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Music, 1930s-1960s
(continued) |
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Original Compositions, 1930s-1960s
(continued) |
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BOX-FOLDER 2a/6 |
An old song
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Three Ozalid holograph scores for chorus, one with annotations; 5 pages each |
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BOX-FOLDER 15/6 |
Orchestral preludes
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Photocopy of holograph sketch/short score; 14 pages |
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BOX-FOLDER 2a/7 |
Romanza for wind quintet
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Two Ozalid holograph scores; parts |
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Note: "To Verna," "Commissioned by the Elizabeth Sprague Coolidge Foundation" written at top |
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BOX-FOLDER 2a/7 |
Romanza for wind quintet
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Holograph sketches; 3 pages |
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BOX-FOLDER 2a/8 |
Serious song |
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Holograph sketch; 2 pages |
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Note: Early orchestral version |
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BOX-FOLDER 2a/9 |
Shepherd's song |
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Holograph sketches (fragile); 4 pages |
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BOX-FOLDER 2a/10 |
Sonata for cello |
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Holograph sketch score for cello and piano; 13 pages |
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Note: "Early 1939" on folder |
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BOX-FOLDER 2a/11 |
Sonata for violin and piano |
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Holograph sketch score for violin and piano; 16 pages |
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Note: "Early" on folder |
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BOX-FOLDER 2a/12 |
Song of the flowers
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Ozalid manuscript piano-vocal score; 7 pages |
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BOX-FOLDER 2a/13 |
Springtime is ringtime
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Holograph score for voice and piano (incomplete); holograph sketches; manuscript lyric sheet |
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BOX-FOLDER 2a/14 |
String quartet
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Holograph sketch score; 40 pages |
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Note: "Commissioned by the Koussevitzky Foundation and dedicated to the memory of Serge and Natalie Koussevitzky" written on title page |
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Digital content available
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BOX-FOLDER 2a/14 |
String quartet
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Holograph 12-tone row elaborations; 1 page |
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Laid in: Excerpts from manuscript score transparency; 3 pages |
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Digital image available
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BOX-FOLDER 2a/14 |
String quartet, 1951 September - 1952 May
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Ozalid holograph score; 52 pages |
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Digital content available
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BOX-FOLDER 2a/15 |
Suite for brass instruments
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Holograph full score (incomplete); 2 pages |
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BOX-FOLDER 15/7 |
Symphony 1962
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Ozalid copyist full score with annotations; 32 pages |
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Note: "Print from original masters of Symphony (1962) with corrections for publication" written on cover of portfolio |
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BOX-FOLDER 15/7 |
Symphony 1962
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Photocopy of holograph score; 28 pages |
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Note: Different version |
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BOX-FOLDER 2a/16 |
There'll come a day, 1942
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Words by Michael Lynde |
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Holograph score for voice and piano with annotations; negative photocopy of holograph score |
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BOX-FOLDER 1/2 |
Three choruses from Alice in Wonderland, circa 1942
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Two manuscript scores (transparency and Ozalid) for SATB chorus and piano; 21 pages each |
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Contents:
- Lobster quadrille
- Lullaby of the duchess
- Father William
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BOX-FOLDER 1/3 |
Three choruses from Alice in Wonderland, 1953
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Two holograph scores (transparency and Ozalid) for women's chorus and piano; 19 pages each |
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Note: "Composed for the one hundred and fiftieth anniversary of the founding of Bradford Junior College" written on cover of "Beautiful soup" and "The white knight's song" |
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Contents:
- The knave's letter
- The white knight's song
- Beautiful soup
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BOX-FOLDER 2a/22-27, 15/8 |
Unidentified |
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Holograph sketches; 54 pages |
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BOX-FOLDER 2a/17 |
Waltz
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Holograph score (incomplete); 1 page |
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BOX-FOLDER 2a/18 |
What is this warm feeling?, 1942
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Words by Maynard Kaplan |
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Holograph piano-vocal score; holograph sketches; manuscript lyric sheet sketches |
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BOX-FOLDER 2a/19 |
When men of war roll ashore in Cambridge Town |
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Holograph sketches for voice and piano; 8 pages |
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BOX-FOLDER 1/3 |
The white knight's song, 1943
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Negative photocopy of score for voice and piano; 3 pages |
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Note: From Three choruses from Alice in Wonderland
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Sketchbooks, undated
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Holograph sketches in bound volumes. Contents are identified wherever possible. |
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Arranged by assigned number. |
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BOX-FOLDER 4/1 |
Sketchbook no. 1 |
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Contents: Miscellaneous pencil sketches |
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Laid in: Typed Old Testament verses and pencil sketches |
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BOX-FOLDER 4/2 |
Sketchbook no. 2 |
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Carl Fischer Spiral Music Writing Book |
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Contents: Quartet sketches; text of Ben Jonson's "O know to end as to begin" (used by Fine in The Hour Glass); miscellaneous pencil sketches |
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BOX-FOLDER 4/3 |
Sketchbook no. 3 |
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Schirmer's Wire Bound Music Writing Book |
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Contents: Florida sketches; miscellaneous pencil sketches with 6 pages laid in; "My Little Salamander" |
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BOX-FOLDER 4/4 |
Sketchbook no. 4 |
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Carl Fischer Spiral Music Writing Book |
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Contents: Three pages of unidentified pencil sketches |
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BOX-FOLDER 4/5 |
Sketchbook no. 5 |
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Pheasant Music Book |
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Contents: Sketches for woodwind partita and string quartet |
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Digital content available
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BOX-FOLDER 4/6 |
Sketchbook no. 6 |
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The Spiral Music |
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Contents: Harmony exercises in pencil with 31 pages laid in |
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BOX-FOLDER 4/7 |
Sketchbook no. 7 |
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The Spiral Music |
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Contents: Unidentified pencil sketches |
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BOX-FOLDER 4/8 |
Sketchbook no. 8 |
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Boston Music Co. Series of Manuscript Books |
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Contents: Unidentified pencil sketches |
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BOX-FOLDER 4/9 |
Sketchbook no. 9 |
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Carl Fischer Spiral Music Writing Book |
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Contents: Orchestral piece; tone row and transformations |
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BOX-FOLDER 4/10 |
Sketchbook no. 10 |
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Pheasant Music Book |
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Contents: Pencil sketches, mostly unidentified except for "Sad Sack at the U. S. O." and "Choral New Yorker" |
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BOX-FOLDER 4/11 |
Sketchbook no. 11 |
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Composer's Manuscript Tablet |
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Contents: Mostly counterpoint exercises |
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BOX-FOLDER 4/12 |
Sketchbook no. 12 |
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The Spiral Music |
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Contents: Pencil sketches, consisting of a tone row very similar to that in Sketchbook no. 9 |
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BOX-FOLDER 4/13 |
Sketchbook no. 13 |
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Schirmer's Spiral Music Writing Book |
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Contents: Unidentified pencil sketches |
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BOX-FOLDER 4/14 |
Sketchbook no. 14 |
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The Spiral Music |
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Contents: Unidentified pencil sketches |
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BOX-FOLDER 4/15 |
Sketchbook no. 15 |
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Champion music book |
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Contents: Unidentified pencil sketches |
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BOX-FOLDER 4/16 |
Sketchbook no. 16 |
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France |
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Contents: Pencil sketches, including some for a violin sonata |
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BOX-FOLDER 4/17 |
Sketchbook no. 17 |
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Perfect Riter Music Book |
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Contents: Unidentified sketches in pencil and ink |
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BOX-FOLDER 4/18 |
Sketchbook no. 18 |
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Champion music book |
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Contents: Holograph sketches in pencil and dream description |
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Music by Others, 1943-1963
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Manuscript and printed scores, many of which are inscribed to Fine. Includes works by David Diamond, Jack Gottlieb, Walter Piston, Gardner Read, Claudio Spies, and Louise Talma. |
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