| | | | | | | | | | | | | |
|
Music, 1930s-1960s
(continued) |
|
Original Compositions, 1930s-1960s
(continued) |
|
String quartet
(continued) |
|
Holograph 12-tone row elaborations; 1 page |
|
Laid in: Excerpts from manuscript score transparency; 3 pages |
|
Digital image available
|
|
BOX-FOLDER 2a/14 |
String quartet, 1951 September - 1952 May
|
|
Ozalid holograph score; 52 pages |
|
Digital content available
|
|
BOX-FOLDER 2a/15 |
Suite for brass instruments
|
|
Holograph full score (incomplete); 2 pages |
|
BOX-FOLDER 15/7 |
Symphony 1962
|
|
Ozalid copyist full score with annotations; 32 pages |
|
Note: "Print from original masters of Symphony (1962) with corrections for publication" written on cover of portfolio |
|
BOX-FOLDER 15/7 |
Symphony 1962
|
|
Photocopy of holograph score; 28 pages |
|
Note: Different version |
|
BOX-FOLDER 2a/16 |
There'll come a day, 1942
|
|
Words by Michael Lynde |
|
Holograph score for voice and piano with annotations; negative photocopy of holograph score |
|
BOX-FOLDER 1/2 |
Three choruses from Alice in Wonderland, circa 1942
|
|
Two manuscript scores (transparency and Ozalid) for SATB chorus and piano; 21 pages each |
|
Contents:
- Lobster quadrille
- Lullaby of the duchess
- Father William
|
|
BOX-FOLDER 1/3 |
Three choruses from Alice in Wonderland, 1953
|
|
Two holograph scores (transparency and Ozalid) for women's chorus and piano; 19 pages each |
|
Note: "Composed for the one hundred and fiftieth anniversary of the founding of Bradford Junior College" written on cover of "Beautiful soup" and "The white knight's song" |
|
Contents:
- The knave's letter
- The white knight's song
- Beautiful soup
|
|
BOX-FOLDER 2a/22-27, 15/8 |
Unidentified |
|
Holograph sketches; 54 pages |
|
BOX-FOLDER 2a/17 |
Waltz
|
|
Holograph score (incomplete); 1 page |
|
BOX-FOLDER 2a/18 |
What is this warm feeling?, 1942
|
|
Words by Maynard Kaplan |
|
Holograph piano-vocal score; holograph sketches; manuscript lyric sheet sketches |
|
BOX-FOLDER 2a/19 |
When men of war roll ashore in Cambridge Town |
|
Holograph sketches for voice and piano; 8 pages |
|
BOX-FOLDER 1/3 |
The white knight's song, 1943
|
|
Negative photocopy of score for voice and piano; 3 pages |
|
Note: From Three choruses from Alice in Wonderland
|
|
|
Sketchbooks, undated
|
|
Holograph sketches in bound volumes. Contents are identified wherever possible. |
|
Arranged by assigned number. |
|
BOX-FOLDER 4/1 |
Sketchbook no. 1 |
|
Contents: Miscellaneous pencil sketches |
|
Laid in: Typed Old Testament verses and pencil sketches |
|
BOX-FOLDER 4/2 |
Sketchbook no. 2 |
|
Carl Fischer Spiral Music Writing Book |
|
Contents: Quartet sketches; text of Ben Jonson's "O know to end as to begin" (used by Fine in The Hour Glass); miscellaneous pencil sketches |
|
BOX-FOLDER 4/3 |
Sketchbook no. 3 |
|
Schirmer's Wire Bound Music Writing Book |
|
Contents: Florida sketches; miscellaneous pencil sketches with 6 pages laid in; "My Little Salamander" |
|
BOX-FOLDER 4/4 |
Sketchbook no. 4 |
|
Carl Fischer Spiral Music Writing Book |
|
Contents: Three pages of unidentified pencil sketches |
|
BOX-FOLDER 4/5 |
Sketchbook no. 5 |
|
Pheasant Music Book |
|
Contents: Sketches for woodwind partita and string quartet |
|
Digital content available
|
|
BOX-FOLDER 4/6 |
Sketchbook no. 6 |
|
The Spiral Music |
|
Contents: Harmony exercises in pencil with 31 pages laid in |
|
BOX-FOLDER 4/7 |
Sketchbook no. 7 |
|
The Spiral Music |
|
Contents: Unidentified pencil sketches |
|
BOX-FOLDER 4/8 |
Sketchbook no. 8 |
|
Boston Music Co. Series of Manuscript Books |
|
Contents: Unidentified pencil sketches |
|
BOX-FOLDER 4/9 |
Sketchbook no. 9 |
|
Carl Fischer Spiral Music Writing Book |
|
Contents: Orchestral piece; tone row and transformations |
|
BOX-FOLDER 4/10 |
Sketchbook no. 10 |
|
Pheasant Music Book |
|
Contents: Pencil sketches, mostly unidentified except for "Sad Sack at the U. S. O." and "Choral New Yorker" |
|
BOX-FOLDER 4/11 |
Sketchbook no. 11 |
|
Composer's Manuscript Tablet |
|
Contents: Mostly counterpoint exercises |
|
BOX-FOLDER 4/12 |
Sketchbook no. 12 |
|
The Spiral Music |
|
Contents: Pencil sketches, consisting of a tone row very similar to that in Sketchbook no. 9 |
|
BOX-FOLDER 4/13 |
Sketchbook no. 13 |
|
Schirmer's Spiral Music Writing Book |
|
Contents: Unidentified pencil sketches |
|
BOX-FOLDER 4/14 |
Sketchbook no. 14 |
|
The Spiral Music |
|
Contents: Unidentified pencil sketches |
|
BOX-FOLDER 4/15 |
Sketchbook no. 15 |
|
Champion music book |
|
Contents: Unidentified pencil sketches |
|
BOX-FOLDER 4/16 |
Sketchbook no. 16 |
|
France |
|
Contents: Pencil sketches, including some for a violin sonata |
|
BOX-FOLDER 4/17 |
Sketchbook no. 17 |
|
Perfect Riter Music Book |
|
Contents: Unidentified sketches in pencil and ink |
|
BOX-FOLDER 4/18 |
Sketchbook no. 18 |
|
Champion music book |
|
Contents: Holograph sketches in pencil and dream description |
|
|
Music by Others, 1943-1963
|
|
Manuscript and printed scores, many of which are inscribed to Fine. Includes works by David Diamond, Jack Gottlieb, Walter Piston, Gardner Read, Claudio Spies, and Louise Talma. |
|
Arranged alphabetically by composer and title therein. |
|
Ballantine, Edward
|
|
BOX-FOLDER 3/1 |
Early in the morning and other pieces, for pianoforte.
Boston: Arthur P. Schmidt Co., 1947. |
|
Note: Inscribed by the composer |
|
BOX-FOLDER 3/1 |
Variations for piano on Mary had a little lamb (2nd series).
Boston: Arthur P. Schmidt Co., 1943. |
|
Note: Inscribed by the composer |
|
Berger, Arthur
|
|
BOX-FOLDER 3/2 |
Three bagatelles for piano.
New York: Edward B. Marks Music Corporation, 1948. |
|
Note: "For Irving--recalling old friendship that endures. Arthur. Jan. 1948" written on title page |
|
Boulanger, Nadia
|
|
BOX-FOLDER 2a/3 |
Harmony course
|
|
Harmony/figured bass exercises (copy of manuscript); 2 books |
|
Briggs, Mary
|
|
BOX-FOLDER 3/3 |
Sonata for flute and piano, 1947 December
|
|
Ozalid manuscript score with annotations; flute part |
|
Note: "To Irving & Verna for multiple kindnesses" written at top |
|
Cazden, Norman
|
|
BOX-FOLDER 3/4 |
Passacaglia for piano, opus 46, 1944
|
|
Ozalid manuscript score; 7 pages |
|
Note: Inscribed by the composer |
|
Diamond, David
|
|
BOX-FOLDER 3/5 |
Timon of Athens: a symphonic portrait after Shakespeare.
New York: Leeds Music Corporation, 1950. |
|
Study score |
|
Note: "For Verna & Irving, with much affection, David, July 31, 1950, Tanglewood" written on title page |
|
Gottlieb, Jack
|
|
BOX-FOLDER 3/6 |
Songs of loneliness, on seven poems by Constantine Cavafy, 1962
|
|
Ozalid manuscript score for voice and piano; 36 pages |
|
Note: Dedicated to Irving Fine |
|
Haieff, Alexei
|
| Next Page » |
