Container | Contents | ||||||||||||
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Show Music, 1905-1945 (continued) | |||||||||||||
Manuscripts (continued) | |||||||||||||
Dear Sir (1924) lyrics by Howard Dietz | |||||||||||||
Earlier title: Vanity fair | |||||||||||||
BOX-FOLDER 12/8 | Act I scene II | ||||||||||||
Robert Russell Bennett manuscript piano-vocal score in ink, no lyric ; 6 p. | |||||||||||||
Note: On p. [7] in Kern's hand: "Where in blazes is the bloody rest of this?" | |||||||||||||
All lanes must reach a
turning see Duet |
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BOX-FOLDER 13/1 | Andy's entrance #3 1⁄2 | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 13/2 | Ballet #19, #17a | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 13/3 | Blind bow bow #18 | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 13/4 |
Canzonetta #16 see also Weeping willow tree |
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Parts | |||||||||||||
BOX-FOLDER 11/1 | Chaser | ||||||||||||
Robert Russell Bennett manuscript full score in ink ; 10 p. | |||||||||||||
BOX-FOLDER 13/5 | Chaser | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 13/6 | Craig dance #9 1⁄2, #17b | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 13/7 | Dance, act II #17b, #9b | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 13/8 | Dancing time #5 (version 1) | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 13/9 | Dancing time #5 (version 2) | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 13/10 | Dorothy's entrance | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 11/2 | Duet | ||||||||||||
Robert Russell Bennett manuscript full score in ink and red pencil ; 17 p. | |||||||||||||
Includes: All lanes must reach a turning | |||||||||||||
BOX-FOLDER 13/11 | Duet #11 or #17d, E-flat major | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 14/1 | Duet #11, D major | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 14/2 | Entr'acte #12 1⁄2 | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 14/3 | Exit #17c | ||||||||||||
Parts ; 32 measure version | |||||||||||||
BOX-FOLDER 14/4 | Exit #17c | ||||||||||||
Parts ; 16 measure version | |||||||||||||
BOX-FOLDER 11/3 | Finale act I | ||||||||||||
Robert Russell Bennett manuscript full score in ink ; 42 p. | |||||||||||||
BOX-FOLDER 12/9 | Finale act I | ||||||||||||
Holograph piano-vocal score/sketch, no lyric ; 8 p. | |||||||||||||
BOX-FOLDER 12/9 | Finale act I | ||||||||||||
Robert Russell Bennett manuscript piano-vocal score in ink, no lyric ; 12 p. (6 3/4" x 10") | |||||||||||||
BOX-FOLDER 12/9 | Finale act I | ||||||||||||
Copyist manuscript piano-vocal score in ink, no lyric ; 13 p. | |||||||||||||
BOX-FOLDER 14/5 | Finale act I #12 | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 11/4 | Finale ultimo | ||||||||||||
Robert Russell Bennett manuscript full score in ink ; 6 p. | |||||||||||||
BOX-FOLDER 14/6 | Finale ultimo, E-flat major | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 14/7 | Finale ultimo, F major | ||||||||||||
Parts | |||||||||||||
Finaletto act I see Miscellaneous/Unidentified Show Music |
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BOX-FOLDER 11/5 | Finaletto scene I act II | ||||||||||||
Robert Russell Bennett manuscript full score in ink ; 58 p. (no p. 31, an additional p. 50-51 laid in) | |||||||||||||
BOX-FOLDER 14/8 | Finaletto act II #17 | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 15/1 | Finaletto scene I act II #17 | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 12/10 | Finaletto and opening act II scene 2 - wishing well scene | ||||||||||||
Robert Russell Bennett manuscript piano-vocal score in ink, some pencil annotations in Kern's hand, no lyric ; 8 p. | |||||||||||||
BOX-FOLDER 11/6 | Genevieve and men act II - Come along | ||||||||||||
Frank Saddler manuscript full score in ink, revisions by Bennett ; 44 p. | |||||||||||||
Note: Kern has crossed out title "Come along," and written in "Genevieve + men act II" on cover. This number appears to have been derived from "The language of love." Also, intended as "Come along" for Hitchy-Koo. | |||||||||||||
BOX-FOLDER 12/11 |
Genevieve and men see also Unidentified full score ; "The language of love" from Zip Goes a Million |
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Robert Russell Bennett manuscript piano-vocal score in ink, no lyric ; 13 p. | |||||||||||||
BOX-FOLDER 11/7 | Grab a girl | ||||||||||||
Robert Russell Bennett manuscript full score in ink and red pencil ; 27 p. | |||||||||||||
BOX-FOLDER 11/8 | Gypsy caravan | ||||||||||||
Robert Russell Bennett manuscript full score in ink ; 41 p. | |||||||||||||
BOX-FOLDER 12/12 | Gypsy caravan - Tamaran | ||||||||||||
Copyist manuscript piano-vocal score in ink, annotations in pencil and colored pencil ; 5 p. | |||||||||||||
Note: Lyric for "Tamaran" by Noel Coward, "Gypsy caravan" by Howard Dietz | |||||||||||||
Note: Mention on p. [6] of title "Hitch your wagon to a star" | |||||||||||||
BOX-FOLDER 12/12 | Gypsy caravan, act I scene 3 | ||||||||||||
Copyist manuscript piano-vocal score in ink ; 5 p. | |||||||||||||
Laid in: Typescript lyric sheet with annotations ; [1] p. | |||||||||||||
BOX-FOLDER 12/12 | Gypsy caravan #10 | ||||||||||||
Copyist manuscript piano-vocal score in ink, partial lyric annotations in Kern's hand ; 5 p. | |||||||||||||
BOX-FOLDER 15/2 | Gypsy caravan #10 | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 15/3 | Handy Andy #15, #11 1⁄2 | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 11/9 | House boat | ||||||||||||
Robert Russell Bennett manuscript full score in ink ; 14 p. | |||||||||||||
BOX-FOLDER 12/13 | House boat | ||||||||||||
Holograph and Robert Russell Bennett manuscript sketch in pencil ; [2] p. | |||||||||||||
BOX-FOLDER 12/13 | House boat | ||||||||||||
Robert Russell Bennett manuscript piano score in ink ; 3 p. (6 3/4" x 10") | |||||||||||||
BOX-FOLDER 15/4 | House boat #8 | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 11/10 | I want be there | ||||||||||||
Robert Russell Bennett manuscript full score in ink ; 30 p. | |||||||||||||
BOX-FOLDER 12/14 | I want to be there | ||||||||||||
Copyist manuscript piano-vocal score in ink, annotations/corrections in Kern's hand ; [9] p. | |||||||||||||
BOX-FOLDER 12/14 | I want to be there | ||||||||||||
Typescript lyric sheet ; [1] p. | |||||||||||||
BOX-FOLDER 12/14 | I want to be there | ||||||||||||
Copyist manuscript piano-vocal score in ink ; 8 p. | |||||||||||||
BOX-FOLDER 12/14 | I wanna be there - dance ta-doodle | ||||||||||||
Holograph sketch in ink ; [1] p. | |||||||||||||
BOX-FOLDER 12/14 | I want to be there | ||||||||||||
Robert Russell Bennett manuscript piano-vocal score in ink, no lyric ; 9 p. | |||||||||||||
BOX-FOLDER 15/5 | I want be there #5 | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 15/6 | I want to be there #3b, F major | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 16/1 | I want to be there #3b, G major | ||||||||||||
Parts | |||||||||||||
If you think it's love you're
right see Terzetto |
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BOX-FOLDER 16/2 | Incidental #3a | ||||||||||||
Parts ; 6 3/4" x 10" | |||||||||||||
BOX-FOLDER 12/15 | Lots of room for me | ||||||||||||
Robert Russell Bennett manuscript piano-vocal score in ink, no lyric ; 5 p. | |||||||||||||
BOX-FOLDER 16/3 | Lots of room for me #4 | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 12/16 | A merry Mormon life #8 | ||||||||||||
Copyist manuscript piano-vocal score in ink, annotations in Kern's hand in pencil ; 6 p. | |||||||||||||
BOX-FOLDER 16/4 | A merry Mormon life #4 | ||||||||||||
Parts | |||||||||||||
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