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Music, 1930s-1960s
(continued) |
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Music by Others, 1943-1963
(continued) |
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Sonata for flute and piano, 1947 December
(continued) |
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Ozalid manuscript score with annotations; flute part |
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Note: "To Irving & Verna for multiple kindnesses" written at top |
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Cazden, Norman
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BOX-FOLDER 3/4 |
Passacaglia for piano, opus 46, 1944
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Ozalid manuscript score; 7 pages |
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Note: Inscribed by the composer |
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Diamond, David
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BOX-FOLDER 3/5 |
Timon of Athens: a symphonic portrait after Shakespeare.
New York: Leeds Music Corporation, 1950. |
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Study score |
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Note: "For Verna & Irving, with much affection, David, July 31, 1950, Tanglewood" written on title page |
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Gottlieb, Jack
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BOX-FOLDER 3/6 |
Songs of loneliness, on seven poems by Constantine Cavafy, 1962
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Ozalid manuscript score for voice and piano; 36 pages |
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Note: Dedicated to Irving Fine |
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Haieff, Alexei
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BOX-FOLDER 3/7 |
Saints' wheel: variations on a circle of fifths, for piano, 1960
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Ozalid holograph score; 6 pages |
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Note: "To my dear Irving with love, admiration and a 'prehistoric' friendship, Alexei, NY, Dec. 1960" written on cover |
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Note: Commissioned by the Naumburg Foundation |
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Jones, Collier
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BOX-FOLDER 3/8 |
Sonata for piano, 1956
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Ozalid manuscript score; 14 pages |
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Note: Inscribed by the composer |
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Laid in: Manuscript letter to Irving Fine from Collier (Charlie) Jones |
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Kohn, Karl
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BOX-FOLDER 3/9 |
Five pieces for piano, 1955
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Ozalid copyist score; 18 pages |
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Note: "For Irving, with best wishes, from Karl" written at top |
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BOX-FOLDER 3/9 |
Sonatina for piano, 1950
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Ozalid copyist score; 11 pages |
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Note: "For my friend and teacher Irving Fine, from Karl Kohn" written at top |
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Lukewitz, Joseph
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BOX-FOLDER 3/10 |
Poems by a little girl, for mixed chorus a capella, 1959
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Ozalid copyist score; 26 pages |
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Note: "To Irving Fine--in friendship, Joseph Lukewitz, Feb. 1960" written at top |
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Orgad, Ben-Zion
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BOX-FOLDER 3/11 |
Out of the dust: three songs by Er'ela Ur, 1960
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Ozalid copyist score for mezzo-soprano or alto, flute, bassoon, viola, and cello; 45 pages |
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Note: "To Prof. Fine, with many thanks and admiration, Ben-Zion Orgad, Brandeis 1961" written on title page |
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Piston, Walter
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BOX-FOLDER 3/12 |
Passacaglia for piano.
New York: Mercury Music Corporation, 1943. |
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Note: Inscribed by the composer |
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BOX-FOLDER 3/12 |
Prelude and allegro, for organ and strings.
New York: Arrow Music Press, Inc., 1944. |
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Note: Inscribed by the composer |
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Read, Gardner
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BOX-FOLDER 16/1 |
Passacaglia and fugue, in D minor, for organ, op. 34.
Boston: R.D. Row Music Company, 1937. |
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Note: "To Irving and Verna, with warmest good wishes, Gardner Read, 9/15/47" written on title page |
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Salas, Juan Orrego
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BOX-FOLDER 16/2 |
Canticos de Navidad
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Ozalid 3-part vocal score; 4 pages |
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Note: "To my good friend and colleague Irving Fine with best wishes, Juan Orrego Salas, 1952" written on cover |
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Contents:
- Villancico I
- Aleluya
- Villancico (Danza)
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Sapp, Allen
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BOX-FOLDER 16/3 |
A maiden's complaint in spring-time: chamber cantata for women's voices and nine instruments, 1959
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Photocopy of holograph piano-vocal score; 30 pages |
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Note: "To Irving Fine, from whom I learned how to be a musician and for whom my admiration has continued to grow" written on cover |
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BOX-FOLDER 16/3 |
Trio no. 1 for piano, violin, and cello, 1949
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Ozalid holograph score; 37 pages |
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Note: "To Irving in appreciation for everything, Allen" written on cover |
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Shapero, Harold
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BOX-FOLDER 16/4 |
Three amateur sonatas, 1944
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Ozalid holograph score for piano with annotations; 33 pages |
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Note: "To Irving and Verna in real friendship from H. S., January 3, 1945" written on cover |
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BOX-FOLDER 16/4 |
Variations in C minor, for piano, 1947
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Ozalid holograph score; 17 pages |
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Note: "To Igor Stravinsky" written at top and "To Irving on his birthday, December 3, 1947, from Harold" written on cover |
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Spies, Claudio
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BOX-FOLDER 16/5 |
Descanso en jardín: tres cantos por los míos en Conchalí, for tenor, baritone, flute, oboe, clarinet, and bassoon, 1957
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Ozalid holograph score with annotations; 24 pages |
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Note: "For Irving, in ancient friendship!, Claudio, 2.VI.1957" written on cover |
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BOX-FOLDER 16/5 |
Recitativo and aria, for flute and piano, 1946
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Ozalid holograph score; 11 pages |
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Note: "For Irving and Verna with my best wishes, Claudio, Cambridge, 7.X.1947" written on title page |
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BOX-FOLDER 16/5 |
Sonata-allegro, for piano, 1945
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Ozalid holograph score; 9 pages |
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Note: "For Irving with my gratitude, Claudio, 24.XI.1946" written on title page |
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Talma, Louise
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BOX-FOLDER 16/6 |
Alleluia in form of toccata, for piano.
New York: Carl Fischer, Inc., 1947. |
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Note: "For Irving, with admiration and affection, Louise" written on cover |
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BOX-FOLDER 16/6 |
String quartet, 1954
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Ozalid holograph score; 35 pages |
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Note: "To dear Irving, from whom I learned how to write this quartet, Love Louise, November 17, 1954" written on cover |
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Wernick, Richard
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BOX-FOLDER 16/7 |
Trio for clarinet, violin, and violoncello, 1962
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Ozalid copyist's score; 20 pages |
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Note: "For my dear friend Verna Fine with much love, Dick, 3/23/63" written on title page |
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BOX 5 |
Writings, 1940s-1963
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Mostly drafts of articles, lectures, and program notes by Fine. Includes a small amount of material by other authors. |
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Organized as two subseries. |
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Writings by Irving Fine, 1940s-1957
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Manuscript and typescript articles, lectures, program notes, and other writings by Fine. Some include reference materials, biographical information, or other associated items. |
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Arranged alphabetically by title or subject. |
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BOX-FOLDER 5/1 |
Brandeis School of Creative Arts, 1955
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Typescript with annotations; 6 pages |
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BOX-FOLDER 5/2 |
Composer and his audience, 1956
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Typescript; 11 pages |
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BOX-FOLDER 5/3 |
Education for youth in the world of today and tomorrow |
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Typescript with annotations; 7 pages |
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BOX-FOLDER 5/4 |
Elementary theory in the music curriculum at Harvard College |
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Typescript with annotations; 9 pages (2 copies) |
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BOX-FOLDER 5/5 |
Milhaud, Darius, 1949
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Typescript with annotations; 4 pages |
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BOX-FOLDER 5/6 |
Miscellaneous notes and musings |
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Manuscript; 9 leaves |
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BOX-FOLDER 5/7 |
Musique concrète |
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Typescript with annotations; manuscript notes; reference materials |
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BOX-FOLDER 5/8 |
Program notes |
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Typescript/manuscript materials, including a biographical sketch; 14 pages |
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BOX-FOLDER 5/9 |
The School of Creative Arts, 1952
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Typescript copy; 2 pages |
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BOX-FOLDER 5/10 |
The story of twentieth century music, 1940s
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Typescript draft with annotations; photocopy of published version |
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BOX-FOLDER 5/11 |
Tanglewood. American music, 1947
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Typescript/manuscript materials for lectures at Tanglewood and Amherst College, including notes, outlines, drafts; 59 pages |
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BOX-FOLDER 5/12 |
Tanglewood. Seminar in contemporary music, 1957
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Typescript/manuscript lectures; 39 pages |
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Contents:
- American Composer - Older Generation
- Neo Classicism
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BOX-FOLDER 5/13 |
Twelve poems of Emily Dickinson set to music by Aaron Copland, 1953
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Typescript and manuscript drafts; 9 pages |
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BOX-FOLDER 5/14 |
What is the proper function of music criticism? |
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Typescript; 4 pages |
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Writings by Others
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One radio broadcast transcript and two other works about Fine, as well as a script by John Horne Burnes. |
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Arranged alphabetically by author. |
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BOX-FOLDER 5/15 |
Burns, John Horne. "Modo and the mortals. A play in one act, with music," undated
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