Container | Contents | ||||||||||||
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Show Music, 1905-1945 (continued) | |||||||||||||
Manuscripts (continued) | |||||||||||||
BOX-FOLDER 12/11 |
Genevieve and men see also Unidentified full score ; "The language of love" from Zip Goes a Million |
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Robert Russell Bennett manuscript piano-vocal score in ink, no lyric ; 13 p. | |||||||||||||
BOX-FOLDER 11/7 | Grab a girl | ||||||||||||
Robert Russell Bennett manuscript full score in ink and red pencil ; 27 p. | |||||||||||||
BOX-FOLDER 11/8 | Gypsy caravan | ||||||||||||
Robert Russell Bennett manuscript full score in ink ; 41 p. | |||||||||||||
BOX-FOLDER 12/12 | Gypsy caravan - Tamaran | ||||||||||||
Copyist manuscript piano-vocal score in ink, annotations in pencil and colored pencil ; 5 p. | |||||||||||||
Note: Lyric for "Tamaran" by Noel Coward, "Gypsy caravan" by Howard Dietz | |||||||||||||
Note: Mention on p. [6] of title "Hitch your wagon to a star" | |||||||||||||
BOX-FOLDER 12/12 | Gypsy caravan, act I scene 3 | ||||||||||||
Copyist manuscript piano-vocal score in ink ; 5 p. | |||||||||||||
Laid in: Typescript lyric sheet with annotations ; [1] p. | |||||||||||||
BOX-FOLDER 12/12 | Gypsy caravan #10 | ||||||||||||
Copyist manuscript piano-vocal score in ink, partial lyric annotations in Kern's hand ; 5 p. | |||||||||||||
BOX-FOLDER 15/2 | Gypsy caravan #10 | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 15/3 | Handy Andy #15, #11 1⁄2 | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 11/9 | House boat | ||||||||||||
Robert Russell Bennett manuscript full score in ink ; 14 p. | |||||||||||||
BOX-FOLDER 12/13 | House boat | ||||||||||||
Holograph and Robert Russell Bennett manuscript sketch in pencil ; [2] p. | |||||||||||||
BOX-FOLDER 12/13 | House boat | ||||||||||||
Robert Russell Bennett manuscript piano score in ink ; 3 p. (6 3/4" x 10") | |||||||||||||
BOX-FOLDER 15/4 | House boat #8 | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 11/10 | I want be there | ||||||||||||
Robert Russell Bennett manuscript full score in ink ; 30 p. | |||||||||||||
BOX-FOLDER 12/14 | I want to be there | ||||||||||||
Copyist manuscript piano-vocal score in ink, annotations/corrections in Kern's hand ; [9] p. | |||||||||||||
BOX-FOLDER 12/14 | I want to be there | ||||||||||||
Typescript lyric sheet ; [1] p. | |||||||||||||
BOX-FOLDER 12/14 | I want to be there | ||||||||||||
Copyist manuscript piano-vocal score in ink ; 8 p. | |||||||||||||
BOX-FOLDER 12/14 | I wanna be there - dance ta-doodle | ||||||||||||
Holograph sketch in ink ; [1] p. | |||||||||||||
BOX-FOLDER 12/14 | I want to be there | ||||||||||||
Robert Russell Bennett manuscript piano-vocal score in ink, no lyric ; 9 p. | |||||||||||||
BOX-FOLDER 15/5 | I want be there #5 | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 15/6 | I want to be there #3b, F major | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 16/1 | I want to be there #3b, G major | ||||||||||||
Parts | |||||||||||||
If you think it's love you're
right see Terzetto |
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BOX-FOLDER 16/2 | Incidental #3a | ||||||||||||
Parts ; 6 3/4" x 10" | |||||||||||||
BOX-FOLDER 12/15 | Lots of room for me | ||||||||||||
Robert Russell Bennett manuscript piano-vocal score in ink, no lyric ; 5 p. | |||||||||||||
BOX-FOLDER 16/3 | Lots of room for me #4 | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 12/16 | A merry Mormon life #8 | ||||||||||||
Copyist manuscript piano-vocal score in ink, annotations in Kern's hand in pencil ; 6 p. | |||||||||||||
BOX-FOLDER 16/4 | A merry Mormon life #4 | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 12/17 |
New finale act I see also Unidentified |
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Robert Russell Bennett manuscript piano-vocal score in ink and pencil ; p. A-E, [2] p., p. 2-7, 15-18 (6 3/4" x 10") | |||||||||||||
BOX-FOLDER 16/5 | Opening A | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 16/6 | Opening act I scene 2 #6 | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 16/7 | Opening act II #13 | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 12/18 | Opening chorus act II - Valse brillante | ||||||||||||
Holograph sketch in pencil ; p. 1-2, 6 (11" x 7") | |||||||||||||
Note: derived from "Melodia a tre" and "Cretonne" from Rock-a-Bye Baby | |||||||||||||
Note: In Kern's hand on p. 6: "And so opening choruses are conceived" | |||||||||||||
BOX-FOLDER 11/11 | Opening scene 3 | ||||||||||||
Robert Russell Bennett manuscript full score in ink ; 24 p. | |||||||||||||
BOX-FOLDER 16/8 | Opening scene 3 #9 | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 12/19 | Oscar's entrance (new) | ||||||||||||
Robert Russell Bennett manuscript piano-vocal score in ink, no lyric ; 4 p. | |||||||||||||
BOX-FOLDER 12/19 | Oscar's entrance | ||||||||||||
Robert Russell Bennett manuscript piano-vocal score in ink, no lyric ; 8 p. (6 3/4" x 10") | |||||||||||||
BOX-FOLDER 12/19 | Entrance (new) Oscar, act I scene 1 | ||||||||||||
Holograph sketch in pencil ; [1] p. (11" x 7") | |||||||||||||
BOX-FOLDER 11/12 | Polka | ||||||||||||
Robert Russell Bennett manuscript full score in ink ; 16 p. | |||||||||||||
BOX-FOLDER 16/9 | Polka #17a, #9a | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 16/10 | Pool scene #18 1⁄2 | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 12/1 | Scherzo | ||||||||||||
Robert Russell Bennett manuscript full score in ink ; 34 p. | |||||||||||||
BOX-FOLDER 17/1 | Scherzo #1 | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 12/2 | Seven days | ||||||||||||
Robert Russell Bennett manuscript full score in ink ; 19 p. | |||||||||||||
BOX-FOLDER 12/20 | Seven days | ||||||||||||
Copyist manuscript piano-vocal score in ink ; 11 p. | |||||||||||||
BOX-FOLDER 12/20 | Seven days | ||||||||||||
Carbon of typescript lyric sheet with annotations in Kern's hand in pencil ; [2] p. | |||||||||||||
BOX-FOLDER 12/20 | Seven days : O.S. to G.T. | ||||||||||||
Copyist manuscript piano-vocal score in ink, annotations in Kern's hand in pencil, no lyric ; 6 p. | |||||||||||||
BOX-FOLDER 12/20 | O.S. to G.T. | ||||||||||||
Robert Russell Bennett manuscript piano-vocal score in ink, no lyric ; 5 p. | |||||||||||||
BOX-FOLDER 17/2 | Seven days #14 | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 12/3 |
Terzetto see also Terzetto ultimo |
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Robert Russell Bennett manuscript full score in ink, corrections in pencil ; 11 p. | |||||||||||||
Includes: If you think it's love, you're right | |||||||||||||
BOX-FOLDER 12/21 |
Terzetto - If you think it's
love you're right! see also Terzetto ultimo |
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Holograph piano score/sketch in pencil ; [2] p. | |||||||||||||
BOX-FOLDER 17/3 |
Terzetto #20, #15 see also Terzetto ultimo |
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Parts | |||||||||||||
There's lots of room for me see Lots of room for me |
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BOX-FOLDER 12/4 | Valse brillante | ||||||||||||
Robert Russell Bennett manuscript full score in pencil ; 8 p. | |||||||||||||
BOX-FOLDER 17/4 | Valse brillante | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 12/5 |
Weeping willow tree
canzonetta #16 see also Caprice |
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Robert Russell Bennett manuscript full score in ink ; 19 p. | |||||||||||||
BOX-FOLDER 12/5 |
Weeping willow tree (end of
canzonetta ; modulation) see also Caprice |
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Robert Russell Bennett manuscript full score in pencil ; [1] p. | |||||||||||||
BOX-FOLDER 12/22 |
Weeping willow tree
canzonetta see also Caprice |
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Robert Russell Bennett manuscript piano-vocal score in ink, no lyric ; [4] p. (incomplete; 6 3/4" x 10") | |||||||||||||
BOX-FOLDER 12/22 |
Weeping willow tree, act II
scene 1 see also Caprice |
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Carbon of typescript lyric sheet ; 2 p. | |||||||||||||
BOX-FOLDER 12/22 |
Weeping willow tree see also Caprice |
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Manuscript piano-vocal score in pencil ; 9 p. | |||||||||||||
BOX-FOLDER 12/22 |
Weeping willow tree
canzonetta see also Caprice |
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Copyist manuscript piano-vocal score in ink, annotations in Kern's hand in pencil, no lyric ; 9 p. | |||||||||||||
Earlier title: Caprice; appears to have been written prior to Dear Sir | |||||||||||||
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