Container | Contents | ||||||||||||
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Show Music, 1905-1945 (continued) | |||||||||||||
Manuscripts (continued) | |||||||||||||
BOX-FOLDER 29/5 | Intro - pit scene #24a ; new #25 | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 26/1 | I've told every little star - office | ||||||||||||
Robert Russell Bennett manuscript full score in ink, annotations in pencil ; 17 p. | |||||||||||||
BOX-FOLDER 27/11 | I've told every little star | ||||||||||||
Albert Sirmay manuscript piano-vocal score in pencil ; 6 p. | |||||||||||||
BOX-FOLDER 29/6 | I've told every little star #12 | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 29/7 | Melos A #23 | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 26/2 | On the bummel - intro #8 | ||||||||||||
Robert Russell Bennett manuscript full score in ink, annotations in pencil ; 2 p. | |||||||||||||
BOX-FOLDER 26/2 | On the bummel | ||||||||||||
Robert Russell Bennett manuscript full score in ink, annotations in pencil ; [112] p. | |||||||||||||
BOX-FOLDER 27/12 | On the bummel ; Stony brook scene ; Walking song | ||||||||||||
Manuscript piano-vocal score in various hands in ink and pencil, some lyric in Kern's hand ; [28] p. | |||||||||||||
Note: various pages with laid in items | |||||||||||||
BOX-FOLDER 27/12 | On the bummel | ||||||||||||
Copyist manuscript conductor score/lead sheet in ink, annotations in pencil ; 15 p. | |||||||||||||
On verso: various cues in pencil | |||||||||||||
BOX-FOLDER 27/13 | One more dance | ||||||||||||
Albert Sirmay manuscript piano-vocal score in pencil ; 6 p. | |||||||||||||
BOX-FOLDER 26/3 |
Opening act I #4 see also Finaletto #2 |
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Robert Russell Bennett manuscript full score in ink, annotations in pencil ; 4 p. | |||||||||||||
BOX-FOLDER 26/4 | Opening act II #16 | ||||||||||||
Robert Russell Bennett manuscript full score in ink and pencil, annotations in pencil ; [124] p. | |||||||||||||
BOX-FOLDER 30/1 | Opening act II #16 | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 30/2 | Out march #33 | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 30/3 |
Pit scene ; Steel ballet see also Intro - pit scene |
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Parts | |||||||||||||
BOX-FOLDER 27/1 | Prayer #7 | ||||||||||||
Robert Russell Bennett manuscript full score in ink ; 7 p. | |||||||||||||
BOX-FOLDER 30/4 | Prayer #7 | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 27/2 | Singverein | ||||||||||||
Robert Russell Bennett manuscript full score in ink, annotations in pencil ; 28 p. | |||||||||||||
Note: By Hammerstein-Beethoven-Kern | |||||||||||||
BOX-FOLDER 30/5 | Singverein #5, #6 | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 31/1 | Small cues, office scene #9 | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 27/3 | The song is you (I hear music) | ||||||||||||
Robert Russell Bennett manuscript full score in ink, annotations in pencil ; 8 p. | |||||||||||||
BOX-FOLDER 27/14 | The song is you | ||||||||||||
Albert Sirmay manuscript piano-vocal score in pencil ; 5 p. | |||||||||||||
BOX-FOLDER 30/6 | The song is you (I hear music) #24 | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 30/7 | The song is you - reprise #26 | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 27/4 | Terzetto | ||||||||||||
Robert Russell Bennett manuscript full score in ink, annotations in pencil ; 34 p. | |||||||||||||
Note: In Bennett's hand on p. 10: "N.B. Bell note might be played by neighboring trombonist if he doesn't charge $15 for doubling." | |||||||||||||
BOX-FOLDER 31/3 | Terzetto #14 | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 27/15 | There's a hill beyond a hill | ||||||||||||
Albert Sirmay manuscript piano-vocal score in pencil ; 6 p. | |||||||||||||
BOX-FOLDER 31/4 | There's a hill beyond a hill #8 | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 31/5 | Vorspiel #1 | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 27/5 | Walk across | ||||||||||||
Robert Russell Bennett manuscript full score in ink, annotations in pencil ; 14 p. | |||||||||||||
BOX-FOLDER 31/6 | Walk across - scene change #18 | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 27/6 | When the spring is in the air | ||||||||||||
Robert Russell Bennett manuscript full score in ink, annotations in pencil ; p. 1-10, 14-22, 24-41 | |||||||||||||
BOX-FOLDER 27/16 | When the spring is in the air | ||||||||||||
Albert Sirmay manuscript piano-vocal score in pencil ; 6 p. | |||||||||||||
BOX-FOLDER 31/7 | When the spring is in the air #20 | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 27/17 | Music in the Air selection | ||||||||||||
Robert Russell Bennett manuscript piano score in ink ; 18 p. | |||||||||||||
Includes: I've told ev'ry little star; There's a hill beyond a hill; And love was born; In Egern on the Tegern See; I am so eager; When the spring is in the air; The song is you | |||||||||||||
BOX-FOLDER 32/1-2 | Scripts | ||||||||||||
Two bound typescript scripts, ; act I (56 p.), act II (56 p.) | |||||||||||||
BOX-FOLDER 32/3 | Lyric sheets | ||||||||||||
Typescript lyric sheets, some with annotations in pencil or ink, multiple copies for some ; [49] p. | |||||||||||||
Includes:
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Included in Prologue (little girls sing offstage):
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BOX 115 | Chorus books | ||||||||||||
Two printed choral scores ; 48 p. each | |||||||||||||
BOX 115-116 | Character part books | ||||||||||||
Typescript part books, 2 copies for each character (the 1st copy usually in red and black, the 2nd a carbon) ; 82 books | |||||||||||||
The Night Boat (1920) lyrics by Anne Caldwell | |||||||||||||
BOX-FOLDER 33/1 | Some fine day | ||||||||||||
Copyist manuscript piano-vocal score in ink ; 8 p. | |||||||||||||
Alternate title: A man to match my car | |||||||||||||
BOX-FOLDER 33/1 | Some fine day | ||||||||||||
Carbon of typescript lyric sheet, annotated ; [2] p. | |||||||||||||
Alternate title: A man to match my car | |||||||||||||
BOX-FOLDER 33/2 | Some fine day | ||||||||||||
Copyist manuscript piano score in ink ; [2] p. | |||||||||||||
Ninety in the Shade (1915) | |||||||||||||
BOX-FOLDER 33/3 | Can't you see I mean you | ||||||||||||
Copyist manuscript piano-vocal score in ink and pencil, annotations in Kern's hand in pencil; [4] p. | |||||||||||||
Note: Lyric by M.E. Rourke | |||||||||||||
Note: later used with rewritten lyric in Very Good Eddie, as "Isn't it great to be married" and in London production of Theodore and Company, with further altered lyric, as "All that I want is somebody to love me" | |||||||||||||
BOX-FOLDER 33/3 | Can't you see I mean you | ||||||||||||
Printed piano-vocal score ; 5 p. | |||||||||||||
BOX-FOLDER 33/4 | Curtain up act II, opening | ||||||||||||
Manuscript full score in ink ; [4] p. | |||||||||||||
I have been around a bit see Miscellaneous/Unidentified Show Music |
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BOX-FOLDER 33/5 | *Just for to-night, or, Give me love, all your love! | ||||||||||||
Printed piano-vocal score ; 4 p. | |||||||||||||
Note: Music by Harry A. Tierney, lyric by Worton David | |||||||||||||
BOX-FOLDER 33/6 | Where's the girl for me? | ||||||||||||
Copyist manuscript piano-vocal score in ink ; 7 p. | |||||||||||||
Note: Arranged for piano by Charles N. Miller | |||||||||||||
Note: Lyric by Harry B. Smith | |||||||||||||
Note: Right side ragged and frayed | |||||||||||||
BOX-FOLDER 33/7 |
Whistling Dan see also Leave it to Jane ; Whistling Dan |
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Copyist manuscript piano-vocal score in ink, lyric and title in Kern's hand ; 5 p. | |||||||||||||
Note: Lyric by Harry B. Smith | |||||||||||||
In caption: Lone Star | |||||||||||||
BOX-FOLDER 33/8 | Unidentified | ||||||||||||
Holograph sketch in pencil ; [1] p. | |||||||||||||
In caption: Marjorie Blyth | |||||||||||||
BOX-FOLDER 33/8 | Unidentified | ||||||||||||
Manuscript lyric sheet in pencil ; [1] p. | |||||||||||||
Nobody Home (1915) | |||||||||||||
BOX-FOLDER 33/9 |
Buffo dance see also Buffo dance from Very Good Eddie |
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Frank Saddler manuscript full score in ink, with some annotations in Kern's hand ; 12 p. + p. 1a, 2a (additional scoring for trumpets and bassoons) | |||||||||||||
Crossed out title: Girls of yesterday | |||||||||||||
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