| Container | Contents | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Music, 1930s-1960s (continued) | |||||||||||||
| Music by Others, 1943-1963 (continued) | |||||||||||||
| Canticos de Navidad (continued) | |||||||||||||
Contents:
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| Sapp, Allen | |||||||||||||
| BOX-FOLDER 16/3 | A maiden's complaint in spring-time: chamber cantata for women's voices and nine instruments, 1959 | ||||||||||||
| Photocopy of holograph piano-vocal score; 30 pages | |||||||||||||
| Note: "To Irving Fine, from whom I learned how to be a musician and for whom my admiration has continued to grow" written on cover | |||||||||||||
| BOX-FOLDER 16/3 | Trio no. 1 for piano, violin, and cello, 1949 | ||||||||||||
| Ozalid holograph score; 37 pages | |||||||||||||
| Note: "To Irving in appreciation for everything, Allen" written on cover | |||||||||||||
| Shapero, Harold | |||||||||||||
| BOX-FOLDER 16/4 | Three amateur sonatas, 1944 | ||||||||||||
| Ozalid holograph score for piano with annotations; 33 pages | |||||||||||||
| Note: "To Irving and Verna in real friendship from H. S., January 3, 1945" written on cover | |||||||||||||
| BOX-FOLDER 16/4 | Variations in C minor, for piano, 1947 | ||||||||||||
| Ozalid holograph score; 17 pages | |||||||||||||
| Note: "To Igor Stravinsky" written at top and "To Irving on his birthday, December 3, 1947, from Harold" written on cover | |||||||||||||
| Spies, Claudio | |||||||||||||
| BOX-FOLDER 16/5 | Descanso en jardín: tres cantos por los míos en Conchalí, for tenor, baritone, flute, oboe, clarinet, and bassoon, 1957 | ||||||||||||
| Ozalid holograph score with annotations; 24 pages | |||||||||||||
| Note: "For Irving, in ancient friendship!, Claudio, 2.VI.1957" written on cover | |||||||||||||
| BOX-FOLDER 16/5 | Recitativo and aria, for flute and piano, 1946 | ||||||||||||
| Ozalid holograph score; 11 pages | |||||||||||||
| Note: "For Irving and Verna with my best wishes, Claudio, Cambridge, 7.X.1947" written on title page | |||||||||||||
| BOX-FOLDER 16/5 | Sonata-allegro, for piano, 1945 | ||||||||||||
| Ozalid holograph score; 9 pages | |||||||||||||
| Note: "For Irving with my gratitude, Claudio, 24.XI.1946" written on title page | |||||||||||||
| Talma, Louise | |||||||||||||
| BOX-FOLDER 16/6 | Alleluia in form of toccata, for piano. New York: Carl Fischer, Inc., 1947. | ||||||||||||
| Note: "For Irving, with admiration and affection, Louise" written on cover | |||||||||||||
| BOX-FOLDER 16/6 | String quartet, 1954 | ||||||||||||
| Ozalid holograph score; 35 pages | |||||||||||||
| Note: "To dear Irving, from whom I learned how to write this quartet, Love Louise, November 17, 1954" written on cover | |||||||||||||
| Wernick, Richard | |||||||||||||
| BOX-FOLDER 16/7 | Trio for clarinet, violin, and violoncello, 1962 | ||||||||||||
| Ozalid copyist's score; 20 pages | |||||||||||||
| Note: "For my dear friend Verna Fine with much love, Dick, 3/23/63" written on title page | |||||||||||||
| BOX 5 | Writings, 1940s-1963 | ||||||||||||
| Mostly drafts of articles, lectures, and program notes by Fine. Includes a small amount of material by other authors. | |||||||||||||
| Organized as two subseries. | |||||||||||||
| Writings by Irving Fine, 1940s-1957 | |||||||||||||
| Manuscript and typescript articles, lectures, program notes, and other writings by Fine. Some include reference materials, biographical information, or other associated items. | |||||||||||||
| Arranged alphabetically by title or subject. | |||||||||||||
| BOX-FOLDER 5/1 | Brandeis School of Creative Arts, 1955 | ||||||||||||
| Typescript with annotations; 6 pages | |||||||||||||
| BOX-FOLDER 5/2 | Composer and his audience, 1956 | ||||||||||||
| Typescript; 11 pages | |||||||||||||
| BOX-FOLDER 5/3 | Education for youth in the world of today and tomorrow | ||||||||||||
| Typescript with annotations; 7 pages | |||||||||||||
| BOX-FOLDER 5/4 | Elementary theory in the music curriculum at Harvard College | ||||||||||||
| Typescript with annotations; 9 pages (2 copies) | |||||||||||||
| BOX-FOLDER 5/5 | Milhaud, Darius, 1949 | ||||||||||||
| Typescript with annotations; 4 pages | |||||||||||||
| BOX-FOLDER 5/6 | Miscellaneous notes and musings | ||||||||||||
| Manuscript; 9 leaves | |||||||||||||
| BOX-FOLDER 5/7 | Musique concrète | ||||||||||||
| Typescript with annotations; manuscript notes; reference materials | |||||||||||||
| BOX-FOLDER 5/8 | Program notes | ||||||||||||
| Typescript/manuscript materials, including a biographical sketch; 14 pages | |||||||||||||
| BOX-FOLDER 5/9 | The School of Creative Arts, 1952 | ||||||||||||
| Typescript copy; 2 pages | |||||||||||||
| BOX-FOLDER 5/10 | The story of twentieth century music, 1940s | ||||||||||||
| Typescript draft with annotations; photocopy of published version | |||||||||||||
| BOX-FOLDER 5/11 | Tanglewood. American music, 1947 | ||||||||||||
| Typescript/manuscript materials for lectures at Tanglewood and Amherst College, including notes, outlines, drafts; 59 pages | |||||||||||||
| BOX-FOLDER 5/12 | Tanglewood. Seminar in contemporary music, 1957 | ||||||||||||
| Typescript/manuscript lectures; 39 pages | |||||||||||||
Contents:
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| BOX-FOLDER 5/13 | Twelve poems of Emily Dickinson set to music by Aaron Copland, 1953 | ||||||||||||
| Typescript and manuscript drafts; 9 pages | |||||||||||||
| BOX-FOLDER 5/14 | What is the proper function of music criticism? | ||||||||||||
| Typescript; 4 pages | |||||||||||||
| Writings by Others | |||||||||||||
| One radio broadcast transcript and two other works about Fine, as well as a script by John Horne Burnes. | |||||||||||||
| Arranged alphabetically by author. | |||||||||||||
| BOX-FOLDER 5/15 | Burns, John Horne. "Modo and the mortals. A play in one act, with music," undated | ||||||||||||
| Photocopy of typescript; 25 pages | |||||||||||||
| BOX-FOLDER 5/17 | Pizer, Stephen M. "Irving Fine," 1962-1963 | ||||||||||||
| Photocopy of typescript college paper and three letters from Pizer to Fine | |||||||||||||
| BOX-FOLDER 5/18 | Pollack, Howard. "Irving Fine," undated | ||||||||||||
| BOX-FOLDER 5/16 | University of Michigan. "Irving Fine: An American Genius" (radio broadcast) | ||||||||||||
| Photocopy of typescript; 8 pages | |||||||||||||
| BOX 6-7, 13 | Correspondence, 1941-1992 | ||||||||||||
| Letters and other communications to and from Irving and Verna Fine. Many of these are with siginificant composers, such as Leonard Bernstein, Aaron Copland, Lukas Foss, Alberto Ginastera, Ned Rorem, William Schuman, and others. Includes several years of business-related correspondence. | |||||||||||||
| Organized as two subseries. | |||||||||||||
| General Correspondence, 1934-1992 | |||||||||||||
| Chiefly letters between Irving and Vera Fine and notable composers, family members, and organizations. | |||||||||||||
| Arranged alphabetically by name. | |||||||||||||
| BOX-FOLDER 6/1-3 | Bernstein, Leonard, 1945-1991 | ||||||||||||
| BOX-FOLDER 6/4 | Boosey & Hawkes, 1961 | ||||||||||||
| BOX-FOLDER 6/5 | Boulanger, Nadia, 1947-1970 | ||||||||||||
| BOX-FOLDER 6/6 | Brandeis University, 1961-1967 | ||||||||||||
| BOX-FOLDER 6/7 | Breuer, Robert, 1962 | ||||||||||||
| Burkat, Leonard
see Columbia Broadcasting System, Inc. |
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| BOX-FOLDER 6/8 | Columbia Broadcasting System, Inc., 1966 | ||||||||||||
| BOX-FOLDER 6/9-10 | Condolences | ||||||||||||
| Note: Regarding Irving Fine | |||||||||||||
| BOX-FOLDER 6/11-15 | Copland, Aaron, 1944-1977, 1980-1991 | ||||||||||||
| BOX-FOLDER 6/16 | Cummington School of the Arts, 1962 | ||||||||||||
| BOX-FOLDER 6/17 | Davis, Sylvia, 1962 | ||||||||||||
| BOX-FOLDER 6/18 | Denny, William, 1962 | ||||||||||||
| BOX-FOLDER 6/19 | Effron, Jesse, 1962 | ||||||||||||
| BOX-FOLDER 7/1 | Fine, Claudia, Emily, and Joanna | ||||||||||||
| Note: Daughters of Irving Fine | |||||||||||||
| BOX-FOLDER 7/2 | Fine, George 1934-1939, 1956-1960 | ||||||||||||
| BOX-FOLDER 7/3 | Fine, Verna 1941-1956 | ||||||||||||
| BOX-FOLDER 7/4 | Foss, Lukas, 1948-1982 | ||||||||||||
| BOX-FOLDER 7/5 | French, Richard, 1962 | ||||||||||||
| BOX-FOLDER 7/6 | Friedman, Sidney, 1951-1952 | ||||||||||||
| BOX-FOLDER 7/7 | Fromm, Herbert, undated | ||||||||||||
| BOX-FOLDER 7/8 | Fromm, Paul, undated | ||||||||||||
| BOX-FOLDER 7/9 | GC, undated | ||||||||||||
| BOX-FOLDER 7/10 | Ginastera, Alberto and Mercedes, 1946, 1954-1956 | ||||||||||||
| Groupe de recherches de musique concrète
see Schaeffer, Pierre |
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| BOX-FOLDER 7/11 | Haieff, Alexei and Sheila, 1946, 1987 | ||||||||||||
| BOX-FOLDER 7/12 | Harvard Crimson, undated | ||||||||||||
| BOX-FOLDER 7/13 | Heinsheimer, H. W., undated | ||||||||||||
| BOX-FOLDER 7/14 | John Simon Guggenheim Memorial Foundation, undated | ||||||||||||
| Kansas State University
see Rice, Philip M. |
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| BOX-FOLDER 7/15 | Katz, Leonard William and Barbara [Elaine] Fine, 1944 | ||||||||||||
| BOX-FOLDER 7/16 | Kitto, H. D. F., 1964 | ||||||||||||
| BOX-FOLDER 7/17 | Koussevitzky, Serge and Olga, 1946-1977 | ||||||||||||
| BOX-FOLDER 7/18 | Kraft, Victor, 1971 | ||||||||||||
| BOX-FOLDER 7/19 | Kubik, Gail, undated | ||||||||||||
| BOX-FOLDER 7/20 | Lopatnikoff, Nikolai, 1961-1962 | ||||||||||||
| BOX-FOLDER 7/21 | McCord, David, 1958-1959 | ||||||||||||
| BOX-FOLDER 7/22 | Mennin, Peter, 1948 | ||||||||||||
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