Container | Contents | ||||||||||||
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Show Music, 1905-1945 (continued) | |||||||||||||
Manuscripts (continued) | |||||||||||||
Why was I born? (continued) | |||||||||||||
Copyist manuscript piano-vocal score in pencil, for publication ; 4 p. | |||||||||||||
BOX-FOLDER 75/17 | Yacht scene ; Don't ever leave me | ||||||||||||
Copyist manuscript piano-vocal score in pencil, no lyric ; [15] p. | |||||||||||||
On back: manuscript lead sheet/sketch in pencil ; [1] p. | |||||||||||||
BOX-FOLDER 75/17 | Yacht scene ; Don't ever leave me | ||||||||||||
Copyist manuscript piano-vocal score in ink, lyric in pencil and ink, some by Kern ; 17 p. | |||||||||||||
Note: listed in the program as "The harbor scene" | |||||||||||||
BOX-FOLDER 75/18 |
Yes, m'am (Elly and boys) see also Poor wet fish |
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Robert Russell Bennett manuscript piano-vocal score in ink, lyric in pencil, mostly in Hammerstein's hand, partially in Kern's hand, + holograph insert in pencil; 10 p. + [1] p. | |||||||||||||
Note: originally intended for Show Boat, became "First Mate Martin" in Sweet Adeline | |||||||||||||
BOX-FOLDER 75/19 | Unidentified/miscellaneous holographs | ||||||||||||
Holograph sketches in pencil ; [1] p. | |||||||||||||
Includes: Why was I born?; Here am I; Jenny Lee | |||||||||||||
On verso: part for "My gal is a high born lady" from Show Boat | |||||||||||||
BOX-FOLDER 75/19 | Unidentified/miscellaneous holographs | ||||||||||||
Holograph (mostly) sketches in ink and pencil ; [4] p. | |||||||||||||
BOX-FOLDER 75/19 | Unidentified/miscellaneous holographs | ||||||||||||
Holograph sketches in pencil ; [1] p. | |||||||||||||
Includes: release to "Here am I" and end of "Don't ever leave me" | |||||||||||||
BOX-FOLDER 75/19 | Unidentified/miscellaneous holographs | ||||||||||||
Holograph sketches in pencil ; [1] p. | |||||||||||||
Includes: Don't ever leave me | |||||||||||||
BOX-FOLDER 75/20 | Unidentified/miscellaneous manuscripts | ||||||||||||
Copyist manuscript piano-vocal score in ink, annotations in pencil, partial lyric ; 8 p. | |||||||||||||
Includes: Act I opening scene 3 | |||||||||||||
BOX-FOLDER 75/20 | Unidentified/miscellaneous holographs | ||||||||||||
Copyist manuscript choral arrangement in pencil ; 3 p. | |||||||||||||
Includes: Act I opening scene 3; Chorus parts insert | |||||||||||||
Note: the two items above go together, representing an unknown song which might be "We're glad we're here" | |||||||||||||
BOX-FOLDER 75/20 | Unidentified | ||||||||||||
Manuscript sketches in pencil ; [2] p. | |||||||||||||
BOX-FOLDER 75/21 | Sweet Adeline Selection | ||||||||||||
Albert Sirmay manuscript piano score in pencil with paste-ins from printed score ; 19 p. | |||||||||||||
Includes: Here am I; Why was I born; A girl is on your mind; Don't ever leave me; 'Twas not so long ago | |||||||||||||
BOX-FOLDER 75/22 | Lyric sheets | ||||||||||||
Typescript lyric sheets ; [13] p. | |||||||||||||
Includes: Here am I; Molly O'Donohue; Out of the blue; Some girl is on your mind - Hoffman house scene; The sun about to rise; 'Twas not so long ago (from the German) | |||||||||||||
Swing Time (1936) lyrics by Dorothy Fields | |||||||||||||
BOX-FOLDER 102/23 | Bojangles of Harlem | ||||||||||||
Negative photocopy of copyist manuscript piano-vocal score ; 5 p. | |||||||||||||
Three Sisters (1934) lyrics by Oscar Hammerstein II | |||||||||||||
Dorrie barges see I won't dance from Roberta |
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Opening act II see Opening act II - Entrance, melos and exit Philip |
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Toot-Toot! (1918) lyrics by Berton Braley | |||||||||||||
BOX-FOLDER 76/1 | Every young girl in America | ||||||||||||
Frank Saddler manuscript piano-vocal score in pencil, no lyric ; 4 p. (p. 4 crossed out) | |||||||||||||
Alternate title: Every girl in all America | |||||||||||||
BOX-FOLDER 76/2 | Finale act II | ||||||||||||
Frank Saddler manuscript piano-vocal score in pencil, no lyric ; 9 p. | |||||||||||||
In caption: Opening chor act II | |||||||||||||
BOX-FOLDER 76/3 | Girlie no. 13 | ||||||||||||
Frank Saddler manuscript piano-vocal score in pencil, no lyric ; 2 p. | |||||||||||||
BOX-FOLDER 76/3 | Girlie | ||||||||||||
Copyist manuscript piano-vocal score in ink ; 4 p. | |||||||||||||
BOX-FOLDER 76/3 | Girlie | ||||||||||||
Printed piano-vocal score, annotations in pencil, some in Bennett's hand ; 5 p. | |||||||||||||
BOX-FOLDER 76/4 |
Honeymoon land #7 see also Omaha |
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Copyist manuscript piano-vocal score in ink ; [4] p. | |||||||||||||
BOX-FOLDER 76/5 | If | ||||||||||||
Frank Saddler manuscript piano-vocal score in pencil, no lyric ; 2 p. | |||||||||||||
Note: If you only cared enough; If (there's anything you want) | |||||||||||||
BOX-FOLDER 76/6 | It's immaterial to me | ||||||||||||
Holograph and Frank Saddler manuscript sketch in pencil ; [3] p. + intro in Kern's hand on scrap of paper | |||||||||||||
Titled: Porter's song | |||||||||||||
BOX-FOLDER 76/7 | *The last long mile | ||||||||||||
Printed piano-vocal score ; 5 p. | |||||||||||||
Note: Music and lyric by Emil Breitenfeld | |||||||||||||
BOX-FOLDER 76/8 | Omaha | ||||||||||||
Frank Saddler manuscript full score in ink ; 9 p. | |||||||||||||
BOX-FOLDER 76/9 | Omaha | ||||||||||||
Holograph piano sketch in pencil ; 3 p. | |||||||||||||
Includes: New burthen for "Honeymoon land" | |||||||||||||
BOX-FOLDER 76/10 | Omaha #13a | ||||||||||||
Parts | |||||||||||||
BOX-FOLDER 76/11 | Opening act II | ||||||||||||
Copyist manuscript piano-vocal score in ink, no lyric ; [4] p. | |||||||||||||
Note: this may not be from Toot-Toot! | |||||||||||||
BOX-FOLDER 76/12 | Opening chorus act 1 #1 | ||||||||||||
Frank Saddler manuscript piano-vocal score in pencil, no lyric ; 5 p. + [1] p. insert | |||||||||||||
BOX-FOLDER 76/13 | Runaway colts | ||||||||||||
Frank Saddler manuscript piano-vocal score in pencil, no lyric ; 2 p. | |||||||||||||
BOX-FOLDER 76/14 | Smoke | ||||||||||||
Frank Saddler manuscript piano-vocal score in pencil, no lyric ; 6 p. | |||||||||||||
BOX-FOLDER 76/15 | Teepee | ||||||||||||
Parts | |||||||||||||
Alternate title: I will knit a suit of dreams | |||||||||||||
Note: orchestrated by Charles Miller | |||||||||||||
BOX-FOLDER 76/16 | Toot-Toot! No. 1 1⁄2 | ||||||||||||
Frank Saddler manuscript piano-vocal score in pencil ; 7 p. | |||||||||||||
BOX-FOLDER 76/17 | When you wake up dancing | ||||||||||||
Frank Saddler manuscript piano-vocal score in pencil, no lyric ; 2 p. | |||||||||||||
Note: musical routine on back of p. 2 | |||||||||||||
BOX-FOLDER 76/17 | When you wake up dancing | ||||||||||||
Copyist manuscript piano-vocal score in ink ; [4] p. | |||||||||||||
BOX-FOLDER 76/18 | Yankee doodle on the line | ||||||||||||
Frank Saddler manuscript piano score in pencil ; 2 p. | |||||||||||||
BOX-FOLDER 76/19 | Lyric sheets | ||||||||||||
Typescript lyric sheets ; [3] p. | |||||||||||||
Includes: Immaterial to me; Nellie from Omaha | |||||||||||||
Vanity Fair | |||||||||||||
[Various titles] see Dear Sir |
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Very Good Eddie (1915) lyrics mostly by Schuyler Greene & Herbert Reynolds [M.E. Rourke] | |||||||||||||
BOX-FOLDER 77/1 | Babes in the woods (duettino) | ||||||||||||
Frank Saddler manuscript full score in ink and pencil ; 10 p. | |||||||||||||
On cover: Copyist Extract only ink notes pay no attention to pencil marks. J. Kern Feb 20th/1917 | |||||||||||||
BOX-FOLDER 77/2 | Babes in the wood and change of scene #10 | ||||||||||||
C.M. Selling manuscript full score in ink and pencil ; 20 p. | |||||||||||||
BOX-FOLDER 77/3 |
Buffo dance #9 1⁄2 see also Buffo dance from Nobody Home |
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C.M. Selling manuscript full score in ink ; 5 p. | |||||||||||||
BOX-FOLDER 77/4 | The fashion show | ||||||||||||
Frank Saddler manuscript full score in ink ; 16 p. | |||||||||||||
BOX-FOLDER 77/4 | The fashion show #11 | ||||||||||||
C.M. Selling manuscript full score in ink ; 18 p. | |||||||||||||
BOX-FOLDER 77/5 | Finale act II | ||||||||||||
C.M. Selling manuscript full score in ink ; 12 p. | |||||||||||||
Note:Includes: Babes in the wood; If I find the girl; I've got to dance; Nodding roses | |||||||||||||
Note:Note: original orchestration | |||||||||||||
BOX-FOLDER 77/5 | Finale act II #14 | ||||||||||||
C.M. Selling manuscript full score in ink ; 4 p. | |||||||||||||
Note:Includes: Babes in the wood; If I find the girl | |||||||||||||
Note: Casino version | |||||||||||||
BOX-FOLDER 77/6 |
Finaletto act I see also: Miscellaneous/Unidentified Show Music |
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Frank Saddler manuscript full score in ink ; 28 p. | |||||||||||||
Note: p. 22-28 crossed out with note in Kern's hand "copy in Here p+f Refrain 'Grand and Glorious Feeling' in D" | |||||||||||||
BOX-FOLDER 77/7 | I'd like to have a million #12 | ||||||||||||
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