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BOX 1-95, 102-116 | Show Music, 1905-1945 | ||||||||||||
The Jerome Kern Collection consists primarily of Show Music (Series I). The music
in the collection includes a number of holograph sketches and scores, but the
majority of the music is not in Kern's hand; however, much of this music does
contain annotations by Kern. Many of the music manuscripts are by Kern's
orchestrators and arrangers. The full scores of Frank Saddler and Robert Russell
Bennett are particularly well represented. Over fifty of Kern's shows are
represented in the collection, from the 1906 shows The
Spring Chicken and Fluffy Ruffles, to
Kern's last Broadway musical Very Warm for May from
1939. The Library is particularly fortunate in the quantities of full scores and
parts we have for what are considered Kern's most significant scores: The Cat and the Fiddle, Music in
the Air, Roberta, Sally, Show Boat, Sitting Pretty, Sunny, Sweet Adeline, Very Good
Eddie and Very Warm For May. Note: there are two full sets of parts for Roberta (1933), one regular size (without any piano parts) and one oversize (which contains parts for piano's I and II.) The oversize parts appear to be somewhat more recent; when two numbers appear on these parts the greater number is usually the original and is frequently crossed out and replaced with the lower number. In addition, there are some additional parts, at least some of these appear to have been for the film and are written on RKO paper; it is not clear what productions contained "Orientale" and "Pitkin". |
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The show music in the Kern collection has first been organized alphabetically by show title, and within each show, alphabetically by song title. The music has further been physically organized by type -- full scores, piano-vocal scores, and parts. When there is more than a box or two of music for an individual show, these various types of material have been boxed separately. In this way, researchers may request boxes of just full scores, or just piano-vocal scores, or just parts. In many cases, the full scores had to be housed separately because of their large size. | |||||||||||||
BOX 1-94, 103-116 | Manuscripts | ||||||||||||
The Arrow (1905) poem by Longfellow | |||||||||||||
BOX-FOLDER 1/1 | The arrow | ||||||||||||
Copyist manuscript piano-vocal score in ink, no lyric ; [4] p. | |||||||||||||
On title page: Jerome D. Kern./Some where in England/Some time in 1905 | |||||||||||||
BOX-FOLDER 1/1 | The arrow | ||||||||||||
Manuscript lyric sheet in pencil ; [1] p. | |||||||||||||
BOX-FOLDER 1/2 | The arrow, F major | ||||||||||||
Copyist manuscript piano-vocal score in ink ; [4] p. | |||||||||||||
BOX-FOLDER 1/2 | The arrow, G major | ||||||||||||
Copyist manuscript piano-vocal score in ink ; [4] p. | |||||||||||||
BOX-FOLDER 1/2 | The arrow, F major | ||||||||||||
Manuscript piano-vocal score in pencil ; 5 p. | |||||||||||||
The Beauty Prize (1923) lyrics by P.G. Wodehouse | |||||||||||||
BOX-FOLDER 1/3 | Non stop dancing #14 | ||||||||||||
Stephen O. Jones manuscript piano-vocal score in ink, some pencil annotations in Kern's hand, no lyric ; 4 p. | |||||||||||||
Blue Eyes (1928) lyrics by Graham John | |||||||||||||
BOX-FOLDER 1/4 | Girls of London | ||||||||||||
Holograph sketches in ink and pencil ; [2] p. | |||||||||||||
Note: also includes unidentified titles | |||||||||||||
BOX-FOLDER 1/5 | His Majesty's dragoons | ||||||||||||
Holograph sketches in ink and pencil ; [4] p. | |||||||||||||
On title page: N.B. 'Show boat' on back. | |||||||||||||
BOX-FOLDER 1/6 | Scena | ||||||||||||
Robert Russell Bennett manuscript piano-vocal score in ink, no lyric ; 5 p. | |||||||||||||
The Bunch and Judy (1922) lyrics by Anne Caldwell | |||||||||||||
BOX-FOLDER 1/7 | Clansmen - march past | ||||||||||||
Copyist manuscript piano-vocal score in ink, annotations in Kern's hand ; 15 p. | |||||||||||||
On title page: 'Blue Eyes' go to p. 6 | |||||||||||||
On verso: Manuscript sketch in pencil ; [1] p. | |||||||||||||
Note: used in Toot-Toot! and Stolen Dreams | |||||||||||||
BOX-FOLDER 1/8 | Every day in every way | ||||||||||||
Manuscript orchestra sketch in pencil ; [2] p. | |||||||||||||
BOX-FOLDER 1/8 | Every day in every way | ||||||||||||
Holograph sketch in pencil ; [2] p. | |||||||||||||
BOX-FOLDER 1/9 | Have you forgotten me? blues | ||||||||||||
Copyist manuscript piano-vocal score in ink ; 9 p. | |||||||||||||
Laid in: Typescript lyric sheet ; [1] p. | |||||||||||||
Earlier title: Why don't you write to me blues? | |||||||||||||
BOX-FOLDER 1/10 | Home | ||||||||||||
Copyist manuscript piano-vocal score in ink ; 6 p. | |||||||||||||
BOX-FOLDER 1/11 | Hot dog | ||||||||||||
Copyist manuscript piano-vocal score in ink ; 5 p. | |||||||||||||
BOX-FOLDER 1/11 | Hot dog | ||||||||||||
Typescript lyric sheet ; [1] p. | |||||||||||||
BOX-FOLDER 1/11 | Hot dog - dance duet | ||||||||||||
Copyist manuscript piano-vocal score in ink ; 6 p. | |||||||||||||
BOX-FOLDER 1/12 | The pale Venetian moon | ||||||||||||
Copyist manuscript piano-vocal score in ink ; 5 p. | |||||||||||||
Call of the East
see Men of the Sky |
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Can't Help Singing
(1944) lyrics by E.Y. Harburg see I'll follow your smile ; Once in a million moons ; There'll come a day ; Trio |
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Earlier title: Caroline | |||||||||||||
Caroline
see Can't help singing |
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The Cat and the Fiddle (1931) lyrics by Otto Harbach | |||||||||||||
BOX-FOLDER 1/13 | Act I scene 2 | ||||||||||||
Robert Russell Bennett manuscript full score in ink ; 48 p. | |||||||||||||
BOX-FOLDER 4/11 | Act I scene 2 #2 | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 1/14 | Act I scene 4 - love parade | ||||||||||||
Robert Russell Bennett manuscript full score in ink ; 50 p. | |||||||||||||
BOX-FOLDER 4/12 | Act I scene 4 - love parade #3, #3b | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 4/9 | Act I finale | ||||||||||||
Typescript lyric sheet with annotations by Kern in ink ; [1] p. | |||||||||||||
Includes: lyric for cut song "Misunderstood" | |||||||||||||
BOX-FOLDER 1/15 | Act II scenes 1 and 2 | ||||||||||||
Robert Russell Bennett full score in ink ; 26 p. | |||||||||||||
BOX-FOLDER 3/1 | Act II scene 1 - scena and terzetto | ||||||||||||
Holograph sketch in pencil ; 6 p. | |||||||||||||
BOX-FOLDER 3/1 | Act II scene 1 | ||||||||||||
Holograph sketch in pencil ; 3 p. | |||||||||||||
BOX-FOLDER 3/1 | Act II scene 1 and 2 - scene and terzetto | ||||||||||||
Robert Russell Bennett manuscript piano-vocal score in ink, no lyric ; 7 p. | |||||||||||||
BOX-FOLDER 3/2 | Ace II scene 1 - terzetto | ||||||||||||
Holograph sketch ; 5 p. | |||||||||||||
Includes: She didn't say yes | |||||||||||||
BOX-FOLDER 4/13 | Act II scenes 1 and 2 #15 | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 1/16 | Act II scene 3 | ||||||||||||
Robert Russell Bennett manuscript full score in ink ; 40 p. | |||||||||||||
Includes: One moment alone | |||||||||||||
BOX-FOLDER 5/1 | Act II scene 3 #17 | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 3/3 | Act II scenes 3, 4 and 5 | ||||||||||||
Copyist manuscript piano-vocal score in ink, annotations in Kern's hand ; p. 175-209 | |||||||||||||
Includes: A new love is old; One moment alone | |||||||||||||
BOX-FOLDER 1/17 | Act II scene 5 - street scene | ||||||||||||
Robert Russell Bennett manuscript full score in ink ; 19 p. | |||||||||||||
BOX-FOLDER 5/2 | Act II scene 5 - street scene #20 | ||||||||||||
Parts | |||||||||||||
Includes: Victor incidental ; #20b Try to forget | |||||||||||||
BOX-FOLDER 3/4 | Al fresco cafe, act I scene 2 | ||||||||||||
Holograph piano score in pencil ; [1] p. | |||||||||||||
Note: incomplete | |||||||||||||
BOX-FOLDER 3/4 | Al fresco cafe, act I scene 2 | ||||||||||||
Robert Russell Bennett manuscript piano score in ink ; 6 p. | |||||||||||||
BOX-FOLDER 5/3 | Chandelier #14 | ||||||||||||
Parts | |||||||||||||
Note: based on "I watch the love parade" | |||||||||||||
BOX-FOLDER 3/5 | Dance duo - finale act I scene 7 | ||||||||||||
Holograph piano-vocal score, no lyric ; [4] p. | |||||||||||||
Includes: Don't ask me not to sing | |||||||||||||
BOX-FOLDER 1/18 | Don't ask me not to sing | ||||||||||||
Robert Russell Bennett manuscript full score in ink ; 25 p. | |||||||||||||
Note: dropped from show, used later in Roberta | |||||||||||||
BOX-FOLDER 3/6 | Don't ask me not to sing | ||||||||||||
Copyist manuscript piano-vocal score in ink ; 5 p. | |||||||||||||
BOX-FOLDER 4/9 | Don't ask me not to sing | ||||||||||||
Carbon of typescript lyric sheet ; [1] p. (incomplete) | |||||||||||||
BOX-FOLDER 3/6 | Don't ask me not to sing | ||||||||||||
Holograph piano score/sketch in ink ; [1] p. | |||||||||||||
Caption title: Don't esk | |||||||||||||
BOX-FOLDER 3/7 | Duettino, act I scene 4 | ||||||||||||
Manuscript piano-vocal score/sketch in pencil, no lyric ; 6 p. | |||||||||||||
BOX-FOLDER 1/19 | Entr'acte | ||||||||||||
Robert Russell Bennett manuscript full score in ink and pencil ; 30 p. | |||||||||||||
BOX-FOLDER 3/8 | Entr'acte | ||||||||||||
Copyist manuscript piano-vocal score in ink, some lyric and stage directions in Kern's hand ; p. 147-174 | |||||||||||||
Includes: An earlier version of "She didn't say yes" using a theme from "Act I scene I"; Act II scene I; I watch the love parade; The night was made for love; She didn't say yes | |||||||||||||
BOX-FOLDER 5/4 | Entr'acte #12 | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 2/1 | Finale act I | ||||||||||||
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