Container | Contents | ||||||||||||
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Show Music, 1905-1945 (continued) | |||||||||||||
Manuscripts (continued) | |||||||||||||
BOX-FOLDER 79/12 | Rhumba opening #1 act II | ||||||||||||
Ozalid of manuscript piano-vocal score, annotations in pencil, no lyric ; 5 p. | |||||||||||||
BOX-FOLDER 79/12 | Opening act II continued - curtain prelude built on musket #33 | ||||||||||||
Ozalid of manuscript piano-vocal score, annotations in pencil, no lyric ; 5 p. | |||||||||||||
BOX-FOLDER 79/12 | Rhumba | ||||||||||||
Manuscript piano-vocal score in pencil, no lyric ; [6] p. | |||||||||||||
BOX-FOLDER 79/12 |
Rhumba opening #2 act II see also Mister man |
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Ozalid of manuscript piano-vocal score, photocopy, and negative photocopy ; 4 p. | |||||||||||||
Note: some dummy lyrics by Kern | |||||||||||||
BOX-FOLDER 113/3 | Sally dances | ||||||||||||
Robert Russell Bennett manuscript full score in pencil and ink ; 32 p. | |||||||||||||
BOX-FOLDER 79/13 | Sally dance interlude - segue Harlem | ||||||||||||
Robert Russell Bennett manuscript piano-vocal score in ink, lyric in pencil ; 11 p. | |||||||||||||
BOX-FOLDER 87/2 | Sally dances #27b | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 113/4 | Scene change - montage into final set #29 | ||||||||||||
Manuscript full score in ink ; 21 p. | |||||||||||||
BOX-FOLDER 79/14 | Scene change - montage into final set #17 | ||||||||||||
Two ozalids of manuscript piano-vocal score, variant annotations in pencil, 1 copy includes lyric ; 5 p. each | |||||||||||||
Note: 1 copy titled "State police" | |||||||||||||
BOX-FOLDER 87/3 | Scene change #29 | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 87/4 |
Serpentine #15b see also Heaven in my arms |
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Parts | |||||||||||||
BOX-FOLDER 113/5 | Soft shoe dance | ||||||||||||
Manuscript full score in ink ; 9 p. | |||||||||||||
BOX-FOLDER 113/6 | That lucky fellow | ||||||||||||
Robert Russell Bennett manuscript full score in ink ; 56 p. | |||||||||||||
BOX-FOLDER 113/6 | Change music #21a | ||||||||||||
Robert Russell Bennett manuscript full score in ink ; 1 p. | |||||||||||||
BOX-FOLDER 79/15 | That lucky fellow | ||||||||||||
Albert Sirmay manuscript piano-vocal score in pencil ; 6 p. | |||||||||||||
BOX-FOLDER 79/15 | That lucky fellow | ||||||||||||
Copyist manuscript piano-vocal score in ink, annotations in pencil, no lyric ; [5] p. | |||||||||||||
BOX-FOLDER 79/15 | That lucky fellow | ||||||||||||
Two ozalids of manuscript piano-vocal scores, variant annotations in pencil ; 15 p. each | |||||||||||||
BOX-FOLDER 79/15 | That lucky fellow | ||||||||||||
Two printed piano-vocal scores ; 5 p. | |||||||||||||
BOX-FOLDER 87/5 |
That lucky fellow #18 see also Finale ultimo f |
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Parts | |||||||||||||
BOX-FOLDER 113/7 | That lucky lady | ||||||||||||
Robert Russell Bennett manuscript full score in ink ; 26 p. | |||||||||||||
BOX-FOLDER 87/6 | That lucky lady #20 | ||||||||||||
Parts | |||||||||||||
There's something about a
musket see Musket |
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BOX-FOLDER 79/16 |
Uncommercial traveller #36 see also #36 Parker and Daniels |
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Ozalid of manuscript piano-vocal score, annotations in pencil, no lyric ; 5 p. | |||||||||||||
Note: title partially erased | |||||||||||||
BOX-FOLDER 88/1 | W. Long routine act II #16c | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 88/2 | Winnie's reprise #16 | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 88/3 | Unidentified #4a (change) | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 88/4 | Unidentified #6 | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 88/5 | Unidentified #6a | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 88/6 | Unidentified #15f | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 88/7 | Unidentified #22 change | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 113/10 | Unidentified #22a, #23 | ||||||||||||
Robert Russell Bennett manuscript full score in ink and pencil ; 14 p. | |||||||||||||
BOX-FOLDER 88/8 | Unidentified #22a, #23 | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 88/9 | Unidentified #24 | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 88/10 | Unidentified #25a | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 89/1 | Unidentified #26 | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 89/2 | Unidentified new #27 | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 89/3 | Unidentified introduction to #27 | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 89/4 | Unidentified new #27b | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 89/5 | Unidentified #26a, #27b | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 89/6 | Unidentified new #29 | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 89/7 | Unidentified #29 very new | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 90/1 | Bobby Dolan's orchestration sketches | ||||||||||||
Manuscript (various hands, including Robert Russell Bennett) outlines of musical routines, song listings, piano scores, sketches, lead sheets, short scores, notes in pencil and ink ; | |||||||||||||
Includes: Ballet finale act II; Boogie woogie; Brain ballet; L'histoire de Madame de la Tour; Music in my heart; Night club finale; Quartet; Rhumba opening; That lucky fellow | |||||||||||||
BOX-FOLDER 90/2 | Very Warm for May | ||||||||||||
Two typescript scripts for radio play version ; 18 p. each (p. 3 missing from 1 copy) | |||||||||||||
Note: broadcast on June 4, 1951 | |||||||||||||
Laid in: Typescript letter to Mr. Edgar Carver of Rodgers & Hammerstein from Genevieve Fisch of Benton & Bowles, Inc. advertising agency ; [1] p. | |||||||||||||
BOX-FOLDER 90/3 | Serial : Local 802 A. F. of M. Official Journal, New York, January 1940 | ||||||||||||
Periodical ; 31 p. | |||||||||||||
You Were Never Lovelier
see Barrelhouse beguine; These orchids if you please; Windmill under the stars |
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Ziegfeld Follies of 1916 | |||||||||||||
BOX-FOLDER 90/4 | My lady of the Nile | ||||||||||||
Frank Saddler manuscript piano-vocal score in ink, lyric in ink and pencil ; [4] p. | |||||||||||||
Note: Lyric by Gene Buck | |||||||||||||
BOX-FOLDER 90/5 | My lady of the Nile | ||||||||||||
Parts | |||||||||||||
Note: arrangement by Charles Miller | |||||||||||||
Zip Goes a Million (1919) lyrics by Buddy DeSylva | |||||||||||||
BOX-FOLDER 91/1 | Bill | ||||||||||||
Frank Saddler manuscript full score in ink ; 9 p. | |||||||||||||
BOX-FOLDER 92/4 | Bill | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 91/2 | A business of our own | ||||||||||||
Frank Saddler manuscript full score in ink ; 26 p. | |||||||||||||
BOX-FOLDER 92/5 | A business of our own | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 91/3 | Finale act I | ||||||||||||
Frank Saddler manuscript full score in ink ; 45 p. | |||||||||||||
BOX-FOLDER 92/6 | Finale act I | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 91/4 | Finale act II | ||||||||||||
Frank Saddler manuscript full score in ink ; 30 p. | |||||||||||||
BOX-FOLDER 92/7 | Finale act II | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 92/8 | Finale ultimo | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 91/5 | Forget-me-not | ||||||||||||
Frank Saddler manuscript full score in ink ; 20 p. | |||||||||||||
BOX-FOLDER 92/9 | Forget me not | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 91/6 | Give a thought to Broadway | ||||||||||||
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