Container | Contents | ||||||||||||
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Show Music, 1905-1945 (continued) | |||||||||||||
Miscellaneous/Unidentified Show Music (continued) | |||||||||||||
BOX-FOLDER 95/10 | Finaletto act I | ||||||||||||
Holograph sketch in pencil ; 5 p. | |||||||||||||
Note: probably intended for Dear Sir | |||||||||||||
BOX-FOLDER 95/11 | Garden of girls | ||||||||||||
Frank Saddler manuscript piano score in ink ; [2] p. | |||||||||||||
Note: same music as "Package of seeds"; written for Oh, Boy! | |||||||||||||
BOX-FOLDER 95/12 | God rest you merry gentlemen | ||||||||||||
Manuscript piano-vocal score in pencil ; [3] p. | |||||||||||||
On title page: arranged as a modern 'Blues' by Jerome Kern | |||||||||||||
BOX-FOLDER 95/12 | God rest you merry gentlemen | ||||||||||||
Printed piano-vocal score [non-Kern arrangement] ; p. 10 | |||||||||||||
BOX-FOLDER 95/13 | A great idea | ||||||||||||
Manuscript piano-vocal score in pencil ; 3 p. | |||||||||||||
BOX-FOLDER 95/14 | Human after all | ||||||||||||
Frank Saddler manuscript piano-vocal score in ink, no lyric ; 16 p. | |||||||||||||
Note: probably intended for Love o' Mike | |||||||||||||
BOX-FOLDER 95/15 | I have been around a bit (Duet: Madge and Jerry) | ||||||||||||
Manuscript full score in ink ; 18 p. | |||||||||||||
Note: probably intended for Ninety in the Shade | |||||||||||||
BOX-FOLDER 95/16 | If eventually, why not now | ||||||||||||
Holograph piano-vocal score in pencil, lyric partially in ink ; [3] p. | |||||||||||||
Note: blue pencil marks in Frank Saddler's hand date piece as pre-1921 | |||||||||||||
BOX-FOLDER 95/17 | It's a mile and a half (to easy street) | ||||||||||||
Copyist manuscript piano-vocal score in ink ; 3 p. | |||||||||||||
Note: Lyric by Schuyler Greene, dated 1915 | |||||||||||||
BOX-FOLDER 95/18 | It's wireless | ||||||||||||
Copyist manuscript piano-vocal score in ink ; 5 p. | |||||||||||||
Note: burthen is same music as burthen in "Little church around the corner" from Sally | |||||||||||||
BOX-FOLDER 95/19 | A little closer | ||||||||||||
Copyist manuscript piano-vocal score in ink, typescript lyric ; 4 p. | |||||||||||||
Note: Lyric by M.E. Rourke, dated 1910 | |||||||||||||
BOX-FOLDER 95/20 | Little Eva | ||||||||||||
Copyist manuscript piano-vocal score in ink ; 4 p. | |||||||||||||
Note: probably from The Dairymaids | |||||||||||||
BOX-FOLDER 95/21 | Madrigalette #13 | ||||||||||||
Robert Russell Bennett manuscript piano-vocal score in ink, vocal lines in Kern's hand in pencil, no lyric ; 8 p. | |||||||||||||
BOX-FOLDER 95/22 | Me | ||||||||||||
Holograph piano score in pencil ; [2] p. | |||||||||||||
Note: probably intended for Head Over Heels | |||||||||||||
BOX-FOLDER 95/23 | Mendocino stroll | ||||||||||||
Manuscript piano-vocal score in pencil ; 6 p. | |||||||||||||
Note: Music and lyric by Donald Brian and Jerome Kern | |||||||||||||
BOX-FOLDER 95/24 | Minstrels | ||||||||||||
Holograph sketch in variously colored pencils ; 2 p. | |||||||||||||
BOX-FOLDER 95/25 | Morganatic love (duet: Zaza and Atlas) | ||||||||||||
Copyist manuscript piano-vocal score in ink ; 6 p. | |||||||||||||
Note: Lyric by Noel Coward, music reused for Dear Sir | |||||||||||||
BOX-FOLDER 95/26 | My Bonnie Jean | ||||||||||||
Frank Saddler manuscript full score in ink ; 8 p. | |||||||||||||
BOX-FOLDER 95/27 | Opening act II | ||||||||||||
Holograph lead sheet/sketch in pencil ; [1] p. | |||||||||||||
BOX-FOLDER 95/28 | Fox trot | ||||||||||||
Holograph sketch in pencil ; [1] p. | |||||||||||||
BOX-FOLDER 95/28 | Opening act II - dance | ||||||||||||
Frank Saddler manuscript piano score in pencil ; [2] p. | |||||||||||||
BOX-FOLDER 95/29 | Opening scene 2 - Mitzi | ||||||||||||
Manuscript vocal arrangement/sketch in ink ; [1] p. | |||||||||||||
BOX-FOLDER 95/30 | Publicity | ||||||||||||
Holograph piano-vocal score in pencil ; 2 p. | |||||||||||||
On front: Dear Frank [Saddler] This is designed for the comedian to speak the verse and sing the Burthen alone on the stage. But I think we had better have a fuller arrangement of the Burthen prepared in case they want to use the chorus. So will you please make a 1st and 2nd ending to the Burthen, which will have the wood and Brass cued in and marked 'Play 2nd time only' There is a flat box of Tomato seedlings waiting for you here. Yrs. Jerome | |||||||||||||
BOX-FOLDER 95/31 | Ten nights in a ball room - blues | ||||||||||||
Copyist manuscript piano-vocal score, no lyric ; 7 p. | |||||||||||||
Note: probably intended for Sitting Pretty, but unused | |||||||||||||
BOX-FOLDER 95/32 | Terzetto ultimo | ||||||||||||
Robert Russell Bennett manuscript piano-vocal score in pencil, no lyric ; 3 p. | |||||||||||||
Note: probably intended for Dear Sir | |||||||||||||
BOX-FOLDER 95/33 | Wedding scene | ||||||||||||
Copyist manuscript piano-vocal score in ink ; 3 p. (incomplete) | |||||||||||||
Note Lyric by George V. Hobart | |||||||||||||
Note: written for Polish Wedding, reused in Oh, Lady! Lady!! | |||||||||||||
BOX-FOLDER 95/34 | When a woman! | ||||||||||||
Max Steiner manuscript full score in ink ; 20 p. | |||||||||||||
BOX-FOLDER 95/35 | Wishing well scene | ||||||||||||
Holograph sketch in pencil ; p. 2 | |||||||||||||
BOX-FOLDER 95/35 | Wishing well scene | ||||||||||||
Holograph sketch in pencil ; p. 6 | |||||||||||||
BOX-FOLDER 95/35 | Wishing well scene | ||||||||||||
Robert Russell Bennett manuscript sketch in pencil ; [1] p. | |||||||||||||
Note: sketches appear unrelated; music used in Dear Sir and Sunny | |||||||||||||
BOX-FOLDER 95/36 | You and I (Mac Forland) | ||||||||||||
Copyist manuscript piano-vocal score in ink, lyric in Kern's hand in pencil ; 8 p. | |||||||||||||
Note: Lyric by P.G. Wodehouse, dated 1916 | |||||||||||||
BOX-FOLDER 95/36 | You and I (Mac Forland) | ||||||||||||
Mimeograph of typescript lyric sheet ; [1] p. | |||||||||||||
Note: Lyric by P.G. Wodehouse, dated 1916 | |||||||||||||
BOX-FOLDER 95/37 | Unidentified, G major in 2/4 | ||||||||||||
Holograph sketch in pencil ; 1 p. (small) | |||||||||||||
Note: probably intended for Dear Sir, but unused | |||||||||||||
BOX-FOLDER 95/37 | Unidentified, C minor in 2/4 | ||||||||||||
Holograph sketch in pencil ; [1] p. | |||||||||||||
BOX-FOLDER 95/37 | Unidentified, F major in 2/2 | ||||||||||||
Holograph sketch in pencil ; 2 p. | |||||||||||||
BOX-FOLDER 95/38 | Unidentified | ||||||||||||
Manuscript scores ; [24] p. | |||||||||||||
Includes:
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BOX-FOLDER 95/39 | Lyric sheets | ||||||||||||
Typescript lyric sheets ; [4] p. | |||||||||||||
Includes: May bells (Rose and girls); Golden rainbow; Up town New York (Trio: Guy, Mary and Patsy); Pat and men | |||||||||||||
BOX 96-100 | Miscellaneous Music, undated | ||||||||||||
The Miscellaneous Music (Series II) is mostly comprised of copies of late songs by Kern. Many of these were songs that were cut from films, or written for unproduced projects. In some cases, lyrics were added to previously unused works after Kern's death. Apparently, most of this material came from the files of T. B. Harms, Inc. (Kern's publisher) and some appear to have been transcribed from recordings made by Kern. | |||||||||||||
Arrangement of the Miscellaneous Music (Series II) is divided into two subseries. The first subseries, Titled, is sorted alphabetically by title. The second subseries, Untitled, is arranged by folder level description. | |||||||||||||
BOX 96-99 | Miscellaneous Music (Titled) | ||||||||||||
BOX-FOLDER 96/1 | Afternoon of a siren | ||||||||||||
Robert Russell Bennett manuscript piano-vocal score in ink, no lyric ; 3 p. | |||||||||||||
BOX-FOLDER 96/2 | All's well with the world - new #32 | ||||||||||||
Photocopy and negative of copyist manuscript piano-vocal score ; p. 14-27 | |||||||||||||
Note: Lyric by Otto Harbach; intended for Men in the Sky; dated 1930 June 7 | |||||||||||||
BOX-FOLDER 96/3 | April fooled me | ||||||||||||
Copyist manuscript piano-vocal score in ink ; [3] p. | |||||||||||||
Note: Lyric by Dorothy Fields | |||||||||||||
BOX-FOLDER 96/3 | Untitled : C.5 | ||||||||||||
Photocopy and negative of manuscript piano-vocal score, no lyric ; 4 p. each | |||||||||||||
Note: "Sentimental song" on negative only | |||||||||||||
BOX-FOLDER 96/4 | Baby | ||||||||||||
Photocopy of Robert Russell Bennett manuscript piano-vocal score, no lyric ; 3 p. | |||||||||||||
BOX-FOLDER 96/5 |
Back in my shell - new
#20 see also Barrelhouse beguine |
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Photocopy and negative of manuscript piano-vocal score, no lyric ; 3 p. each | |||||||||||||
Note: from One Night in the Tropics (1940), lyric by Dorothy Fields | |||||||||||||
Note: "Serenade" on negative only | |||||||||||||
BOX-FOLDER 96/6 | Barrelhouse beguine | ||||||||||||
Manuscript lead sheet in pencil, no lyric ; [1] p. | |||||||||||||
BOX-FOLDER 96/6 |
Barrelhouse beguine -
new #25 see also Back in my shell |
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Photocopy of manuscript piano-vocal score ; 4 p. | |||||||||||||
Note: Lyric by Johnny Mercer; from You Were Never Lovelier; copyright 1942 | |||||||||||||
BOX-FOLDER 96/7 | Bells - new #7 | ||||||||||||
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