiftieth anniversary of the founding of Bradford Junior College" written on cover of "Beautiful soup" and "The white knight's song" |
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Contents:
- The knave's letter
- The white knight's song
- Beautiful soup
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BOX-FOLDER 2a/22-27, 15/8 |
Unidentified |
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Holograph sketches; 54 pages |
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BOX-FOLDER 2a/17 |
Waltz
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Holograph score (incomplete); 1 page |
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BOX-FOLDER 2a/18 |
What is this warm feeling?, 1942
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Words by Maynard Kaplan |
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Holograph piano-vocal score; holograph sketches; manuscript lyric sheet sketches |
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BOX-FOLDER 2a/19 |
When men of war roll ashore in Cambridge Town |
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Holograph sketches for voice and piano; 8 pages |
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BOX-FOLDER 1/3 |
The white knight's song, 1943
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Negative photocopy of score for voice and piano; 3 pages |
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Note: From Three choruses from Alice in Wonderland
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Sketchbooks, undated
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Holograph sketches in bound volumes. Contents are identified wherever possible. |
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Arranged by assigned number. |
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BOX-FOLDER 4/1 |
Sketchbook no. 1 |
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Contents: Miscellaneous pencil sketches |
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Laid in: Typed Old Testament verses and pencil sketches |
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BOX-FOLDER 4/2 |
Sketchbook no. 2 |
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Carl Fischer Spiral Music Writing Book |
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Contents: Quartet sketches; text of Ben Jonson's "O know to end as to begin" (used by Fine in The Hour Glass); miscellaneous pencil sketches |
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BOX-FOLDER 4/3 |
Sketchbook no. 3 |
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Schirmer's Wire Bound Music Writing Book |
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