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Music, 1930s-1960s
(continued) |
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Sketchbooks, undated
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Holograph sketches in bound volumes. Contents are identified wherever possible. |
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Arranged by assigned number. |
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BOX-FOLDER 4/1 |
Sketchbook no. 1 |
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Contents: Miscellaneous pencil sketches |
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Laid in: Typed Old Testament verses and pencil sketches |
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BOX-FOLDER 4/2 |
Sketchbook no. 2 |
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Carl Fischer Spiral Music Writing Book |
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Contents: Quartet sketches; text of Ben Jonson's "O know to end as to begin" (used by Fine in The Hour Glass); miscellaneous pencil sketches |
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BOX-FOLDER 4/3 |
Sketchbook no. 3 |
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Schirmer's Wire Bound Music Writing Book |
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Contents: Florida sketches; miscellaneous pencil sketches with 6 pages laid in; "My Little Salamander" |
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BOX-FOLDER 4/4 |
Sketchbook no. 4 |
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Carl Fischer Spiral Music Writing Book |
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Contents: Three pages of unidentified pencil sketches |
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BOX-FOLDER 4/5 |
Sketchbook no. 5 |
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Pheasant Music Book |
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Contents: Sketches for woodwind partita and string quartet |
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Digital content available
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BOX-FOLDER 4/6 |
Sketchbook no. 6 |
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The Spiral Music |
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Contents: Harmony exercises in pencil with 31 pages laid in |
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BOX-FOLDER 4/7 |
Sketchbook no. 7 |
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The Spiral Music |
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Contents: Unidentified pencil sketches |
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BOX-FOLDER 4/8 |
Sketchbook no. 8 |
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Boston Music Co. Series of Manuscript Books |
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Contents: Unidentified pencil sketches |
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BOX-FOLDER 4/9 |
Sketchbook no. 9 |
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Carl Fischer Spiral Music Writing Book |
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Contents: Orchestral piece; tone row and transformations |
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BOX-FOLDER 4/10 |
Sketchbook no. 10 |
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Pheasant Music Book |
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Contents: Pencil sketches, mostly unidentified except for "Sad Sack at the U. S. O." and "Choral New Yorker" |
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BOX-FOLDER 4/11 |
Sketchbook no. 11 |
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Composer's Manuscript Tablet |
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Contents: Mostly counterpoint exercises |
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BOX-FOLDER 4/12 |
Sketchbook no. 12 |
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The Spiral Music |
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Contents: Pencil sketches, consisting of a tone row very similar to that in Sketchbook no. 9 |
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BOX-FOLDER 4/13 |
Sketchbook no. 13 |
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Schirmer's Spiral Music Writing Book |
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Contents: Unidentified pencil sketches |
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BOX-FOLDER 4/14 |
Sketchbook no. 14 |
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The Spiral Music |
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Contents: Unidentified pencil sketches |
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BOX-FOLDER 4/15 |
Sketchbook no. 15 |
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Champion music book |
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Contents: Unidentified pencil sketches |
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BOX-FOLDER 4/16 |
Sketchbook no. 16 |
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France |
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Contents: Pencil sketches, including some for a violin sonata |
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BOX-FOLDER 4/17 |
Sketchbook no. 17 |
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Perfect Riter Music Book |
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Contents: Unidentified sketches in pencil and ink |
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BOX-FOLDER 4/18 |
Sketchbook no. 18 |
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Champion music book |
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Contents: Holograph sketches in pencil and dream description |
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Music by Others, 1943-1963
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Manuscript and printed scores, many of which are inscribed to Fine. Includes works by David Diamond, Jack Gottlieb, Walter Piston, Gardner Read, Claudio Spies, and Louise Talma. |
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Arranged alphabetically by composer and title therein. |
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Ballantine, Edward
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BOX-FOLDER 3/1 |
Early in the morning and other pieces, for pianoforte.
Boston: Arthur P. Schmidt Co., 1947. |
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Note: Inscribed by the composer |
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BOX-FOLDER 3/1 |
Variations for piano on Mary had a little lamb (2nd series).
Boston: Arthur P. Schmidt Co., 1943. |
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Note: Inscribed by the composer |
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Berger, Arthur
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BOX-FOLDER 3/2 |
Three bagatelles for piano.
New York: Edward B. Marks Music Corporation, 1948. |
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Note: "For Irving--recalling old friendship that endures. Arthur. Jan. 1948" written on title page |
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Boulanger, Nadia
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BOX-FOLDER 2a/3 |
Harmony course
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Harmony/figured bass exercises (copy of manuscript); 2 books |
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Briggs, Mary
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BOX-FOLDER 3/3 |
Sonata for flute and piano, 1947 December
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Ozalid manuscript score with annotations; flute part |
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Note: "To Irving & Verna for multiple kindnesses" written at top |
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Cazden, Norman
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BOX-FOLDER 3/4 |
Passacaglia for piano, opus 46, 1944
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Ozalid manuscript score; 7 pages |
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Note: Inscribed by the composer |
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Diamond, David
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BOX-FOLDER 3/5 |
Timon of Athens: a symphonic portrait after Shakespeare.
New York: Leeds Music Corporation, 1950. |
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Study score |
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Note: "For Verna & Irving, with much affection, David, July 31, 1950, Tanglewood" written on title page |
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Gottlieb, Jack
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BOX-FOLDER 3/6 |
Songs of loneliness, on seven poems by Constantine Cavafy, 1962
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Ozalid manuscript score for voice and piano; 36 pages |
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Note: Dedicated to Irving Fine |
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Haieff, Alexei
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BOX-FOLDER 3/7 |
Saints' wheel: variations on a circle of fifths, for piano, 1960
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Ozalid holograph score; 6 pages |
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Note: "To my dear Irving with love, admiration and a 'prehistoric' friendship, Alexei, NY, Dec. 1960" written on cover |
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Note: Commissioned by the Naumburg Foundation |
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Jones, Collier
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BOX-FOLDER 3/8 |
Sonata for piano, 1956
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Ozalid manuscript score; 14 pages |
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Note: Inscribed by the composer |
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Laid in: Manuscript letter to Irving Fine from Collier (Charlie) Jones |
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Kohn, Karl
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BOX-FOLDER 3/9 |
Five pieces for piano, 1955
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Ozalid copyist score; 18 pages |
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Note: "For Irving, with best wishes, from Karl" written at top |
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BOX-FOLDER 3/9 |
Sonatina for piano, 1950
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Ozalid copyist score; 11 pages |
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Note: "For my friend and teacher Irving Fine, from Karl Kohn" written at top |
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Lukewitz, Joseph
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BOX-FOLDER 3/10 |
Poems by a little girl, for mixed chorus a capella, 1959
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Ozalid copyist score; 26 pages |
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Note: "To Irving Fine--in friendship, Joseph Lukewitz, Feb. 1960" written at top |
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Orgad, Ben-Zion
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BOX-FOLDER 3/11 |
Out of the dust: three songs by Er'ela Ur, 1960
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Ozalid copyist score for mezzo-soprano or alto, flute, bassoon, viola, and cello; 45 pages |
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Note: "To Prof. Fine, with many thanks and admiration, Ben-Zion Orgad, Brandeis 1961" written on title page |
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Piston, Walter
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BOX-FOLDER 3/12 |
Passacaglia for piano.
New York: Mercury Music Corporation, 1943. |
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Note: Inscribed by the composer |
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BOX-FOLDER 3/12 |
Prelude and allegro, for organ and strings.
New York: Arrow Music Press, Inc., 1944. |
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Note: Inscribed by the composer |
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Read, Gardner
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BOX-FOLDER 16/1 |
Passacaglia and fugue, in D minor, for organ, op. 34.
Boston: R.D. Row Music Company, 1937. |
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Note: "To Irving and Verna, with warmest good wishes, Gardner Read, 9/15/47" written on title page |
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Salas, Juan Orrego
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BOX-FOLDER 16/2 |
Canticos de Navidad
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Ozalid 3-part vocal score; 4 pages |
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Note: "To my good friend and colleague Irving Fine with best wishes, Juan Orrego Salas, 1952" written on cover |
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