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Show Music, 1905-1945
(continued) |
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Manuscripts
(continued) |
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BOX-FOLDER 94/6 |
Whippoorwill
see also
Whip-poor-will
from Sally
|
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Parts |
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BOX-FOLDER 91/17 |
You tell 'em |
|
Frank Saddler manuscript full score in ink ;
21 p. |
|
BOX-FOLDER 94/7 |
You tell 'em |
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Parts |
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BOX-FOLDER 92/3 |
Lyric sheets |
|
Typescript lyric sheets (asterisked titles
include a manuscript lyric sheet in pencil, possibly in Buddy DeSylva's
hand, on Jerome Kern stationary) ; [43] p. |
|
Includes:
- Back yard band
- Bill
- A business of our own
- Finale act one
- *Finale act two
- Forget-me-not
- Give a thought to Broadway
- [Hail! and speech] : Monty's speech
- *It's better to be a man
- The language of love
- A man around the house
- The mandolin and the man
- *Opening act two
- Opening chorus act one
- Producers
- Something must be the matter with me
- Telephone girls
- Whippoorwill
- You tell 'em
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BOX 95 |
Miscellaneous/Unidentified Show
Music
|
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BOX-FOLDER 95/1 |
Calliope - Mitzi's chorus |
|
Manuscript lead sheet in ink, annotations in
pencil, manuscript sketch in pencil on back ; [2] p. |
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Note: probably intended for Head Over Heels
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BOX-FOLDER 95/2 |
Caprice |
|
Robert Russell Bennett manuscript piano-vocal
score in ink, no lyric ; 6 p. |
|
Note: same music as "The weeping willow tree"
from Dear Sir
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BOX-FOLDER 95/3 |
Cocoanut dance |
|
Manuscript lead sheet/sketch in pencil ; [1]
p. |
|
Note: probably intended for Lucky
|
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BOX-FOLDER 95/4 |
Dance
through life with you |
|
Frank Saddler manuscript full score in ink ; 12
p. |
|
Note: this may be "Dance through life with me"
written for Girls Will Be Girls (retitled Love o' Mike) and dropped during tryout (later
considered for Very Good Eddie), or, "I'd love
to dance through life with you" from A Modern
Eve
|
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BOX-FOLDER 95/5 |
Do look
at him |
|
Copyist manuscript piano-vocal score in ink,
annotations in Kern's hand in pencil ; [3] p. |
|
Note: probably intended for Oh, Lady! Lady!!
|
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BOX-FOLDER 95/6 |
Don't
forget (Duet: Stella and Ted) |
|
Frank Saddler manuscript piano-vocal score in
ink, no lyric ; [4] p. |
|
Note: probably intended for Love o' Mike
|
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BOX-FOLDER 95/7 |
Entrance of girls |
|
Copyist manuscript piano-vocal score in ink, no
lyric ; 5 p. |
|
Note: written for She's a
Good Fellow, reused in Sunny
|
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BOX-FOLDER 95/8 |
Finale
act I |
|
Manuscript piano score in pencil, annotations in
Kern's hand in ink ; [1] p. |
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Note: probably intended for Lucky
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BOX-FOLDER 95/9 |
Finaletto act I |
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Manuscript piano-vocal score in ink, no lyric ;
[9] p. |
|
Note: probably intended for Very Good Eddie, but unused |
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BOX-FOLDER 95/10 |
Finaletto act I |
|
Holograph sketch in pencil ; 5 p. |
|
Note: probably intended for Dear Sir
|
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BOX-FOLDER 95/11 |
Garden
of girls |
|
Frank Saddler manuscript piano score in ink ;
[2] p. |
|
Note: same music as "Package of seeds"; written
for Oh, Boy!
|
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BOX-FOLDER 95/12 |
God
rest you merry gentlemen |
|
Manuscript piano-vocal score in pencil ; [3]
p. |
|
On title page: arranged as a modern 'Blues' by
Jerome Kern |
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BOX-FOLDER 95/12 |
God
rest you merry gentlemen |
|
Printed piano-vocal score [non-Kern arrangement]
; p. 10 |
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BOX-FOLDER 95/13 |
A
great idea |
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Manuscript piano-vocal score in pencil ; 3
p. |
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BOX-FOLDER 95/14 |
Human
after all |
|
Frank Saddler manuscript piano-vocal score in
ink, no lyric ; 16 p. |
|
Note: probably intended for Love o' Mike
|
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BOX-FOLDER 95/15 |
I have
been around a bit (Duet: Madge and Jerry) |
|
Manuscript full score in ink ; 18 p. |
|
Note: probably intended for Ninety in the Shade
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BOX-FOLDER 95/16 |
If
eventually, why not now |
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Holograph piano-vocal score in pencil, lyric
partially in ink ; [3] p. |
|
Note: blue pencil marks in Frank Saddler's hand
date piece as pre-1921 |
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BOX-FOLDER 95/17 |
It's a
mile and a half (to easy street) |
|
Copyist manuscript piano-vocal score in ink ; 3
p. |
|
Note: Lyric by Schuyler Greene, dated
1915 |
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BOX-FOLDER 95/18 |
It's
wireless |
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Copyist manuscript piano-vocal score in ink ; 5
p. |
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Note: burthen is same music as burthen in
"Little church around the corner" from Sally
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BOX-FOLDER 95/19 |
A
little closer |
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Copyist manuscript piano-vocal score in ink,
typescript lyric ; 4 p. |
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Note: Lyric by M.E. Rourke, dated
1910 |
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BOX-FOLDER 95/20 |
Little
Eva |
|
Copyist manuscript piano-vocal score in ink ; 4
p. |
|
Note: probably from The
Dairymaids
|
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BOX-FOLDER 95/21 |
Madrigalette #13 |
|
Robert Russell Bennett manuscript piano-vocal
score in ink, vocal lines in Kern's hand in pencil, no lyric ; 8
p. |
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BOX-FOLDER 95/22 |
Me |
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Holograph piano score in pencil ; [2]
p. |
|
Note: probably intended for Head Over Heels
|
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BOX-FOLDER 95/23 |
Mendocino stroll |
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Manuscript piano-vocal score in pencil ; 6
p. |
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Note: Music and lyric by Donald Brian and
Jerome Kern |
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BOX-FOLDER 95/24 |
Minstrels |
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Holograph sketch in variously colored pencils ;
2 p. |
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BOX-FOLDER 95/25 |
Morganatic love (duet: Zaza and Atlas) |
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Copyist manuscript piano-vocal score in ink ; 6
p. |
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Note: Lyric by Noel Coward, music reused for
Dear Sir
|
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BOX-FOLDER 95/26 |
My
Bonnie Jean |
|
Frank Saddler manuscript full score in ink ; 8
p. |
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BOX-FOLDER 95/27 |
Opening act II |
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Holograph lead sheet/sketch in pencil ; [1]
p. |
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BOX-FOLDER 95/28 |
Fox
trot |
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Holograph sketch in pencil ; [1] p. |
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BOX-FOLDER 95/28 |
Opening act II - dance |
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Frank Saddler manuscript piano score in pencil ;
[2] p. |
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BOX-FOLDER 95/29 |
Opening scene 2 - Mitzi |
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Manuscript vocal arrangement/sketch in ink ; [1]
p. |
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BOX-FOLDER 95/30 |
Publicity |
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Holograph piano-vocal score in pencil ; 2
p. |
|
On front: Dear Frank [Saddler] This is designed
for the comedian to speak the verse and sing the Burthen alone on the stage.
But I think we had better have a fuller arrangement of the Burthen prepared
in case they want to use the chorus. So will you please make a 1st and 2nd
ending to the Burthen, which will have the wood and Brass cued in and marked
'Play 2nd time only' There is a flat box
of Tomato seedlings waiting for you here. Yrs. Jerome |
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BOX-FOLDER 95/31 |
Ten
nights in a ball room - blues |
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Copyist manuscript piano-vocal score, no lyric ;
7 p. |
|
Note: probably intended for Sitting Pretty, but unused |
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BOX-FOLDER 95/32 |
Terzetto ultimo |
|
Robert Russell Bennett manuscript piano-vocal
score in pencil, no lyric ; 3 p. |
|
Note: probably intended for Dear Sir
|
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BOX-FOLDER 95/33 |
Wedding scene |
|
Copyist manuscript piano-vocal score in ink ; 3
p. (incomplete) |
|
Note Lyric by George V. Hobart |
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Note: written for Polish
Wedding, reused in Oh, Lady! Lady!!
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BOX-FOLDER 95/34 |
When a
woman! |
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Max Steiner manuscript full score in ink ; 20
p. |
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BOX-FOLDER 95/35 |
Wishing well scene |
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Holograph sketch in pencil ; p. 2 |
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BOX-FOLDER 95/35 |
Wishing well scene |
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Holograph sketch in pencil ; p. 6 |
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BOX-FOLDER 95/35 |
Wishing well scene |
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Robert Russell Bennett manuscript sketch in
pencil ; [1] p. |
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Note: sketches appear unrelated; music used in
Dear Sir and Sunny
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BOX-FOLDER 95/36 |
You
and I (Mac Forland) |
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Copyist manuscript piano-vocal score in ink,
lyric in Kern's hand in pencil ; 8 p. |
|
Note: Lyric by P.G. Wodehouse, dated
1916 |
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BOX-FOLDER 95/36 |
You and I (Mac Forland) |
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Mimeograph of typescript lyric sheet ; [1]
p. |
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Note: Lyric by P.G. Wodehouse, dated
1916 |
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BOX-FOLDER 95/37 |
Unidentified, G major in 2/4 |
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Holograph sketch in pencil ; 1 p.
(small) |
|
Note: probably intended for Dear Sir, but unused |
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